TV Review: Twin Peaks 2.19 “Variations on Relations” (dir by Jonathan Sanger)


“Butterfingers!”

— Catherine Martell (Piper Laurie) in Twin Peaks 2. 19 “Variations on Relations”

“Tastes kind of woody.”

— Lucy Moran (Kimmy Robertson), same episode

Well, everyone, we’re coming towards the end.

There’s only a few more episodes to go and then Leonard, Jeff, and I will be finished with our look back at Twin Peaks.  Have you been enjoying it?  I hope so!  And, before you feel too sad about the end of our look back, remember that, on May 21st, a new season of Twin Peaks will premiere on Showtime!  Who knows?  Maybe we’ll even review it on this site.

Today’s episode is the 19th of season 2.  It was the first episode, since Arbitrary Law, to be written by the show’s co-creator, Mark Frost.  It was directed by Jonathan Sanger, who in 1980 produced a film called The Elephant Man.  The Elephant Man was, of course, directed by David Lynch.  It was Lynch’s first mainstream success and it’s totally reasonable to say that, if not for The Elephant Man, Lynch would probably never had a chance to put a show on American television.

We start with the opening credits.  Knowing that the show is nearly over and that this latest review series is about to come an end, Angelo Badalamenti’s opening theme music sounds even more ominous than usual.  Both Joan Chen and James Marshall are still listed in the opening credits, despite no longer being on the show.  Not listed: Heather Graham, Billy Zane, or Kenneth Welsh, despite the fact that the last few episodes have revolved around them.

Harry (Michael Ontkean), Cooper (Kyle MacLachlan), Andy (Harry Goaz), and Hawk (Michael Horse) return to the Owl Cave and discover that someone has already turned the lever and caused the cave to collapse.  “Someone’s been here already,” Cooper says, “they did our work for us.”  Because Hawk can basically do anything, he notices a footprint and immediately recognizes it as being the same footprint that was found outside the power station.

“Windom Earle,” Cooper says.

“What would Windom Earle be doing here?” Harry asks.

Hey, here’s a better question — why did they leave the Owl Cave unguarded?  Why didn’t they try to turn the lever themselves?  Why didn’t they at least try to replace the part of the wall that fell off so that the lever wouldn’t just be out there in the open?  I realize that Cooper is supposed to be silly in love with Annie right now but this is still a mistake that he wouldn’t have made during the first season.

(One of the more annoying things about the latter half of the second season is that the characters are much more inconsistent.  Cooper’s level of competence changes from scene to scene.)

Cooper orders Andy to copy the drawing on the cave wall.  (To me, the drawing looks a lot like the mountains around Twin Peaks.)

We fade to Windom Earle (Kenneth Welsh) taking about how there was once a place of goodness called The White Lodge.  As Windom speaks, he smokes a pipe and, not for the first time, I find myself wondering if maybe Windom’s actually a hobbit.  Windom explains that the White Lodge was a ghastly place and then, literally, says “Heh heh.”  I know Windom’s supposed to be some sort of supergenius villain but he’s no Killer BOB.

Leo (Eric Da Re) listens as Windom explains that there was also a Black Lodge and the Black Lodge was a place of pure evil.  Windom intends to find it.  As the camera pans across the cabin, we see that Leo and Windom have a visitor.  We’ll call him Heavy Metal Stoner Dude (HMSD for short) and he’s played by Sam Raimi’s brother, Ted.  HMSD says the story’s cool but he was promised beer and a party.

“In time, young man,” Windom says, “Everything in time.”

Then, Windom starts to play that damn flute of his again.

At the Martell house, Pete (Jack Nance) is staring at a chess board and talking (to himself) about how much he loved Josie.  He even recites a poem or two.  Catherine (Piper Laurie) comes in the room and tells him to stop feeling sorry for himself.  Catherine wants to open the box that Eckhardt left behind but, as Pete quickly notices, there’s no keyhole.  It’s a puzzle box!  Pete tells a long anecdote about going on a date with two twins in Guam and then says that it could take years to open up the box.

At the Double R Diner, Bobby (Dana Ashbrook) tells Shelly (Madchen Amick) that he’s figured out the secret of success.  “Beautiful people get whatever they want,” Bobby says.  (It’s true.  We do.)  “When was the last time you saw a hot blonde go to the electric chair?” Bobby asks.  (Again, Bobby is correct but he’s Bobby so we won’t give him too much credit.)  Bobby has decided that Shelly needs to enter the Miss Twin Peaks Contest.  When Shelly tells Bobby that he’s being ridiculous, Bobby grabs her wrist and says, “Bobby’s in charge!”

Meanwhile, the Mayor (John Boylan) and Lana (Robyn Lively) sit in a booth, letting us know that, despite being with the town’s lethal sex goddess, the Mayor hasn’t had a heart attack yet.  Lana says that she wants to be Miss Twin Peaks.  I just remembered that Robyn Lively starred in Teen Witch.  Top that!

Cooper comes in and, of course, immediately goes to the counter and tells Annie (Heather Graham) that he needs doughnuts and coffee.  Cooper also asks Annie to accompany him on a nature study.  Cooper says he gets a tingling sensation when he talks to Annie.  “Interesting,” Annie says.

Considering that I happen to like both Heather Graham and Kyle MacLachlan, I never thought I would say this but Cooper and Annie have got to be the most annoying couple ever.  First off, MacLachlan — whose performance is usually perfect — goes overboard with Cooper’s awkward shyness.  It’s as if the show is so desperate to convince us that he and Audrey actually don’t belong together that Cooper is now being written like an idiot in an effort to make us go, “So that’s what true love looks like!  People in love don’t have chemistry or intelligent conversations like Cooper and Audrey did!  Instead, they get a blank look in their eyes, grin an empty grin, and talk about nature studies!”

As for Annie, it’s obvious that she was a hastily created character.  Much as Cooper’s competence changes from scene to scene, the same can be said of Annie’s innocence.  Yesterday, Jeff compared Annie to an Amish girl on rumspringa and I think that’s the perfect way to put it.  She didn’t spend the last few years on Mars, after all.  She was just in a convent.

Anyway, back to the show:

As Cooper pays for the doughnuts, Shelly recites the poem that was left for her by Windom Earle.  Cooper recognizes the poem and says that he needs to see it immediately.  Shelly hands over the poem and Cooper leaves but not before promising to pick Annie up at 4:00 sharp.

At the station, Harry reads over the poem and Cooper explains that Audrey, Donna, and Shelly have all been contacted and presumably targeted by Windom Earle.  Cooper also explains that he once sent the same poem to Caroline.  If Windom’s goal is to hurt Cooper, I can understand targeting Audrey but why Donna and Shelly?  Neither one of them has really had anything to do with Cooper.

In the Conference Room, Maj. Briggs (Don S. Davis) watches as Andy draws the cave symbol on the chalk board.  The Major correct Andy’s drawing as Cooper steps into the room.  Cooper says that he needs the Major’s help but that he can’t tell him how or why.

“Go on,” Major Briggs nods.

(It’s interesting how Briggs has gone from being Bobby’s abusive, ultra-strict father to being some sort of seer.  I like the change, though.  Don S. Davis, who died just recently, was far too good an actor to be wasted as just another abusive father figure.  His simple but firm delivery of “Go on,” is a masterclass in great acting.)

Cooper explains that the Twin Peaks Sheriff’s Department is investigating three separate cases: the disappearance of Leo Johnson, the appearance of Windom Earle, and the drawings found in Owl Cave.  (Why would the sheriff’s department investigate cave drawings?  Isn’t that a job for Werner Herzog?)  Cooper says that logic would say the three are unrelated but he disagrees.  Cooper calls them three notes in one big song.

“What can I do to help?” Briggs asks, wonderfully nonplussed.

Cooper says that he needs to know exactly what Windom Earle was doing with Project Blue Book.  Briggs explains that, after his disappearance, his security clearance was revoked.  He also says that there are certain moral values that must be taken into consideration.

“Yes, sir,” Cooper says, “I understand.”

Briggs asks if this information will help to save lives.  Cooper says that it will.  Briggs than asks if the drawing is a copy of what was found in Owl Cave.  Briggs explains that he once saw the same thing in a dream.  Briefly, a monk-like figure wanders across the screen, followed by an owl flying through outer space.

Back in reality, Maj. Briggs says, “I will do what you ask.”

Hawk enters with Leo’s arrest report.  Cooper looks over Leo’s confession and then announces that the poem was transcribed by Leo Johnson.

Menawhile, at the Great Northern, the Stop Ghostwood Estates campaign continues with a charity wine tasting.  Ben (Richard Beymer) explains to Dick (Ian Buchanan) that Audrey will not be around to help because she has, quite conveniently, been sent to Seattle.  (This also means that Audrey won’t be around to get in the way of the Cooper/Annie romance.)  Dick is wearing an oversized bandage on his nose.  Ben says that they will also be paying Dick’s medical bills and they’ll be providing him worker’s comp.

“Capital!” Dick says, “I’ll alert my attorney.”

As Dick walks away, Ben mutters that the urge to be bad is hard to resist.  Personally, I prefer evil Ben to this Ben but I do like the fact that, even when Ben tries to be good, he still comes across as being sinister.

At the cabin, Windom Earle is still acting like a cartoonish super villain.  (This is to be expected since Windom is a cartoonish super villain but it’s still hard not to be disappointed that he’s not the calculating genius that Cooper originally described.)  Windom has got HMSD wrapped up in some sort of big paper mache thing.  HMSD thinks that it’s a float for the Lilac Parade so he’s shocked when Windom shoots him with an arrow.  Or, he would be shocked if not for the fact that he’s dead.

(Sadly, HMSD’s last words are: “What’s with the arrow, man?  This isn’t funny.”)

Meanwhile, at the Roadhouse, the Judging and Rules Committee of the Miss Twin Peaks Pageant is meeting.  The committee is made up of Doc Hayward (Warren Frost), the Mayor, and Pete.  (I assume that Laura Palmer was last year’s Miss Twin Peaks since she was everything else in town.)  Ben has asked to address the committee.  Ben suggests that this pageant should have a pro-environmental theme.  Ben says that this year’s question-and-answer session should deal with how to save the forests.

“We’ll take it under advisement,” Doc Hayward says.

