Retro Television Review: St. Elsewhere 2.17 “Vanity”

Posted on September 26, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu and, for purchase, on Prime!

This week’s episode was available on neither Hulu nor Prime. I had to watch a really terrible upload that I found on Daily Motion. Bleh.

Episode 2.17 “Vanity”

(Dir by Mark Tinker, originally aired on March 7th, 1984)

I was relieved to see that this episode featured Kathy Martin returning to the hospital. I was seriously worried that Peter White had killed her. With Peter in jail for attacking Wendy Armstrong, Kathy doesn’t tell anyone that Peter raped her. From the minute we first see her, it’s clear that Kathy is suffering from severe PTSD. As a character, Kathy Martin was not always treated well by this show. During the first season, she was often portrayed as being a caricature, the quirky pathologist who liked to have sex in strange places. This episode finally allowed Kathy to emerge as a fully-developed character and Barbara Whinnery gave a strong performance in the role.

Peter is in jail. Despite Wendy’s anger, Dr. Morrison regularly visits him. Morrison says that Peter is obviously sick and needs help but, at the same time, he hasn’t accepted that Peter is also the Ski Mask Rapist. (Peter wasn’t wearing his mask when he attacked Wendy.) As for Peter, he continues to feel sorry for himself.

Dr. Craig is upset when he receives a cop of the documentary about him and he discovers that he comes across like an arrogant martinet. Dr. Craig threatens to sue the director (played, again, by Michael Richards) though one gets the feeling that Craig is mainly angry because he knows the documentary is true.

Nurse Rosenthal gets reconstructive breast surgery. Joseph, the construction worker who has been having attacks of blindness, is successfully operated on. Sometimes, things work out well at the hospital. Not often, but sometimes.

Finally. Mr. Entertainment (Austin Pendleton) returns, singing to patients and upsetting his supervisor. (Mr. Entertainment now works as a janitor at the hospital.) To be honest, the majority of this episode was devoted to Mr. Entertainment and it was a bit too much. Austin Pendleton is a good actor but Mr. Entertainment is such a cartoonish character that I mentally checked out of his story.

This was an odd episode. There was a lot to work but it was almost all overshadowed by Mr. Entertainment. Sometimes, you can tell a writer has fallen so in love with a minor character that they’ve forgotten about what the audience is actually interested in. The episode felt like an example of that.

Retro Television Review: St. Elsewhere 2.16 “After Dark”

Posted on September 19, 2025 by Lisa Marie Bowman

This week, it’s time to name the Doctor of the Year!

Episode 2.16 “After Dark”

(Dir by Eric Laneuville, originally aired on February 29th, 1984)

It’s time for the annual end-of-the-year dinner, during which the Women’s Auxiliary will announce their pick for Doctor of the Year. Last year, to Dr. Craig’s shock, Westphall won the award. This year, Dr. Craig is sure that he’s going to win. Even though Craig says that he doesn’t care about awards, he still has his wife, Ellen (Bonnie Bartlett), write out a speech for him.

The dinner is just as boring as usual. The majority of the doctors who show up mention that their spouse couldn’t make it because they suddenly came down with the flu. When it is time to announce the Doctor of the Year, Dr. Craig prepares to accept the award. However, the award is given — for the second year in a row — to Dr. Westphall!

Seriously? I mean, what the Heck? Nothing against Dr. Westphall but what exactly has he done to deserve the award this year? Dr. Auschlander has continued to see patients while battling cancer. Dr. Craig performed a heart transplant! Meanwhile, Dr. Westphall has dealt with the administrative stuff and been kind of grumpy. I’m totally on Dr. Craig’s side here. There’s no way Westphall deserved that award for two years running.

Westphall, himself, had to leave the awards dinner early because of an emergency at the hospital. (More on that below.) Dr. Craig accepts the award in Westphall’s place and — surprise! — gives a sincere speech about how much he appreciates Dr. Westphall’s leadership. Good for Dr. Craig! That said, there’s no way Dr. Westphall deserved the award this year.

Meanwhile, Kathy Martin, who we last saw being raped by Peter White in the morgue, is missing. Peter wanders through the hospital in a narcotic-induced haze, carrying his ski mask in his pocket. He nearly attacks Shirley. He does attack Wendy Armstrong and this time, he doesn’t even put on his ski mask. Fortunately, Fiscus hears Wendy’s screams and knocks Peter out with a fire extinguisher. Peter is taken away by the police while Westphall heads to Peter’s home to tell Peter’s wife that her husband is the Ski Mask Rapist.

