A Movie A Day #278: The Power (1968, directed by Byron Haskin)


Who is Adam Hart?

That is the mystery that Professors Jim Tanner (George Hamilton) and Margery Lansing (Suzanne Pleshette) have to solve.  Someone is using psychic powers to kill their co-workers in a research laboratory.  The police think that Tanner is guilty but Tanner knows that one of his colleagues is actually a super human named Adam Hart.  Hart is planning on using his super powers to control the world and, because Tanner is the only person who has proof of his existence, Hart is methodically framing Tanner for every murder that he commits.

The Power is underrated by entertaining movie, a mix of mystery and science fiction with a pop art twist.  It was also one of the first attempts to portray telekinesis on film.  Similar films, like Scanners, may be better known but all of them are directly descended from The Power.  George Hamilton may seem like an unlikely research scientist but he and Suzanne Pleshette are a good team and The Power makes good use of Pleshette’s way with a one liner.  Also keep an eye out for familiar faces like Arthur O’Connell, Nehemiah Persoff, Michael Rennie, Gary Merrill, Yvonne DeCarlo, Vaughn Taylor, Aldo Ray, and even Forrest J. Ackerman as a hotel clerk.

 

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Horror on the Lens: Dracula vs. Frankenstein (dir by Al Adamson)


Zandor Vorkov is Dracula!

John Blood is Frankenstein’s monster!

Together … THEY SOLVE CRIMES!

No, actually, they don’t.  If anything, they cause crimes to happen.

First released in 1971 and directed by Al Adamson, Dracula vs. Frankenstein may not be a good film but it’s definitely an unforgettable film.  Yes, it may be thoroughly inept but it’s also perhaps the strangest take on the Dracula/Frankenstein rivalry that you’ll ever see.

Plus, it’s one of the final films of Lon Chaney, Jr.  Unfortunately, Lon doesn’t exactly look his best in Dracula vs Frankenstein...

Speaking of slumming celebrities, long before he played Dr. Jacoby and inspired America to shout, “Dig yourself out of the shit!,” Russ Tamblyn played a biker named Rico in this movie.

Also, like every other exploitation film made in 1971, Dracula vs. Frankenstein features hippies, leading to the age old question: who needs the supernatural when you’ve got LSD-crazed hippies running around?

Another age old question: Is Dracula vs. Frankenstein merely inept or is it a classic of bad filmmaking?

Watch below and decide for yourself.

Enjoy!

A Movie A Day #78: Future War (1997, directed by Anthony Doublin)


“Four days ago, a fire fell from the sky.”

So says Sister Ann (Travis Brooks Stewart), the former prostitute junkie turned nun who narrates Future War.  She says it at least three times.

But what was in that fire?

Was it The Runaway (Daniel Bernhardt), the Swiss kickboxer who was kidnapped by intergalactic slave traders shortly after the writing of the King James’s Bible and who, when he finally escapes, somehow finds himself in 20th Century Los Angeles?

Was it the dinosaurs that were sent down to purse him?

Was it the Cyborg Master (played by Maniac Cop himself, Robert Z’Dar)?

Or was the fire from the sky any hope that Future War would feature consistent continuity and narrative logic crashing down to the Earth and burning up in the atmosphere?

Future War is one of the worst films ever made, which is the main reason to watch it.

Watch as The Runaway points up at the sky and proves incapable of speaking until it is convenient for him to do so!

Thrill to countless fights that take place in warehouses that appear to be full of empty boxes!

Listen as multiple plot holes and inconsistencies are explained away by Sister Ann’s voice over!

Gasp at the sight of The Runaway and The Cyborg Master having a showdown in a church, John Woo-style!

Scream as dinosaur puppets are held really close to the camera in an effort to make them look bigger!

Laugh as the late Forrest J Ackerman makes a cameo, reading Famous Monsters of Filmland before getting eaten!

Wonder why The Runaway’s chest is bloody and injured in one shot but not the next!

Future War has it all!

The TSL’s Daily Horror Grindhouse: Scalps (dir by Fred Olen Ray)


The 1983 film Scalps answers the following question:

What happens when these grad students…

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…dig up a sacred Native American burial ground and consider stealing some of the artifacts for themselves?