The various candidates for Miss Twin Peaks are asked to approach the committee.  There’s Lana and Donna and Shelly and Nadine (Wendy Robie).  Nadine shows up with Mike (Gary Hershberger).  When Bobby (who is there with Shelley) asks Mike what he sees in Nadine, Mike whispers something about the combination of sexual maturity and super human strength in Bobby’s ear that is apparently so impressive that all Bobby can do is shout, “WHOA!”

(Remember when Mike and Bobby were drug dealers who killed people?  A lot has changed since the first season.)

Meanwhile, at the Martell house, Harry is trying to get answers from Catherine.  He’s trying to understand who Josie was.  Catherine gets the puzzle box and says that it might have something to do with Josie.  As Harry looks at the box, Pete comes in the room and says that every beautiful woman in Twin Peaks is competing for Miss Twin Peaks.  Except, of course, for all the ones have died over the past month…

Anyway, Pete takes the box from Harry and accidentally drops it on the floor.  Catherine snaps, in the worst line in the history of Twin Peaks, “Butterfingers!”  However, the box opens as soon as it is dropped.  And what’s inside?  Another box, this one with a weird lunar pattern design on it.

(Maybe the blue key from Mulholland Drive is inside that one.  Who knows?)

Meanwhile, Cooper and Annie are sitting in a rowboat in the middle of the lake.  Annie says that she always struggled to make friends when she was younger.  Annie says that she’s had one serious boyfriend but doesn’t want to talk about him.  Annie explains that she left the convent and returned to Twin Peaks so she could face her fears “where everything went so wrong.”

Obviously, Annie is a lot of fun at parties.

Watching this scene, I again marveled at the total lack of chemistry between Heather Graham and Kyle MacLachlan.  If the Annie/Cooper relationship was meant to make us forget about the fact that Cooper and Audrey were meant to be together, scenes like this one didn’t help.  Even when Cooper and Annie kiss, it’s like watching two mannequin collide.  That’s not meant as an insult to either Kyle MacLachlan and Heather Graham.  I’ve raved about both of them on this very site.  It’s just that the Annie and Cooper scenes are incredibly awkward and unconvincing.

Anyway, after Cooper and Annie kiss, we see that they are being watched by Windom Earle, who is not even bothering to wear a disguise at this point.

At the Great Northern wine tasting, snobby people are drinking wine and Dick is serving as their host.  That this scene works is due almost entirely to Ian Buchanan.  It’s a lot of fun to watch and listen to him as Dick pretentiously describes each wine.  The fact that I don’t drink wine and consider wine tastings to be the height of bourgeois snobbery only served to make me enjoy this scene even more.

(And, of course, I love Dick but you already knew that.)

Andy and Lucy (Kimmy Robertson) are at the wine tasting,  Andy attempts to show off his knowledge by pointing out that, along with red wine, there are also white wines and sparkling wines.  Andy also makes the mistake of tasting his wine before he was supposed to, leading to Dick yelling, “Spit out!”

(I’m resisting the temptation to make a certain joke at this point.  You will thank me later.)

At the diner, Gordon Cole (David Lynch) is out on a date with Shelly.  It’s sweet little scene, actually.  Cole can actually speak in his normal voice and, while he may not be the world’s greatest actor, David Lynch has an oddly likable screen presence.  Interestingly, David Lynch and Madchen Amick have more chemistry than Heather Graham and Kyle MacLachlan.  If the Showtime revival opens with Shelly and Gordon married and living in Portland, I wouldn’t be upset.  (If the show opens with the Mayor of Portland talking about his strange younger brother, Dale Cooper, I’ll be even happier.)

Cooper comes in with Annie so, of course, Cole starts shouting again.  “THIS WORLD OF TWIN PEAKS SEEMS TO BE FULL OF BEAUTIFUL WOMEN!” he announces.  Cole also adds that “PEOPLE WHO NEED PEOPLE ARE THE LUCKIEST PEOPLE IN THE WORLD!”  Cole says that he doesn’t know when he’ll be returning to Twin Peaks, a line that’s extra poignant because, by this point, I imagine David Lynch probably knew his show wouldn’t be returning for a third season.

Just as Cole leans in to kiss Shelly, Bobby walks into the diner, demanding to know what’s going on.

“YOU ARE WITNESSING A FRONT 3/4 VIEW OF 2 ADULTS SHARING A TENDER MOMENT!” Cole replies.

Seriously, they’re so cute together!

Back at the wine tasting, Dick asks everyone what flavor of wine they just tasted.

“Tastes kind of woody,” Lucy says.

“No,” Dick says with a condescending smile.  “Lana?”

“Banana?” Lana suggests.

Yes, Dick says, there is a hit of banana.  At this point, Dick’s nose bandage has become soaked in wine.

From the back of the room, Andy shouts out that he tasted chocolate.

“Why don’t we just skip the wine and have a banana split!?” Lucy shouts.

Way to go, Lucy!  TOP THAT!

Later, Lucy does top that by spitting her wine in Dick’s face, explaining that she’s pregnant and not supposed to drink.

In the Great Northern lobby, Cooper and Wheeler (Billy Zane) stare into the fireplace.  Cooper is thinking about Annie.  Wheeler is thinking about Audrey and it just feels so wrong.  Wheeler says love is Hell.  Cooper replies that “(t)he Hindus say love is a ladder to Heaven.”  Shut up, Cooper.  I never thought I’d say that but I’ve lost a lot of respect for him now that, after making such a big deal about not allowing himself to get emotionally involved with anyone, he has managed to fall madly in love with a blank slate who has only been in town for three days.

(I mean, seriously, Audrey nearly died trying to help Cooper.  Annie just pours coffee and acts as if living in a convent was the equivalent of getting stuck on Mars with Matt Damon.)

Meanwhile, it’s an awkward dinner at the Hayward house, where Donna (Lara Flynn Boyle) wonders about her mother’s relationship with Ben Horne.  What about happened to Donna’s sister?  She hasn’t been seen since the first season.  Maybe she ran away when it became obvious that everyone who knows Donna eventually ends up either dead (Laura, Harold, Maddy, Leland) or, like James, in San Francisco.

Donna asks her mother (Mary Jo Deschanel) how she knows Ben Horne.  Doc Hayward immediately says, “I told Donna about that benefit that you’re working on….”

(OH MY GOD, DONNA IS BEN’S DAUGHTER!  Which means that she is Audrey’s half-sister.  After reading all the stories about Lara Flynn Boyle and Sherilyn Fenn not getting along behind the scenes, this amuses me.)

Anyway, Donna gives her mother a hard time about seeing Ben while both of her parents try to change the subject.  If only Donna was as concerned about her suddenly missing sister.

That night, the police discover a huge crate has been left in the gazebo.  When Cooper and Harry open it, they discover a giant paper mache chess piece.  And inside the chess piece is the dead body of Stoner Heavy Metal Dude.  A note from Windom Earle is also found, announcing that the next victim will be someone who Dale knows.

Cooper says that Windom appears to be changing the way he plays the game, which is a polite way of saying that he’s a bit of an inconsistent character.

This episode wasn’t bad, though I still find myself cringing whenever Cooper and Annie start flirting.  But the scene with Cole and Shelly were fun and I’m really growing to appreciate Richard Beymer’s performance as the new, conflicted Ben Horne.  Two of my favorite Twin Peaks supporting actors, Ian Buchanan and Don S. Davis, got some good scenes as well.  While this episode can in no way match anything from the 1st season, it’s not bad for a 2nd season episode.

Well, there’s only three more episodes left and then the movie!  Jeff has tomorrow’s episode.  Then Leonard will be covering Sunday and then I’ll be back for the finale.  As for the movie — we’re still playing rock scissors paper to figure out who gets to play it.  We’re doing best out of a 1,000.  It could take a while.

While we figure it out, check out what led us to this point!

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland

TV Review: Twin Peaks 2.17 “Wounds and Scars” (dir by James Foley)


“It was like taking a hike to your favorite spot and finding a hole where the lake used to be.”

— Deputy Hawk (Michael Horse) in Twin Peaks 2.17 “Wounds and Scars”

The year was 1991 and all was not well in the world of Twin Peaks.  While, on the show, Leland Palmer murdered his daughter and Josie Packard died after killing Thomas Eckhardt, there was even more drama occurring behind-the-scenes.

Since the first season, the plan had always been for Agent Dale Cooper (Kyle MacLachlan) and Audrey Horne (Sherilyn Fenn) to end up together.  MacLachlan and Fenn had serious chemistry in their scenes together.  As characters, Cooper and Audrey seemed like they belonged together.  Even Cooper’s concerns about the age difference didn’t seem like that much of a problem.  (After all, Audrey may have been a teenager but Sherilyn Fenn was not.)  The show’s audience wanted them to end up together.

However, there was one problem.

Lara Flynn Boyle.

Kyle MacLachlan was dating Lara Flynn Boyle and, according to several people who worked on the show, Fenn and Boyle did not get along.  With Boyle not particularly excited about the prospect of watching her boyfriend play love scenes with her rival, Kyle MacLachlan complained to the show’s producers that Cooper would never get together with Audrey because of their age difference.  As a result, Billy Zane was hastily brought in to replace Cooper as Audrey’s love interest.

Personally, I’m not really sure that Cooper needed a love interest.  During the first season, he was written as being so old-fashioned and upright that he was nearly asexual.  (The only indication that Cooper even had a sex drive came when Laura kissed him in his dream and he smiled.)  In the second season, Cooper became a little more, for lack of a better word, “human.”  But he was still traumatized by the death of Caroline and he put his devotion to the Bureau above all else.  Ideally, Cooper would have spent the entire show as a chaste Galahad.

Obviously, ABC disagreed.  They wanted Cooper to have a girlfriend.  We’ll see how this was handled in today’s episode.

So, without any further ado, let’s look at “Wounds and Scar!”

Following the opening credits, we get an extreme close-up of Harry Truman’s (Michael Ontkean) bloodshot eyes.  He’s drinking at the Bookhouse.  A saxophone wails on the soundtrack.  That’s never a good sign.  He’s having flashbacks to his time with the now dead Josie.  Deputy Hawk (Michael Horse) brings Harry a breakfast from the diner.  Hawk tells Harry that everyone at the station is concerned.

“You and Cooper can handle it,” Harry says, “It’s a pretty simple town.”

Really?  Twin Peaks is a simple town?  What show have you been watching, Harry?

At the Diner, a new character steps through the front doors and — OH MY GOD!  IT’S HEATHER GRAHAM!  She’s playing Annie.  It turns out that she’s Norma’s (Peggy Lipton) sister and she has just left a convent.  Annie is going to be working at the diner.  Heather Graham has really pretty hair.

Meanwhile, Major Briggs (Don S. Davis) is finishing his breakfast when the Log Lady (Catherine Coulson) walks up to him and touches the marks on his neck.

Back at the sheriff’s station, Hawk tells Cooper that Harry is about hit bottom.  Cooper is frustrated with his lack of success in tracking down Windom Earle.  Luckily, Hawk speaks exclusively in wise sayings.  He suggests letting the rain fall where it may.

At the cabin (which, somehow, no one else seems to have stumbled across), Windom (Kenneth Welsh) sniffs the country air and tells his slave, Leo (Eric Da Re), that you can’t understand how wonderful country life is until you’ve lived it.  It plays like a nice little parody of Cooper and Harry’s conversation about whittling in the pilot.

Windom checks the newspaper and gets upset over Cooper’s latest move.  He says that Cooper is playing a stalemate game but he doesn’t know the meaning of stalemate.  Neither do I, to be honest.  I prefer checkers to chess.  Windom then realizes that Cooper must be getting help and he throws a fit because he cannot stand people who don’t play by the rules.  “Many people are going to regret this!”

Meanwhile, at the Great Northern, Audrey is demonstrating a proper runway walk while Dick (Ian Buchanan) hits on the models.  Mr. Pinkle (David L. Lander) — the same guy who sold Bobby and Shelly the porto-patient device that didn’t really work out that well — shows up to tell Dick about the pine weasel.  Mr. Pinkle is carrying a stuffed pine weasel but Dick says that they need a living pine weasel.  Showing a stuffed animal at a benefit for an endangered species?  That would be totally gauche.

Wheeler (Billy Zane) shows up to talk to Audrey about their dinner.  They both try to apologize at the same time.  Wheeler asks her to go on a picnic with him.  And, hey — Billy Zane is cute and all but the Wheeler/Audrey romance feels totally forced.  We all know that Audrey should either be with Cooper or killing ninjas in Hong Kong.  Those are really the only two options.

Harry is still drinking at the Bookhouse.  Cooper approaches and tells him about Josie’s sordid past.  He says that Harry has to understand that Josie was a hardened killer.  Harry yells at Cooper to go.

In her office, Catherine (Piper Laurie) looks over the plans for the Ghostwood Estatea when Jones (Brenda Strong) suddenly steps into the office and says that she’s there to expedite the transfer of Thomas and Josie’s bodies to Hong Kong.  Jones says she has a gift from Thomas, so Catherine promptly pulls a gun.  Calmly, Jones hands over a black box.

At the Hayward house, someone knocks on the door.  Donna answer, only to find a friendly old man who claims to be named Dr. Gerald Craig.  Dr. Craig says that he is an old friend of her father’s and he was just stopping by to see if old Doc Hayward was around and — wait a minute!  That’s not Gerald Craig!  That’s Windom Earle in disguise!

Donna asks Dr. Craig if he’d like to come inside and — DONNA, YOU IDIOT!  DON’T JUST INVITE STRANGE MEN INTO YOUR HOUSE!  In less than a month, a dozen people have died in Twin Peaks and Donna is still letting strange men into her house.  Anyway, Dr. Craig gives Donna a small gift for her dad, makes her promise not to open it, and then leaves.

Meanwhile, Pete Martell (Jack Nance) is studying a dozen or so chess boards.  Cooper comes in and Pete tells him that he’s studied every stalemate game in history but that there’s no way to play chess without losing at least a few pieces.  No matter what happens, Pete says, at least six people are going to die.  Cooper tells Pete to stick with it.

In the lobby, Lucy (Kimmy Robertson) and Andy (Harry Goaz) play chess.  Lucy gets mad because Andy moved his knight “without doing the little hook thing.”  “You don’t have to the little hook thing, that’s optional,” Andy says.  Sound good to me, Andy!  But, no, Pete explains that the hook thing is not optional.

Suddenly, Maj. Briggs and the Log Lady both step into the station.  They’re concerned because both of them have the same three triangle pattern, Briggs on his neck and the Log Lady on the back of her leg.  The Log Lady says that she got her mark when she was seven years old.  She was walking in the woods when she saw a flash of light and heard an owl.  When she returned home, she was told that she had been missing for a day.

Audrey and Wheeler are at their picnic.  Wheeler is singing.  C’mon, Audrey, are you actually falling for this?  Go see Cooper before he meets Annie…

At the Hayward House, Doc Hayward (Warren Frost) returns home with Mrs. Hayward (Mary Jo Deschanel) rolling along beside him.  Donna tells them that Gerald Craig visited.  Doc Hayward says that’s not possible.  Gerald Craig was Doc’s roommmate.  He drowned after a rafting accident.  (So?  Drowning never stopped Andrew Packard.)  Mrs. Hayward calls the contact number that Dr. Craig left and it turns out to be the number of a cemetery.  Doc Hayward unwraps Dr. Craig’s gift and it’s a chess piece!

At the gas station, Ed (Everett McGill) tries to talk to Nadine (Wendy Robie) about breaking up.  Unfortunately, Ed needs a divorce but Nadine still thinks they’re in high school.  Dr. Jacoby (Russ Tamblyn) is there to try to help her understand what’s happening but he’s not much help.  Nadine is more concerned about the fact that she just now noticed that she’s missing an eye.

Back at the Hayward House, someone else knocks on the door.  This time, Mrs. Hayward answers and it’s Ben Horne (Richard Beymer).  As Donna watches from the stairs, Ben whispers something in her mother’s ear and then kisses her.

At the diner, Peggy encourages Shelly (Madchen Amick) to enter the Miss Twin Peaks pageant.  Meanwhile, Cooper has entered the diner and seen Annie and he’s immediately so overwhelmed by her attraction to him that he actually stammers.  No, Cooper — AUDREY!

Before Cooper can fall any further in love, Hawk enters and tells him that they have a problem at the Bookhouse.  Harry is destroying all of the furniture!  When Cooper shows up, Harry calls him Deputy Dale and yells at him some more.  This is the most emotion we’ve seen from Harry since the series began.

Uh-oh, Harry’s holding a gun and he doesn’t want to give it to Cooper.  However, Harry eventually breaks down, shouts that Josie didn’t have to die, and then falls into Cooper’s arms.  Cooper and Hawk put Harry to bed.  Hawk says that Harry has never been like this before.

At the Great Northern, Mike (Gary Hershberger) and Nadine are getting a room under the name “Mr. and Mrs. Hinkman.”  Seriously, the Great Northern looks way too expensive for just a one night stay.  They should have gone to the motel and gotten an hourly room.  Knowing Mike, they probably would have only needed it for 8 minutes or so.

In the ballroom, Ben Horne is thanking everyone for showing up at this charity fashion show.  This is one of those plotlines that you’d never see today.  Nobody has the guts to make fun of rich (and fake) environmentalists anymore.  It’s a shame.

Anyway, the fashion show starts and there’s Dick describing each outfit.  (I really love Ian Buchanan’s performance in this episode.  He makes Dick into such a likable phony.)  Lucy and Andy are two of the models.  Good for them!

While the model walk the runway, Catherine approaches Ben and tells him that she knows he’s a just faking all of his environmental concern.  Ben says that the experience of being accused of Laura’s murder and his subsequent bout with insanity have truly changed him.

Dick has Mr. Pinkle bring out a living pine weasel.  Pinkle explains that the pine weasel is attracted to certain sells, like very cheap cologne.  Of course, this immediately leads to the pine weasel leaping at Dick and biting down on his nose.  Panic breaks out!  Audrey nearly gets run over but luckily, Wheeler is there to literally sweep her off her feet and kiss her.

Meanwhile, at the Bookhouse, one deputy looks over the sleeping Harry.  Jones sneaks up behind him and quickly knocks him unconscious.  She places a gun on the nightstand beside Harry’s bed.  She then undresses, lets down her hair, and lay down beside him…

End credits.

Overall, this was a pretty good episode except for the fact that we all know that Cooper and Audrey belong together.  While I can understand Audrey’s flirtation with Wheeler, Cooper’s sudden attraction to Annie felt a bit out of character, a case of Twin Peaks trying a bit too hard.

Some would probably argue that the bit with the Pine Weasel was a bit overboard as well but I actually enjoyed that.  Ian Buchanan’s performance saved that bit for me.  Plus, wealthy environmentalists tend to be kind of smug so it’s always fun to see them satirized.

Up until this episode, I’ve had mixed feeling about Windom Earle but his scene with Donna was brilliantly creepy.

Tomorrow, we have “On the Wings of Love.”

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson

 

TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel)


Welcome back to Twin Peaks!

Last episode, Major Briggs (Don S. Davis) returned from the land of missing and brought with him a tale of the White Lodge.  Ben Horne (Richard Beymer) obsessed over the Civil War.  James Hurley (James Marshall) found himself trapped in a second-rate film noir.  Jean Reanult (Michael Parks) was finally killed but, when Cooper (Kyle MacLachlan) and Harry (Michael Ontkean) returned to the sheriff’s station, they discovered that someone had left them a present: a dead man sitting in front of a chess board.

Things start with the station still in darkness.  Doctor Hayward (Warren Frost), Harry, and Cooper are looking over the dead man’s body.  The first thing that they discover is that a chess pawn has been stuffed in his mouth.  When Cooper correctly guesses that the dead man will have a stab wound in his chest, severing the aorta, Harry deduces that this is not the first time that Cooper has seen something like this.

Cooper says that he knows that his former partner, Windom Earle, is responsible.  He guesses that the victim was a vagrant who was offered a lift by Earle.  (In reality, the victim was played by Craig MacLachlan, brother of Kyle.)  Earle stabbed the man and then set off the explosion in the woods.  When everyone was distracted, Earle carried the body into the station.  “Windom Earle has been in this room,” Cooper says, “I can still feel his presence.”

At the Great Northern, Audrey (Sherilyn Fenn) makes a deal with Bobby (Dana Ashrbook).  She wants Bobby to help her bring her father back from “limbo land.”  “From now on, Bobby,” Audrey says, “I’m the one you suck up to.”

“What about Shelly?” Bobby asks.

“What about Shelly?” Audrey replies.

Speaking of Shelly, she is in trouble because Leo (Eric Da Re) has suddenly woken up and now she’s trapped in a dark house, with no power and a very angry husband.  Fortunately, Bobby arrives home right when Leo is about to attack Shelly with an axe.  When Leo attacks Bobby instead, Shelly stabs Leo in the leg with a kitchen knife.  Like an unmasked Jason Voorhees, the wounded Leo staggers off into the woods while Bobby and Shelly embrace.

The next morning, back at the station, Cooper watches as the body is wheeled away.  Harry gives Cooper a cup of coffee and tells Cooper that, until he is reinstated in the FBI, he is still a deputy.  “If you want this case,” Harry says, “it’s yours.”

Out in the front lobby, Andy (Harry Goaz) tells Lucy (Kimmy Robertson) that he has to talk to her about Nicky.  Andy explains that he and Dick have been doing some detective work and they think that Nicky may have murdered his parents.

“He’s nine years old,” Lucy says.

“We know,” Andy nods, “we think he was six at the time of the crime.”

Lucy is not amused.

At the Marsh place, James is working on another one of classic cars when Jeffrey Marsh (John Apicella) walks up and introduces himself.  He says that he’s envious of James’s carefree lifestyle.  He says that he’d love to talk to James about the cars later in the day but James says that he should probably be moving on.  Evelyn (Annette McCarthy) walks up and says that she is sure that she can find all sorts of things for James to do around the house.  James walks back inside the garage and Jeffrey drives away in the car that James just finished working on.  As Evelyn looks off in the distance, there is the sound of screeching tires and a car crash.

At the diner, Ed (Everett McGill) is having a cup of coffee of Doctor Hayward.  Ed is worried because Nadine wants to start dating boys and, since she’s She-Hulk now, Ed worries that Nadine could kill them with her sex drive.  Doctor Hayward suggests that Ed tell her to be home by 9:00 on school nights.  I could be wrong but I don’t think Doctor Hayward is taking Nadine’s condition very seriously.

Doctor Hayward is actually more concerned about Donna, who took the van that morning to go see James.  Ed explains that Donna is taking James some money, presumably all twelve of the dollars that were in James’s bank account.

After the doctor leaves, Norma (Peggy Lipton) sits down across from Ed.  She says that Hank is in the hospital.  He says that a tree fell on him but Ed tells her that Nadine actually beat him up.  Norma is happy because, once Hank gets out of the hospital, he will be going back to prison for violating his parole.

At the sheriff’s station, Cooper and Harry are staring at the chess board that Windom Earle placed in front of the dead man.  Cooper explains that he and Earle played a game of chess every day for three years.  Earle thought that all the answers to life’s mysteries could be found in the game of chess.

Cooper explains that Windom Earle was his first partner.  Everything that he learned about the law and the bureau he learned from Windom Earle.  Cooper tells the story (the same one that he told Audrey earlier) of how, four years ago, he fell in love with a woman named Caroline who was a material witness to a federal crime and how, when she was attacked, Cooper was not prepared and could not save her life.  Cooper adds the detail that she was stabbed, in the same way as the vagrant.  Cooper also reveals that Caroline was Windom Earle’s wife.

Donna (Lara Flynn Boyle) arrives at a bar called Wallies, looking for James.  James is not there but Evelyn is.  “You look like someone who needs help,” Evelyn says.  When Donna says she’s looking for James, Evelyn says that James did some work for her and then left for Mexico.  Donna leaves, presumably taking James’s twelve dollars with her.

At the Great Northern, Dr. Jacoby (Russ Tamblyn), Audrey, and Jerry (David Patrick Kelly) watch as Ben continues to play with his little army men.  Ben thinks that Jerry is General J.E.B. Stuart.  Ben assures everyone that they are marching forward and only God can stop them.  “The almighty is a Southerner,” Ben declares.  Dr. Jacoby explains that if Ben can reverse the defeat of the Confederacy then he will also reverse his own recent mental defeats.  Jacoby and Ben start to sing Dixie.

At the sheriff’s station, Major Briggs stumbles in, says that he needs to see Harry, and then collapses.

When he comes to, Major Briggs explains to Harry and Cooper that, when his superiors questioned him about his disappearance, they exhibited a degree of “intolerance and suspicion” that apparently left Briggs feeling traumatized.  Briggs goes on to explain that, during his disappearance, he believes that he was taken to the White Lodge.  Briggs goes on to say that there will be much trouble ahead.  “I will return,” Briggs says, “but until that time, I will be in the shadows if you need me.”

As Briggs leaves, Andy enters the office and tells Cooper and Harry that he needs to show them something.  He leads them to the conference room, where Dr. Jacoby announces that he has spent the last few hours talking to Lana Milford (Robyn Lively) and he has found no evidence of her being crazy or cursed.  There is no way that Lana is responsible for Dougie’s death, Jacoby says.  Jacoby goes on to say that Lana has a heightened sexual drive and skills that few men could ever hope to experience.  Jacoby announces that he and Lana are going to go bowling but, as soon as they step out of the office, they run into Mayor Milford (John Boylan), who was a rifle and who demands that nobody move.

The Mayor wants blood but Cooper has a solution.  He takes the rifle and then locks Milford and Lana in the conference room together.  After a few minutes, Lana and the Mayor are in love and talking about adopting a child.

At the Martell house, Pete (Jack Nance) tells Catherine (Piper Laurie) that they forgot to pick up the hot dogs.  Catherine is more interested in telling Pete the true story of how she survived the fire and marshaled the resources to defeat Ben.  She reveals that her brother (and Josie’s husband), Andrew Packard (Dan O’Herlihy), is not actually dead and he’s sitting in the study.  Andrew explains that he and Catherine faked his death in a boating accident because a contract had been taken out on Andrew’s life by Andrew’s former business partner, Thomas Eckhardt.  Catherine also reveals that Josie works for Thomas Eckhardt and that Eckhardt will be returning to Twin Peaks to rescue her from having to work as Catherine’s maid.

At the exact same time, Thomas Eckhardt (DAVID WARNER!) and his assistant, Jones (Brenda Strong), are checking into the Great Northern.

At the sheriff’s station, Lucy is sick of both Andy and Dick (Ian Buchanan) so she brings Doctor Hayward in to talk to both of them.  Doctor Hayward explains that he called the orphanage and that Nicky is no murderer.  Nicky’s mother was a chamber maid at the Great Northern and his father was a man who fled back to Canada following the back alley assault that led to Nicky’s conception.  Hayward explains that Nicky’s mom died in childbirth.  Nicky was adopted by a loving couple who died in an icy car crash.  Six year-old Nicky heroically attempted to pull his adoptive parents to safety but failed.  Andy and Dick both start to cry.

Harry gets an alert from Seattle, telling him that the man who Josie left with, the one who Josie claims that she merely escaped from, has been found murdered.  Since Cooper is now a deputy, Harry orders Cooper to find out if Josie killed him.  For once, Harry gets to order Cooper around.

At the Marsh house, James is packing his stuff when Evelyn comes in and swears the she is in love with him.  Evelyn says that there’s been an accident and Jeffrey’s dead.  James immediately figures out that Evelyn killed her husband and set him up to take the fall.  Evelyn says that it was Malcolm’s idea and that Malcom isn’t really her brother.  As the police arrive outside, Evelyn tells James to run and go find “that young girl who loves you.”

As James tries to sneak out of the house without being spotted by the cops, he runs into Donna, who is hiding behind a tree.  They run off while Evelyn talks to the police.

In the woods, a dazed and confused Leo comes across a cabin.  Inside the cabin, a man (Kenneth Welsh) plays a flute and invites Leo to enter.  The man sits down in front of a chess board and introduces himself as Windom Earle.

End credits.

This episode shares the same flaws as a lot of season 2.  There are a lot of good scenes, like Leo menacing Shelly and Bobby or the introduction of Windom Earle, but there are also scenes that are just too cartoonish, like anything involving the Mayor and Lana.  This episode was the first and only episode to be directed by German director Uli Edel and he does a pretty good job, putting his own unique spin on the show’s signature style.

Tomorrow: “Slaves and Masters,” in which Cooper gets unexpected help in his chess game against Windom Earle.

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland

TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland)


Welcome back to Twin Peaks!

This episode starts with Major Briggs (Don S. Davis) explains what happened the night that he disappeared.  He says that he remembers “stepping from the flame, seeing a vague shape in the darkness, and then nothing until I found myself standing next to the cooled remains of our campfire the next morning.”  While Briggs is saying this, he’s sitting on a stone throne in the middle of what appears to be a lush rain forest.  Briggs says that hypnotism will not help him conquer his amnesia because his memories are “immune to regression.”  He does, however, remember seeing a giant owl.

Suddenly, Briggs is in the conference room at the sheriff’s office, describing the owl to Cooper (Kyle MacLachlan), Doctor Hayward (Warren Frost), and Harry (Michael Ontkean).  Harry asks Briggs what exactly his work involves.  Briggs replies that information is classified but some information has to be revealed for the good of the soul.  Briggs asks if they are familiar with Project Blue Book, the Air Force investigation into UFOs.  Briggs explains that Project Blue Book was officially disbanded in 1969 but it still continues in an unofficial capacity.  Briggs says that they are looking for a place called “The White Lodge.”

At that exact moment, two MPs step into the room and announce that they have arrived to take the major back to the base.  “Colonel O’Reilly’s orders,” they say.  (Colonel O’Reilly or The Cigarette Smoking Man?)  Despite Harry’s objections, Briggs leaves with the MPs.

In another office, Denise (David Duchovny, who would later continue the work of Project Blue Book in Twin Peaks‘s spiritual successor, The X-Files) is pressuring Ernie (James Booth) to make the call to Jean Renault.  Cooper comes in and eats doughnut while Ernie finally makes the call.

(This episode was directed by Todd Holland, who also directed several episodes of another show famous for its David Duchovny guest spots, The Larry Sanders Show.)

With the call having been made, Cooper checks with Lucy (Kimmy Robertson), who says that she checked all of the personal ads in all of the national newspapers that Cooper listed and she did not find any mention of Windom Earle or any chess moves.

At the diner, Ed (Everett McGill) gives Norma (Peggy Lipton) a five dollar tip and also slips her a note telling her that they need to talk.

At the Johnson house, Leo (Eric Da Re) is still spitting up on Shelly (Madchen Amick) and Shelly is still complaining to Bobby (Dana Ashbrook) about having to do all the work.  Bobby tells Shelly that she is looking at Ben Horne’s new apprentice and that he has better things to do than hang out with her and give Leo bubble bath.  Shelly slaps him.  Bobby leaves.

As the Marsh house, James (James Marshall) finally calls Ed and lets him know that he’s okay.  James says that he needs a favor.  As Evelyn (Annette McCarthy) listens, James says that he needs Ed to get all of the money out of his savings account.

“That’s only $12, James,” Ed says.

Once James has arranged to receive all twelve of his dollars, Evelyn asks him to tell her about his life in Twin Peaks.  James talks about Laura and, how after she died, he felt as if she had stolen his life.  James and Evelyn kiss and James notices that Evelyn is wearing sunglasses to hide a bruise on her face.  Evelyn tells James that she needs his help.

Back at the diner, Nadine (Wendy Robie) sits down at the counter next to Mike (Gary Hershberger) and asks him if he wants to share a piece of cherry pie with her.  “Oh Lord!” a horrified Mike shouts.  Mike explains that he wants nothing to do with Nadine.  He doesn’t want to talk to her.  He doesn’t want to walk with her.  He doesn’t want to see her.

Nadine replies with, “Mike Nelson, you are the handsomest boy I know and I would really like it if you and I could go out on a date.”  She kisses him, leaving Mike stunned.

After being questioned by a suspicious Hank (Chris Mulkey), Norma leaves to see Ed.

Harry comes to the Martell house and demands to know why Josie (Joan Chen) did not move into his place and why she is working as Catherine’s maid.  Josie says she is no good for Harry.  Harry disagrees and soon, they’re kissing as passionately as Nadine tossing a teenager at wrestling practice.

At the Great Northern, Audrey (Sherilyn Fenn) discovers Ben (Richard Beymer) on the floor of his office,  wearing a gray Confederate uniform and recreating the Civil War with miniature army men.  Ben explains that a war has broken out between the States and that he can not do anything until the war is over.

Norma arrives at the Hurley house and tells Ed that he is the last thing she thinks of before she goes to bed and the first thing that she thinks of when she wakes up.  She wants to be with him.  Ed has no problem with that.

At the Sheriff’s station, Cooper and Harry watch as Hawk (Michael Horse) gets Ernie wired up for his meeting with Jean Renault.  Ernie talks about serving in the Korean War.  Cooper tells him to focus on the here and now and they talk about how they’re going to set up Jean Renault.  Cooper says that he wishes he could take part in the operation but he’s been suspended by the FBI.  Harry deputizes Cooper.  Denise steps into the office and is now wearing a suit.  “You can call me Dennis,” he announces.

Andy (Harry Goaz) and Dick (Ian Buchanan) are breaking into an orphanage, searching for information on Little Nicky’s parentage.  Dick finds Nicky’s file but then a happy couple step into the office.  They are the Burnstons and they have arrived to see Donnie, the child that they will be adopting.

“Where is Donnie?” Mr. Bursotn asks.

“Little Donnie is dead,” Dick replies.  “Dead-tired, I mean!  I’m afraid Little Donnie isn’t feeling up to snuff.”

Andy suggests that maybe they should leave but Dick insists on “helping out these nice people.”

While this is going on, Donna (Lara Flynn Boyle) is knocking on the door of the Hurley house.  When Ed answer, Donna says that she needs his help.  She says that she can’t find James.  Ed says that James has left town but not to worry because he will soon have $12.

Donna leaves and then Norma slips out the back door.  No sooner has Ed finished saying goodbye to Norma then Hank pops up and punches Ed.  Nadine comes home from cheerleading practice, just in time to see Hank beating up Ed.  Since Nadine is now She-Hulk, she has little difficulty beating the crap out of Hank.

At the Great Northern, Ben is discussing Confederate war strategy with Bobby.  Bobby leaves the office and tells Audrey that her father has gone insane.  Audrey says that Dr. Jacoby is going to see Ben tomorrow.  “Don’t worry, baby,” Bobby says, “Bobby’s on the case.”  While they talk, Catherine sneaks past them and enters Ben’s office.  Ben recognizes Catherine and asks if she’s come to gloat.  “Well, go ahead and gloat,” Ben says, “I have defeated General Meade.”  Catherine says that, despite the whole attempted murder/insanity thing, she still loves Ben.

At the Marsh mansion, James reveals that he has fixed Evelyn’s car.  They drink champagne to celebrate.  Evelyn tells James that she can always tell what he’s thinking and then asks him for his plans.  She asks where he will go and James says he doesn’t know.  Evelyn tells him not to leave.  They kiss, with James not realizing that they are being watched by Evelyn’s brother, Malcolm. (Nicholas Love).

Outside of a farmhouse, Cooper watches through a pair of binoculars as Ernie and Dennis talk to Jean Renault (Michael Parks) and Preston King (Gavan O’Herlihy).  Renault notices that Ernie is sweating, like a man wearing a wire.  Ernie explains that he is naturally a heavy sweater.  However, the sweat causes the wire to short circuit and soon, smoke is coming from Ernie’s shirt.

Realizing that Cooper is watching, Renault comes out of the farmhouse, holding Dennis and Ernie as hostages.  He demands that Cooper show himself.  When Cooper steps out from hiding, Renault demands safe passage across the border.  Cooper offers a trade.  If Jean releases Dennis and Ernie, Cooper will agree to take their place as the hostage.  While this goes on, Harry orders Hawk to call in the state police.

That night, at the Marsh mansion, Evelyn leaves behind a sleeping James and goes to Malcom.  “How’s our baby boy?” her brother asks, “Lucky baby boy.  Lucky lucky lucky lucky lucky lucky….”

Back at the hostage standoff, the state police have arrived and even Andy is aiming a gun at the farmhouse.  Inside the farmhouse, King tells Jean that he wants to make a deal and then make a run for it.  Cooper, who has been beaten up, replies that the police will not make a deal and they will not let them run.  Surrender is the only option.

“Okay,” Jean says.  The only question is whether they give up quietly or if they kill Cooper first.

“Then we both die,” Cooper says.

Jean says he doesn’t care if he dies.  He just wants to avenge his two brothers.  He explains that everything was quiet until Cooper showed up.  After Cooper showed up, Bernie was shot in the woods and Jacques was smothered in a hospital.  Jean knows that Cooper did not kill either one of them but he suspects that Cooper brought “the nightmare” with him.  Maybe, Jean explains, the nightmare will stop if Cooper dies.

King says that he doesn’t know what Jean’s talking about but that they have a problem and it has to be solved.  King looks outside and sees a waitress approaching the farmhouse.  Is it Norma?  Could it be Shelley?  No, it’s Denise and, as soon as she entered the farmhouse, she reveals that she has a gun in her garter.  As Denise slams King against the wall, Cooper grabs the gun and kills Jean.

At the Johnson house, Shelly lies on the couch while the power goes on and off.  When Shelly gets up to investigate, she discovers that Leo is not in his bed or his wheelchair.  Instead, Leo’s standing in a corner, smiling at her and saying her name.  Shelly screams as the lights go out.

At the Sheriff’s office, Cooper, Harry, Hawk, and Andy arrive and Lucy tells them that someone called in to say that there was a bomb hidden in the woods.  Then there was a huge explosion and all of the lights went out.  As Hawk goes to turn on the backup generator, Cooper steps into the darkened station.  Using his lighter for illumination, Cooper discovers something.  He calls Harry into the station and tells him to come alone.

In Harry’s office, a dead man (played by Kyle MacLachlan’s brother, Craig) has been propped up in front of Harry’s desk.  On the desk, in front of the man, is a chess game.

Windom Earle has come to Twin Peaks!

This was an okay episode.  I can’t bring myself to care about anything that’s happening with James but “Checkmate” did a good job of wrapping up the Jean Renault plot and setting up the show’s next big storyline, Windom Earle.  Again, I was surprised to see that the whole Nadine goes to high school subplot holds up a lot better than I thought it would.

Tomorrow, I’ll be back with “Double Play,” in which the history of Windom Earle will be revealed!

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson

TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham)


Twin Peaks

This is where Twin Peaks starts to go into uncharted territory.

“Masked Ball”, directed by Duwayne Dunham, marks the first full episode after the closure of the Palmer case. We begin in the best way possible – a long motorcycle ride out of Twin Peaks with James Hurley (James Marshall). He’s moving on, and the audience is brought along for the ride.

At the precinct, Sheriff Truman (Michael Ontkean) and Special Agent Dale Cooper (Kyle McLachlan) speak with Betty Briggs (Charlotte Stewart) over the disappearance of Major Briggs (Don Davis). Apparently, Betty seems to be aware of the Major’s disappearances, and goes on to state that it happens from time to time. It’s a strange angle to this new story arc. When Betty leaves, Cooper whispers to Truman that the light he saw was a powerful force in the woods. Strange things are always at work at Twin Peaks, it seems.

Hawk (Michael Horse) and Andy (Harry Goaz) come in with a package with a gift from Dougie Milford (Tony Jay, Shere Khan from Disney’s Animated version of The Jungle Book). Dougie is getting married, something that happens as often as the return of the salmon, according to Hawk. A wedding seems an interesting change of pace, considering we’ve had two funerals over the course of the show so far.

A call comes in from Gordon Cole (David Lynch) to offer his support to Cooper. Due to his actions across the border at One Eyed Jacks, he’s now under investigation by the FBI. Gordon asks if everything Cooper is accused of is true, to which Cooper denies it. To help investigate the drug angle with the Renaults in Twin Peaks, Cole states they’re sending in Dennis Bryson (David Duchovny, just a few years before The X-Files).

Cooper meets with Roger Hardy (Clarence Williams III, The General’s Daughter). and two other personnel. Talk about time travel. On the table is one of the first Apple laptops ever made in 1989, weighing in at about 16 pounds. When asked about what he wants to bring to the defense, Cooper admits he has no defense. Yes, he did travel outside of his jurisdiction to One Eyed Jacks, but overall, he’s “innocent of any wrongdoings”. This statement causes Hardy to go “off the record” and have the computer shut down.

TP-Interrogation

“Dale, there’s a right way and a wrong way to do this.” Hardy starts, asserting that an individual of the Bureau should be able to stand up for themselves. Cooper speaks of the magic of Twin Peaks. The life in the trees and animals, and the elements that have amazed him so far. Unfortunately, this doesn’t really help his case. Hardy keeps the suspension in effect and it’ll be up to the D.E.A. And the Canadians to decide his fate. Cooper rises and takes one last look at his badge and pistol before leaving as Citizen Cooper. I liked that they ended with the badge and pistol. The audience has to wonder what he’s looking at for a moment before revealing it.

The next scene has us in High School, with Nadine (Wendy Robie) bounding down the stairs and running into Donna (Lara Flynn Boyle). On greeting Donna, Donna asks if she’s seen James. Nadine states she hasn’t. I suppose James didn’t tell anyone he was leaving. She asks Donna if she happens to still be going out with Mike Nelson (Gary Hershberger). Nadine feels that she and Mike have some great chemistry going on, though Mike doesn’t seem quite in on this knowledge, given the cold shoulder he gives her in the hallway.

“What about Ed?”Donna asks. If she’s with Ed (Everett McGill), how should she be with Mike? Nadine has a plan. Ed’s at home, Mike’s at school, she’ll find a way to manage it, and Ed’s old enough to be her father, she adds. I enjoyed that scene. Any comedic scene with Wendy Robie in this show, I’m for it.

Twin-Peaks-Donna-Nadine.jpg

Meanwhile, James makes a pit stop at a local bar, where he finds a young blonde dressed in red. Over beers, she mentions she has a Jaguar that needs fixing. James has just the skill set for that sort of thing. She introduces herself as Evelyn Marsh, and he plays the jukebox, perhaps wondering what he’s getting himself into. First Laura, then Donna, then Maddy, then Donna, now this? Goodness.

Back at the precinct, Dick Tremayne (Ian Buchanan, Panic Room, One Life to Live) brings little Nicky by. Dick explains to Andy that they’re going out for a malted and wanted to bring Lucy (Kimmy Robertson) along. Since both men are vying for Lucy’s affections, treating Nicky well seemed like it would work out in either man’s favor. Andy states that Lucy is at the Great Northern, helping with the Milford wedding, which reminds Dick that Dougie’s getting married again. It’s like an annual event, this wedding. When Dick moves to change their plans, Nicky becomes upset. Andy chimes in, saying that he’d love to come along for the malted. Reluctantly, Dick has him come along.

Here comes one of my favorite scenes, back to back. In Truman’s office, Truman asks Cooper what they should do if they can’t clear him. Cooper’s answer to this is that the Giant told him that the path is formed by laying one stone at a time, meaning they’d have to cross that bridge when they get to it. Cooper asks both men of the White Lodge that Briggs spoke of. Hawk, who’s also in the room, states that the White Lodge is another world. The White Lodge is where the spirits reside, and that there’s also a Black Lodge. The Black Lodge carries the shadow selves of each person, and everyone has to pass through that at some point in their lives. They refer this as The Dweller on the Threshold, and if you fail to pass through, your soul will be annihilated. Sounds pleasant, no?

The intercom rings, letting everyone in the room know that Agent Dennis Bryson has arrived. As one of the finest minds in the D.E.A., he should be able to get right to the bottom of the drug issues in Twin Peaks.

So, in walks Dennis, who is a woman now. Duchovny, along with Wendy Robie later on, pretty much steal this episode from everyone else.

“It’s a long story…” she starts, “but I prefer Denise if you don’t mind.” The magic of this scene is that it takes just a finger snap for both Cooper and Truman to adjust to this. Hawk might need a little time, but after that heartbeat, everyone’s accepting and is down to business. Denise says she’ll look into things and will get back to everyone, since both she and Cooper are staying at the Great Northern.

TP-Denise

We’re at the High School weight room. It’s leg day, and Mike is on the leg press. Nadine sits at an adjacent leg press machine, but not before putting the pin in the maximum weight allowed. She holds his gaze as she pushes the set with ease. Mike asks her what she wants, but she suggests that he’s a little forward. The wrestling coach (Ron Taylor) catches sight of the weight and offers Nadine a position on the wrestling team, much to Mike’s surprise.

Truman is home, and Josie is in bed. It’s morning. Holding each other, Truman asks her to tell the truth about what she’s been keeping secret. She reveals that she worked for a man in Hong Kong named Thomas Eckhardt, who took her off the streets and taught her about business. After that, she met her husband Andrew. When Truman inquires about Mr. Lee, she explains that Lee worked for Eckhardt, who still feels he has a claim to Josie. Josie believes that Eckhardt is who killed her husband, but I’m wondering if she’s not being truthful. Wasn’t it brought to light that Hank Jennings (Chris Mulkey) was involved in Andrew’s murder. Truman accepts this and all is well, for now. I don’t normally enjoy the Josie / Truman scenes, but I’ll admit that this was nice.

At the RR diner, Roger Hardy is having some of the pie there, of which he’s heard great things. Hank and Ernie Niles (James Booth) steps into the room. With great pleasure, Norma (Peggy Lipton) informs Ernie that her mom has left him, which he doesn’t take too well. Hank reassures him that it will allow him to concentrate more on the work at hand.

Meanwhile, Nicky is given his malted, with Andy and Dick at his side. Nicky blows the whipped cream into Dick’s face, and spins Andy’s chair, causing him to fall to the floor. Neither man is faring well with Little Nicky, and by the end of the scene, I’m shocked they haven’t held him down and checked his scalp for triple 6’s.

At Evelyn Marsh’s garage, James is doing the repair work on the Jaguar. She states that her husband, Jeffrey, loves the car and that he’s currently away on business. Jeffrey has to have the most beautiful toys, according to Evelyn. This causes James to have a mini speech about his motorcycle and how it’s more important about where it can take him. As a rider, I can easily relate to nighttime rides to nowhere. It’s a great feeling. Evelyn offers a room for him while he’s fixing the car, leaving him to wonder where all of this is going.

I should also note that the actress who plays Evelyn, Annette McCarthy, bears a wild resemblance to Priscilla Barnes from Three’s Company (an old show from the late 70’s). It’s rather odd.

TP-James-Evelyn

Back at the Great Northern, Ben Horne (Richard Beymer) is watching old videos of the establishment when Hank walks in. Ben is haggard, scruffy looking and is upset that Catherine Martell (Piper Laurie) has gotten over on him. Ben talks about rearranging the furniture in such a way where it’s aesthetically pleasing to the owner – basically Feng Shui. Hank informs Ben that he’s no longer working for him and that ownership of One Eyed Jack’s has changed. Ben deduces that it’s now Jean Renault (Michael Parks) who owns the establishment. Ben goes back to watching his videos, making finger puppets for his amusement.

RIII--Twin Peaks

In his room, Cooper receives a tape from Windom Earle. On the tape, Windom goes on to say that he and Cooper will cross paths, and eventually, “the King must die.”

We’re at Dougie’s wedding. When the priest asks if there’s anyone who objects, Mayor Dwayne Milford (Dougie’s Brother) chimes in. “She after his money.” He barks, but Truman pulls him to the side. Dougie comforts his bride to be (Robyn Lively) and they continue on.

TP-Wedding

In his room, Cooper receives a call from Denise, who asks to meet him at the wedding. Cooper takes a brief moment to make a tape for Diane to tell her about what happened Denise.

Cooper finds Denise comfortably sitting at the bar, waving the bridal bouquet. “Unfair advantage”, she says, smiling. “How many of those girls were Varsity wide receivers.” Denise explains that cocaine was found in Cooper’s car, but it does appear to be a frame up. Dwayne watches on as the bride and groom share a piece of cake, and states that his brother’s pretty much a “trout on a hook” when it comes to women. Pete takes the comment in stride, which has me wondering if he was thinking of Catherine at that moment.

Denise-Bouquet

Cooper asks Denise what happened to her. Denise explains she was working on a bust where the drug dealer in question “would only sell to transvestites”, so she played the part, found it relaxing, and just kept with it. “It’s not something you exactly plan on.”, She adds.

Dale meets the bride and groom, and Truman chuckles over it. According to him, Dwayne and Dougie have had this wedding fight every year. More partying continues and Cooper shares a dance with Audrey (Sherilyn Fenn), while Andy & Denise are also enjoying themselves on the dance floor. Overall, it was a fun scene, peppering some comedy throughout.

Josie and Catherine come to an agreement that has Josie working for Catherine hand and foot. When Josie leaves the room, Andrew (Dan O’Herlihy, Halloween III: Season of the Witch) steps in and says that everything’s going according to plan. What’s he doing among the living?!

Overall, for a post Palmer Case episode, I thought it did well.  Both Duchovny, Robie and the wedding scenes were standouts here. Where it’s all going, I’m not sure I can say. I’m on deck for tomorrow’s episode. We’ll find out then.

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland

TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone)


The 10th episode of the 2nd season of Twin Peaks opens with a shot of Laura and Leland Palmer’s pictures on the mantle and a title card telling us that it has been three days since Leland’s death.

At the Palmer house, Mrs. Palmer (Grace Zabriskie) is preparing to bury her husband.  Doctor Hayward (Warren Frost) tries to give her a shot, which she refuses.  Agent Cooper (Kyle MacLachlan) assures her that Leland did not actually kill her daughter.

(It’s interesting to note that this episode was directed by Tina Rathone, whose last episode also featured a funeral.)

At Leland’s wake, the entire cast has shown up and they’ve all brought food.  Nadine (Wendy Robie) is dressed like a 1950s teenager.  Audrey (Sherilyn Fenn) wonders if people are invited to wakes or if they just show up.  Hank (Chris Mulkey) grabs all the food that he can.  Donna (Lara Flynn Boyle) tells Ed (Everett McGill) that James is blaming himself for everything that happened.  Ed promises Donna that James will eventually come back.  Speaking of coming back, Doctor Jacoby (Russ Tamblyn) has finally returned from Hawaii and arrived just in time for the wake.

Cooper tells Harry (Michael Ontkean) and Major Briggs (Don S. Davis) that he has some vacation time coming up so he will be sticking around town for at least a few more days.  The Major invites Cooper to go night fishing.

Twin Peaks’s elderly mayor, Dwayne Milford (John Boylan) throws a swing at his equally elderly brother, Dougie (Tony Jay), the owner of the town’s newspaper.  As Harry and Ed pull them apart, Pete (Jack Nance) tells Cooper that Dougie and Dwayne have had a running feud for over 50 years.  Cooper says he’s really going to miss Twin Peaks.

Fade to commercial.

When the show returns, Ed and Jacoby are at Twin Peaks High School and trying to talk the vice principal (Don Calfa) into admitting 35 year-old Nadine as a member of the senior class.  Nadine runs into the office and tells them to hurry up because class is about to start and she wants to try out for cheerleader.

Cooper is in his hotel room, packing.  Audrey comes in, says that she’s from customer relations, and asks if his stay has been satisfactory.  Audrey asks if Cooper’s just going to leave and break her heart.  Cooper explains that he can’t get involved with anyone who was involved in any of his cases.  Cooper explains that he once fell in love with a material witness.  He was supposed to protect her but, when the attempt was made on her life, he was not prepared and she died in his arms.

At the Johnson house, Bobby (Dana Ashbrook) is trying on Leo’s (Eric Da Re) suit.  Bobby is going to try to convince Ben into giving him a job.  Shelly (Madchen Amick) is already getting bored with her new life.

At the sheriff’s station, Harry walks into his office and finds Catherine (Piper Laurie) waiting for him.

“Hello, Harry,” Catherine says.

“Forgive me for saying so, Catherine,” Harry replies, “but aren’t you dead?”

Catherine shrugs.  She explains that, after the explosion at the mill, she woke up in the woods with no knowledge of how she got there.  She says that a guardian angel must have rescued her.  She spent a week living in the woods, eating only tuna fish.  Harry asks what made her come back.  Catherine says that she ran out of tuna fish.

In the lobby, Dick (Ian Buchanan) tells Lucy (Kimmy Robertson) that he wants to talk about their “bambino.”  Dick says he wants to be a father, he believes the child is his, and that he’s enrolled in parenting classes.  After hiding around the corner and listening to the conversation, Andy (Harry Goaz) walks into the lobby and says that, for the sake of the baby, they should all be friends.  As Andy later explains to Hawk (Michael Horse), the key to Lucy’s heart lies in “morals and manly behaviors.”

Cooper stops by Harry’s office to say goodbye.  Harry gives Cooper a parting gift of a special fishing lure and a Book House Boy patch.  Cooper then says goodbye to Hawk, Andy, and Lucy.  However, the goodbyes are interrupted by the arrival of FBI Agent Roger Hardy (Clarence Williams IIIand Preston King (Gavan O’Herlihy) of the Royal Canadian Mounted Police.

(Long before they both appeared on Twin Peaks, Clarence Williams III and Peggy Lipton co-starred on The Mod Squad.  Gavan O’Herlihy is the son of Dan O’Herlihy.  Best known for playing Conal Cochran in Halloween III, Dan will join the cast of Twin Peaks in one more episode.  As for Gavan, he is probably best known for playing Chuck Cunningham during the first season of Happy Days and getting shot by Charles Bronson in Death Wish II.)

Roger tells Cooper that he has been suspended from the FBI.  Cooper’s raid on One-Eyed Jack’s was a violation of FBI policy because it involved crossing the border into Canada.  Roger says that there are other allegations as well but they’re waiting for the evidence to arrive.  Roger explains that King was involved in a sting operation to capture Jean Renault and that Cooper’s actions screwed it up.  Also, the cocaine that King was using as a part of the operation disappeared after Cooper’s raid.  Roger tells Cooper that he has 24 hours to assemble his defense.

At the Great Northern, Audrey helps Bobby get into Ben’s office but Ben (Richard Beymer) immediately has Bobby tossed out.  Audrey saves Bobby from Ben’s goons.  In order to thank her, Bobby buys Audrey an ice cream cone.  “I like to lick,” Audrey says.

At Twin Peaks High School, Nadine tries out for cheerleader.  Nadine now has Hulk-like super strength now, which she demonstrated by picking up a student and throwing him through the air.

Bobby calls Shelly to tell her about the meeting.  While Shelly talks on the phone about how they have to put Leo in a home, Leo moves forward in his wheel chair.  “He moved!” Shelly says, shocked.

At the diner, Norma (Peggy Lipton) takes the fancy table cloths off the tables and complains to Vera (Jane Greer) about a bad review that the Double R got from the mysterious travel writer, M.T. Wentz.  Vivian reveals that she’s M.T. Wentz and she gave her own daughter’s diner a negative review.  Vera says that she can’t violate her professional ethics.

At One-Eyed Jack’s, Hank and Ernie (James Booth) are chasing women and acting like fools.  Hank is pressuring Ernie to steal Vera’s money.  Ernie says he could never do that, he’s gone straight.  That’s when Hank introduces Ernie to his new employer, Jean Renault (Michael Parks).  Jean is looking for someone to serve as a money launderer and Ernie agrees, bragging that he has set up deals for everyone from the Colombians to the Bolivians.  Jean is pleased and introduces Ernie to his other partner, Preston King of the Royal Canadian Mounted Police.

That night, Harry is woken up by someone knocking on the door to his cabin.  When he opens the door, Josie (Joan Chen), who was supposed to be in Seattle, stumbles in and collapses.

In the woods, Cooper and Major Briggs are camping, roasting marshmallows, and discussing right and wrong.  Briggs says that it is some men’s fate to face great darkness.  Briggs asks if Cooper has ever heard of the White Lodge.  Cooper says he hasn’t but he looks forward to hearing more about it.  Cooper then goes off to relieve himself.  There is a flash of white light.  “Cooper!” Briggs shouts as a hooded man appears in the woods.  Cooper runs back to the camp, just to discover that Briggs has vanished.

This uneven episode finds Twin Peaks struggling to establish an identity after the conclusion of the Laura Palmer storyline.  For me, the highlight was Leland’s wake, which showed Twin Peaks as a community.  Nadine’s adventures in high school may be cartoonish but they hold up better than I thought they would.  Finally, this was the first episode to mention that all-important White Lodge.

Tomorrow, both David Duchovny and Dan O’Herlihy join the cast in Masked Ball.

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman

TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter)


“Fire, walk with me!”

— Leland/Bob (Ray Wise) in Twin Peaks 2.9 “Arbitrary Law”

Well, this is it.

This is the episode where the “Who Killed Laura Palmer?” storyline was finally resolved.  So, let’s jump right into it:

Following the haunting opening credits, the show opens with a shot of the dead body of Maddy Ferguson (Sheryl Lee), still wrapped in plastic.  A flashlight shines on her face.  It’s a very disturbing shot, for all the obvious reason.  It is perhaps not a coincidence that this episode was directed by Tim Hunter, who previously directed River’s Edge, an entire movie that revolves around a lifeless body that is dumped next to a river.

This fades into a shot of Cooper (Kyle MacLachlan), Harry (Michael Ontkean), Albert (Miguel Ferrer), and Hawk (Michael Horse).  It’s the morning and they are walking through the woods.  It’s an interestingly framed shot and the fact that it’s done in slow motion gives it a dream-like feel.  It’s as if they’re four gunslingers walking towards some alien version of the O.K. Corral.

Albert is holding the letter “O” that was put underneath Maddy’s fingernail.  Albert tells them what they already know.  The same man who killed Laura also killed Maddy.  White strands of fur, perhaps from a rug, where also found on Maddy’s body.

Harry says that they need to call Maddy’s family.  “Leland should have their number…”

NO, HARRY, LELAND’S THE MURDERER!

Fortunately, Cooper speaks up.  He asks Harry to give him 24 hours so that Cooper can “finish this.”  Albert says that only Cooper knows where he’s going but that he needs to do whatever needs to be done “before this beast bites again.”  Albert has such a way with words.

Cut to a restaurant that I don’t think we’ve seen before.  Donna (Lara Flynn Boyle) is sitting in a booth when James (James Marshall) comes to meet her.  Wait — are Donna and James meeting somewhere other than the Double R or the Roadhouse!?  Well, just stab Norma in the back, why don’t ya?

Anyway, James is all happy because he went for a drive on his motorcycle.  He then gives Donna a ring and says that he just feels that they should be together all the time.  Donna agrees but I have a feeling that this won’t last.

Meanwhile, at the Double R, Norma (Peggy Lipton) is probably wondering where Donna and James are.  She’s also having to deal with Vivian (Jane Greer), who is eating her food and being just as critical as ever.  Norma complains that nothing she does is ever good enough.  Vivian, who is pretty obvious M.T. Wentz, gives Norma advice on how to make the perfect omelette.

Andy (Harry Goaz) eats a slice of pie and keeps repeating “I am a lonely soul,” in French.  Donna and James walk up to him so I guess they were at the diner all the time.  That’s weird because that booth that they were sitting in earlier looked nothing like anything we’ve ever seen in the Double R before.  Anyway, they want to know what Andy’s talking about, like it’s any of their business.  Andy tells Donna that he’s repeating the words of Harold Smith’s suicide note and that, of course, reminds Donna that she’s essentially responsible for Harold killing himself.  Donna says that she needs to find Agent Cooper.

Apparently, she manages to do just that because, in the next scene, Donna is leading Cooper up to the house of Mrs. Tremond.  Fortunately, for all of us who had forgotten, Donna explains that Mrs. Tremond told her about Harold Smith and, also, that Mr. Tremond had a strange grandson who performed magic and said the same French phrase — J’ai une âme solitaire — that Harold used in his suicide note.  Donna says that the note had to be a message.

(Yes, Donna, the message was probably something like, “Someone who pretended to be my friend totally betrayed me and now I’m dead.”)

Reaching the Tremond House, Donna is shocked when the door is answered by a woman that she’s never seen before.  Yes, the woman is named Mrs. Tremond.  No, there is no old woman or little boy living in the house.  However, this Mrs. Tremond does have an envelope that was left in her mailbox on the day that Harold killed himself.  The envelope is addressed to Donna.

And what’s in the envelope?  A page from Laura’s secret diary!

Laura wrote that, on February 22nd, she had a strange dream.  She was sitting in a chair in a red room, with a small man (Michael Anderson) and an old man.  Laura wanted to tell the old man who BOB was but she couldn’t make herself understood.  Cooper realizes that he and Laura had the same dream!  Laura also wrote that BOB was only scared of one man, a man named MIKE.

On February 23rd, Laura wrote, “Tonight is the night that I die.  I know I have to because it’s the only way to keep BOB away from me.”

(If you’re not already totally disturbed by all this, just reminds yourself that Laura is writing about her father.)

Cooper goes to see MIKE (Al Strobel).  Doc Hayward (Warren Frost) is there, which is not surprising since Doc Hayward appears to be everywhere.  He explains that Gerard/MIKE is in pretty bad shape.  Cooper asks how he can find BOB.  MIKE says that Cooper must ask the Giant but he is not clear on just how exactly Cooper can find the Giant.  MIKE tells Cooper that 1) he has all the clues that he needs and 2) Cooper has “so much responsibility.”

Cooper steps out into one of the Great Northern hallways and sees the old waiter (Hank Worden) carrying a tray that has one glass of milk on it.  “I know about you,” the waiter says.  “That milk’ll cool down on you but it’s getting warmer now.”

“Getting warmer now,” Cooper repeats before heading over to Ben’s office.  Harry is in the process of searching Ben’s office and is super excited because he thinks that he’s found more evidence proving Ben’s guilt.   Both Harry and Cooper notice the white fox rug, which would seem to indicate that Maddy was in Ben’s office.

“He killed Maddy here!” Harry says.

As if by magic, Albert pops up and reveals that Maddy died the night before last, between 10 pm and midnight.  “That fits,” Harry said, “we didn’t take Ben in until after midnight…”

Cooper nods but you can tell he’s thinking, “Nope, the Giant would totally disagree with you on this point.”

At the Sheriff’s station, Andy approaches Lucy (Kimmy Robertson) and says he wants to talk about “his” child.  Not now, Andy!  I mean, I think you and Lucy are a cute couple and all but there’s some important stuff going on….

In the holding cell, Ben (Ricard Beymer) is visited by Catherine (Piper Laurie), who is still poorly disguised as a Japanese man.  (So, I guess anyone can just wander around the sheriff’s station whenever they feel like it?)  Not realizing that he’s talking to Catherine, Ben says that he cannot proceed on the Ghostwood Estates deal until he gets a better lawyer and gets out of prison.  Catherine then reveals her painted toenails and says that she intends to make the rest of Ben’s “pathetic existence” miserable.  Ben signs over the mill and Ghostwood Estates to Catherine, hoping that she’ll give him an alibi for the night Laura was murdered.  Catherine says she’ll consider it and then leaves.

(Silly Ben!  You should have signed over the Mill first and then held off on Ghostwood until after Catherine talked to the Sheriff.  Of course, if Twin Peaks took place today, DNA testing would have already gotten Ben out of jail.)

At the Palmer house, Leland (Ray Wise) greets Donna, who is dropping off a tape of a song that she and Maddy did with James.  Donna is wearing a pair of Laura’s old sunglasses.  She also lights a cigarette in the Palmer house.  Donna’s the best!

Anyway, Donna tells Leland about Laura’s secret diary.  Needless to say, Leland is disturbed by the news.  Suddenly, he gets a call from Maddy’s mother.  Maddy hasn’t shown up in Montana.  As Donna listens, Leland says that he took Maddy down to the bus station.

After hanging up, Leland pops a stick of gum in his mouth and announces that Maddy never made it home.  (“That gum you like is going to come back in style.”)  Anyway, Donna is worried but Leland tells her not to worry.  He goes over to a mirror and straightens his tie.  BOB (Frank Silva) stares back at him.

Leland goes to get a glass of lemonade.  When he returns, Donna is staring at all of the pictures of Laura on the mantle.  Leland walks up behind her and — AGCK! — strokes her hair.  He tells her that he knows the “cure for what ails you.”  He puts some cocktail music on the phonograph and, suddenly, we’re no longer seeing Leland.  Instead, we’re seeing BOB and he is pure nightmare fuel.  However, Donna still just sees Leland acting like goofy old Leland.

Leland starts to dance with Donna in the middle of the living room but suddenly, he yanks her close to him and violently embraces her.

The doorbell rings.  Leland goes to answer it, leaving a very shaken Donna.  Fortunately, it’s Harry at the door.  He explains that they need Leland’s help.  There’s been another murder.  Harry says he can’t go into specifics but he needs Leland to go with him.  Leland and Harry leave and Donna is able to make her escape.

Donna meets with James at the park.  (James rides up on his motorcycle and — well, I’ve defended James in the past but here, he just looks like kinda dorky.  Sorry, James.)  Donna tells James that Maddy’s dead.

“I gotta go,” James says, “Nothing matters.  Nothing we do matters.”

Having discovered ennui, James jumps on her motorcycle and leaves Donna behind.

Night rolls in.  Thunder.  Lightning.

At the otherwise deserted Roadhouse, Ben sits in a booth.  Cooper and Albert sit at the bar.  Everything important happens at the Roadhouse, apparently.

Leland, escorted by Harry and Ed (Everett McGill), enters.  After telling Leland that they are going to be meeting someone, perhaps the killer, Cooper has all the tables and chairs cleared off the floor.  While this goes in, Hawk enters with the catatonic Leo (Eric Da Re) and Bobby Briggs (Dana Ashbrook).  Everyone who has been a serious suspect in the murder of Laura Palmer is now in the Roadhouse.

“Hail, hail,” Ben says, “the gang’s all here.”

Cooper then proceeds to do the Agatha Christie thing, announcing that the killer is someone in the room.  He talks about his duty as a member of the FBI.  He seeks simple answer to difficult questions.  (Don’t we all?) Dale says that, after employing all of his other deductive techniques, he is going to try to something new.  “For a lack of a better word,” he says, “magic.”

Suddenly, Major Briggs (Don S. Davis) shows up with the waiter.  Major Briggs says that he was on his way home when the waiter flagged him down and asked for a ride to the roadhouse.

The waiter gives Cooper a stick of gum.  Leland/BOB smiles and says, “I know that gum.  I used to chew it when I was a kid.”

(That’s an interesting line, for many reasons.  Last episode, Jerry wondered how he and Ben had grown up to be who they were.  Leland is now talking about the gum that he used to chew as a child, which presumably would be the same time that BOB was living next door to his summer house.  Throughout Twin Peaks, the innocence and hope of youth is contrasted with the dark secrets of adulthood.)

The waiter tells Leland that the gum is going to come back in style, which leads to several freeze frames.  Time has stopped for everyone but Cooper, who is now seeing the Man from Another Place dancing in the room with the red curtains.  Laura is whispering in Cooper’s ear but this time, he hears what she has to say.  “My father killed me.”  The Giant appears and hands the ring back to Cooper.  The Giant vanishes.

“Ben Horne!” Cooper announces, “I would like you to accompany me back to the station!  You might like to bring along Leland Palmer as your attorney.”

At the station, Ben is forcefully led to down to interrogation.  Leland/BOB follows behind them.  However, once they reach the interrogation room, Harry suddenly shoves Leland into the interrogation room, slamming and locking the door behind him.

Leland/BOB starts to howl like a wild animal while pounding on the walls.  Cooper tells Hawk to release Ben.

“Leland?” a stunned Ben says.

“That’s not Leland,” Cooper says.

Cooper then explains that Laura told him that Leland killed her in a dream.  Always the master of the understatement, Harry says, “We’re going to need stronger evidence than that.”  That’s okay.  Cooper’s sure that he can get a confession.

While Hawk aims a gun at Leland’s head, Cooper interrogates him.  It quickly becomes obvious that Leland is now totally possessed by BOB.  BOB taunts Cooper about something that happened in Pittsburgh and then says that Leland was a good ride but he’s too old and weak now.  BOB says that it’s time to “shuffle off to Buffalo…”

(The implication, throughout both the show and the feature film that followed, is that Leland — as BOB — had been molesting Laura since she was a child.  Since most child molesters were themselves molested as children, the suggestion that BOB used to live next door to Leland would suggest that BOB previously possessed someone who molested Leland.  Twin Peaks has such a reputation for being a “strange” show that I think people overlook just how disturbing its portrait of the “perfect” family truly was.)

Having gotten their confession, Harry, Cooper, and Hawk leave Leland alone in the interrogation room.

Meanwhile, Dick Tremayne (Ian Buchanan) shows up to see Andy and … no, I’m sorry.  I love Andy and Lucy and I enjoy Ian Buchanan’s performance as the hilariously shallow Dick but now is not that time for the baby subplot.  There’s some serious stuff going down with Leland/BOB right now…

(Lucy does say, “I’m going to keep my baby.”  Papa don’t preach…I’m in trouble now…papa don’t preach…)

Outside the interrogation room, Cooper reveals that 1) Ben had the wrong blood type and 2) both Leland and the Man from Another Place danced.  In other words, it’s a pretty good thing that they got that confession because I’m not sure dream dancing would hold up in court.

Uh-oh, Leland/BOB is shouting in the interrogation room.  It’s the fire walk with me poem!  That’s never good!

“I’LL CATCH YOU WITH MY DEATH BAG!” Leland/BOB shouts, “I WILL KILL AGAIN!”

Suddenly, the smoke detector goes off and the sprinklers come to life.  With water raining down upon him, Leland/BOB rams his head into the door, leaving a mix of blood, skin, and probably brains behind.

Harry and Cooper rush into the room, to discover Leland lying on the floor, dying.  Leland, who now seems to be Leland again, cries for his daughter and begs for forgiveness.  Leland says that he saw BOB in a dream and that he invited BOB in.  And when BOB “came inside” him, he made Leland kill Laura.  As Leland died, Cooper tells him that it’s time to walk down the narrow path and enter the light.  Leland says that he can see Laura and then dies.

(That may sound silly but I had tears in my eyes.  MacLachlan and Wise are brilliant in this episode.)

We cut to daylight.  Cooper, Harry, and Albert walk through the woods, where they run into Maj. Briggs.  Harry says that Leland was insane but Albert argues that people actually did see BOB in visions.

Maj. Briggs says, “Gentlemen, there is more in Heaven and Earth, than is dreamt of in our philosophy.”

Harry says he’s having a hard time believing that BOB existed.  Cooper asks — and this question gets to the heart of the David Lynch aesthetic — whether it’s any more comforting to believe that a man would, of his own free will, rape and murder his own daughter.

Major Briggs asks if it matter what causes evil.  Cooper says that it does.  “It’s our job to stop it.”

Albert suggests that BOB may have just been “the evil that men do.”

(Meanwhile, the spirit of Shakespeare looks up and says, “I sense that I am being quoted without attribution…”)

“Where’s BOB now?” Harry wonders.

Cut to an owl flying straight to the camera.  End with a freeze frame!

AGCK!

Seriously, that was a great episode.  I wonder how people reacted to it in 1990.  From what I’ve read, a lot of people stopped watching before this episode, which is a shame.

Well, Laura’s murder has been solved.  I guess the show’s over now.  Thanks for reading everyone and…

What?

Oh.  Apparently, the show did go on and we’ve got 13 more episodes to review.

So, join us tomorrow for another review!  And until then, why not check out the story so far:

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman

What do you think, Cooper?