Victor is thinking of getting divorced. Bobby, on the other hand, decides to ask Joan to marry him. And Dr. Morrison continues to get too involved with his patients. When Joseph (Dan Hedaya), a construction worker dealing with random bouts of blindness, is told that he’ll have to quite job, Morrison calls out a fellow doctor being callous. Good for Morrison!

The episode, a well-acted one that deftly mixed drama and comedy, ended with some unanswered questions. Peter’s been arrested. Is he gone for good? And where is Kathy Martin? And seriously, how did Dr. Westphall win that award!?

Retro Television Review: St. Elsewhere 2.14 “Drama Center”

Posted on September 5, 2025 by Lisa Marie Bowman

This week, things get depressing.

Episode 2.14 “Drama Center”

(Dir by David Anspaugh, originally aired on February 15th, 1984)

This week’s episode opens with a disturbing scene in which a woman, trying to get her car to start on a snowy night, is attacked and raped in the parking lot of St. Eligius. The rapist is wearing a green jacket and a ski mask.

At first, I assumed that the rapist was a random lowlife, someone who would likely never be seen again. But then Dr. Cavanero’s wealthy boyfriend tried to force himself on her and I was left wondering if maybe he would be revealed as the man in the ski mask. However, towards the end of the episode, there was scene featuring Dr. Peter White. Having been banned from working in the ER and from prescribing medicine, White is now working in the morgue and, needless to say, he spends this entire episode bitching about it. As the episode ends, we see that Peter is holding a capsule in his hand, suggesting that he is once again abusing drugs. However, I also noticed that Peter was wearing the same green jacket as the man in the ski mask!

This was a good episode, well-written and well-acted. It was also pretty depressing. Dr. Westphall brings his severely autistic, noncommunicative son Tommy (Chad Allen) to St. Eligius so that Dr. Ridley can examine him. Dr. Ridley warns Westphall that Tommy is aggressive and that Westphall might not be able to continue to care for him at home, despite the fact that Westphall’s daughter (Dana Short) is planning on forgoing her dream college to stick around and help. Westphall ends his day reading Tommy a book (“Your mom bought you this book.”) and breaking down into tears and it made me cry a little too.

Meanwhile, a TV crew followed around Dr. Craig for a documentary. Needless to say, they got in the way and they got on Craig’s nerves. The director was played by Michael Richards, who, of course, is best-known for playing Kramer on Seinfeld and then having a racist meltdown when he got heckled at a comedy club. In an episode that was, emotionally, pretty dark, it was almost a relief to get some scenes of Dr. Craig losing his temper with the documentary crew. As someone who knows William Daniels best as the kindly Mr. Feeney from countless Boy Meets World reruns, it’s been a real pleasure to Daniels as the prickly and arrogant Dr. Craig. Dr. Craig wouldn’t have had much use for the Matthews clan and all of their drama.

This was an intense and sad episode. It was St. Elsewhere at its most emotional.

Retro Television Review: St. Elsewhere 2.13 “In Sickness and In Health”

Posted on August 29, 2025 by Lisa Marie Bowman

This week, Victor gets married!

Episode 2.13 “In Sickness and In Health”

(Dir by Mark Tinker, originally aired on February 8th, 1984)

This week’s episode features three storylines.

The least interesting one features Joan Halloran’s father, Charlie Halloran (William Windom), being admitted to and eventually dying at St. Eligius. The entire Halloran family comes out to visit Charlie and this is one of the storylines that would have worked better if I had the slightest bit of interest in Joan or her family. For the most part, though, Joan is a boring character and her wealthy family is not that interesting. I got the feeling this storyline was mostly included to remind us that Joan is a character on the show. We really have seen much of her over the past few episodes.

Dr. Chandler trained for the Boston Marathon by running the route in the rain. A car ran him off the road. A dog chased him. An attractive woman flirted with him. (He is Denzel Washington, after all!) And he finally reached the finish line and nearly collapsed while imagining everyone cheering for him.