These grad students right here!

These grad students right here!

Well, they upset this lion…

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…and this woman…

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…and this guy, as well!

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Needless to say, things don’t end well for anyone involved.

As for why those students were out digging for artifacts in the first place, the blame rests with Prof. Machen.  At first, Machen didn’t go with the students.  He had to take care of stuff back at the university.  When he finally did show up, it was a little bit too late.  Prof. Machen is played by an actor named Kirk Alyn, who was the first actor to play Superman back in the 1940s.

In the picture below, you can tell Prof. Machen is an explorer because of the pith helmet that he’s carrying:

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Scalps is about 80 minutes long.  Most fans of low-budget horror will not be shocked to learn that Scalps is about 60 minutes of filler and 20 minutes of actual action.  Seriously, it takes forever for those grad students to actually reach the site of the dig and then, once they start digging, it seems to take even longer for anything to actually happen.  Occasionally, we get a quick flash forward of someone getting scalped or an insert of either the lion, the witch, or the warrior looking upset.

The grad students themselves are pretty much interchangeable.  As far as the men go, two of them have beards and another likes to drink beer.  As far as the women are concerned, two of them are blonde and one of them is slightly less blonde.  D.J. (Jo-Ann Robinson) is kind of a hippie and she has a bad feeling about everything.

(Stupid hippies!  Bleh!)

What’s odd is that, in the end, the film’s glacial pace actually works to its advantage.  Combined with an 80s synthesizer-of-doom score and some ragged but still effectively desolate shots of the desert, the slow pace actually gives Scalps something of a dream-like feel.  Like a filmed nightmare, the film is suffused with a feeling of impending doom.  Once the killings start, Scalps also makes good use of the slo-mo of doom.  Even the most rudimentary of scenes can be scary when they’re filmed in slow motion.

Scalps has been described as being one of the most censored films in cinematic history.  If you listen to Fred Olen Ray’s director’s commentary (more on that below), you’ll learn that it was largely censored due to the behavior of an unethical producer.  That said, it is a remarkably gory little film.  It may take a while for the blood to start flowing but once it starts, it doesn’t stop.  Admittedly, some of the gore effects worked better than others.  The arrow to the eye didn’t seem authentic.  The scalping, on the other hand, seemed far too authentic.  As for the decapitation …. well, I’d put that somewhere in the middle.

Scalps is something of a historical oddity, because it was one of the first films to be directed by the incredibly prolific Fred Olen Ray.  If you’re lucky enough to find the out-of-print Retromedia DVD, you can listen to a commentary track from Fred.  He’s remarkably honest about the film’s flaws and also discusses how he feels that the film’s producers ruined the film by adding random insert shots and flash forwards.  (“That’s not us doing that!” Fred says during one insert of the lion.)  Fred also points out that he made the mistake of actually shooting some of the night scenes at night.  It’s always interesting listening to a veteran director talk about his first film.  Since they have nothing to lose by openly discussing the mistakes that they made, their commentaries become a sort of a mini-film school.

Scalps is not a lost masterpiece but it is oddly watchable.  Somehow, it manages to be both silly and surprisingly effective at the same time.

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Halloween Havoc! Extra: A Centennial Salute to FORREST J ACKERMAN


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If you’re of a ‘certain age’ (like me), you’ll immediately recognize the gentleman in the above photo. Forrest J Ackerman (affectionately known as Uncle Forry) was the long-time editor of FAMOUS MONSTERS OF FILMLAND, the official magazine for Monster Kids of the 60’s and 70’s. FJA was the world’s #1 science fiction fan (and was given a Hugo Award to prove it!), writer, literary agent, actor, collector, and so much more. He would open his “Ackermansion” to fans who made the pilgrimage to Los Angeles, allowing them access to view his 300,000 piece collection of incredible horror and science fiction movie memorabilia.

fja2 Fritz Lang’s METROPOLIS (1927)

Ackerman was born in L.A. on November 24, 1916, and remained a life-long resident. He was enthralled by sci-fi (a term he coined) early on, always stating his favorite film was Fritz Lang’s silent epic METROPOLIS. As a young man he worked as a…

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