Film Review: Close Calls (dir by Richard Stringham)


This week, I was lucky enough to get a chance to see a new independent horror film called Close Calls.

When Close Calls begins, the first image that appears on the screen is of a VHS tape.  Even though it’s just a part of the logo for S & Drive Cinema, that VHS tape is exactly the right image to start this film off with.  Close Calls is a throwback to the horror films of the late 70s and the early 80s.  It’s a film that pays homage to the old slasher and haunted house films that, though they may not have had a huge budget, did have an abundance of atmosphere, shocks, and out-of-control plot twists.   I always love a good homage so, as soon as I saw that VHS tape, I was excited to see what would follow.

Teenager Morgan MacKenzie (Jordan Phipps) has her own very good reasons for being upset with the world in general.  She is still struggling to deal with the death of her mother, something that is not made any easier by the fact that her father, David (Kristof Waltermire), is now dating the bitchy Brynn (Carmen Patterson).  (Morgan describes Brynn as being a “steaming pile of bitch.”)  She lives in a really nice house but, due to her rebellious attitude and her casual drug use, her father has grounded her and refuses to trust her.  (When he hears Morgan swear, he snaps, “If I was to cuss at my dad the way that you do, he would have beat the shit out of me!”  That’s the kind of father that David is.)  Whenever David leaves the house, he takes Morgan’s phone with him.  Morgan is literally a prisoner in the house, with her only company being her rather strange grandmother (Janis Duley).  Grandma spend her time upstairs, occasionally ringing a bell to let Morgan know that she needs something.  

Close Calls takes place over one very eventful night in Morgan’s life.  As soon as her father abandons her so that he can go on a date with Brynn, odd things start to happen.  Grandma starts to act strange and, despite writing a reminder on her inner thigh, Morgan keeps forgetting to take her pills upstairs.  As a storm brews outside, Morgan hears a voice from the past, whispering to her.  Pictures in the house start to change, as once happy photographs are changed into images of grief and pain.  The landline phone rings and, every time that Morgan answers, she hears a voice making threats.  A friend drops by, insisting that Morgan try a new drug.  Even worse, a man named Barry (Greg Fallon) shows up at her front door.  He says that he works for Morgan’s father and he just wants to come in out of the rain.  He seems okay, until he smiles what may be the most evil smile ever.  Morgan may have a shoebox of cocaine hidden in her closet but that’s not going to be as much help as you might think.  It’s going to be a long, dangerous, and twist-filled night.  When I say twist-filled, I’m not being hyperbolic.  In the tradition of a 70s giallo, Close Calls is full of unexpected plot developments.  At first, Morgan may seem paranoid but, as the film progresses, it becomes obvious that she has good reason for that paranoia.

Close Calls definitely had an Italian horror feel to it, which is one of the reasons why I enjoyed it.  When the camera is stalking through the house, I was reminded of two Lamberto Bava films, A Blade In The Dark and Delirium.  (The house’s swimming pool even reminded me of the pool where so much of the action in Delirium took place.)  A few of the more surreal scenes were tinted and lit in a way that reminded me of the scenes of Jessica Harper exploring the dance school in Suspiria.  For that matter, the film’s final scenes reminded me of something from Lucio Fulci’s Beyond trilogy.  Much like those films, Close Call frequently feels as if it’s a filmed nightmare.  The atmosphere is dream-like and frequently surreal.  In the tradition of the best of Italian horror, the story is sometimes less important than the way it’s told.  As well, director Richard Stringham deserves a lot of credit for including a drug trip sequence that actually feels authentic.

(Also of note: Rocky Gray’s score.  It’s a throwback to the wonderfully creepy and ominous horror music of the 70s and 80s.  Goblin would be proud.)

