Lisa Marie’s Week In Television — 5/8/22 — 5/14/22


Let’s get to it.

Atlanta (Thursday Night, FX)

Atlanta has been pretty evenly split, this season, between “anthology” episodes and the episodes that follow Earn and Al in Europe.  It’s an interesting format but, as I watched this week’s anthology episode, I really found myself thinking about much more interested I am in what’s going on in Europe.  This week’s episode was filmed in gorgeous black-and-white but the story of a biracial teen passing as white was nowhere near as interesting as what happened to Al in Amsterdam last week.

Barry (Sunday Night, HBO)

This week, Barry attempted to make things up to Gene by getting him a role on a plausibly terrible television show.  Unfortunately, for Barry, it turned out that Gene isn’t just going to forget about Barry murdering his girlfriend in return for a role.  Meanwhile, Sally was forced to take part in a series of vacuous interviews in order to promote her new television series.  Everyone wants to know: “Who should be the next Spider-Man?”

Better Call Saul (Monday Night, AMC)

This week, we got to see what Saul’s office was like before he redecorated it.  It was kind of a slow episode.  Better Call Saul is always watchable because of the performers but its status as a prequel also means that there’s a certain lack of suspense as to what’s going to happen to everyone.  Still, this week’s episode was worth it for the boxing scene.

Beyond the Edge (Wednesday Night, CBS)

The remaining celebrities continued to try to survive living in the jungle.  Jodie Sweetin finally ran the bell and removed herself from the show, just leaving a bunch of former pro athletes to continue the competition.  I don’t blame her.  Jodie lasted longer than I would have.

The Brady Bunch (Sunday Morning, MeTV)

I don’t remember anything that happened during last Sunday’s Brady Bunch episodes so I guess I should count myself lucky.

Candy (Hulu)

I reviewed Hulu’s latest true crime miniseries here!

Dynasty (Friday Night, The CW)

Having missed most of the latest season, I finally got caught up on Dynasty this week and I was reminded of why I enjoy this wonderfully over-the-top and self-aware show.  Unfortunately, no sooner was I caught up than the CW announced that they were canceling the show.  Booooo!

Fantasy Island (Hulu)

Several months after watching the pilot, I finally watched the rest of Fantasy Island’s 1st season this week.  It’s an extremely silly but fun show.  Roselyn Sanchez plays her role with just the right mix of gravitas and mockery.  The show’s a bit heavy-handed at times but I think that’s to be expected.  The island looks lovely and the fantasies themselves are ultimately harmless and good-natured and that’s all the really matters.

Full House (Sunday Afternoon, MeTV)

If I remember correctly, Jesse was worried that he was losing his cool and Joey said, “Cut it out.”

Ghosts (Paramount Plus)

I finished binging the first season of Ghosts on Monday and Tuesday.  What a sweet show!  I’m kind of amazed that it took me so long to give this show a chance.  I’ll be curious to see what happens with the second season.  Hopefully, the show can keep up its momentum.

Law & Order (Thursday Night, NBC)

“This story is fictional….”

Yeah, whatever.  This week’s episode started out as an homage to Inventing Anna and then it ended as an homage to Dopesick.  Price decided to make a deal with a murderer so that he could then prosecute the owner of a pharmaceutical company.  It was all because Price’s brother died of a drug overdose.  To be honest, Price didn’t really make his case and he should have been fired for wasting tax payer money on a personal crusade.  But the jury disagreed.  It may sound like I’m trashing this episode but it was actually pretty well-acted and I actually appreciated that it totally turned into a different story during the second half.  That said, I don’t think the Law & Order revival will ever be known for having a particularly nuanced political outlook.

The Love Boat (Sunday Evening, MeTV)

Vicki discovered that one of the passengers was hooked on speed.  Luckily, everything worked out in the end.

Survivor (Wednesday Night, CBS)

I reviewed the latest twist-filled episode of Survivor here!

We Own This City (Monday Night, HBO)

It was a pretty boring episode this week.  The cast is convincing and Baltimore continues to be a fascinating portrait of the American Dream gone bad but David Simon doesn’t really seem to have much to say, beyond pointing out that cops are bad and federal investigators are underfunded.

Lisa Marie’s Week In Television: 5/1/22 — 5/7/22


Why didn’t anyone tell me that Ghosts was so good!?  Over the past few days, I’ve been watching it and loving it.

Anyway, here’s some more thoughts on my week in television!

Atlanta (Thursday Night, FX)

During this week’s funny but unsettling episode, Al got stoned in Amsterdam.  It’s possible that he met a mysterious women named Lorraine who warned him about the people around him and who took him to a club where he met Liam Neeson.  It’s also possible that Al hallucinated the whole thing while passed out in a doorway.

Barry (Sunday Night, HBO)

The latest episode of Barry really, really freaked me out.  Basically, Barry found himself with two options.  He could either get Gene a role on a TV show in order to make up for killing Gene’s girlfriend or he could just kill Gene.  Barry was determined to give Gene a second chance and, by extension, himself a second chance.  Barry was trying to do the right thing.  The problem is that Barry is a sociopath who is trying to be the good person that he is incapable of being.

This episode was all about abusive relationships.  Sally is trying to produce her dramedy about her own abusive relationship but she doesn’t seem to understand that her current relationship with Barry is just as abusive as the one she escaped.  (The scene where Barry yelled at her for not casting Gene was legitimately scary.)  Barry is trying to recover from his abusive relationship with Fuches, little realizing that he’s repeating Fuches’s behavior with the way that he’s manipulating Gene.  Is Gene going to end up becoming a hit man by the end of this season?  It could happen.  Meanwhile, the only vaguely healthy relationship on the show, between Noho Hank and Cristobal, came to an end due to them being members of rival criminal gangs.

Bill Hader continues to astound as Barry.  He’s both sincere and terrifying.  Barry truly believes that he’s capable of doing the right thing even though we know he isn’t.  This week’s episode reminded us that Barry can be a scary guy.  When he indicated that he would kill Gene’s grandson if Gene didn’t accept the role that Barry had gotten for him, it was a chilling moment.  I’ll never look at Barry the same way again.

