Horror Film Review: Black Friday (dir by Casey Tebo)


Black Friday! It’s an unofficial holiday, or at least it was until the COVID lockdowns screwed up everyone’s spending priorities. After spending Thanksgiving with family, eating turkey, and maybe watching a football game or two, people gather outside of their favorite stores and wait for the doors to open. When those doors open, the crowd rushes into the store with the energy of a riot. Getting in the store first presumably means that you’ll be the first to clear all of the marked-down merchandise off of the shelves. It’s your chance to get a good start on shopping for Christmas. If anyone gets in your way, knock them down. If anyone tries to grab what you’re trying to grab, beat them over the head with Junior’s future Christmas gift. Black Friday is a time when you have to be ruthless. Sure, you could just do all of your shopping online, but then you have to hope that your gifts actually arrive on time and without anyone else opening them. My sisters and I used to love Black Friday, though it’s been a while since we’ve participated. To be honest, I imagine it’s one of those traditions that will soon end. New generations will never know the joy of fighting over a silverware set.

That said, as much as customers love Black Friday and as much as business executives enjoy the extra money, I imagine it really has to suck for the poor people who actually work at the stores. I mean, you’re basically giving up your holiday weekend so that you can deal with a bunch of entitled jerks who think that the world is going to end unless they get the perfect gift, and they’re willing to get into a fight and potentially damage merchandise to do it. It has to suck, cleaning and straightening up after a human tornado has torn through your store. That’s why my sisters and I always went out of our way to not make too much of a mess and to pick up after ourselves on Black Friday.

That said, I don’t think that there’s much that we could have done to help out the crew in 2021’s Black Friday. The employees of We Love Toys already know that, as a toy store, they’re going to get hit hard. What they don’t expect is that a virus is going to break out and it’s going to turn the shoppers and anyone bitten by a shopper into the equivalent of a bloodthirsty zombie. The employees soon find themselves trapped in their store, forced to use toys as weaponry. Fortunately, their manager is played by Bruce Campbell, but Bruce isn’t playing Ash Williams here. Instead, he’s just playing a store manager who made the mistake of opening the doors on Black Friday.

Black Friday is occasionally amusing. I liked the fact that it was occasionally difficult to tell the difference between the infected lunatics and the crazed shoppers. I imagine the film itself would be a bit of wish-fulfillment for anyone who has ever worked in a store on Black Friday. It’s not a classic by any means. Some of the characters are a bit underwritten. But it does have Bruce Campbell, and you can’t go wrong there!

Anyway, this Black Friday, remember to be polite to the people who are just trying to collect a paycheck. They deserve to enjoy their holiday too.

Brad plays HIDE AND SEEK (2005), starring Robert De Niro & Dakota Fanning!


I’m a big fan of Robert De Niro, and I think it all started because of the movie MIDNIGHT RUN (1988). I was only 14 years old when it came out, but it was everything I wanted in a movie, which was primarily great action, with a dash of fun comedy. I was soon seeking out all of his great work, whether it be with Coppola, Scorsese, De Palma, or even Roger Corman.  Well, just this evening, as I was browsing through Amazon Prime’s selection of horror films, I came across HIDE AND SEEK. Since I’d never seen it before, and it looked kind of creepy, I thought I’d give it a chance.

De Niro plays David Callaway, a psychologist who is struggling to cope with the death of his wife. He moves with his young daughter, Emily (Dakota Fanning), to a house out in the country in upstate New York, hoping that a change of scenery will help them both recover from their loss. Unfortunately, Emily begins acting strangely, talking about an imaginary friend named Charlie. Before long, David finds himself dealing with a series of increasingly disturbing events that seem to have something to do with this mysterious friend.

I’ve always enjoyed a good psychological thriller, especially one that keeps you guessing about what’s going on. HIDE AND SEEK is one of those movies that wants to freak you out and make you question whether or not you can trust what you’re seeing, or any of the people involved. Of course this being a psychological thriller, you can’t really trust anyone, especially the people who pretend to care the most.

Dakota Fanning is excellent as Emily. I’ve always held her performance in the great Denzel Washington film, MAN ON FIRE (2004), in high regard as an example of how great a child actress can be. Here, I think she does a good job of making Emily seem both vulnerable and a little scary at times. De Niro is also effective, particularly as the story gradually reveals more about the relationship between him and his daughter. The supporting cast, which includes Famke Janssen, Amy Irving, and especially Elisabeth Shue, adds to the mystery surrounding the film. I just like seeing Elisabeth Shue in any film, because I’ve had a crush on her since the fifth grade.

HIDE AND SEEK is the kind of thriller that depends on its twists and turns, and whether or not we’re willing to go along. I will say that I enjoyed the watching the story unfold, even when the ending doesn’t come off quite as clever as the filmmakers had hoped. My final verdict is that it’s an entertaining film with strong central performances from De Niro and Fanning. I enjoy movies that give me something to think about while I’m watching them, and this one kept me interested in finding out what was really going on. It was a fun watch on dark night in October.

The Covers of The Magazine Of Horror


From 1963 to 1971, 36 issues were published of The Magazine Of Horror.  The magazine paid homage to pulp magazines of the 1920s and 30s and each issue mixed new stories with reprints from authors like H.P. Lovecraft, Clark Ashton Smith, H.G. Wells, Ambrose Bierce, and others.  The magazine was even published on the same type of cheap paper that was used for the original pulps.

Here’s a small selection of covers from The Magazine of Horror!  When known, the artist is credited.

by Carl Kidwell

by Garry Marrow

by Virgil Finlay

A Bonus Horror On The Lens: Carnival of Souls (dir by Herk Harvey)


 

1962’s Carnival of Souls was the only feature film to be directed by Herk Harvey.  It was made on a budget of $33,000 and was filmed in Kansas and Utah, often without permits.  The film was also the feature acting debut of model Candace Hilligoss, cast here as a emotionally withdrawn church organist who is involved in a serious car accident and then finds herself haunted by pasty-faced ghosts and surreal visions.

When it was initially released, Carnival of Souls was dismissed by American critics.  Indeed, it would a little over twenty years before the film started to be appreciated as both a classic independent film and also a truly eerie horror movie.  Today, it’s recognized as a classic of the genre, an expressionistic ghost story that also works as a character study of a woman who is haunted by not just physical death but also emotional malaise.

Carnival of Souls is a Halloween tradition here at the TSL offices.  This year, the tradition continues.  You can read Arleigh’s review here!

 

Horror On The Lens: The Werewolf of Washington (dir by Milton Moses Ginsberg)


 

In The Werewolf of Washington, Dean Stockwell plays an aide to the President of the United States who, during an assignment in Hungary, meets some gypsies, and ends up getting attacked by a werewolf.  Soon, Stockwell is back in Washington and turning into a wolf under the glow of the full moon…

The Werewolf of Washington features a memorable performance from Stockwell and the werewolf effects are fairly effective.  However, The Werewolf of Washington is mostly memorable as a document of its time.  The film was first released in 1973 and it’s meant to be a social and political satire along with being a traditional werewolf movie.   Admittedly, this is a low-budget and frequently uneven film but it’s worth seeing just for the scene where Stockwell gets his finger stuck in a bowling ball.

 

Join #TubiThursday For The Horror of Party Beach!


Hi, everyone!  Tonight, on Mastodon, I will be hosting the #TubiThursday watch party!  Join us for The Horror of Party Beach!

You can find the movie on Tubi, YouTube, and Prime and you can join us on Mastodon at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  We will be using #TubiThursday hashtag!  See you then!

Horror Song of the Day: Zombie Stomp by The Del-Aires


If you’ve ever watched The Horror of Party Beach, you’ll definitely remember this song, which was performed by a Patterson, New Jersey band called The Del-Aires!

Everybody’s doing the zombie stomp!

Scenes That I Love: Crispin Glover in Friday the 13th: The Final Chapter


As proof that any movie — regardless of genre, storyline, or budget — has room for a dance number, check out this dance scene that I love from Friday the 13th: The Final Chapter!

 

4 Shots From 4 Horror Films: October 15th


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

4 Shots From 4 Horror Movies

Friday the 13th (1980, dir by Sean S. Cunningham, DP: Barry Abrams)

Friday the 13th Part II (1981, dir by Steve Miner, DP: Peter Stein)

Friday the 13th 3D (1983, dir by Steve Miner, DP: Gerald Feil)

Friday the 13th A New Beginning (1985, dir by Danny Stienmann, DP: Stephen L. Posey)

That’s Not Me, Short Film Review by Case Wright


“That’s Not Me” is proof that you don’t need a lot of time to build concern and suspense for your protagonist. Honestly, I’m not sure why I like short films so much. It’s obvious why I like AI films- I’m a NERD like a REAL NERD like, studies math for fun, NERD! I think I like short films because I like instant gratification sometimes. It’s fun to enter a world, exit it, and be moved in less than thirty-minutes.

The mirror scare is a cliche and is inherently in a private/vulnerable space. Think of ALL of the things that you have done in a bathroom; now, imagine if you did the exact things in a hotel lobby, 4/5 of the people there would be upset.

Our protagonist is brushing teeth, but the reflection is not hers. It’s a predator and it’s hunting her. “That’s Not Me” delivers a good quick scare!