TV Review: The X-Files 11.2 “This” (dir by Glen Morgan)


If nothing else, last night’s episode of The X-Files was definitely an improvement over the season premiere.

The whole thing started off with a bang, as a bunch of Russians showed up and tried to gun down Mulder and Scully.  It turns out that apparently, the Executive Branch has hired a Russian agency to handle America’s secret intelligence work.  The Russians can even give orders to the FBI.  Yes, it’s all about Trump and I’m sure the Resistance loved it while the majority of MAGA probably wasn’t watching The X-Files to begin with.  Speaking for myself, as a fairly nonpartisan reviewer, I stopped being shocked by Russian villains a long time ago.  At this point, whenever a mobster or a mercenary shows up in a movie or TV show, I always expect to hear a Russian accent before they even open their mouth.

Anyway, as Skinner explains, the fact that the Executive Branch now hates the FBI is going to make it even more difficult for Mulder and Scully to do their thing.  I’m not really sure how much I agree with Skinner on that, though.  If there’s anything that quickly became apparent about these Russian mercenaries, it was just how totally inept they were at their job.  They literally blew up Mulder and Scully’s apartment and yet, Mulder and Scully still escaped without a scratch.  Later, another Russian assassin popped up and, even though he had the element of surprise on his side, he still couldn’t manage to hit either one of them.  Part of me hopes that the Russian ineptness was deliberate on the part of the show.  That would be the ultimate joke, wouldn’t it?  The Russians aren’t even good at their job and they still managed to secretly take over the country.

When Mulder and Scully weren’t running from the Russians, they were dealing Langley, an old friend who, despite having been dead for 16 years, still kept appearing on Mulder’s phone and asking if Mulder was there.  It turns out that Langley, like a lot of geniuses, arranged for his consciousness to be transported into a simulated world after his death.  However, it turns out that the simulation is actually a prison where people like Steve Jobs are being used for slave labor.

It also turned out, of course, that Erika Price (the great Barbara Hershey) was the one behind both the Russians and the dead slave labor.  She explained that every time you use an iPhone, a piece of your mind is scanned and stolen.  When you think about it, that makes perfect sense.

Last night’s episode was all about paranoia, which is one reason why I enjoyed it.  Admittedly, things did get off to a somewhat shaky start with the whole shoot out between Mulder, Scully, and the Russians, which was so haphazardly edited that I was worried I was going to get carsick just from watching it.  But, after that, the episode became a deliberately paced mediation of darkness, death, and a paranoia.  The extended sequence where Mulder and Scully explored the shadowy National Cemetery was brilliantly handled.  As I watched, I was very much aware that there was undoubtedly a secret behind every tombstone.

That said, the main reason that last night’s episode worked was because of the playful chemistry between David Duchovny and Gillian Anderson.  The main problem with the premiere — well, one of them — is that Duchovny and Anderson didn’t have many scenes together.  Instead, Anderson spent almost the entire episode is the hospital while Duchovny spent his time driving through tobacco country.  Last night, though, Duchovny and Anderson were together in nearly every scene and their banter was the best thing about the show.

As I watched last night’s episode, I was able to understand why so many people love The X-Files.  It’s not the conspiracies.  It’s not even the monsters.  Instead, it’s all about the way that David Duchovny and Gillian Anderson bounces lines off of each other.  Here’s hoping that the rest of the season understands this as well.

2017 in Review: The Best of SyFy


Continuing my look back at the best of 2017, today is the day that I reveal my picks for the best SyFy movies and performances of the previous year!

But before I do that, a plea to the SyFy Network.  I make this plea every year and it never does any good.  It probably won’t do any good this year.  But still, I’m going to make it.  SyFy, give us more original films!  From a business point of view, I can understand why SyFy shifted their focus from movies to episodic television.  But I’m not a business person!  I’m a movie lover, one who has wonderful memories of when every weekend would bring another gloriously over-the-top SyFy movie.

