Scenes That I Love: Joseph Cotten and Teresa Wright in Shadow of a Doubt


On this date in 1905, the great actor Joseph Cotten was born in Petersburg, Virginia.  A longtime friend and collaborator of Orson Welles, Cotten was one of the most dependable leading men of the 40s and 50s, an actor with the charisma of star and the talent of an artist.

Today’s scene that I love comes from Alfred Hitchcock’s 1943 masterpiece, Shadow of a Doubt, and it features Teresa Wright and Joseph Cotten.  Wright plays Charlie.  Cotten plays her beloved uncle, who is also named Charlie and who might very well be a serial killer.  In this scene, Uncle Charlie drags his niece to a seedy bar, where he confesses that, as she earlier deduced, he is a suspect in a murder investigation.  With a mixture of charm and intimidating, Charlie tries to convince his niece to keep his secret to herself.

6 Shots From 6 Films: Special Alfred Hitchcock Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

124 years ago, the master of suspense was born in England.  Today, we honor the career and legacy of the great Alfred Hitchock with….

6 Shots From 6 Alfred Hitchcock Films

Rebecca (1940, dir by Alfred Hitchcock, DP: George Barnes)

Shadow of a Doubt (1943, directed by Alfred Hitchcock, DP: Joseph A. Valentine)

Notorious (1946, dir by Alfred Hitchcock, DP: Ted Tetzlaff)

Vertigo (1958, dir by Alfred Hitchcock, DP: Robert Burks)

North by Northwest (1959, dir by Alfred Hitchcock, DP: Robert Burks)

Psycho (1960, dir by Alfred Hitchcock, DP: John L. Russell)

10 Oscar Snubs From the 1940s


Ah, the 40s! For most of the decade, the world was at war and the Academy’s nominations reflected that fact. The best picture lineups alternated between patriotic films that encouraged the battle against evil and darker films that contemplated both the mistakes of the past and what threats might be waiting in the future.  With the Academy being even more aware than usual that films and awards could be used to send a message, the snubs continued.

1940: John Carradine Is Not Nominated For The Grapes of Wrath

John Carradine’s first credited film appearance was in 1930 but Carradine himself claimed that he had appeared as an uncredited extra in over 70 films before getting that first credit.  Carradine would continue to work until his death 58 years later.  John Carradine did so many films that he was still appearing in new releases in the 90s, years after his death.  He appeared in over 234 films and in countless television shows.  He was a favorite of not only Fred Olen Ray’s but also John Ford’s.

Unfortunately, Carradine was never nominated for an Oscar, despite the fact that he did appear in some classic films.  (He also appeared in a lot of B-movies, which is perhaps one reason why the Academy was hesitant to honor him.)  Personally, I think Carradine most deserved a nomination for playing “Pastor” Jim Casy in John Ford’s The Grapes of Wrath.  Carradine is ideally cast as the former preacher turned labor activist.  When he’s alive, he gives the Joads hope.  When he dies, both the Joads and the audience start to realize how difficult things are truly going to be.

1942: Ronald Reagan Is Not Nominated For Best Supporting Actor For Kings Row

Kings Row is an enjoyably over-the-top small town melodrama and future President Ronald Reagan is fantastic in the film, with his natural optimism providing a nice contrast to the truly terrible things that happen to him and his loved ones over the course of the film.  Reagan was not nominated for this performance, the one that both he and the most of the critics agreed was his best, but he should have been.

1943: Hangmen Also Die Is Not Nominated For Best Picture

Fritz Lang’s anti-Nazi classic was not nominated for Best Picture and only received two nominations (for Sound and Score).  That year, the Best Picture winner was another anti-Nazi classic, Casablanca.

1943: Shadow Of A Doubt Is Ignored

Today, it is recognized as one of Hitchcock’s best but, in 1943, Shadow of a Doubt couldn’t even score a nomination for Joseph Cotten’s wonderfully diabolical turn as Uncle Charlie.  One gets the feeling that the film’s satirical jibes at small town America and its theme of evil hiding behind a normal façade were not what the Academy was looking for at the height of World War II.  It’s a shame because, in many ways, Cotten’s Uncle Charlie was the perfect symbol of the enemy that the Allies were fighting.

1944: Tallulah Bankhead In Not Nominated For Best Actress For Lifeboat

Unlike Shadow of a Doubt, Hitchcock’s Lifeboat received several Oscar nominations.  However, Tallulah Bankhead was not nominated for Best Actress.  Perhaps the Academy was scared of what she might say if she won.

