Sybil Danning is top-billed in The Tomb but she only appears at the very start of the film. She lands an airplane on a landing strip in the middle of the Egyptian desert and then gets into a gunfight with two archeologists who have robbed a tomb and are now trying to sell off the artifacts. When one of the archeologists aims his handgun at the plane and pulls the trigger, the plane explodes. Though Sybil survives the gun fight, that’s it for her in this movie. Since whatever modern-day audience The Tomb may have is largely going to be made up of nostalgic Sybil Danning fanboys, most people will probably stop watching once it becomes obvious that she is never coming back.
The rest of the movie is about the archeologists selling off the artifacts to greedy collectors like Cameron Mitchell (who spend the entire movie sitting in his office). This ticks off the ancient Egyptian princess, Nefratis (Michelle Bauer), and she sets off to kill all of the collectors, one-by-one.
Like The Awakening and Blood From The Mummy’s Tomb, The Tomb claims to be based on Bram Stoker’s The Jewel of Seven Stars. Actually, The Tomb is just an early Fred Olen Ray film, complete with Ray regulars like John Carradine, who gets even less screen time that Danning and Mitchell. Like most early Ray films, it suffers due to a low budget but Ray’s enthusiastic, never-say-die spirit keeps things moving right along. With most of the top-billed actors only appearing in a scene or two, the movie belongs to Bauer and she does the most that she can with her role, tearing apart hearts and swearing vengeance with real gusto.
One final note: during the opening credits, The Pharohs, a band that performed while wearing headresses and wrapped in banadages, performs Tutti Frutti. That almost makes up for Sybil Danning only appearing in 3 minutes of the movie.