Better Call Saul (Monday Night, AMC)

Rhea Seehorn directed this week’s episode of Better Call Saul, which featured both Jimmy’s continuing efforts to destroy Howard’s career and also his move into his new office.  Meanwhile, Gus and Mike continued to search for evidence of Lalo still being alive.  This was a well-done episode, one that did a good job of showing how Jimmy McGill transformed into the Saul Goodman who would later be hired by Walter White.

The Brady Bunch (Sunday Morning, MeTV)

Oh no!  Marcia lost her diary!  However, this somehow led to her meeting Davy Jones so I guess everything worked out.  This was followed by an episode in which the kids were worried that Mike and Carol were going to sell the house so they pretended to be ghosts.  Then, Carol and Mike had tickets to a show and Alice had a date so Greg and Marcia were left in charge of the house.  Disaster followed.  Then, during Sunday’s fourth episode, Marcia was accused of pulling a prank by her school’s principal.  The principal was played by the distinguished character actor, E.G. Marshall.  One can only guess how Marshall felt about going from Broadway and Oscar-nominated films like 12 Angry Men to appearing on The Brady Bunch.  Actually, he was probably happy for the money.  I hope Marshall was paid well because he definitely classed up the joint.

Full House (Sunday Afternoon, MeTV)

MeTV aired 4 episodes of Full House on Sunday and I’m struggling to remember much about any of them.  In the first episode, Jesse was worried that he wasn’t smart enough for Rebecca and he proved that he wasn’t by acting stupid.  Rebecca, however, forgave him.  Then, Michelle and Kimmy ended up babysitting some bratty kid who got his head stuck in a bannister.  This was followed by an episode in which Danny started dating again and managed to forgive his date for having a messy apartment.  And then, in our final episode, Michelle started preschool and accidentally set the class’s pet bird free.  So, Danny bought a new bird and demanded that everyone be nice to his daughter, despite the fact that she was kind of a self-centered brat.

Ghosts (Thursday Night, CBS)

What a charming show!  For some reason, I was under the impression that Ghosts was just another gimmicky show but I finally sat down and binged the first eleven episodes on Paramount Plus and I discovered that I was totally wrong.  This is really a sweet, witty, intelligent, and well-acted show and one of my favorites of the season.  I loved the episode where Sam went to see her mom.  That made me tear up.  As for my favorite ghost …. Trevor.  Yep, it has to be Trevor.

The Girl From Plainville (Hulu)

This frustratingly uneven miniseries came to a close this week.  The final episode dealt with the day that Conrad committed suicide and also Michelle’s final days before heading to prison.  Considering just how inconsistent this show has been, the finale was actually pretty effective.  The lengthy fantasy sequence, in which Michelle imagined running into Conrad at a bar while home from the college that, in reality, she’ll never get to attend, worked far better than it had any right to.  In the end, this miniseries didn’t have much to tell us about the suicide of Conrad Roy that we didn’t already know but it did work as a showcase for the talents of Elle Fanning and Colton Ryan.

Law & Order (Thursday Night, NBC)

I have to admit that, when this week’s episode of Law & Order started, I rolled my eyes when it appeared that the main villain was going to be a barely disguised version of Elon Musk.  But then it turned out that guy was just a red herring and the accused instead turned out to be a former State Department employee who claimed that he couldn’t control his actions because of Havana Syndrome.  To my great surprise, this turned out to be the the best episode of the season so far, largely because the prosecution finally lost a case and Price was left to wonder if it was largely due to his own self-righteous approach to the law.  Sam Waterston finally got a few good scenes too.  The Law & Order revival has, for the most part, been uneven but I do think that it’s been getting better.

The Love Boat (Sunday Afternoon, MeTV)

A famous actress took a cruise and fell for Captain Stubing.  Unfortunately, not even the promise of being wealthy and secure could convince the captain to give up the sea.

M*A*S*H* (Weekday Evenings, MeTV)

On Sunday, I watched two episodes of this old sitcom.  The first one featured an obnoxious surgeon from Arkansas, who got in trouble for trying to steal Col. Potter’s horse.  The second was a bit more dramatic, as a friend of Hawkeye’s died on the operating table and a teenage Ron Howard appeared as a soldier who lied about his age in order to enlist.  In the past, I’ve found M*A*S*H to be a bit too preachy for my tastes but this was actually a pretty effective and well-acted episode.

Survivor (Wednesday Night, CBS)

I wrote about the latest episode of Survivor here!

We Own The City (Monday Night, HBO)

The second episode of David Simon’s latest miniseries about Baltimore was as compelling and as packed with detail as the first.  While setting in his jail cell, Jon Bernthal’s Wayne Jenkins remembered the process by which he went from being a relatively honest cop to being the poster child for police corruption.  Nicole Steele continued her investigation of Daniel Hersl.  In the role of Hersl, Josh Charles only appeared during the final few minutes of the episode but he still made a huge impression as the epitome of everything that people tend to dislike about the cops.  I look forward to seeing where this series is heading.

Lisa Marie’s Week In Television: 4/24/22 — 4/30/22


I saw some pretty good things this week.  Barry is back.  We Own This City looks like it’s going to be a worthy follow-up to The Wire.  I finally binged the first season of Abbott Elementary.  Here’s some thoughts on what I watched:

61st Street (Sunday Night, AMC)

As of this point, I really don’t see 61st Street becoming anything more than a second-rate version of The Wire so I think I’m done with it.  As I said last week, I think the show would be fine if it was just about Courtney B. Vance and his family but the show is trying to tackle too much in its first season.  The best shows develop naturally whereas 61st Street has been overstuffed since the beginning.

Abbott Elementary (Hulu)

Throughout this week, I binged the first season of ABC’s Abbot Elementary on Hulu.  A comedic mockumentary about the teachers at a Philadelphia public school, Abbott Elementary owes a bit of a debt to The Office but, at the same time, it also quickly established an identity of its own.  It was a good, heartfelt comedy, one that made a point about the importance of supporting teachers without ever committing the Parks and Rec sin of getting preachy or self-satisfied.  Of the ensemble cast, Sheryl Lee Ralph and Janelle James were the stand-outs but really, everyone did a good job of bringing their characters to wonderful life.  I look forward to season 2!