For a film like this to work, you have to a sympathetic lead and Jordan Phipps gives a wonderfully empathetic performance as Morgan, making her a sympathetic character even when she’s snorting cocaine and talking about how much she hates having to take care of her grandmother.  Phipps commits the role, giving an intense and believable performance.  Janis Duley also does well as grandma, constantly making you wonder whether she’s just a senile old lady or if there’s something more sinister about her quirks.  Finally, Greg Fallon is appropriately sinister as Barry, keeping us off-balance as to what his true intentions are.

Close Calls is definitely a film for horror fans to keep an eye out for, especially horror fans who like a film that keeps you guessing.  If you get a chance to see it, take that chance.

Belatedly, here are the trailers for Thor: Ragnarok and Ready Player One!


I know, I know.  These two trailers dropped in July and I’m late in sharing them.  Trust me, I feel totally guilty.

Anyway, it’s been a good year for comic books movies so far.  Will that trend continue with Thor: Ragnarok?  Traditionally, of all the MCU films, it’s the Thor movies that always have the toughest time with the critics.  I’ll just say that, to me, Jeff Goldblum was born to play an intergalactic villain.

Plus, Tom Hiddleston!  Everyone loves Tom Hiddleston!

Thor: Ragnarok is coming out later this year.  We won’t get to see Steven Spielberg’s adaptation of Ready Player One until 2018 but we can watch this teaser!

Hopefully, after slipping a bit with The BFG, Spielberg will return to quality filmmaking with Ready Player One.

(It’s interesting to note that Spielberg does — in theory — have a film coming out this year.  It’s called The Papers and it was hastily put together to serve as both a historical drama and a rebuke to the Trump administration’s criticism of the press.  The Papers is currently in post-production and there’s some confusion as to whether it will be ready for a 2017 release and Oscar run.  To be honest, Ready Player One sounds like it’ll be more fun than The Papers.)

Here Are The Trailers for LBJ, Suburbicon, Rebel in the Rye, and 9-11!


Here’s four trailer for four films, none of which I have high hopes for.

First off, we’ve got LBJ.  You’d probably expect that I, as a history nerd, would be excited about any presidential biopic and that usually would be the case.  However, LBJ was directed by Rob Reiner and this seems like exactly the type of project that is going to bring out all of his worst tendencies as a filmmaker.  I imagine this film will make Lincoln look subtle.  I also imagine it will get some good review from the “Let’s make every review about Trump” crowd.

LBJ has actually been around for a while.  It was mentioned as an Oscar contender last year.  Then festival and preview audiences were exposed to it and all that LBJ Oscar talk abruptly ended.  No one is mentioning it as an Oscar contender this year.

The good news about Suburbicon is that it was co-written by the Coen Brothers.  The bad news is that it was directed by George Clonoey, a great actor who just happens to be an absolutely lousy director.  Much like LBJ, this is another film that I hope will be good but I just fear the material will bring out all of Clooney’s worst instincts as a filmmaker.

That said, as an actor, Clooney had done some of his best work for the Coens.  (His self-mocking performance in Burn After Reading was absolutely brilliant.)  So, I’m hoping that I’ll be proven wrong and Suburbicon will be great.

Rebel in the Rye is a biopic of writer J.D. Salinger.  The advance word on this one is not good.  Not good at all.

And finally, here’s the trailer for 9-11, which I’m predicting will be one of the worst films of 2017.  Outspoken truther Charlie Sheen plays a man stuck in a elevator September 11th.  Apparently, this was directed by Martin Guigui, who also directed National Lampoon’s Cattle Call.  

Apparently, this will be the first Charlie Sheen film to actually make it into theaters since A Glimpse Into The Mind of Charlie Swan III.  It’ll be released on September 8th and hopefully, it won’t be as annoying as Extremely Loud and Incredibly Close.

 

Here’s The Teaser for Mother!


Here’s the teaser for Mother!  The full trailer drops on the 8th.

No one seems to be really sure what Mother! is about.  It appears to be a horror/thriller sort of thing but, with Darren Aronofsky directing, it’s safe to assume that there will be all sorts of layers of meaning.  Along with starring Jennifer Lawrence (who, after Joy and Passengers, could really use a movie that’s worthy of her talents), Mother! also features Javier Bardem, Michelle Pfeiffer, and Ed Harris.  Judging by how the majority of this teaser goes out of it’s way to portray Jennifer Lawrence as being isolated in a big house, I wouldn’t be surprised to discover that Bardem, Pfieffer, and Harris all plays figments of Lawrence’s imagination.

Who knows?  We’ll find out on September 15th!

Here’s The Trailer For Call Me By Your Name!


Every year, a major Oscar contender emerges from the Sundance Film Festival.  This year, a lot of people think that contender is going to be Mudbound.  Personally, I think it’s going to be Call Me By Our Name.

Mudbound, after all, was bought by Netflix and, judging from what happened to Beasts of No Nation, the Academy is not quite ready to embrace the Netflix brand.

Call Me By Your Name, on the other hand, is a historic drama that not only won’t be streaming until after the award ceremony but which will probably feel especially timely today.  Add to that, Armie Hammer’s in it and every year, film bloggers like me a contractually obligated to announce, ‘This is the year that Armie Hammer gets an Oscar nomination!  It may not have happened for The Social Network!  It may not have happened for J. Edgar!   It definitely didn’t happen for The Lone Ranger or whatever movie he made last year!  It might not happen for Free Fire but this year is still going to be the year of the Hammer!”

Check out the trailer below:

Here’s The Trailer for Eli Roth’s Death Wish!


We all know that Chicago has one of the highest murder rates in the nation.  What is not so clear is what to do about it.

Now, some would argue that perhaps a good first step would be for Chicago voters to stop electing douchebags like Rahm Emanuel, reject the city’s political machine, and actually make the sacrifices necessary for actual reform while taking an honest look at the effects of systemic racism, police corruption, and the bloated municipal government.

You could do all that or you could just give Bruce Willis a gun and send him out on a murder spree.  Guess which solution Death Wish goes for?

This film, from Eli Roth, will be released on November 22nd.  I imagine our resident Charles Bronson experts, Gary Loggins and Jedadiah Leland, will have a lot to say about it.

Here’s The Teaser for Wonderstruck!


Todd Haynes should have, at the very least, received an Oscar nomination for Carol.  He’s back again this year with another movie that’s being touted as possible Oscar nominee, Wonderstruck.

To be honest, most of the reviews that I’ve seen of Wonderstruck (it premiered at Cannes) have been respectful but not quite enthusiastic.  I don’t know, though.  I find this teaser to be intriguing, in much the same way that I found the traler for Martin Scorsese’s Hugo to be intriguing.

Wonderstruck is scheduled for an October 20th release, at which point we’ll all get to judge it for ourselves.

Belatedly, Here Are The First Trailers for Pacific Rim: Uprising and Guillermo Del Toro’s The Shape of Water


Belatedly (because it dropped on July 19th but, at the time, I was busy writing about reality television for another site), here’s the first trailer for Guillermo Del Toro’s The Shape of Water.

If you’ve been reading this site for a while, you know that we’re big Del Toro fans here at the Shattered Lens.  Arleigh loved Pan’s Labyrinth and Pacific Rim.  I thought Crimson Peak was incredibly underrated.  So, you better believe that we’re all really looking forward to seeing The Shape of Water.

Especially after watching this trailer!

And, since I mentioned Pacific Rim, here is the first teaser for the sequel to that beloved film, Pacific Rim: Uprising!

Belatedly, Here’s The First Trailer For The Snowman!


I have to admit that I kind of forgot about The Snowman.  Based on a best-selling novel and directed by Tomas Alfredson, The Snowman was one of those films that I was excited about in January but then, somehow, it continually slipped my mind that it would be coming out later this year.

Luckily, on July 19th, this trailer was released and it reminded me of The Snowman‘s existence!  Thank you, trailer!

A serial killer drama, The Snowman stars an appropriately haunted-looking Michael Fassbender.  It is scheduled to be released on October 20th, just in time to freak everyone out for Halloween!