1944: Fred MacMurray and Edward G. Robinson Are Not Nominated For Double Indemnity

For all the nominations that this classic noir received, somehow neither Fred MacMurray nor Edward G. Robinson were nominated for their roles.  Both actors are brilliantly cast against type in this film.  MacMurray uses his trademark casual glibness to portray Walter Neff as being an arrogant man who is hardly as clever as he thinks that he is.  Meanwhile, Robinson’s more introspective performance leaves you with little doubt that, if anyone can solve this case, it’s him.  While Barbara Stanwyck was (rightfully) nominated, it’s had to believe that both MacMurray and Robinson were snubbed.

1946: Thomas Mitchell and Lionel Barrymore Are Not Nominated For Best Supporting Actor For It’s A Wonderful Life

As wonderful as James Stewart and Donna Reed are, it just wouldn’t be Bedford Falls without Uncle Billy and Mr. Potter!  Thomas Mitchell breaks your heart in the scene where he tries to remember what he did with the lost money.  And, for audiences who had just lived through the Great Depression, Lionel Barrymore represented every businessman who cared more about money than people.  It’s impossible to imagine the film without them …. or without Henry Travers, for that matter!  Seriously, very few films have received three best supporting actor nominations but It’s A Wonderful Life deserved to be one of them.

1948: Humphrey Bogart Is Not Nominated For Best Actor For The Treasure of the Sierra Madre

The Treasure of the Sierra Madre received four Oscar nominations.  Somehow, not one of those nominations was not for Humphrey Bogart.

1948 and 1949: Red River, Fort Apache, and She Wore A Yellow Ribbon Are Not Nominated For Best Picture

The public may have loved Westerns but the Academy largely shied away from them, with a few notable exceptions.  Howard Hawks’s Red River and John Ford’s Fort Apache and She Wore A Yellow Ribbon are today all recognized as being classic Hollywood films.  However, the Academy, then at the height of its bias towards “genre” films, didn’t honor any of them.

1949: James Cagney Is Not Nominated For Best Actor For White Heat

“Top of the world, ma!”  Maybe so, but not top of the Oscars.  The Academy was always more interested in honoring Cagney for being a song-and-dance man than for honoring him for his iconic gangster roles.

Agree?  Disagree?  Do you have an Oscar snub that you think is even worse than the 10 listed here?  Let us know in the comments!

Up next: Get ready to hate the commies and to love Ike because the 50s are coming!

6 Shots From 6 Films: Special Alfred Hitchcock Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

123 years ago, the master of suspense was born in England.  Today, we honor the career and legacy of the great Alfred Hitchock with….

6 Shots From 6 Alfred Hitchcock Films

The Lodger (1926, dir by Alfred Hitchcock, DP:Gaetano di Ventimiglia )

Shadow of a Doubt (1943, directed by Alfred Hitchcock, DP: Joseph A. Valentine)

Vertigo (1958, dir by Alfred Hitchcock, DP: Robert Burks)

North by Northwest (1959, dir by Alfred Hitchcock, DP: Robert Burks)

Psycho (1960, dir by Alfred Hitchcock, DP: John L. Russell)

The Birds (1963, dir by Alfred Hitchcock, DP: Robert Burks)

4 Shots From 4 Alfred Hitchcock Films


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today, we honor the master of suspense, Alfred Hitchcock.  Not all of his film were horror films, of course.  In fact, the majority were not.  But his influence on the genre cannot be overstated.  Just try to keep track of how many horror films owe a debt to Psycho or The Birds.

It’s time for….

4 Shots From 4 Alfred Hitchcock Films

The Lodger (1926, dir by Alfred Hitchcock, DP: Gaetano di Ventimiglia)

Shadow of a Doubt (1943, dir by Alfred Hitchcock, DP: Joseph A.Valetine))

Psycho (1960, dir by Alfred Hitchcock, DP: John L. Russell)

The Birds (1963, dir by Alfred Hitchcock, DP: Robert Burks)

4 Shots From 4 Films: In Tribute To Joseph Cotten


The Third Man (1949, directed by Carol Reed)

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

As you can probably guess from my pen name and my profile pic, Joseph Cotten is one of my favorite actors.  Born 115 years ago on this day, Cotten may be best known for his association with Orson Welles but he worked with several great directors over the years.  Along with playing Jedediah Leland in Welles’s Citizen Kane, he starred in Hitchcock’s Shadow of a Doubt and Carol Reed’s The Third Man.  Even while his film career was flourishing, Cotten continued to appear on the Broadway stage and, during the early days of television, he frequently appeared on anthology series, the majority of which were broadcast live.  Cotten even had a memorable cameo in Michael Cimino’s infamous film, Heaven’s Gate.

In honor of Cotten’s birthday, here are four shots from four of his best films.

4 Shots From 4 Films

Citizen Kane (1941, directed by Orson Welles)

Journey Into Fear (1943, directed by Norman Foster and Orson Welles)

Shadow of a Doubt (1943, directed by Alfred Hitchcock)

Portrait of Jennie (1948, directed by William Dieterle)

 

6 Good Films That Were Not Nominated For Best Picture: The 1940s


Gary Cooper. Joan Fontaine, Mary Astor, and Donald Crisp at the 1942 Oscars.

Continuing our look at good films that were not nominated for best picture, here are 6 films from the 1940s.

Shadow of a Doubt (1943, dir by Alfred Hitchcock)

Amazing, Alfred Hitchcock never won the Best Directing Oscar.  In fact, it was rare that his films were even nominated.  (Though Rebecca did win Best Picture, it could be argued that film’s style was as much to due to David O. Selznick as it was to Hitchcock.)  One of the best of Hitchcock’s unnominated films was Shadow of a Doubt.  With its dark sense of humor and wonderful performances from Joseph Cotten and Teresa Wright, Shadow of a Doubt was Hitchcock at his best.  It was also, perhaps, a bit too darkly subversive for the Academy.

Detour (1945, dir by Edgar G. Ulmer)

The ultimate film noir nightmare, Detour was actually well-received when it was originally released, though it would take a while for the film to be recognized as a true classic.  Still, there was no way that the Academy was going to nominate a low-budget B-movie about a guy who hitchhikes across America and manages to accidentally kill two people.  Detour was far too nightmarish and surreal for the Academy but it’s remained one of the most influential films ever made.

Gilda (1946, dir by Charles Vidor)

Another classic film noir, Gilda is the film that, for many, will always define Rita Hayworth.  Through the film was a financial and critical success, it was ignored by the Academy.  The success of this film and the popularity of Hayworth’s performance led to the fourth atomic bomb to ever be detonated being named Gilda.  Rita Hayworth was reportedly not happy to hear it.

Black Narcissus (1947, dir by Michael Powell and Emeric Pressburger)

One of the most visually stunning films ever made, Black Narcissus won Oscars for Best Cinematography and for Art Design but it received no other nominations, not even for the outstanding performances of Deborah Kerr and Kathleen Byron, as two nuns who have very different reactions to the Himalayas.

Out of the Past (1947, dir by Jacques Tourneur)

A world-weary private investigator (Robert Michum) is hired by a slick and psychotic gangster (Kirk Douglas) and ordered to track down the gangster’s girlfriend (Jane Greer).  So beings this rather melancholy and introspective film noir, one that is distinguished by wonderfully shadowy photography and which features one of Mitchum’s best performances.  Sadly, the Academy recognized neither the film nor Mitchum’s performance.

Portrait of Jennie (1948, dir by William Dieterle)

This haunting and dream-like fantasy stars Joseph Cotten as a painter who meets, paints, and falls in love with a mysterious woman (Jennifer Jones) who may not be what she seems.  The film was apparently not a huge success when it was first released but, seen today, it’s hard not to get swept up in the film’s romantic sadness.  Though it received a nomination for Best Cinematography, it was otherwise ignored by the Academy.

Up next, in about an hour or so, the 1950s!

20 Shots from 20 Alfred Hitchcock Films


Happy National Hitchcock Day!

20 Shots From 20 Films

The Pleasure Garden (1925)

The Lodger (1927)

Blackmail (1929)

The Man Who Knew Too Much (1934)

The 39 Steps (1935)

The Lady Vanishes (1938)

Rebecca (1940)

Shadow of a Doubt (1943)

Lifeboat (1944)

Notorious (1946)

Strangers on a Train (1951)

Rear Window (1954)

The Wrong Man (1956)

Vertigo (1958)

North by Northwest (1959)

Psycho (1960)

The Birds (1963)

Topaz (1969)

Frenzy (1972)

Family Plot (1976)