Finally, Ehrlich married Roberta. The wedding took place at Dr. Craig’s house. Dogger (Kevin Scannell) was the best man and turned out to be just as crude as you might expect someone named Dogger to be. Dr. Craig was disgusted by the whole thing. Roberta got cold feet after her mother confessed to having never loved her father. However, Dr. Craig’s abrasive mother-in-law (Lurene Tuttle) was there to order Roberta to take a chance and marry the man who she might eventually come to love. This marriage is so obviously doomed. I’m predicting Ehrlich will be divorced before the season ends.

This episode really didn’t work. Dr. Chandler training for the Boston Marathon finally gave Denzel Washington something to do but the storyline excuse was mostly just an excuse to do some Boston location shooting. The Halloran storyline didn’t work because the Hallorans themselves aren’t that interesting. And, after all the build-up, the wedding was a bit anti-climatic.

They can’t all be winners.

Retro Television Review: St. Elsewhere 2.11 “Blizzard”

Posted on August 15, 2025 by Lisa Marie Bowman

This week, it snows in Boston.

Episode 2.11 “Blizzard”

(Dir by Kevin Hooks, originally aired on January 18th, 1984)

It can’t be easy working in a hospital.

I’m thinking about this today because my aunt is currently dying. After several years of suffering from Alzheimer’s disease, my aunt is currently in a hospital, unresponsive and scheduled to move into hospice care. Presbyterian Health was the first hospice we reached out to. They don’t have any available rooms but they were willing to still admit her and send their nurses to the hospital everyday until a room opened up, One family would lose a loved one and my aunt would get a room. However, the hospital says that they need the bed that my aunt is occupying so my aunt is being sent to a different hospice. This hospice is located off the highway and it’s going to be Hell to get to. I yelled at the hospital social worker for an hour this morning. He suggested home hospice as a solution but home hospice is what I agreed to for my Dad last year and the pain from watching him die still lingers.

It’s easy to get angry at the doctors and the nurses and the hospice workers but I try not to. I’m losing my aunt, a woman who stepped up to look after me after my mom died. They’re losing one of the hundreds of patients that they deal with on a daily basis. That social worker upset me but ultimately, he was doing his job.

All of this was pressing on my mind as I watched this week’s episode of St. Elsewhere. Even though this episode was aired 41 years ago, it still felt relevant today. A patient — a nice old man named Harrison Jeffries (James McEachin) — died because a teenage girl hacked the hospital’s computer, screwed with the files for fun, and accidentally erased the fact that Harrison was allergic to Demerol. It was sad but it was also something that still happens today. People, both good and bad, go into hospitals for minor procedures and concerns and they don’t come out. Last year, my Dad went to the hospital because he was in a car accident and when I first visited him, he seemed like he was doing fine. Three months later, he died because the accident aggravated his Parkinson’s. It sucks and it hurts but that’s the way it is. Tomorrow, I could forget to pack my inhaler when I leave the house and I could die of an asthma attack. It’s not nice to think about but it could happen. That’s why you have to truly live life while you can. You never know when it might be taken away.

As for the rest of this episode, it dealt with a blizzard. The roof collapsed on Dr. Cavanero and she ended up with a broken arm. Dr. Craig tried to drive to the hospital and, after his car stalled, nearly died walking through the snow. (Vijay was able to warm up Craig’s feet by placing them on his stomach. Craig was not happy.) Victor struggled with his love for Roberta. Dr. Armstrong snapped at people. Jack Morrison was depressed. Even with this blizzard, it was really just another day at St. Eligius.

St. Elsewhere is frequently downbeat show but that makes sense. When you think about, no one ever gets a happy ending.

Retro Television Review: St. Elsewhere 2.7 “Entrapment”

Posted on July 18, 2025 by Lisa Marie Bowman

This week, Peter’s in trouble …. again!

Episode 2.7 “Entrapment”

(Dir by Mark Tinker, originally aired on December 7th, 1983)

Oh, that Peter White! Always in trouble for something!

This week, a woman comes into the Emergency Room with her baby and begs for some Seconal, just to help her get some sleep. Peter says that Seconal might be too powerful a drug but he’s moved by the woman’s pleas. Finally, he gives her the drugs. The next morning, Dr. Craig and Dr. Westphall get a call. The woman was an undercover cop and now, Dr. White — a recovering drug addict himself — is under investigation.

Both Dr. Craig and Dr. Auschlander think that the solution is to just kick Peter out of the hospital. Westphall disagrees, saying that Peter has come a long way since he completed rehab. Westphall promises Peter that he and Auschlander will support him when his hearing comes up.

