The Atlanta Film Critics Circle Names Parasite The Best of 2019


Earlier today, the Atlanta Film Critics Circle announced their picks for the best of 2019!

Their choice for picture: Bong Joon-ho’s Parasite!

Here’s a full list of winners:

Top 10 Films

  • Parasite
  • The Irishman
  • Marriage Story
  • Once Upon a Time…in Hollywood
  • 1917
  • Little Women
  • Uncut Gems
  • Knives Out
  • Pain and Glory
  • Apollo 11

Best Film: Parasite

Best Lead Actor: Adam Driver in “Marriage Story”

Best Lead Actress: Renee Zellweger in “Judy”

Best Supporting Actor: Brad Pitt in “Once Upon a Time…in Hollywood”

Best Supporting Actress: Laura Dern in “Marriage Story”

Best Ensemble: “The Irishman”

Best Director: Bong Joon-ho for “Parasite”

Best Screenplay: Bong Joon-ho and Han Jin Woo for “Parasite”

Best Documentary: “Apollo 11”

Best International Film: “Parasite” (South Korea)

Best Animated Film: “Toy Story 4”

Best Cinematography: Roger Deakins for “1917”

Best Original Score: Thomas Newman for “1917”

Best Breakthrough Performance: Kelvin Harrison Jr. for “Luce” and “Waves”

Best First Feature Film: Olivia Wilde for “Booksmart”

Here Are The Hollywood Critics Association’s Nominations For The Best of 2019


The Hollywood Critics Association was, up until a few days ago, known as the Los Angeles Online Film Critics Society.  Perhaps realizing that HCA just plans looks better than LAOFCS, they announced yesterday that they were changing their name.

They also announced their nominees for the best of films and performances of 2019!  While the HCA may not be one of the major precursors of awards season, their nominations do give a fairly good picture of which films and performances are currently being touted as possible Oscar nominees.

And here they are:

BEST PICTURE

  • “1917”
  • “Booksmart”
  • “The Farewell”
  • “The Irishman”
  • “Joker”
  • “Jojo Rabbit”
  • “Parasite”
  • “Marriage Story”
  • “Once Upon a Time in Hollywood”
  • “Waves

BEST ACTOR

  • Adam Driver, “Marriage Story”
  • Eddie Murphy, “Dolemite Is My Name”
  • Joaquin Phoenix, “Joker”
  • Leonardo DiCaprio, “Once Upon a Time in Hollywood”
  • “Taron Egerton, “Rocketman”

BEST ACTRESS

  • Awkwafina, “The Farewell”
  • “Charlize Theron, “Bombshell”
  • Lupita Nyong’o, “Us”
  • Renée Zellweger, “Judy”
  • Scarlett Johansson, “Marriage Story”

BEST SUPPORTING ACTOR

  • Brad Pitt, “Once Upon a Time in Hollywood”
  • Joe Pesci, “The Irishman”
  • Shia LaBeouf, “Honey Boy”
  • Sterling K. Brown, “Waves”
  • Tom Hanks, “A Beautiful Day in the Neighborhood”

BEST SUPPORTING ACTRESS

  • Jennifer Lopez, “Hustlers”
  • Laura Dern, “Marriage Story”
  • Margot Robbie, “Once Upon a Time in Hollywood”
  • Taylor Russell, “Waves”
  • Zhao Shuzhen, “The Farewell”

BEST MALE DIRECTOR

  • Bong Joon-ho, “Parasite”
  • Martin Scorsese, “The Irishman”
  • Noah Baumbach, “Marriage Story”
  • Quentin Tarantino, “Once Upon a Time in Hollywood”
  • Taika Waititi, “Jojo Rabbit”

BEST FEMALE DIRECTOR

  • Alma Har’el, “Honey Boy”
  • Greta Gerwig, “Little Women”
  • Lorene Scafaria, “Hustlers”
  • Lulu Wang, “The Farewell”
  • Olivia Wilde, “Booksmart”

ORIGINAL SCREENPLAY

  • Bong Joon-ho & Han Jin-won, “Parasite”
  • Emily Halpern, Sarah Haskins, Susanna Fogel, & Katie Silberman, “Booksmart”
  • Lulu Wang, “The Farewell”
  • Noah Baumbach, “Marriage Story”
  • Rian Johnson, “Knives Out”