Those were wonderful days and it’s sad that the only time that I get to relive them is either during Shark Week or during October.

Seriously, SyFy — give us more original movies!

With that in mind, here are my picks for the best of 2017 SyFy:

(All credits are based on what’s listed at the imdb.  If anyone has been incorrectly credited or left out, please leave a comment and I will correct the mistake.)

Best PictureHouse of the Witch (produced by Neil Elman, Margaret Huddleston, Bryan Sexton)

This haunted house movie was effectively creepy and featured some unexpectedly starting imagery.  Runners-up (and it was a close race): Trailer Park Shark, Sharknado 5, and The Sandman.

Best Director — Griff Furst for Trailer Park Shark

The idea of sharks attacking a trailer park sounds like a huge joke but Furst crafted it into a compelling and entertaining story that celebrated redneck ingenuity.

Best Actor — Ian Ziering in Sharknado 5

The fifth time is the charm as Ziering gives his best performance so far as the chainsaw-wielding Finn.

Best Actress — Haylie Duff in The Sandman

Duff brings some much-needed gravity to the role of a formerly irresponsible aunt trying to save her niece from a monster made of sand.

Best Supporting Actor — Jason London in Mississippi River Sharks and Dennis Haskins in Trailer Park Shark

As much as I tried, I simply could not make a choice between London’s comedic performance (as himself) and Dennis Haskins’s villainous turn.  So, we have a tie!

Best Supporting Actress — Shae Smolik in The Sandman

As the girl being haunted by the Sandman, Smolik gave a refreshingly realistic performance.

Best Screenplay — Neil Elman for House of the Witch

This is the third year in a row that Neil Elman has won in this category.

Best Cinematography — Dane Lawing for House of the Witch

House of the Witch feature some truly haunting images.  In my review, I raved about one shot in particular, of a pickup truck driving across the desolate landscape in the middle of the night.

Best Costumes — Mary-Sue Morris for Empire of the Sharks and Kendra Terpenning for Neverknock

Another tie.  Empire of the Sharks proved that, just because the world’s ending, that doesn’t mean you can’t look good,  Neverknock’s costumes made good use of the Halloween setting, especially with Lola Flannery’s devil costume.

Best Editing — Anna Florit and Ryan Michelle for Sharknado 5

In 2017, Sharknado 5 took us on a trip around the world, offered up nonstop action, and there was never a boring moment.

Best Makeup — Madeleine Botha for Empire of the Sharks

Again, just because the world’s ending, that doesn’t mean you can’t look good.

Best Score — Andrew Morgan Smith for Trailer Park Shark

The score brought the bayou, the trailer park, and the shark to life!

Best Production Design — Anthony Stabley and Dana Rice for House of the Witch

Seriously, that house was so creepy!

Best Sound — Dylan Blount, Leandro Cassan, Jonathan Iglecias , Mitchell Kohen, Chris Polczinski, Mike Varela for House of the Witch

It wasn’t just the way the house looked in House of the Witch that made it a creepy place.  It was also the way that every sound in the background could have just been someone stumbling around or it could have been the witch about to jump out and rip off someone’s fingers.

Best Visual Effects — Craig Bassuk, Sasha Burrow, Yancy Calzada, Glenn Campbell , Yolanda Charlo Rodriguez, Aine Graham, John Karner, Tammy Klein, Mark Kochinski , Kevin Lane, Christian McIntire, James Payfer, Richard A. Payne, Paul Runyan, Chris Simmons, Scott Wheeler, Aaron Witlin,
Al Magliochetti for Sharknado 5

Keep those sharks flying!

Tomorrow, my look back at 2017 continues with my list of good things that I saw on television last year (not counting, of course, all of the good things that I just mentioned in this post).