As for Dr. Craig, he finally found out that his secret admirer was Kathy Martin. This led to Ellen Craig (played by Bonnie Bartlett, William Daniels’s real-life wife) heading down to the morgue and politely telling Kathy to stay away from her man before then mentioning that, if politeness hadn’t worked, she was prepared to beat Kathy up. I love Ellen. She’s one of the best characters on the show.

Meanwhile, Irish kid Eddie Carson (Eric Stoltz), who was admitted to the hospital last week, is upset because he’s going to have a big ugly scar on his face. He’ll probably be even more upset when he discovers that a rival Irish teenager (a protestant, naturally) planted a bomb in his family’s restaurant and blew up his parents.

This was an okay episode. The highlight was definitely Ellen confronting Kathy Martin. As for the other storylines, Eddie Carson’s story felt a bit contrived while Peter White’s story was just getting started. I assume the hearing will be next week. It’s interesting to see Peter as the victim for once. Usually, it’s his own stupidity that screws things up for him. This week, he really was unfairly targeted.

We’ll see what happens next week.

Retro Television Review: St. Elsewhere 2.3 “Newheart”

Posted on June 20, 2025 by Lisa Marie Bowman

This week, things get dark.

Episode 2.3 “Newheart”

(Dir by Mark Tinker, originally aired on November 9th, 1983)

What a depressing episode!

It doesn’t start out on a particularly depressing note. It opens with a bachelor part for Dr. Vijay Kochar, who is about marry a woman that he’s never actually met. (It’s an arranged marriage.) The bachelor party, which appears to have been held in Fiscus’s apartment, is a bust. Dr. White shows up with a sex doll. Victor Ehrlich shows up with a short film called “Sally Takes a Ride,” which turns out to be not the pornography he was expecting but instead, a short film about astronaut Sally Ride. Vijay mentions that he’s a virgin and soon, with the help Dr. White and Nurse Daniels, the news is all over the hospital. Kathy Martin decides to give Vijay an early wedding gift by having sex with him.

Since this episode aired in 1983, there’s a random aerobic class being held in the hospital, which leads to a lengthy scene of spandex and dancing. It’s a bit of a silly scene for what was, for the first half hour, shaping up to be a silly episode.

Fran and Jerry Singleton finally check out of the hospital. Fran has regained the ability to speak and can stiffly walk. Jerry has learned to stop being such an overbearing jerk. Dr. Morrison is not there to say goodbye to the Singletons because….

…. and here’s where things start to get dark….

….his wife is in another hospital! Jack Morrison’s wife has an offscreen cerebral hemorrhage and, as evidenced by Morrison’s tears at the end of the episode, she does not survive. At the same time that she’s dying, Dr. Craig gets a call telling him that there is finally a heart available for the transplant. And, though it wasn’t explicitly stated, it seems pretty obvious that the heart in question belonged to Morrison’s wife.

AGCK!

Seriously, how much more depressing can one episode get? And for all this to happen to Jack Morrison, who is probably the most decent character on the show, it’s just not fair! I mean, he was literally the only married intern who had a happy marriage. He has a newborn son. And now, he’s going to have to balance being a single father with being a resident.

Poor guy! I hope next week finds some sort of relief for him.

Brad reviews DONATO AND DAUGHTER (1993), starring Charles Bronson & Dana Delany!

Posted on June 17, 2025 by Bradley Crain

DONATO AND DAUGHTER tells the story of Los Angeles Police detectives, Mike Donato (Charles Bronson), and his daughter Dena Donato (Dana Delany). The two have a strained relationship mainly due to the mysterious death of Dena’s brother, Tommy, and Mike’s unwillingness to discuss the circumstances surrounding his death with her. When a serial killer (Xander Berkeley) begins targeting nuns, brutally raping and murdering them, Dena is asked to lead a task force to catch the killer. Her supervisor not-so-subtly requires that she include her father, a tough-as-nails and experienced cop, as part of the team. The remainder of the story focuses on two elements: 1) The investigation as it closes in on the extremely dangerous serial killer and 2) The family drama as Mike and Dena deal with their relationship issues. The two worlds eventually collide when the killer goes after Dena!