ADAPTED SCREENPLAY

  • Anthony McCarten, “The Two Popes”
  • Lorene Scafaria, “Hustlers”
  • Scott Silver and Todd Phillips, “Joker”
  • Steven Zailian, “The Irishman”
  • Taika Waititi, “Jojo Rabbit”

BEST PERFORMANCE BY AN ACTOR OR ACTRESS 23 AND UNDER

  • Kaitlyn Dever, “Booksmart”
  • Julia Butters, “Once Upon a Time in Hollywood”
  • Noah Jupe, “Honey Boy”
  • Roman Griffin Davis, “Jojo Rabbit”
  • Thomasin McKenzie, “Jojo Rabbit”

BREAKTHROUGH PERFORMANCE

  • Jessie Buckley, “Wild Rose”
  • Kelvin Harrison Jr., “Waves”
  • Paul Walter Hauser, “Richard Jewell”
  • Taylor Russell, “Waves”
  • Zack Gottsagen, “The Peanut Butter Falcon”

BEST CAST

  • “Avengers: Endgame”
  • “The Irishman”
  • “Knives Out”
  • “Once Upon a Time in Hollywood”
  • “Waves”

BEST FIRST FEATURE

  • “Brittany Runs a Marathon”
  • “Booksmart”
  • “Honey Boy”
  • “The Peanut Butter Falcon”
  • “Queen & Slim”

BEST INDEPENDENT FILM

  • “Booksmart”
  • “The Farewell”
  • “Honey Boy”
  • “Luce”
  • “Waves”

BEST ACTION/WAR FILM

  • “1917”
  • “Avengers: Endgame”
  • “Captain Marvel”
  • “Fast & Furious Presents: Hobbs & Shaw”
  • “John Wick: Chapter 3 — Parabellum”

BEST ANIMATED FILM

  • “Abominable”
  • “Frozen II”
  • “How to Train Your Dragon: The Hidden World”
  • “Missing Link”
  • “Toy Story 4”

BEST BLOCKBUSTER

  • “Avengers: Endgame”
  • “Captain Marvel”
  • “Once Upon a Time in Hollywood”
  • “Shazam!”
  • “Spider-Man: Far from Home”

BEST COMEDY/MUSICAL

  • “Booksmart”
  • “Blinded by the Light”
  • Dolemite Is My Name”
  • “Long Shot”
  • “Rocketman”

BEST DOCUMENTARY

  • “American Factory”
  • “Apollo 11”
  • “Hail Satan?”
  • “The Kingmaker”
  • “Love, Antosha”

BEST FOREIGN LANGUAGE FILM

  • “The Farewell”
  • “Monos”
  • “Pain & Glory”
  • “Parasite”
  • “Portrait of a Lady on Fire”

BEST HORROR FILM

  • “Crawl”
  • “Doctor Sleep”
  • “Midsommar”
  • “Ready or Not”
  • “Us”

BEST ANIMATED OR VFX PERFORMANCE

  • Josh Brolin, “Avengers: Endgame”
  • Robert De Niro, “The Irishman”
  • Rosa Salazar, “Alita: Battle Angel”
  • Ryan Reynolds, “Detective Pikachu”
  • Tom Hanks, “Toy Story 4”

BEST CINEMATOGRAPHY

  • Drew Daniel, “Waves”
  • Jarin Blaschke, “The Lighthouse”
  • Lawrence Sher, “Joker”
  • Robert Richardson, “Once Upon a Time in Hollywood”
  • Roger Deakins, “1917”

BEST COSTUME DESIGN

  • Arianne Phillips, “Once Upon a Time in Hollywood”
  • Julian Day, “Rocketman”
  • Jacqueline Durran, “Little Women”
  • Ruth E. Carter, “Dolemite Is My Name”
  • Mark Bridges, “Joker”

BEST EDITING

  • Fred Raskin, “Once Upon a Time in Hollywood”
  • Lee Smith, “1917”
  • Michael McCusker, “Ford v Ferrari”
  • Thelma Schoonmaker, ‘The Irishman”
  • Yang Jin-mo, “Parasite”

BEST HAIR AND MAKEUP

  • “Bombshell”
  • “Joker”
  • “Judy”
  • “Rocketman”
  • “The Irishman”

BEST ORIGINAL SONG

  • “Catchy Song” from “The Lego Movie: The Second Part”
  • “Glasgow” from “Wild Rose”
  • “(I’m Gonna) Love Me Again” from “Rocketman”
  • “Into the Unknown” from “Frozen II”
  • “Speechless” from “Aladdin”

BEST SCORE

  • Alexandre Desplat, “Little Women”
  • Hildur Guðnadóttir, “Joker”
  • Michael Abels, “Us”
  • Thomas Newman, “1917”
  • Trent Reznor and Atticus Ross, “Waves”

BEST STUNT WORK

  • “1917”
  • “Avengers: Endgame”
  • “Captain Marvel”
  • “Fast & Furious Presents: Hobbs & Shaw”
  • “John Wick: Chapter 3 — Parabellum”

BEST VISUAL EFFECTS

  • “1917”
  • “Ad Astra”
  • “Avengers: Endgame”
  • “Alita: Battle Angel”
  • “The Irishman”

The winners will announced in December!

Rian Johnson unsheathes the Knives Out Trailer


A filmmaker is sometimes only as good as their last film. If you mentioned director Rian Johnson’s name around 2012, it was probably met with wild applause. After all, he gave us the time travelling thriller Looper, with Bruce Willis, Emily Blunt and Joseph Gordon-Levitt.

Mentioning Johnson now breeds a bit of contempt after his outing on Star Wars: The Last Jedi. The film was hit with reviews ranging from daring to awful, and most of the Star Wars fanbase don’t think of what he’s done there.

With his newest film, Knives Out, Johnson looks like he’s moving forward. The film appears to be a classic whodunit with a fantastic cast. Christopher Plummer, Chris Evans, Ana de Armas, Jamie Lee Curtis, Toni Collette, Daniel Craig, Don Johnson, Lakeith Stanfield, Michael Shannon, Katherine Langsford, and Jaeden Martell round out the cast list, which is pretty great overall. The story seems to cover the murder of a patriarch, and a family of suspects which reminds me of the classic Infocom game, Deadline.  Hoping for the best with this one.

Enjoy.

Ten Years #24: Radiohead


http://www.youtube.com/watch?v=3SZ1WpzBr9E

Decade of last.fm scrobbling countdown:
24. Radiohead (1,176 plays)
Top track (35 plays): Knives Out, from Amnesiac (2001)

It should come as no surprise that Radiohead made it onto my decade top 50 chart somewhere. The dominant album on that list might be a little less common: Amnesiac (2001) took the title with a modest margin over Hail to the Thief (2003) and OK Computer (1997). This is no accident–no single weekend of Winamp stuck on repeat. Since pretty much the week it was released, Amnesiac has been my favorite Radiohead album.

It would be a bit silly to argue that Amnesiac is their best. Just as Radiohead are too unique to really be compared to any other band, pretty much every album they’ve released since The Bends (1995) has resided in a world of its own. OK Computer certainly offers the broadest appeal, and Kid A (2000) seems to get the most praise from the more eclectic, aesthetically minded fans, but it’s the consistent vibe of Amnesiac that grabs me most. From start to finish, it glides on a sea of glass beneath an inebriated night sky. While the individual tracks are stellar at every turn, the sum of its parts come nowhere near the whole, and I can rarely bring myself to listen to them out of their intended order. There’s some calming chill that sets across the whole 45 minutes, and a spirit of motion that I did not experience again until “Bloom” (The King of Limbs, 2011).

That being said, of course OK Computer and Hail to the Thief are unrivaled masterpieces, of course In Rainbows (2007) and The King of Limbs are worlds above the average for a band late in their career, and of course The Bends redefined the limits of rock in its day. The only album in their discography that you might justifiably find some fault with is Pablo Honey (1993), and that’s only when you measure it by the standard Radiohead set and maintained for the two decades to follow. In the most general sense, weighing all factors evenly, they might rightly be regarded as the greatest band to ever exist. That’s not lofty praise; it’s an opinion that a good many experienced music critics are prepared to agree with. But to the question of how Radiohead became my 24th most listened to band of the past 10 years, and not say, my 50th, I point without hesitation to Amnesiac.