Previous entries in the TSL’s Look Back at 2017:

  1. 2017 in Review: Top Ten Single Issues by Ryan C
  2. 2017 in Review: Top Ten Series by Ryan C
  3. 2017 In Review: Top Ten Collected Edition (Contemporary) by Ryan C
  4. 2017 In Review: Top Ten Collected Editions (Vintage) by Ryan C
  5. 2017 in Review: Top Ten Graphic Novels By Ryan C
  6. 25 Best, Worst, and Gems I saw in 2017 by Valerie Troutman
  7. My Top 15 Albums of 2017 by Necromoonyeti
  8. 2017 In Review: Lisa Marie’s Picks For the 16 Worst Films of 2017
  9. 2017 In Review: Lisa Marie’s Final Post About Twin Peaks: The Return (for now)
  10. 2017 in Review: Lisa Marie’s 14 Favorite Songs of 2017

 

Music Video of the Day: Hey Heartbreaker by Dream Wife (2018, dir by Mason London)


This trippy video came out five days ago and it’s already a favorite of mine. To be honest, I have a weakness for anything that involves a robot band breaking free and beating up a bunch of drunks.

Enjoy!

Cleaning Out The DVR: Empire of the Sharks (dir by Mark Atkins)


(Hi there!  So, as you may know because I’ve been talking about it on this site all year, I have got way too much stuff on my DVR.  Seriously, I currently have 178 things recorded!  I’ve decided that, on February 1st, I am going to erase everything on the DVR, regardless of whether I’ve watched it or not.  So, that means that I’ve now have only have a month to clean out the DVR!  Will I make it?  Keep checking this site to find out!  I recorded Empire of the Sharks, off of SyFy on August 5th, 2017!)

Welcome to the future!  It’s very wet.

That’s to be expected, of course.  In fact, now that 98% of the world is underwater, we should probably be surprised that the future isn’t more wet than it actually is.  What survives of humanity now lives on floating, makeshift communities.  Some of them are doing better than others, of course.

A warlord floats out there.  His name is Ian Fien (John Savage).  With the help of his main henchman, Mason Scrimm (Jonathan Pienaar), Fien has several communities under his grip.  Everyone is required to pay Fien his tribute.  Failing to do so means getting attacked by the sharks that Scrimm has under his control.

(Once 98% of your planet is underwater, you learn not to laugh at the possibility of being eaten by a shark.)

However, Fien has finally gone too far.  He’s kidnapped Willow (Ashley de Lange), the daughter of a shark caller who may have inherited her family’s ability to control the sharks.  Her boyfriend, Timor (Jack Armstrong), sets out to rescue Willow but it quickly turns out that he’s not going to be able to do it alone.  Fien is simply too powerful and his fortress too well-defended by both men and sharks.  Timor is going to have to travel to a floating bar and recruit a team of misfits to help him both rescue Willow and free his people from Fien’s tyranny.

If the plot of Empire of the Sharks sounds familiar, that’s because it’s a prequel to 2016’s Planet of the Sharks.  It’s also an Asylum film.  Of course, The Asylum is best-known for the Sharknado franchise but I think that, if they don’t also develop a Planet of the Sharks franchise, they’ll be missing out on a huge opportunity.  One of the things that I liked about both Planet and Empire was the amount of effort that was put into creating the future.  Each floating community is its own little world and full of details that will reward sharp-eyed viewers.

(I know that some people online complained that everyone looked too good, considering that they were living in a post-apocalypse wasteland.  That may be true but here’s something to consider.  Do you really want to spend 90 minutes watching ugly people?)

Anyway, I enjoyed Empire of the Sharks.  The movie is pure fun.  (Just the fact that the main villains are named Fein and Scrimm should tell you a lot about the film’s sense of humor.)  It’s a cheerfully crazy movie, featuring CGI sharks and a nicely demented performance from John Savage.  Hopefully, during this year’s shark week, we’ll get a third installment in the Planet of the Sharks franchise.

 

2017 In Review: Lisa Marie’s 14 Favorite Songs of 2017


(Originally, I was going to list my picks for the best in SyFy today.  However, I need one more day to work on that so look for that tomorrow!   For now, here are my favorite songs of 2017!)

Every January, I list my favorite songs of the previous year and, every January, I include the same disclaimer.  My favorite songs are not necessarily the favorite songs of any of the other writers here at the Shattered Lens.  We are a large and diverse group of people and, as such, we all have our own individual tastes.

If you ever visited the TSL Bunker, you would be shocked by the different music coming out of each office.  You would hear everything from opera to death metal to the best of Frank Sinatra and Dean Martin.  And then, of course, you would reach my office and you would discover that my taste in music pretty much runs the gamut from EDM to More EDM.

Now, usually, I do try to listen to a variety of music.  You can go to my Song of the Day site — Lisa Marie’s Song of the Day — and see that I do occasionally listen to other types of music.  But, I have to be honest.  2017 was not a year that inspired me to really leave me comfort zone.  If anything, music provided me with some much needed consistency in an otherwise chaotic year.  2017 was a year that made me want to dance until it was all over and, for the most part, my favorite songs of the year reflect that fact.

Before I list my songs, I should make something else very clear.  These are my favorite songs of 2017.  I’m not saying that they’re necessarily the best songs of 2017.  I’ll leave that debate for others.  Instead, there are the songs that I found myself listening to over and over again.  These are the songs made me dance.  These are the songs that made me sing.  A few of these songs relaxed me when I needed to be relaxed.  These are songs that I liked.

You might like them.

Or you might not.

That’s the beautiful thing about art.  Everyone experiences it in their own individual way.

Here are my favorite songs of 2017:

14. Shutdown by Joywave

13. Love So Soft by Kelly Clarkson

12. Rainmaker by Sleigh Bells

11. I feel It Coming by The Weeknd featuring Daft Punk

(Technically, this is a 2016 song but I listened to it a lot in 2017 and this is my list so fuck it, I’m including it.)

10. Alone by Alan Walker

9. Byte by Martin Garrix & Brooks

8. You Could Be by R3HAB featuring Khrebto

7. Mirage by Lindey Stirling featuring Raja Kumari

6. Rich Boy by Galantis

5. What About Us by P!nk

4. First Time by Kygo & Ellie Goulding

3. Escape Reality Tonight by Paul van Dyk & Emanuele Braveri ft. Rebecca Louise Burch

2. Look What You Made Me Do by Taylor Swift

  1. It Ain’t Me by Kygo, featuring Selena Gomez

For tomorrow’s look back at 2017, I will (finally) share my picks for the best of the SyFy Network!

Previous entries in the TSL’s Look Back at 2017:

  1. 2017 in Review: Top Ten Single Issues by Ryan C
  2. 2017 in Review: Top Ten Series by Ryan C
  3. 2017 In Review: Top Ten Collected Edition (Contemporary) by Ryan C
  4. 2017 In Review: Top Ten Collected Editions (Vintage) by Ryan C
  5. 2017 in Review: Top Ten Graphic Novels By Ryan C
  6. 25 Best, Worst, and Gems I saw in 2017 by Valerie Troutman
  7. My Top 15 Albums of 2017 by Necromoonyeti
  8. 2017 In Review: Lisa Marie’s Picks For the 16 Worst Films of 2017
  9. 2017 In Review: Lisa Marie’s Final Post About Twin Peaks: The Return (for now)

Music Video of the Day: Slowly by Son Lux (2018, dir by Alex Cook)


Today’s music video of the day is the video for Son Lux’s Slowly, which was released yesterday.

Your guess about what’s going on in this moody, black-and-white video is probably as good as mine.  Myself, I like the atmosphere and the feeling of death creeping around every corner.  At the very least, that’s what I see.  Others will undoubtedly disagree.

This video was directed by Alex Cook, who also directed the video of Son Lux’s Dangerous.

Enjoy!

2017 In Review: Lisa Marie’s Final Post About Twin Peaks: The Return (for now)


“Nothing will die. The stream flows, the wind blows, the cloud fleets, the heart beats. Nothing will die.” — John Merrick’s Mother, quoting Tennyson, at the end of The Elephant Man (1980)

Was Twin Peaks: The Return a movie or a TV show?

As I sit here on January 9th, 2018, that’s a question that’s still on my mind.  There are many critics who insist that Twin Peaks: The Return should be viewed as being a 16-hour movie.  It’s a claim that I, myself, have made several times.  In order to support this argument, we point out that David Lynch and Mark Frost didn’t sit down and write 16 different scripts.  Instead, they wrote one 900-page script which they then filmed and subsequently divided into 16 different “chapters.”  It’s really not that much different from what Quentin Tarantino did with Kill Bill or what Peter Jackson did with both The Lord of the Rings and The Hobbit.  As well, Twin Peaks: The Return was such a monumental artistic achievement that calling it a TV show just seems somehow diminishing.

And yet, the fact of the matter is that Twin Peaks: The Return did air on television.  It aired in 16 different episodes, which were aired on a weekly basis.  To many, that fact alone makes Twin Peaks: The Return a television show.

It may all seem like a silly question to some readers.  However, for those of us who like to make best-of lists at the start of the new year, it is a legitimate issue.  Should I include Twin Peaks: The Return at the top of my list of the best 26 films of 2017 or should I rave about it in my list of good things I saw on television in 2017?

My solution is to do neither.  Twin Peaks: The Return was such a monumental achievement that it deserves a best-of entry of its very own.

(Of course, not everyone is going to agree.  For everyone who loved Twin Peaks: The Return, there was someone else who hated it with just as much of a passion.)

Months after the show ended, Twin Peaks: The Return continues to haunt many viewers.  As the Man From Another Place once told Agent Cooper, “She is full of secrets.”  When the show ended, many of the show’s mysteries were left unsolved.  Really, we shouldn’t have been surprised.  As a filmmaker, David Lynch has always been most interested in mysteries than solutions.  What happened to Audrey?  Why did Laura/Carrie scream?  At the end of the show, was Dale trapped in another world or another time?  Was BOB really destroyed?

Interestingly, David Lynch actually provided viewers with two endings.  The first ending, which occurred halfway through Part 17, was an ending that would have been perfect for a television show.  Dale Cooper, back to normal, defeated the bad guys and was reunited with all of his friends.  The second ending — also known as Part 18— was a much more Lynchian ending as two strangers took a road trip to nowhere.  Part 17 gave us hope for the future.  Part 18 ended with a dark reminder that the past cannot be changed, no matter how much we obsess over it.  For me, Part 18 was the most important chapter of Twin Peaks: The Return.  Part 8, of course, is the chapter that got and continues to get all the attention.  And Part 8 was probably one of the greatest stand-alone episodes in television history.  But, when considering the reoccurring themes of Twin Peaks: The Return and all of Lynch’s work, Part 18 was far more important.

What’s interesting is that, while the show ended on a dark note, Twin Peaks: The Return was often Lynch at his most optimistic.  For all the terrible things that happened, the show also featured a reoccurring theme of redemption.  Two of the original show’s most villainous characters — Dana Ashbrook’s Bobby Briggs and Richard Beymer’s Ben Horne — were reintroduced as two of the most sympathetic characters to be found in The Return.  Agent Cooper finally escaped from the Black Lodge and not only got a chance to redeem himself by destroying Bob but he also destroyed his evil Double.  He even got a chance to turn Dougie Jones into a good husband, father, and employee.

In the end, it would appear that Cooper’s only mistake was thinking that he could change the past.  He may have saved Laura but, in doing so, he just transformed her into Carrie, an unbalanced woman living in a house with a dead body on the couch.  As her final scream confirmed, he could save her life but he couldn’t erase her pain.  The past is the past but the future can always be better.

Of course, it wasn’t just the characters on the show who won redemption.  The cast of Twin Peaks: The Return was truly amazing and, by the time the show ended, my opinion of several performers had changed forever.  Who would ever have guessed that Jim Belushi would end up being one of my favorite characters?  Or that Michael Cera would turn Wally Brando into a minor cult hero?   Or that David Lynch would prove to be as good an actor as he is a director?  Or that Balthazar Getty would get a chane to redeem his less than impressive work in Lost Highway with a chilling performance as the newest face of Twin Peaks corruption?  Even the returnees from the original show — Dana Ashbrook, Wendy Robie, Sheryl Lee, Harry Goaz, Kimmy Robertson, Russ Tamblyn, Everett McGill, Peggy Lipton, Grace Zabriskie, James Marshall, Madchen Amick, and others — were given a chance to reveal new depths of character.  Veterans like Robert Forster, Ashley Judd, Laura Dern, Don Murray, Jennifer Jason Leigh, Naomi Watts and Tim Roth shared the stage with newcomers like Chrysta Bell and Eamon Farren and they all came together to create an unforgettable world.

You could even argue that Twin Peaks: The Return was a comeback of sorts for Kyle MacLachlan.  Hollywood has never seemed to really understand how to best use this appealing but quirky actor.  Twin Peaks: The Return provided him with a chance to show what he can do, giving him not just one but three characters to play.

 

Twin Peaks: The Return gave us one final chance to appreciate some talented people who are no longer with us.  Harry Dean Stanton was the face of old-fashioned decency.  Miguel Ferrer provided snarky commentary, letting the audience know that the show understood how strange it was.  Warren Frost returned briefly, still as reliable as ever as Doc Hayward.  And Catherine E. Coulson, who was so often Lynch’s muse, got to play the role one more time.

(Jack Nance, Don S. Davis, Frank Silva, and David Bowie all made appearances as well, a reminder that they may no longer be with us but they will never be gone.)

In the end, it seems appropriate to end this post with a picture of Ed and Norma, finally together.  The world of Twin Peaks: The Return was frequently a dark one but sometimes, love won.

Tomorrow, my look back at 2017 continues with my picks for my favorite songs of 2017.

Previous entries in the TSL’s Look Back at 2017:

  1. 2017 in Review: Top Ten Single Issues by Ryan C
  2. 2017 in Review: Top Ten Series by Ryan C
  3. 2017 In Review: Top Ten Collected Edition (Contemporary) by Ryan C
  4. 2017 In Review: Top Ten Collected Editions (Vintage) by Ryan C
  5. 2017 in Review: Top Ten Graphic Novels By Ryan C
  6. 25 Best, Worst, and Gems I saw in 2017 by Valerie Troutman
  7. My Top 15 Albums of 2017 by Necromoonyeti
  8. 2017 In Review: Lisa Marie’s Picks For the 16 Worst Films of 2017

 

Cleaning Out The DVR: House of the Witch (dir by Alex Merkin)


(Hi there!  So, as you may know because I’ve been talking about it on this site all year, I have got way too much stuff on my DVR.  Seriously, I currently have 178 things recorded!  I’ve decided that, on February 1st, I am going to erase everything on the DVR, regardless of whether I’ve watched it or not.  So, that means that I’ve now have only have a month to clean out the DVR!  Will I make it?  Keep checking this site to find out!  I recorded House of the Witch, off of SyFy on October 7th, 2017!)

Let’s say that you’re a teenager and you’re living in a small, rural town.  There’s not really much to do, other than making out in pickup trucks and hanging out at the local diner.

However, there is a haunted house.

Of course, the official story is that the house isn’t haunted because everyone knows that there’s no such thing as ghosts.  That said, the house does have a long and somewhat infamous history.  And everyone knows that going anywhere near the house would probably be considered to be trespassing.  In fact, one of your classmates is currently missing.  He was last seen talking to two girls who dared him to pry the address off of the house’s front door.

So, it’s Halloween night.  And you’re living in a small town and there’s not a whole lot to do.

So, the question is: would you break into the haunted house?

Now, I know a lot of you are probably saying that there’s no way you would break into that house.  You’re too smart for that!  No way would you break the law and risk your lives just so you could go inside a condemned house!  You’re just going to go home early, do your homework, and get some sleep so you can wake up rested and ready for school on November 1st!

That’s what people say but we all know that’s not true.  If I found myself in that situation, I would totally break into that house and so would you.  Let’s just be honest here.  It’s fun to take chances.  It’s fun to get scared on Halloween, especially when your best friends are the ones who are scaring you.  Even more importantly, it’s fun to think about how, for years afterward, you can brag about how you spent the night in a haunted house and you survived!

It’s human nature.  We all want to touch the freshly painted wall.  We all want to see the movies that were not supposed to watch.  And we all want to break into the haunted house on Halloween.

House of the Witch is wonderfully creepy little movie about a group of teenagers who give into their natural instincts and break into a house on Halloween.  Needless to say, the house turns out to be even more haunted than they were led to believe.  In fact, the house is home to an ancient witch.  Soon, everyone is trapped in the house and being hunted down one-by-one.  Blood is spilled.  Fingers are lost.  Faces are infected with … something.

The storyline may sound simple but it’s also wonderfully effective and atmospheric.  The dilapidated house is a truly frightening location and it just gets more frightening as the film progresses.  By the end of the movie, I was looking over my shoulder to make sure that there weren’t any witches creeping around my living room.  (Fortunately, there weren’t.)  The film does a great job of keeping the viewer off-balance.  Even though you know that damn witch is going to be behind every corner, you still jump when she suddenly pops up.

I liked the whole look of the film.  Early on in the film, there’s a wonderful overhead shot of a pickup truck heading towards the house and the scene perfectly captures not only the creepiness of Halloween but also the emptiness of life in the nearby small town.  Seeing the truck driving past empty and endless fields, it was easy to understand why the film’s characters were drawn to that cursed house.  In a landscape defined by nothing, that house and its infamous reputation was at least something.

All in all, this was a great film for Halloween.

 

Cleaning Out The DVR: Wicked Mom’s Club (dir by Lane Shefter Bishop)


(Hi there!  So, as you may know because I’ve been talking about it on this site all year, I have got way too much stuff on my DVR.  Seriously, I currently have 178 things recorded!  I’ve decided that, on February 1st, I am going to erase everything on the DVR, regardless of whether I’ve watched it or not.  So, that means that I’ve now have only have a month to clean out the DVR!  Will I make it?  Keep checking this site to find out!  I recorded Wicked Mom’s Club, off of the Lifetime Movie Network on October 7th, 2017!)

“You know girls.  Friends one day.  Enemies the next.”

— Olivia (Ashley Wood) in Wicked Mom’s Club (2017)

To be honest, before I actually sat down and watched this film, I assumed it was going to be comedy.

I mean check out the name: Wicked Mom’s Club.  Doesn’t that just bring to mind snarky comments shared over wine and dark secrets?

And then I read the plot description, which basically said that the film was about a single mother who had to defeat the evil moms on the PTA.  That sound like a comedy, doesn’t it?

But then I actually started the movie and it begain with a woman sobbing as she committed suicide in her suburban garage.  At that point, it was obvious that Wicked Mom’s Club was not going to be a comedy.

Instead, it’s another “based-on-a-true-story” Lifetime film about all of the sordid secrets of the suburbs.  It starts with Mandy (Jessica Blakemore) and her teenage daughter Riley (Virginia Tucker) moving into a new house.  They’re looking to start a new life.  Mandy is freshly divorced from a husband who used to cheat on her.  Riley is a talented gymnast who got suspended from her previous school when she tested positive for drugs.  It’s time for a new beginning!  Not only do they have a new house but Mandy has a great job and an amazingly popular “mommy blog.”

Mandy meets Olivia (Ashley Wood).  Olivia is the leader of the Gym Moms, a group of mothers whose daughters are all into gymnastics.  At first, Olivia appears to be the nicest person in town.  She talks about how much she loves Mandy’s blog.  Riley becomes best friend’s with Olivia’s daughter, Chelsea (Bekka Walker).  Mandy even confides in Olivia about Riley’s drug problems…

Uhmm, maybe she shouldn’t have done that.

From the beginning, there are hints that Olivia might not be as friendly as she seems.  For instance, she deliberately knocks over a bag in order to distract Riley in the middle of her routine.  Olivia always seems to be ordering the other Gym Moms around.  Plus, a former Gym Mom approaches Mandy and warns her not to trust Olivia….

When Riley turns out to be a better gymnast than Chelsea, strange things start to happen.  For instance, when Mandy tries to get a sponsor for her blog, she is shocked to discover that someone else has started a blog about what a terrible mother Mandy is.  Since the entire town is obsessed with not only Mandy’s blog but also the random comments that are left on it, everyone starts to turn against Mandy.  No one wants anything to do with you when you’re a bad blogger.

But, it doesn’t stop there.  For instance, Mandy ends up getting arrested  for drug possession.  She starts to hear strange noises around her house.  She grows paranoid, wondering if maybe Riley actually is blogging about her.  Is Mandy being set up?  And is this the end of the world’s most important mommy blog?

Wicked Mom’s Club may sound melodramatic but, honestly, I think everyone has had to deal with someone like Olivia at some point in their life.  They may not all be as clever as Olivia is at destroying people’s lives but they’re out there, grown up bullies who live vicariously through their children.  I grew up dancing and I’ve always been so thankful that my mom never put me under the type of pressure that the majority of my friends had to deal with.  Ashley Wood did a good job bringing Olivia to villainous life and Jessica Blakemore and Virginia Tucker were believable as mother and daughter.  Their difficult but loving relationship felt real.

I have to admit, though, that I was a little amused by how the entire world of Wicked Mom’s Club pretty much revolved around blogs and bloggers.  I had no idea we were so powerful!

2017 in Review: Lisa Marie’s Picks For the 16 Worst Films of 2017!


Well, it’s the second week of January and that means that it’s time for me to now to announce my picks for the best and worst of the previous year!  Let’s start things out with my picks for the 16 worst films of 2017!

(Why 16?  Because Lisa doesn’t do odd numbers.)

(Also be sure to check out my picks for 2016, 2015, 2014, 2013, 2012, 2011, and 2010!)

16. Fifty Shades Darker,

15. Snatched,

14. King Arthur: Legend of the Sword,

13. Transformers: The Last Knight,

12. The Glass Castle,

11. Beatriz at Dinner,

10. Alien: Covenant,

9. Rings,

8. The Last Word,

7. The Circle,

6. Fist Fight,

5. All Eyez On Me,

4. To The Bone,

3. The Emoji Movie,

2. The Book of Henry,

And the worst film of 2017 was…

  1. Wolves at the Door

Tomorrow, my look back at 2017 continues with my picks for the greatest moments for the best and most important television show of 2017, Twin Peaks: The Return!

Previous entries in the TSL’s Look Back at 2017:

  1. 2017 in Review: Top Ten Single Issues by Ryan C
  2. 2017 in Review: Top Ten Series by Ryan C
  3. 2017 In Review: Top Ten Collected Edition (Contemporary) by Ryan C
  4. 2017 In Review: Top Ten Collected Editions (Vintage) by Ryan C
  5. 2017 in Review: Top Ten Graphic Novels By Ryan C
  6. 25 Best, Worst, and Gems I saw in 2017 by Valerie Troutman
  7. My Top 15 Albums of 2017 by Necromoonyeti