While he did work on a couple of theatrical films in the 1990’s, like Sean Penn’s THE INDIAN RUNNER (1991) and DEATH WISH 5: THE FACE OF DEATH (1994), Charles Bronson spent most of the decade making made-for-TV movies. Of course, as his biggest fan, I would always watch the movies on the night they premiered on TV, with THE SEA WOLF (1993) being the only exception as we didn’t have cable TV in Toad Suck. That means on September 21st, 1993, I was glued to my television set as the latest Charles Bronson film, DONATO AND DAUGHTER, premiered to a national TV audience on CBS. I specifically remember the network running warnings due to the disturbing and violent content of the movie. I also remember enjoying that first viewing, and I still enjoy the film to this day.

Even though he was in his early 70’s at the time, Charles Bronson still looked great in DONATO AND DAUGHTER. He gives a strong performance as both the cop trying to catch the killer and as the dad who doesn’t know how to open up to his successful, adult daughter who needs him more than he can comprehend. Dana Delany is an excellent actress, and she is able to balance her character’s determination to be the best cop possible to “show her dad,” with the vulnerability of a daughter who just needs to know he loves her. Their relationship has to work for the movie to work, and I think they both do a great job. The other standout performance in the film belongs to Xander Berkeley. His portrayal of a husband and businessman, who also happens to be a vicious serial killer, is truly creepy and gives the movie a disturbing edge. On a side note, Berkeley’s “wife” in the film is played by actress Kim Weeks. She and Charles Bronson would get married in 1998, and they would be together until his death in 2003.

Overall, I think DONATO AND DAUGHTER is well worth watching as both a cop thriller and a family drama, although I do think the thriller elements work the best. It’s not the most groundbreaking or original story you’ll ever see, but the film is elevated greatly by the iconic presence of Charles Bronson and the strong performances by Dana Delany and Xander Berkeley. I give it a solid recommendation! The trailer is included below:

Retro Television Review: St. Elsewhere 1.20 “Craig In Love”

Posted on May 2, 2025 by Lisa Marie Bowman

This week, Dr. Craig does the unthinkable …. maybe.

Episode 1.20 “Craig In Love”

(Dir by Victor Lobl, originally aired April 12, 1983)

Dr. Craig is indeed in love in this episode. He’s totally smitten with the Hungarian Dr. Vera Anya and, when his wife Ellen (played by Bonnie Bartlett, real-life wife of William Daniels) goes out of town to visit her mother, Craig makes plans to show Dr. Anya around the town and maybe more….

Ugh. Seriously, I don’t like the idea of Dr. Craig cheating on his wife and, though this episode leaves it ambiguous as to what actually happened, it totally appears that’s what Craig did over the weekend. Dr. Craig is pompous and full-of-himself and rude to almost everyone he talks to but it’s always appeared that he totally loved his wife. The whole idea of him thinking about cheating — much less actually doing it — just doesn’t seem right for his character. And, quite frankly, Dr. Anya wasn’t really that intriguing of a character so if Craig did share more than just that passionate goodbye kiss with her …. well, I prefer to pretend this entire storyline didn’t happen.

Far more interesting was the malpractice suit brought against Dr. Chandler and Nurse Daniels. As the hospital’s lawyer explains it, there really isn’t much of a case to be made for malpractice. Instead, the dead man’s family is just hoping to get a quick settlement out of it. Most doctors aren’t willing to pay the legal fees and don’t have the time to go to court. Chandler, however, is personally offended by the suit and pledges to do whatever he has to do fight it. Yay, Chandler! Seriously, I hate people who try to bully people into settlements. After my Dad died, there was this crazy woman who thought she could bully his estate into giving her half a million dollars. Instead, she received nothing and that’s exactly what she deserved. Both Denzel Washington and Ellen Bry gave good performances this week. Ellen Bry’s Nurse Daniels is quickly becoming one of my favorite characters. She doesn’t let anyone push her around.

Speaking of pushing people around, Dr. Morrison finally got sick of Dr. White’s drug addiction and the two of them ended up having a fist fight in the men’s room. Still, when White later crashed his girlfriend’s car and needed to be bailed out of jail, Morrison was the first person that he called. Morrison, being a saint, got White out of jail. White, being a jerk, barely even said thank you. Morrison went to Westphall with his concerns about Dr. White. Westphall responded that it wasn’t his place to give a fatherly lecture. That’s cold, Westphall. What about when he kills a patient because he’s high? Will you care then? No wonder St. Eligius is getting sued for malpractice!

Finally, Dr. Samuels had a cold so he spent the entire episode whining about it. Seriously, Dr. Samuels is one of my least favorite characters of all time.