Allo Allo (Sunday Night, PBS)

How to get the British airmen out of France?  How about sending them up in a Helium balloon?  But how to keep the Germans from noticing the balloon?  How about moving up the wedding of Fanny and Ernest LeClerc?  Sure, why not?  It didn’t necessarily make any sense but I’m used to that by now.  The episode ended with the wedding and the release of what Officer Crabtree called a “carrier podgeon.”  I suppose that next Sunday, I’ll learn why this latest attempt to rescue the airmen failed.

Atlanta (Thursday, FX)

This week’s episode of Atlanta was another stand-alone episode dealing with white people struggling to understand black culture.  This time, the story dealt with a wealthy New York couple who, while attending the funeral of their Trinidadian nanny, discover that not only was she more of a parental figure to their son than they were but that she was also so busy raising the children of wealthy white people that she missed out on raising her own children.  Chet Hanks had an odd but somehow appropriate cameo as one of the people who the nanny had raised.

It was an okay episode and, unlike the other stand-alone episodes, it was clearly not a dream.  (For the same of continuity, posters advertising Paper Boi’s tour are visible during one scene.)  The humor and the satire was still sharp but also notably gentler this week than it’s been all season. That said, this episode felt like a clear follow-up to White Fashion, with its portrayal of neglectful white parents who use people of color to raise their children but who, at the same time, can’t even be bothered to learn anything about their nanny’s life or culture.

Barry (Sunday Night, HBO)

Barry’s back!  After all the excitement of last season’s finale, the new season Barry opened with everyone stuck in the same rut.  Barry is auditioning for roles and still killing people for money.  Sally is working on her television series.  NoHo Hank is struggling to be a gangster.  Gene is in mourning and looking for revenge.  (I loved the fact that his gun was a gift from Rip Torn.)  Fuches is in Chechnya, eating cereal.  The first episode served its purpose.  It reintroduced us to the characters (due to the Pandemic, there was a long delay between the 2nd and 3rd seasons) and reminded us of why we watch them in the first place.  Bill Hader both directed and starred and showed once again that he is a talent to be reckoned with.

Better Call Saul (Monday Night, AMC)

Better Call Saul is an enthralling show, even if I’m often left a little bit confused as to what exactly is going on.  Bob Odenkirk is brilliant, though this week’s episode was dominated by Michael Mando in the role of the intimidating but ultimately tragic Nacho.  Perhaps because we know what’s going to happen to the majority of the characters once Walter White shows up, the shadow of death hangs even heavier over Better Call Saul than it did over Breaking Bad.

The Brady Bunch (Sunday Morning, MeTV)

Upset that his children were tying up the phone, Mike Brady came up with the brilliant idea of installing a pay phone in the house.  How did that even work?  Who installed the phone?  Who collected the money?  Seriously, this was one of Mike’s worst ideas and he was never held responsible for it.

This was followed by an episode in which Bobby got it into his head that Carol was going to kill him so he tried to run away.  Would anyone have missed Bobby in that crowded house?  This was followed by an episode in which Marcia got braces and the world world stopped while everyone tried to make her feel better.  (Good for them!  I never needed braces, by the way.)  The fourth episode of MeTV’s bloc of Brady programming featured Peter saving a little girl from being crushed by a collapsing wall.  Peter was a hero but he let it go to his head.  Mike had to remind Peter that he was still only the middle child and, as such, had no right to feel good about anything.

Full House (Sunday Afternoon, MeTV)

I missed last week’s bloc of Full House but I get the feeling that once you’ve seen one episode of this show, you’ve seen them all.  The first episode of Sunday’s bloc was yet another one where Jesse was worried that he was no longer as cool as he had once been.  After being ridiculed by his old friend Scott Baio, Jesse hopped on his motorcycle and drove up to the roof of a building.  Apparently, he planned to jump from one roof to another.  Rebecca, however, talked him down.  The funniest thing about this episode was the discovery that Jesse’s nickname was once “Dr. Dare.”  Like, seriously, I get the feeling that Jesse’s fiends were probably making fun of him when they gave him that nickname.

This was followed by an episode in which Michelle’s third birthday party was ruined by the combined stupidity of Jesse and Stephanie.  Michelle may have said she was happy celebrating her birthday in that dirty gas station but she was lying big time.  The next episode featured Stephanie panicking due to an earthquake and Danny eventually taking her to a therapist so that she could discuss her feelings.  Luckily, it only took five minutes to cure Stephanie of her anxiety.  The day’s final episode found Joey and Jesse once again struggling to write a jingle together.  Meanwhile, the family’s new dog, destroyed Stephanie’s childhood toy but no one cared because Stephanie’s the middle child.

The Girl From Plainville (Hulu)

Much last week, this week’s episode of The Girl From Plainville got bogged down with a lot of boring courtroom dramatics.  Still, the final scene, with Michelle Carter fantasizing about her sister singing Teenage Dirtbag, was nicely done.  The Girl From Plainville seems like it would be a fine miniseries if it was only four episodes long but, at eight episodes, it just feels a bit too overextended.

Happy Days (Weekday Evening, MeTV)

I watched Happy Days on Monday, Tuesday, and Wednesday, despite the fact that the continuing popularity of this show has always escaped me.  The reason I watched is because it was the three-part episode in which the Cunninghams and Fonzie went to California and Fonzie ended up proving his courage by putting on water skis and jumping over a shark.  It was an important moment in pop cultural history so I felt it was important that I watch.  Fortunately, Fonzie made it over the shark and Richie realized that he would rather be a journalist than an actor.

King of the Hill (Weekday Afternoons, FXX)

On Tuesday, I watched the episode where Jimmy Carter tried to heal Hank and Cotton’s relationship.  It’s a classic episode, if just for Hank and Cotton’s disdainful comments as Jimmy and his secret service detail fled the scene.  “Why, that’s was just a one-term peanut farmer.”  “The man wore a sweater.”  Take that, Carter!

On Wednesday, I watched four episodes.  Hank carried the Olympic torch and learned that it was okay to be happy.  Peggy overthrew the tyrannical king of a Renaissance Faire.  (Alan Rickman voiced the king, which was pretty neat.)  Connie and the Dale Gribble Bluegrass Experience went to Branson, where Bobby sold a joke to comedian Yakov Smirnoff.  Peggy was conned out of her retirement savings but she got the money back.  Yay!

Law & Order (Thursday Night, NBC)

The headmaster of an exclusive private school has been shot!  Was it because he was too woke?  Nope, it turns out that he was shot by a troubled student.  The D.A.’s office decided to charge both the student and the student’s father. Personally, I found their actions to be legally dubious but the jury disagreed.  D.A. Jack McCoy was okay with manipulating legal statutes but I don’t think Adam Schiff nor Arthur Branch would have been happy with what his office ended up doing.

Open All Hours (Sunday Night, PBS)

Granville’s broom fell apart and Nurse Gladys Emmanuel needed a new washing machine.  In the end, no one got what they needed.  That’s what happens when you’re open all hours.

Survivor (Wednesday Night, CBS)

I wrote about the latest episode of Survivor here!

T.J. Hooker (Saturday, Decades TV)

William Shatner is a tough cop who speaks in a very dramatic fashion.  I was doing some work in my office on Saturday so I had this old 80s cop show playing in the background.  (Decades TV was apparently celebrating the 80s with a TJ Hooker marathon.)  The episodes kind of blended together but watching Shatner back when he was still taking himself seriously is always fun.

We Own This City (Monday Night, HBO)

The latest Baltimore-set miniseries from David Simon and The Wire crew, We Own This City premiered this week and the first episode proved to be, in typical Simon fashion, both frustrating and fascinating.  The show’s political asides were heavy-handed but it’s depiction of a troubled American city was heart-breaking.  Simon has never flinched from showing how political corruption, racism, poverty, and crime all come together to create a destructive cycle that’s impossible to escape.  Because happy endings are nearly nonexistent, Simon’s show can be difficult to watch but each one is something that should be watched.  As for We Own The City, this miniseries deals with police corruption in the wake of the death of Freddie Gray and the subsequent uprising.  Out of the large ensemble cast, Jon Bernthal and Josh Charles are early stand-outs.

Lisa Marie’s Week In Television: 4/17/22 — 4/23/22


I’m still in the process of trying to get caught up with everything.  I still need to watch the mid-season finale of The Walking Dead and the latest episode of Fear the Walking Dead.  I also look forward to checking out CNN+ next month.

61st Street (Sunday Night, AMC)

The second episode of 61st Street was only a slight improvement over the first.  I liked the scenes involving Courtney B. Vance and his son and I actually kind of wish that the entire show was just about those two characters.  The rest of the episode was painfully heavy-handed and, most importantly, it still had no sense of place.  For all the show’s attempts to be a Chicago show (and, perhaps even more importantly, a 61st Street show), the setting still felt generic.  For a show like this to reach the lofty heights to which it aspires, Chicago would have to become a character in much the same way that Baltimore was a character in The Wire or New York City was a character in a few of the better episodes of Law & Order.  61st Street isn’t there yet.

Allo Allo (Sunday Night, PBS)

I had two episodes of this British sitcom on the DVR.  In the aftermath of the attempted rescue of the British airmen from the Chateau, Herr Flick was briefly arrested, Rene continued to be annoyed by the demands put upon him, and Michelle continued to say things only once.  The airmen were eventually rescued, which led to another round of trying to find and sell the stolen painting.  In the end, Rene has to disguise himself as a priest.  It was all a bit confusing.

Atlanta (Thursday Night, FX)

After four years, Donald Glover’s surreal comedy-drama is back.  Actually, it’s been back since March but it was only this week that I was able to catch up with it.  I watched the first three episodes on Tuesday.  The first episode was a disturbing horror story, about a black child who is forced into the foster system and who is nearly murdered by his white foster parents.  This episode turned out to all be a dream but, at the same time, it was also based on a very real murder case and it stuck closely to what actually happened.  This was followed by episodes that followed Earn, Al, Darius, and Van as they explored first Amsterdam and then London.  The third episode, which dealt with rich white guilt and the white savior complex , was particularly well-done.

I watched the fourth and the fifth episodes on Thursday afternoon.  The fourth episode featured none of the regular characters and told the surreal story of a white man (Justin Bartha) who was being sued by the descendant of a slave who was owned by his ancestors.  A character from the first episode made an appearance, still talking about what it meant to be white.  I assume this was meant to indicate that this episode may have been another dream but, as opposed to the first episode, it didn’t end with Earn waking up so …. who knows?  The fifth episode featured the search for Al’s missing phone and, though it was a bit more obviously comedic than the previous episode, it was also a bit unsettling.  It was obvious that the phone was meant to represent much more than just a phone, that it was instead a symbol of both Al’s talent and his individuality.

This bring us to the most recent episode, “White Fashion.”  “White Fashion” opens with a London fashion house making a huge mistake when they sell a terrifying but all too plausible “Central Park 5” jersey.  Looking to do damage control, they bring in Al and a host of other social justice influencers.  “Racism will be over by 2024!” one of them shouts during the press conference.  Al’s attempt to get the company to make a commitment to investing in black communities leads to a terrifying but, again, all too plausible black-and-white commercial in which a collection of people, ranging from a gender fluid cowboy to a posh old lady, announce that this is “our hood.”  Meanwhile, Darius took a white woman to a Nigerian restaurant and, within our hours, the woman had bought the restaurant and transformed it into her own take on Nigerian food.  Earn and Van danced together in a nice hotel room but then Earn woke up alone, leaving us all to wonder if perhaps this entire season has just been a collection of dreams.

Better Call Saul (Monday Night, AMC)

Better Call Saul is back, in all of its twisty and grimly funny glory.  Knowing that Bob Odenkirk nearly died during shooting does add an extra poignancy to the show’s final season. This Monday, AMC aired the first two episodes of Season 6.  The characters, with their complete and total amorality, remains fascinating.

The Doctors (Tuesday morning, Syndication)

I drove my Dad to a doctor’s appointment on Tuesday.  An episode of this amazingly vacuous talk show was playing in the front lobby.  I have to admit that I didn’t pay much attention to it.  I mean, I was already in a doctor’s office.  Why would I want to watch a show that would only remind me of that?

The Girl From Plainville (Hulu)

This week’s episode of The Girl From Plainville really overestimated the excitement that can be generated by watching people read text messages aloud.  The show has moved on to the trial portion of Michelle Carter’s story, which is a bit dull since the actual trial was already televised so it’s not as if The Girl From Plainville is showing us something new.  The episode also featured scenes of Michelle and Conrad dealing with their own mental health and the main theme seemed to be that, even if Michelle hadn’t met him, Conrad would have been doomed by growing up in his dysfunctional family.  Seriously, there is not a single character on this show who is the least bit likable.

Only Murders In The Building (Hulu)

I binged the first season of Only Murders In The Building on Friday and Saturday.  Steve Martin, Martin Short, and Selena Gomez play three mismatched true crime aficionados who end up solving a murder in their building, along with starting a true crime podcast.  I could have done without the dead cat but, for the most part, I really liked this show.  Maybe it’s because I’ve always wanted to solve a mystery myself.  Amy Ryan, Steve Martin, Selena Gomez, and especially Martin Short all gave wonderful performances in the lead roles.  As well, Nathan Lane was wonderfully (and surprisingly) menacing in the episodes in which he appeared.  And, of course, Sting played himself and was basically the guy that you would never want to live next to.  This show wonderfully captured the current morbidity of our national cuture.

Open All Hours (Sunday Night, PBS)

I actually had two episodes of Open All Hours on my DVR.  I watch them both.  It was a depressing hour.  I found myself wondering why Granville never tried to run away.  What power did Arkwright have over him?

Rachael Ray (Tuesday morning, Syndication)

When I took my Dad to a doctor’s appointment on Tuesday, I watched two shows in the front lobby.  The first was The Doctors.  The second was Rachael Ray.  Personally, I like Rachael Ray but I think she would get mad at me if she ever saw me trying to cook.

Survivor (Wednesday Night, CBS)

I wrote about the latest episode of Survivor here!

Here’s the AFI’s Top Ten for 2018!


Earlier, this Tuesday, the American Film Institute announced their picks for the top ten American films and television shows of 2018!  The AFI list is typically one of the most reliable Oscar precursors around.  It’s rare that an American film picks up a best picture nomination without first getting recognized by the AFI.

(Roma, being a Mexican film, was not eligible for AFI honors but it did receive a “special award.”)

AFI MOVIES OF THE YEAR
BLACKKKLANSMAN
BLACK PANTHER
EIGHTH GRADE
IF BEALE STREET COULD TALK
THE FAVOURITE
FIRST REFORMED
GREEN BOOK
MARY POPPINS RETURNS
A QUIET PLACE
A STAR IS BORN

AFI TV PROGRAMS OF THE YEAR
THE AMERICANS
THE ASSASSINATION OF GIANNI VERSACE: AMERICAN CRIME STORY
ATLANTA
BARRY
BETTER CALL SAUL
THE KOMINSKY METHOD
THE MARVELOUS MRS. MAISEL
POSE
SUCCESSION
THIS IS US

AFI SPECIAL AWARD
ROMA

Here Are The 70th Annual Emmy Winners!


To be honest, I didn’t actually watch the Emmys this year.  For one thing, I was upset that Twin Peaks was not nominated for Best Limited Series and I was even more upset that Kyle MacLachlan was totally overlooked.  It’s hard for me to take seriously an awards show that snubs Twin Peaks but honors Alec Baldwin’s uninspired Donald Trump impersonation.

However, I did kind of follow the ceremony on twitter.  I was happy, for instance, to learn that Bill Hader and Henry Winkler won for Barry and that Thandie Newton won for Westworld.  The Emmy that should have gone to Twin Peaks went to The Assassination of Gianni Verscace, which was good but uneven.  (The first five episodes were brilliant.  The final three felt somewhat superfluous.)  Ryan Murphy beat David Lynch for Best Director.  I mean, what the Hell?

Anyway, here’s the winners!

Best Comedy: “The Marvelous Mrs. Maisel” (Amazon)

Best Drama:“Game of Thrones” (HBO)

Best Limited Series: “The Assassination of Gianni Versace: American Crime Story” (FX)

Best Actress, Comedy: Rachel Brosnahan, “The Marvelous Mrs. Maisel”

Best Actor, Comedy: Bill Hader, “Barry”

Best Actress, Drama: Claire Foy, “The Crown”

Best Actor, Drama: Matthew Rhys, “The Americans”

Supporting Actress, Drama: Thandie Newton, “Westworld”

Supporting Actor, Drama: Peter Dinklage, “Game of Thrones”

Supporting Actress, Comedy: Alex Borstein, “The Marvelous Mrs. Maisel”

Supporting Actor, Comedy: Henry Winkler, “Barry”

Best Actress, Limited Series or TV Movie: Regina King, “Seven Seconds”

Best Actor, Limited Series or TV Movie: Darren Criss, “The Assassination of Gianni Versace: American Crime Story”

Supporting Actress, Limited Series or a Movie: Merritt Wever, “Godless”

Supporting Actor, Limited Series or Movie: Jeff Daniels, “Godless”

*Television Movie: “Black Mirror: USS Callister” (Netflix)

Variety Sketch Series: “Saturday Night Live” (NBC)

Variety Talk Series: “Last Week Tonight With John Oliver”(HBO)

Reality Competition Program: “RuPaul’s Drag Race” (VH1)

*Reality Host: RuPaul, “RuPaul’s Drag Race”

*Structured Reality Program: “Queer Eye” (Netflix)

*Unstructured Reality Program: “United Shades Of America With W. Kamau Bell” (CNN)

*Guest Actress, Drama: Samira Wiley, “The Handmaid’s Tale”

*Guest Actor, Drama: Ron Cephas Jones, “This Is Us”

*Guest Actress, Comedy: Tiffany Haddish, “Saturday Night Live”

*Guest Actor, Comedy: Katt Williams, “Atlanta”

*Documentary or Nonfiction Series: “Wild Wild Country” (Netflix)

*Animated Program: “Rick And Morty” (Adult Swim)

Writing for a Comedy Series: Amy Sherman-Palladino, “The Marvelous Mrs. Maisel” (Pilot)

Writing for a Drama Series: Joel Fields & Joe Weisberg, “The Americans” (“Start”)

Writing for a Limited Series, Movie or Drama: William Bridges & Charlie Brooker, “Black Mirror: USS Callister”

Directing for a Comedy Series: Amy Sherman-Palladino, “The Marvelous Mrs. Maisel” (Pilot)

Directing for a Drama Series: Stephen Daldry, “The Crown” (“Paterfamilias”)

Directing for a Limited Series: Ryan Murphy, “The Assassination Of Gianni Versace: American Crime Story” (“The Man Who Would Be Vogue”)

*Directing for a Variety Series: Don Roy King, “Saturday Night Live” (Host: Donald Glover)

Writing for a Variety Special: John Mulaney, “John Mulaney: Kid Gorgeous At Radio City”

Directing for a Variety Special: Glenn Weiss, “The Oscars”

*Awards presented during the Creative Arts Emmy ceremony on Sept. 8-9.

What If Lisa Had All The Power: 2018 Emmys Edition


Hi, everyone!

I meant to do this a lot earlier in the month but with the combination of the 4th of July and some other things I had to attend to, I didn’t get the chance until now.  In just a few hours, the 2018 Emmy nominations will be announced.  Hopefully, it’ll be a good morning for Twin Peaks!

Anyway, here’s who and what I would nominate in the major Emmy categories if I had all the power.  Please notice that I just said major categories.  There’s like hundreds of different Emmy categories, the majority of which aren’t ever awarded during the prime time awards show.  As much as I’d love to post every single category, it’s late and I’m not sure that you really care who I think should win Outstanding Art Direction For An Informational Program, 30 Minutes Or Shorter.

Anyway, here are my picks.  Obviously, I’ve only nominated films and TV shows that I actually watched during the 2017-2018 season.  For the most part, I also limited myself to the shows and performers that have actually been submitted for Emmy consideration.  You can see a full list of all the submissions here.

Anyway, here are my nominees.  (Winners are in bold.)

Programming

Best Comedy Series

Atlanta,

Barry,

Brooklyn Nine-Nine,

The End of the Fucking World,

GLOW,

New Girl,

Silicon Valley,

Young Sheldon

Best Drama Series

The Americans,

Game of Thrones,

The Crown

Legion,

Ozark,

Stranger Things,

Trust,

Westworld

Outstanding Limited Series

The Alienist,

American Vandal,

The Assassination of Gianni Versace: American Crime Story,

Genius: Picasso,

Howard’s End,

Picnic at Hanging Rock,

The Terror,

Twin Peaks: The Return

Outstanding Television Movie

(I cheated with this category.  Jesus Christ Superstar was submitted in the category of Outstanding Variety Special.  I felt it belonged here and since it’s my list, I went with it.)

Cocaine Godmother,

I Am Elizabeth Smart,

Jesus Christ Superstar,

Psych: The Movie,

Sharknado 5,

The Tale,

USS Calllister (Black Mirror)

When Love Kills: The Falacia Blakely Story

Outstanding Reality Competition Program

The Amazing Race,

The Bachelorette,

Big Brother: Celebrity Edition,

Dancing With The Stars,

Hell’s Kitchen,

Project Runway,

Survivor,

World of Dance

 

Performers

Best Actor (Comedy)

Bruce Campbell in Ash Vs. Evil Dead

Donald Glover in Atlanta

Bill Hader in Barry

Pete Holmes in Crashing

Alex Lawther in The End of the Fucking World

Andy Samberg in Brooklyn Nine-Nine

Best Actor (Drama)

Jason Bateman in Ozark

Tom Ellis in Lucifer

James Franco in The Deuce

Ed Harris in Westworld

Donald Sutherland in Trust

Jeffrey Wright in Westworld

Best Actor (Limited Series)

Antonio Banderas in Genius: Picasso

Daniel Bruhl in The Alienist

Darren Criss in The Assassination of Gianni Versace: American Crime Story

Tyler Kitsch in Waco

Kyle MacLachlan in Twin Peaks: The Return

Jimmy Tatro in American Vandal

Best Actor (Movie)

Matthew Broderick in A Christmas Story Live!

Dule Hill in Psych: The Movie

John Legend in Jesus Christ Superstar

Al Pacino in Paterno

Jesse Plemons in USS Callister (Black Mirror)

James Roday in Psych: The Movie

Best Actress (Comedy)

Jessica Barden in The End Of The Fucking World

Melissa Barrera in Vida

Alison Brie in GLOW

Zooey Deschanel in New Girl

Justina Machado in One Day At A Time

Ella Purnell in Sweetbitter

Best Actress (Drama)

Claire Danes in Homeland

Claire Foy in The Crown

Rose McIver in iZombie

Krysten Ritter in Marvel’s Jessica Jones

Keri Russell in The Americans

Evan Rachel Wood in Westworld

Best Actress (Limited Series)

Hayley Atwell in Howard’s End

Natalie Dormer in Picnic at Hanging Rock

Jennifer Ferrin Mosiac

Anna Friel in The Girlfriend Experience

Sarah Gadon in Alias Grace

Louisa Krause in The Girlfriend Experience

Best Actress (Movie)

Alana Boden in I Am Elizabeth Smart

Laura Dern in The Tale

Parisa Fitz-Henley in Harry & Meghan: A Royal Romance

Kelly MacDonald in The Child In Time (Masterpiece Theater)

Maya Rudolph in A Christmas Story Live!

Catherine Zeta-Jones in Cocaine Godmother

Best Supporting Actor (Comedy)

Andre Braugher in Brooklyn Nine Nine

Brian Tyree Henry in Atlanta

Marc Maron in GLOW

Stephen Root in Barry

Henry Winkler in Barry

Zach Woods in Silicon Valley

Best Supporting Actor (Drama)

Peter Dinklage in Game of Thrones

Noah Emmerich in The Americans

Brendan Fraser in Trust

James Marsden in Westworld

Zahn McClarnon in Westworld

Matt Smith in The Crown

Best Supporting Actor (Limited Series)

Tyler Alvarez in American Vandal

Miguel Ferrer in Twin Peaks: The Return

Robert Forster in Twin Peaks: The Return

Michael Horse in Twin Peaks: The Return

David Lynch in Twin Peaks: The Return

Finn Wittrock in The Assassination of Gianni Versace: American Crime Story

Best Supporting Actor (Movie)

Corbin Bernsen in Psych: The Movie

Brandon Victor Dixon in Jesus Christ Superstar

Aldis Hodge in Black Museum (Black Mirror)

Jason Ritter in The Tale

Jimmi Simpson in USS Callister (Black Mirror)

Skeet Ulrich in I Am Elizabeth Smart

Best Supporting Actress (Comedy)

Stephanie Beartriz in Brooklyn Nine-Nine

Suzanne Cryer in Silicon Valley

Sarah Goldberg in Barry

Rita Moreno in One Day At A Time

Zoe Perry in Young Sheldon

Hannah Simone in New Girl

Best Supporting Actress (Drama)

Summer Bishil in The Magicians

Lena Headey in Game of Thrones

Margo Martindale in The Americans

Thandie Newton in Westworld

Aubrey Plaza in Legion

Tessa Thompson in Westworld

Best Supporting Actress (Limited Series)

Penelope Cruz in The Assassination of Gianni Versace: American Crime Story

Laura Dern in Twin Peaks: The Return

Dakota Fanning in The Alienist

Judith Light in The Assassination of Gianni Versace: American Crime Story

Julia Ormond in Howards End

Naomi Watts in Twin Peaks: The Return

Best Supporting Actress (Movie)

Sara Bareilles in Jesus Christ Superstar Live in Concert

Ellen Burstyn in The Tale

Michaela Coel in USS Callister (Black Mirror)

Anna Gasteyer in A Christmas Story Live!

Anjelica Huston in The Watcher In The Woods

Letitia Wright in Black Museum (Black Mirror)

Best Guest Actor (Comedy)

Bill Burr in Crashing

Josh Hamilton in Sweetbitter

Lee Majors in Ash vs. Evil Dead

Wallace Shawn in Young Sheldon

Danny Trejo in Brooklyn Nine-Nine

Gerald Webb in Barry

Best Guest Actor (Drama)

Michael C. Hall in The Crown

C. Thomas Howell in Marvel’s The Punisher

Matthew Modine in Stranger Things

Denis O’Hare in American Masters

Jimmi Simpson in Westworld

Jonathan Tucker in Westworld

Best Guest Actress (Comedy)

Gail Bean in Atlanta

Rashida Jones in Portlandia

Nasim Pedrad in Brooklyn Nine-Nine

Sheridan Piece in One Day At A Time

Elizabeth Perkins in GLOW

Wrenn Schmidt in Sweetbitter

Best Guest Actress (Drama)

Jodi Balfour in The Crown

Donatella Finocchiaro in Trust

Marlee Matlin in The Magicians

Lily Rabe in Legion 

Diana Rigg in Game of Thrones

Mageina Tovah in The Magicians

James Franco Wins At The Gothams!


Hi, everyone!

Well, as I sit here typing this, I am eagerly awaiting the announcement of the National Board of Review’s picks for the best of 2017!  I keep thinking about how, in 2015, nobody took Mad Max: Fury Road seriously as an Oscar contender until it was named best picture by the NBR.  What the NBR does today will go a long way to determining whether this is an exciting Oscar season or a boring Oscar season.

However, the National Board of Review are not the only people who have been tabulating votes over the past few days.  Last night, the Gotham Awards were handed out in New York City.  The Gothams, which honor independent films, have lately been a pretty good indicator of what will, at the very least, receive a nomination in January.  Based on last night’s results, it looks like it could be a good year for Call Me By Your Name, Get Out, Saoirse Ronan, and James Franco!

You can check out the nominees here.  And you can see the winners below!

Best Feature — Call Me By Your Name

Best Documentary Feature — Strong Island

Audience Award — Get Out

Bingham Ray Breakthrough Director Award: Jordan Peele, Get Out

Best Screenplay: Jordan Peele, Get Out

Best Actor: James Franco, The Disaster Artist

Best Actress: Saorise Ronan, Lady Bird

Special Jury Award for Ensemble Performance: “Mudbound,” presented to Carey Mulligan, Garrett Hedlund, Jason Clarke, Jason Mitchell, Mary J. Blige, Rob Morgan, and Jonathan Banks

Made in NY Honoree: Michael K. Williams

Breakthrough Actor: Timothée Chalamet, “Call Me by Your Name”

Breakthrough Series — Long Form: Atlanta

Breakthrough Series — Short Form: The Strange Eyes of Dr. Myes

 

Here’s What Won At The Emmys Last Night!


Last night, Lisa Marie did not watch the Emmys because she says that, “I’m just not feeling TV this year.”  If Twin Peaks had been eligible to be nominated, I bet it would have been a different story!

Instead, she asked me to watch the ceremony and let everyone know what I thought.  It needed less politics and more cats.

Here’s the list of winners:

COMEDY

BEST COMEDY SERIES
“Atlanta”
“Black-ish”
“Masters of None”
“Modern Family”
“Silicon Valley”
“Unbreakable Kimmy Schmidt”
X — “Veep”

BEST COMEDY ACTRESS
Pamela Adlon, “Better Things”
Jane Fonda, “Grace and Frankie”
Allison Janney, “Mom”
Ellie Kemper, “Unbreakable Kimmy Schmidt”
X — Julia Louis-Dreyfus, “Veep”
Tracee Ellis Ross, “Black-ish”
Lily Tomlin, “Grace and Frankie”

BEST COMEDY ACTOR
Anthony Anderson, “Black-ish”
Aziz Ansari, “Master of None”
Zach Galifianaks, “Baskets”
X — Donald Glover, “Atlanta”
William H. Macy, “Shameless”
Jeffrey Tambor, “Transparent”

BEST COMEDY SUPPORTING ACTRESS
Vanessa Bayer, “Saturday Night Live”
Anna Chlumsky, “Veep”
Kathryn Hahn, “Transparent”
Leslie Jones, “Saturday Night Live”
Judith Light, “Transparent”
X — Kate McKinnon, “Saturday Night Live”

BEST COMEDY SUPPORTING ACTOR
Louie Anderson, “Baskets”
X — Alec Baldwin, “Saturday Night Live”
Tituss Burgess, “Unbreakable Kimmy Schmidt”
Ty Burrell, “Modern Family”
Tony Hale, “Veep”
Matt Walsh, “Veep”

BEST COMEDY DIRECTING
X — “Atlanta” (“B.A.N.”)
“Silicon Valley” (“Intellectual Property”)
“Silicon Valley” (“Server Error”)
“Veep” (“Justice”)
“Veep” (“Blurb”)
“Veep” (“Groundbreaking”)

BEST COMEDY WRITING
“Atlanta” (“B.A.N.”)
“Atlanta” (“Streets on Lock”)
X — “Master of None” (“Thanksgiving”)
“Silicon Valley” (“Success Failure”)
“Veep” (“Groundbreaking”)
“Veep” (“Georgia”)

DRAMA

BEST DRAMA SERIES
“Better Call Saul”
“The Crown”
X — “The Handmaid’s Tale”
“House of Cards”
“Stranger Things”
“This is Us”
“Westworld”

BEST DRAMA ACTRESS
Viola Davis, “How to Get Away with Murder”
Claire Foy, “The Crown”
X — Elisabeth Moss, “The Handmaid’s Tale”
Keri Russell, “The Americans”
Evan Rachel Wood, “Westworld”
Robin Wright, “House of Cards”

BEST DRAMA ACTOR
X — Sterling K. Brown, “This is Us”
Anthony Hopkins, “Westworld”
Bob Odenkirk, “Better Call Saul”
Matthew Rhys, “The Americans”
Liev Schreiber, “Ray Donovan”
Kevin Spacey, “House of Cards”
Milo Ventimiglia, “This is Us”

BEST DRAMA SUPPORTING ACTRESS
Uzo Aduba, “Orange is the New Black”
Millie Bobby Brown, “Stranger Things”
X — Ann Dowd, “The Handmaid’s Tale”
Chrissy Metz, “This is Us”
Thandie Newton, “Westworld”
Samira Wiley, “The Handmaid’s Tale”

BEST DRAMA SUPPORTING ACTOR
Jonathan Banks, “Better Call Saul”
David Harbour, “Stranger Things”
Ron Cephas Jones, “This is Us”
Michael Kelly, “House of Cards”
X — John Lithgow, “The Crown”
Mandy Patinkin, “Homeland”
Jeffrey Wright, “Westworld”

BEST DRAMA DIRECTING
“Better Call Saul” (“Witness”)
“The Crown” (“Hyde Park Corner”)
“The Handmaid’s Tale” (“The Bridge”)
X — “The Handmaid’s Tale” (“Offred”)
“Homeland” (“America First”)
“Stranger Things” (“Chapter One: The Vanishing of Will Byers”)
“Westworld” (“The Bicameral Mind”)

BEST DRAMA WRITING
“The Americans” (“The Soviet Division”)
“Better Call Saul” (“Chicanery”)
“The Crown” (“Assassins”)
X — “The Handmaid’s Tale” (“Offred”)
“Stranger Things” (“Chapter One: The Vanishing of Will Byers”)
“Westworld” (“The Bicameral Mind”)

MOVIE/LIMITED SERIES

BEST LIMITED SERIES
X — “Big Little Lies”
“Fargo”
“Feud: Bette and Joan”
“Genius”
“The Night Of”

BEST TV MOVIE
X — “Black Mirror: San Junipero”
“Christmas of Many Colors”
“The Immortal Life of Henrietta Lacks”
“Sherlock: The Lying Detective”
“The Wizard of Lies”

BEST MOVIE/MINI ACTRESS
Carrie Coon, “Fargo”
Felicity Huffman, “American Crime”
X — Nicole Kidman, “Big Little Lies”
Jessica Lange, “Feud: Bette and Joan”
Susan Sarandon, “Feud: Bette and Joan”
Reese Witherspoon, “Big Little Lies”

BEST MOVIE/MINI ACTOR
X — Riz Ahmed, “The Night Of”
Benedict Cumberbatch, “Sherlock: The Lying Detective”
Robert De Niro, “The Wizard of Lies”
Ewan McGregor, “Fargo”
Geoffrey Rush, “Genius”
John Turturro, “The Night Of”

BEST MOVIE/MINI SUPPORTING ACTRESS
Judy Davis, “Feud: Bette and Joan”
X — Laura Dern, “Big Little Lies”
Jackie Hoffman, “Feud: Bette and Joan”
Regina King, “American Crime”
Michelle Pfeiffer, “The Wizard of Lies”
Shailene Woodley, “Big Little Lies”

BEST MOVIE/MINI SUPPORTING ACTOR
Bill Camp, “The Night Of”
Alfred Molina, “Feud: Bette and Joan”
X — Alexander Skarsgard, “Big Little Lies”
David Thewlis, “Fargo”
Stanley Tucci, “Feud: Bette and Joan”
Michael Kenneth Williams, “The Night Of”

BEST MOVIE/MINI DIRECTING
X — “Big Little Lies”
“Fargo” (“The Law of Vacant Places”)
“Feud: Bette and Joan” (“And the Winner Is”)
“Genius” (“Einstein: Chapter One”)
“The Night Of” (“The Art of War”)
“The Night Of” (“The Beach”)

BEST MOVIE/MINI WRITING
“Big Little Lies”
X — “Black Mirror: San Junipero”
“Fargo” (“The Law of Vacant Places”)
“Feud: Bette and Joan” (“And the Winner Is”)
“Feud: Bette and Joan” (“Pilot”)
“The Night Of” (“Call of the Wild”)

VARIETY/REALITY

BEST REALITY COMPETITION PROGRAM
“The Amazing Race”
“Amercan Ninja Warrior”
“Project Runway”
“RuPaul’s Drag Race”
“Top Chef”
X — “The Voice”

BEST VARIETY TALK SERIES
“Full Frontal with Samantha Bee”
“Jimmy Kimmel Live”
X — “Last Week Tonight with John Oliver”
“Late Late Show with James Corden”
“Late Show with Stephen Colbert”
“Real Time with Bill Maher”

BEST VARIETY SKETCH SERIES
“Billy on the Street”
“Documentary Now”
“Drunk History”
“Portlandia”
X — “Saturday Night Live”
“Tracey Ullman’s Show”

BEST VARIETY SERIES DIRECTING
“Drunk History”
“Jimmy Kimmel Live”
“Last Week Tonight with John Oliver”
“Late Show with Stephen Colbert”
X — “Saturday Night Live”

BEST VARIETY SERIES WRITING
“Full Frontal with Samantha Bee”
X — “Last Week Tonight with John Oliver”
“Late Night with Seth Meyers”
“Late Show with Stephen Colbert