Film Review: The Patriot (dir by Roland Emmerich)


First released in the year 2000, The Patriot stars Mel Gibson (back before the arrests and scandals) as Benjamin Martin.

Benjamin Martin is a planter living in colonial-era South Carolina.  When he was younger, he fought in the French/Indian War and was infamous for his ferocity as a combatant.  However, in the year 1776, he is devoted to working the land and peacefully caring for his children.  When, as a member of the South Carolina General Assembly, he is called upon to cast a vote for or against independence, he abstains.  He’s no fan of the British but he’s also seen the harsh reality of war and doesn’t want his sons to have any part of it.  However, the Assembly still votes for Independence and Martin’s oldest son, Gabriel (Heath Ledger), is among the first to enlist in the army.

Four years later, the British come to the Martin farm and demand that Benjamin had over a wounded Gabriel to them.  When Benjamin resists, the arrogant Col. Tavington (Jason Isaacs) kills one of Benjamin’s other sons.  After Tavington has Gabriel arrested, Benjamin and two of his remaining sons track down the British convoy transporting him.  While his two youngest sons look on in horror, Benjamin savagely shoots and hacks to death all of the British soldiers and rescues Gabriel.

The Patriot may be a film about the American Revolution but it’s also definitely a Mel Gibson film.  That means that Benjamin is man driven as much be revenge as by a desire to win his country’s independence.  The British killed his son and burned down his house.  Benjamin responds by grabbing his musket and packing his axe and soon, it’s more common than not to see Benjamin covered in blood.  Benjamin attacks like a feral beast who is determined to dominate anyone and anything that would invade his territory.  Two of his sons go from being honored to be asked to come along to being terrified at the sight of their father murdering soldier after soldier.  It’s probably the most emotionally honest moment you’ll ever find in a Roland Emmerich film.  Of course, whether Emmerich meant for it to be so is open to debate.

And indeed, it should be noted that The Patriot is very much a Roland Emmerich film.  The running time is an epic 165 minutes.  The battle scenes are long and loud and carefully choreographed.  Gibson was still rugged and handsome when he played Benjamin Martin.  (Both before his downfall and after, Gibson has always been best cast as people who just want to be left alone and who finally snap once it becomes obvious that’s not going to happen.)  Heath Ledger almost appears beatific in his scenes.  The film looks great without ever quite looking authentic.  It’s like a fever dream that is less about how the American Revolution was actually fought and more about how we imagine it was fought.

And you know what?

The film works for me.  This is one of Emmerich’s best films, which admittedly is not a high bar to clear.  Yes, it’s a bit simplistic.  Yes, it’s not historically accurate.  Yes, all of the British are portrayed as being one-dimensional villains.  Who cares?  Whether he realizes it or not, Roland Emmerich has always been a B-movie maker at heart and The Patriot is effective in much the same way that many crude but shameless B-movies are.  The mix of Mel Gibson’s madness, Heath Ledger’s beatific earnestness, and Jason Isaac’s arrogance transforms The Patriot into a triumph of the pulp imagination.  Much like America itself, The Patriot is big and loud and it makes absolutely no apologies.

4 Shots From 4 Films: Special Flag Day Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Happy Flag Day!  It’s time for….

4 Shots From 4 Films For Flag Day

Patton (1970, dir by Franklin J. Schaffner)

Rocky IV (1985, dir by Sylvester Stallone)

The Patriot (2000, dir by Roland Emmerich)

Marty Supreme (2025, dir by Josh Safdie)

The Lost Best Picture Nominee: The Patriot (dir. by Ernst Lubitsch)


So, in case you hadn’t noticed, I’ve got a love for film trivia in general and Oscar trivia in particular.  I also love to make lists.  Last night, these twin loves led to me staying up way too late making a list of every single film ever nominated for best picture.  As I looked down at that list, I thought to myself, “That’s not even a 1,000 movies.  Why it would only take a few years for me to see and then review every single film ever nominated.”  So, I am now a woman on a mission.  Well, actually, I’m on several missions but this is definitely one of them.

Unfortunately, there is one nominee that its doubtful that I — or anyone else will ever see — and that is 1928’s The Patriot.  Not only was it the last silent film to be nominated for best picture but it’s also the only nominee to subsequently become a “lost” film.  With the exception of a few publicity stills and the film’s trailer, all trace of The Patriot has vanished.  Maybe there’s a copy of it sitting in the corner of someone’s attic.  It has happened in the past, after all.  More likely though, the Patriot is simply gone. 

Here’s the trailer:

The Patriot was based on the 1801 assassination of Tsar Paul I of Russia.  Paul was played by Emil Jannings who, the previous year, had won the very first Academy Award for Best Actor for his performance in The Last Command.  Paul’s assassin — the patriot of the title — was played by character actor Lewis Stone who later played almost everyone’s father in the 1930s.  Director Lubitsch was, like Jannings, a relatively recent arrival from Germany.

The Patriot was an expensive, “prestige” presentation that was pretty much doomed the moment that Al Jolson spoke in The Jazz Singer.  With audiences now obsessed with “talking pictures,” the silent Patriot was a box office bomb.  Paramount hastily withdrew the film from circulation, added a few sound effects (though no dialogue because of Jannings’s thick German accent), and then re-released the film with the little success.  The Patriot — the last silent film nominated — lost to the first sound film to win Best Picture, Broadway Melody.

The box office failure of The Patriot pretty much drove the last nail into the coffin of the silent film era.  Jannings reacted to the coming of sound by returning to his native Germany and continuing his film career there.  He co-starred with Marlene Dietrich in Josef von Sternberg’s The Blue Angel.   As Germany’s most distinguished actor, Jannings was a supporter of Adolf Hitler and he appeared in several Nazi propaganda films during World War II.  In 1945, following the fall of the Third Reich, Jannings reportedly carried his Oscar with him as he walked through the streets of Berlin.  He died in Austria in 1950 at the age of 65. 

Lewis Stone, meanwhile, prospered in sound films and was a busy character actor until he died of a heart attack in 1953.  Reportedly, he dropped dead while chasing some neighborhood children who had been throwing rocks at his garage.

Ernest Lubitsch also had a very succesful career in Hollywood and specialized in sophisticated romantic comedies and musicals.  While Jannings was making propaganda films for Hitler, Lubitsch was directing the anti-Nazi comedy, To Be Or Not To Be.  He died of a heart attack in 1947, reportedly while having sex with a starlet who was auditioning for a role in his latest film.

The Patriot remains lost.