This episode was uneven for me. I’m not happy about Dr. Craig being a cheater but I am happy that Dr. Chandler is standing up for himself. Dr. White appears to be heading to a very dark place.

There’s only two episodes left in the first season so I’m assuming we’re going to get some sort of closure to at least some of these storylines. We’ll see what happens next week!

Icarus File No. 23: The Last Tycoon (dir by Elia Kazan)

Posted on April 22, 2025 by Lisa Marie Bowman

Based on the final (and unfinished) novel by F. Scott Fitzgerald, 1976’s The Last Tycoon tells the story of Monroe Stahr (Robert De Niro).

Monroe Stahr is the head of production at a film studio during the early days of Hollywood. Stahr is an unemotional and seemingly repressed man who only shows enthusiasm when he’s talking about movies. He may not be able to deal with real people but he instinctively knows what they want to see on the big screen. Stahr is a genius but he’s working himself to death, ignoring his health concerns while trying to create the perfect world through film. He’s haunted by a lost love and when he meets Kathleen Moore (Ingrid Boulting, giving a remarkably dull performance), he tries to find love with her but, naturally, he doesn’t succeed. Meanwhile, he has to deal with his boss (Robert Mitchum), his boss’s daughter (Theresa Russell), a neurotic screenwriter (Donald Pleasence), an impotent actor (Tony Curtis), and a lowdown dirty communist labor organizer (Jack Nicholson)! Sadly, for Stahr, McCarthyism is still a few decades away.

There’s a lot of talented people in The Last Tycoon and it’s undeniably interesting to see old school stars — like Mitchum, Curtis, Dana Andrews, Ray Milland — acting opposite a Method-driven, 30-something Robert De Niro. This is one of those films where even the minor roles are filled with name actors. John Carradine plays a tour guide. Jeff Corey plays a doctor. This is a film about Golden Age Hollywood that is full of Golden Age survivors. It’s a shame that most of them don’t get much to do. The Last Tycoon is a very episodic film as Stahr goes from one crisis to another. Characters show up and then just kind of disappear and we’re never quite sure how Stahr feels about any of them or how their existence really shapes Stahr’s worldview. Robert De Niro may be a great actor but, as portrayed in this film, Monroe Stahr is a boring character and De Niro’s trademark tight-lipped intensity just makes Stahr seem like someone who doesn’t have much to offer beyond employment. This is one of De Niro’s least interesting performances, mostly because he’s playing a not-particularly interesting person. Mitchum, Pleasence, and the old guard all make an impression because they’re willing to coast by on their bigger-than-life personalities. De Niro is trapped by the Method and a total lack of chemistry with co-star Ingrid Boulting.

Still, this is the only film to feature both De Niro and Jack Nicholson. (The Departed was originally conceived as a chance to bring De Niro and Nicholson together, with De Niro being the original choice for the role eventually played by Martin Sheen.) Nicholson’s role is small and he doesn’t show up until the film is nearly over. He and De Niro have an intense table tennis match. Nicholson doesn’t really dig deep into Brimmer’s character. Instead, he flashes his grin and let’s the natural sarcasm of his voice carry the scene. It’s nowhere close to being as emotionally satisfying as the De Niro/Pacino meeting in Heat. That said, Jack Nicholson at least appears to be enjoying himself. His natural charisma makes his role seem bigger than it actually is.

Why was The Last Tycoon such a disappointment? Though unfinished, the book still featured some of Fitzgerald’s best work and there’s a huge amount of talent involved in this film. The blame mostly falls on Elia Kazan, who came out of retirement to direct the film after original director Mike Nichols left the project. (Nichols reportedly objected to casting De Niro as Stahr. While it’s tempting to think that Nichols realized that De Niro’s intense style wouldn’t be right for the role, it actually appears that Nichols and De Niro sincerely disliked each other as Nichols also abandoned the next film he was hired to direct when he was told that De Niro wanted the lead role. Nichols choice for Monroe Stahr was Dustin Hoffman, which actually would have worked. If nothing else, it would have provided a Graduate reunion.) Kazan later said that he did the film solely for the money and it’s obvious that he didn’t really care much about the film’s story. The film has some good scenes but, overall, it feels disjointed and uneven. Kazan doesn’t really seem to care about Monroe Stahr and, as a result, the entire film falls flat.

Previous Icarus Files: