Scenes That I Love: Anthony Perkins in Psycho


You have to feel a bit bad for Anthony Perkins, who was an Oscar-nominated star of film and Broadway and something of a teen idol before he was cast as Norman Bates in Alfred Hitchcock’s 1960 masterpiece, Psycho.  Perkins was so convincing in the role that he pretty much spent the majority of his career either playing variations of the character or appearing in small roles where his macabre screen image would not be too much of a problem.  Perkins gave one of the best film performances of all time and his career never really recovered from it.

Unfortunately, there’s a tendency to overlook just how good Anthony Perkins was in this first Psycho.  People look at his later, less-compelling performances and they make the mistake of thinking those performance were the best that Perkins was capable of giving.  Perkins was a fine actor and never better than when he played Norman.  The scene below highlight how Perkins managed to make Norman Bates both poignant and creepy at the same time.

Horror Scenes I Love: Anthony Perkins In Psycho


Poor Anthony Perkins!

Anthony Perkins did not start his career as a horror icon.  A talented young actor, Perkins started his career on Broadway and eventually, he started to appear in films.  From the start, he was usually cast as nervous young men, the type who awkwardly smiled and struggled to talk to people.  Perkins was promoted as a romantic lead, with the Studios and his agents making sure that Perkins was regularly photographed dating Hollywood starlets like Natalie Wood.  As witty off-screen as he was nervous on-screen, Perkins was a popular figure in Hollywood.  He received his only Oscar nomination for his performance as a young Quaker in 1956’s Friendly Persuasion.

Perkins’s entire career changed when Alfred Hitchcock cast him as the seemingly timid motel owner in 1960’s Psycho.  Perkins was reportedly Hitchcock’s first choice for the role, with Hitchcock saying that he felt only Perkins or Dean Stockwell was capable of bringing Norman to life.  Perkins was not nominated for Best Actor but the role pretty much defined him in the eyes of many.  Perkins spent the rest of his career trying to first escape the shadow of Psycho and then eventually embracing his status as an icon of horror.

Perkins’s performance has been imitated so many times that there’s a tendency to forget just how good he is in the role.  In this episode, Perkins-as-Norman discusses his mother with Janet Leigh.

6 Shots From 6 Films: Special Alfred Hitchcock Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

124 years ago, the master of suspense was born in England.  Today, we honor the career and legacy of the great Alfred Hitchock with….

6 Shots From 6 Alfred Hitchcock Films

Rebecca (1940, dir by Alfred Hitchcock, DP: George Barnes)

Shadow of a Doubt (1943, directed by Alfred Hitchcock, DP: Joseph A. Valentine)

Notorious (1946, dir by Alfred Hitchcock, DP: Ted Tetzlaff)

Vertigo (1958, dir by Alfred Hitchcock, DP: Robert Burks)

North by Northwest (1959, dir by Alfred Hitchcock, DP: Robert Burks)

Psycho (1960, dir by Alfred Hitchcock, DP: John L. Russell)

10 Oscar Snubs From The 1960s


Ah, the 60s. Both the studio system and the production code collapsed as Hollywood struggled to remain relevant during a time of great social upheaval. The Academy alternated between nominating films that took chances and nominating films that cost a lot of money. It led to some odd best picture lineups and some notable snubs!

1960: Psycho Is Not Nominated For Best Picture and Anthony Perkins Is Not Nominated For Best Actor

To be honest, considering that the Academy has never really embraced horror as a genre and spent most of the 60s nominating big budget prestige pictures, it’s a bit surprising that Psycho was actually nominated for four Oscars.  Along with being nominated for its production design and its cinematography, Psycho also won nominations for Alfred Hitchcock and Janet Leigh.  However, Anthony Perkins was not nominated for Best Actor, despite giving one of the most memorable performances of all time.  The film literally would not work without Perkins’s performance and, considering that Perkins pretty much spent the rest of his career in the shadow of Norman Bates, it’s a shame that he didn’t at least get a nomination for his trouble.  Psycho was also not nominated for Best Picture, despite being better remembered and certainly more influential than most of the films that were.

1962: The Man Who Shot Liberty Valance Is Almost Totally Snubbed

The Man Who Shot Liberty Valance was not totally snubbed by the Academy.  It received a nomination for Best Costume Design.  But still, it deserved so much more!  John Ford, James Stewart, John Wayne, Lee Marvin, Vera Miles, and the picture itself were all worthy of nominations.  Admittedly, 1962 was a year full of great American films and there was a lot of competition when it came to the Oscars.  Still, The Man Who Shot Liberty Valance definitely deserved a best picture nomination over the bloated remake of Mutiny on the Bounty.  Today, if the first Mutiny on the Bounty remake is known for anything, it’s for Marlon Brando being difficult on the set.  But The Man Who Shot Liberty Valance is still remembered for telling us to always print the legend.

1964: From Russia With Love Is Totally Snubbed

The same year that the Academy honored George Cukor’s creaky adaptation of My Fair Lady, it totally ignored my favorite James Bond film.  From Russia With Love is a Bond film that works wonderfully as both a love story and a thriller.  Sean Connery, Lotte Lenya, Robert Shaw, and Terence Young all deserved some award consideration.  From Russia With Love was released in the UK in 1963.  In a perfect world, it would have also been released concurrently in the U.S., allowing From Russia With Love to be the film that gave the the Academy the chance to recognize the British invasion.  Instead, Tom Jones was named the Best Picture of 1963 and From Russia With Love had to wait until 1964 to premiere in the U.S.  It was snubbed in favor of one of old Hollywood’s last grasps at relevance.

1964: Slim Pickens Is Not Nominated For Best Supporting Actor

Playing three separate roles, Peter Sellers dominates Dr. Strangelove: Or How I Learned To Stop Worrying And Love The Bomb.  But, as good as Sellers is, the film’s most memorable image is definitely Slim Pickens whooping it up as he rides the bomb down to Earth.  George C. Scott and Sterling Hyaden also undoubtedly deserved some award consideration but, in the end, Pickens is the one who brings the film to life even as he helps to bring society to an end.

1967: In Cold Blood Is Not Nominated For Best Picture

In Cold Blood, though not a perfect film, certainly deserved a nomination over Dr. Doolittle.  In Cold Blood is a film that still has the power to disturb and haunt viewers today.  Dr. Doolittle was a box office debacle that was nominated in an attempt to help 20th Century Fox make back some of their money.

1967: Sidney Poitier Is Not Nominated For Best Actor For In The Heat Of The Night

In 1967, Sidney Poitier starred in two of the films that were nominated for Best Picture but somehow, he did not pick up a nomination himself.  His restrained but fiercely intelligent performance in In The Heat Of The Night provided a powerful contrast to Rod Steiger’s more blustery turn.  That Poitier was not nominated for his performance as Virgil Tibbs truly is one of the stranger snubs in Academy history.  (If I had to guess, I’d say that the Actors Branch was split on whether to honor him for In The Heat of the Night or Guess Who’s Coming To Dinner or even for To Sir With Love and, as a result, he ended up getting nominated for none of them.)

1968: 2001: A Space Odyssey and Planet of the Apes Are Not Nominated For Best Picture

Neither one of these classic science fiction films were nominated for Best Picture, despite the fact that both of them are far superior and far more influential than Oliver!, the film that won that year.

1968: The Good, The Bad, and the Ugly Is Totally Ignored

Not even Ennio Morricone’s score received a nomination!

1968: Petulia Is Totally Snubbed

Seriously, I don’t know what was going on with the Academy in 1968 but it seems they went out of their way to ignore the best films of the year.  Richard Lester’s Petulia is usually cited as one of the definitive films of the 60s but it received not a single Oscar nomination.  Not only did the film fail to receive a nomination for Best Picture but Richard Lester, George C. Scott, Julie Christie, Shirley Knight, Richard Chamberlain, and the film’s screenwriters were snubbed as well.

1969: Easy Rider Is Not Nominated For Best Picture

Yes, I know.  Easy Rider is a flawed film and there are certain moments that are just incredibly pretentious.  That said, Easy Rider defined an era and it also presented a portrait of everything that was and is good, bad, and timeless about America.  The film may have been produced, directed, and acted in a drug-razed haze but it’s also an important historical document and it was also a film whose success permanently changed Hollywood.  Certainly, Easy Rider’s legacy is superior to that of Hello, Dolly!

Agree? Disagree? Do you have an Oscar snub that you think is even worse than the 10 listed here? Let us know in the comments!

Up next: It’s the 70s!

6 Shots From 6 Horror Films: The Early 60s


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at the early 60s!

6 Shots From 6 Horror Films: The Early 60s

Psycho (1960, dir by Alfred Hitchcock, DP: John L. Russell)


Black Sunday (1960, dir by Mario Bava)


Peeping Tom (1960, dir by Michael Powell, DP: Otto Heller)


Pit and the Pendulum (1961, dir by Roger Corman, DP: Floyd Crosby)


The Best of Yucca Flats (1961, dir by Coleman Francis, DP: John Cagle and Leo Strosnider)


The Awful Dr. Orloff (1962, dir by Jess Franco, DP: Godofredo Pacheco)

6 Shots From 6 Films: Special Alfred Hitchcock Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

123 years ago, the master of suspense was born in England.  Today, we honor the career and legacy of the great Alfred Hitchock with….

6 Shots From 6 Alfred Hitchcock Films

The Lodger (1926, dir by Alfred Hitchcock, DP:Gaetano di Ventimiglia )

Shadow of a Doubt (1943, directed by Alfred Hitchcock, DP: Joseph A. Valentine)

Vertigo (1958, dir by Alfred Hitchcock, DP: Robert Burks)

North by Northwest (1959, dir by Alfred Hitchcock, DP: Robert Burks)

Psycho (1960, dir by Alfred Hitchcock, DP: John L. Russell)

The Birds (1963, dir by Alfred Hitchcock, DP: Robert Burks)

4 Shots From 4 Alfred Hitchcock Films


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today, we honor the master of suspense, Alfred Hitchcock.  Not all of his film were horror films, of course.  In fact, the majority were not.  But his influence on the genre cannot be overstated.  Just try to keep track of how many horror films owe a debt to Psycho or The Birds.

It’s time for….

4 Shots From 4 Alfred Hitchcock Films

The Lodger (1926, dir by Alfred Hitchcock, DP: Gaetano di Ventimiglia)

Shadow of a Doubt (1943, dir by Alfred Hitchcock, DP: Joseph A.Valetine))

Psycho (1960, dir by Alfred Hitchcock, DP: John L. Russell)

The Birds (1963, dir by Alfred Hitchcock, DP: Robert Burks)

4 Shots From 4 Alfred Hitchcock Films: The Lodger, Psycho, The Birds, Frenzy


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

This month, we’ve been using 4 Shots From 4 Films to honor some of our favorite filmmakers!  Today, we pay tribute to the one and only Alfred Hitchcock!

4 Shots From 4 Alfred Hitchcock Films

The Lodger (1926, dir by Alfred Hitchcock)

Psycho (1960, dir by Alfred Hitchcock)

The Birds (1963, dir by Alfred Hitchcock)

Frenzy (1972, dir by Alfred Hitchcock)

4 Shots From 4 Films: Special Alfred Hitchcock Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

121 years ago today, the master of suspense, Alfred Hitchcock, was born!

In honor of the most influential director all time, here are….

4 Shots From 4 Films

Spellbound (1945, dir by Alfred Hitchcock)

Vertigo (1958, dir by Alfred Hitchcock)

Psycho (1960, dir by Alfred Hitchcock)

The Birds (1963, dir by Alfred Hitchcock)