Guilty Pleasure No. 76: Code of Silence (dir. by Andrew Davis)

Posted on March 10, 2025 by Arleigh

The 1980’s saw the what film enthusiasts saw as the death of the grindhouse experience. Major cities had begun to clean up their skid rows and the $1 all-day matinee theaters were closing down left and right. By the late 80’s gone were the buckets of stale popcorn, watered down sodas, carpets so sticky that one didn’t even want to think was made them that way and, of course, the sketchy individuals who always seemed to in every showing no matter the time.

Yet, the grindhouse never truly left the cinema, but became a bit more “mainstream” under the many independent studios that came about during the early 80’s. You had Cannon, Carolco, United Film and Orion to name a few. It was with Orion that we get the latest guilty pleasure of mine and that was the one really good film that Chuck Norris ever made: Code of Silence.

Chuck Norris was the Jason Statham and Scott Adkins of the 1980’s action scene. He was cranking out action flicks almost on a yearly basis trying to cash in on not just the Bruce Lee martial arts phase, but also the action hero phase that was beginning to be dominated by Schwarzenneger and Stallone. While Norris never reached the heights of those two action stars, his list of action films from the 80’s and into the early 90’s were decent and, dare I say, very workmanlike.

Code of Silence was the one film that had a decent story of the lone good cop that has to fight not just the criminals but also the corrupt cops and system that allows crime to run rampart. Norris as Sgt. Eddie Cusack of the Chicago PD has become the template for the loner hero cop who ends up not just fighting the mob (of differently nationalities) but also a corrupt partner and, they always have one or two, a couple of retired cops who help him but also die in the process.

Norris doesn’t lean heavily on the martials arts of his previous action films. Code of Silence was the film that helped transition him to the gunplay of the action flicks that the public couldn’t get enough of. While the film could and never truly escape it’s grindhouse influence it was very good enough both in characters, plot and direction (director Andrew Davis would later film later classics with The Fugitive and Under Siege).

The film really gets its grindhouse bonafides with the addition of Henry Silva as the main antagonist. Silva would make a career out of being the villain in many 80’s action flicks and in Code of Silence he steals the limelight with his over the top performance as Colombian drug trafficker Luis Camacho. Where Jack Palance got more praise for being the preeminent villain and tough guy of from the 70’s and 80’s, I do believe that Silva was the more sinister of the pair when it came to their performance.

Code of Silence shows that Chuck Norris can carry a film with minimal dialogue and on the power of his silent, seething stares. He was never one for quippy one-liners and Code of Silence is all the better because of it.

Previous Guilty Pleasures

Scenes I Love: Brothers

Posted on March 5, 2025 by Arleigh

*spoilers*

The film Brothers, released in 2009, came and went with little fanfare, but it was a film that stuck with me when I saw it a couple years later.

It has definitely made an impression on me after seeing it again while convalescing the summer of 2019. The film deals with PTSD with soldiers coming home from the wars in the Middle East. Yet, it also does a great job of portraying of someone going through severe PTSD after experiencing a major tragedy in their life.

One doesn’t have to have been at work to experience PTSD.

Tobey Maguire does such a great job of acting as the tormented Sam Cahill that one feels discomfort at watching his performance. A performance that shows such unrestrained rage and helplessness in the midst of “drowning” in one’s trauma.

Song of the Day: One More Light (by Linkin Park)

Posted on March 4, 2025 by Arleigh

Not much else to be said other than it’s “One More Light” by Linkin Park.

One More Light

Should’ve stayed, were there signs, I ignored?
Can I help you, not to hurt, anymore?
We saw brilliance, when the world, was asleep
There are things that we can have, but can’t keep

If they say
Who cares if one more light goes out?
In the sky of a million stars
It flickers, flickers
Who cares when someone’s time runs out?
If a moment is all we are
We’re quicker, quicker
Who cares if one more light goes out?
Well I do

The reminders pull the floor from your feet
In the kitchen, one more chair than you need oh
And you’re angry, and you should be, it’s not fair
Just ’cause you can’t see it, doesn’t mean it, isn’t there

Who cares if one more light goes out?
In the sky of a million stars
It flickers, flickers
Who cares when someone’s time runs out?
If a moment is all we are
We’re quicker, quicker
Who cares if one more light goes out?
Well I do

Well I do

Quickie Review: The Monkey (dir. by Osgood Perkins)

Posted on February 28, 2025 by Arleigh

Yes, dying is quite fucked up and Osgood Perkins follow-up to his 2024 horror cult-hit Longlegs points and shows this to the audience in spades (and buckets of blood).

The Monkey, based on the Stephen King short story of the same name, tells the story of a drum-playing toy monkey which happens to cause the the deaths of random individuals when it stops playing the drums. Right from the start we see that The Monkey veers away from Perkins usual moody and atmospheric horror language and goes for the absurdist take on the genre.

Anyone who has seen the supernatural horror series Final Destination will recognize the Rube Goldberg-esque ways each kills in that series has become its signature will appreciate how truly absurd some of the kills in The Monkey turns out. To say more would be too much of a spoiler and should be experience by anyone willing to watch this film.

Osgood Perkins still brings to the table his own brand of horror comedy by exploring the ideas and themes of death’s inevitability and randomness, but also childhood trauma and how it impacts the lives of those children even to their adulthood. Where some films would be more subtle in exploring these themes, Perkins decides on drumming it on thickly which, at time, does come off as cringe.

Yet, despite the heavy-handedness of Perkins’ screenplay (he also wrote the screenplay adaptation of King’s tale), The Monkey still succeeds in delivering an early horror hit for 2025 that should be seen with a crowd. this is a film that is actually better when seen as part of a collective experience rather than with a small group.

Trailer: Andor Season 2

Posted on February 24, 2025 by Arleigh

The revolution starts…now.

Star Wars fans have been very critical of Disney’s stewardship of the franchise since Star Wars: The Last Jedi landed with a monumental thud with the hardcore fanbase. There hasn’t been much to celebrate anything Star Wars under Disney with a few exceptions like Star Wars: Rogue One, The Mandalorian and Skeleton Crew. One Star Wars series that drew critical acclaim from fans and critics alike was Tony Gilroy’s series looking at the origins of one of the main characters from Rogue One and that would be the series Andor.

It was series that no one really wanted since it didn’t involve any of the legacy characters. Yet, under Tony Gilroy’s masterful hands it turned into one of the best shows on Disney+ and, if I daresay, one of the best on tv the year it came out.

It’s going to be almost three years since the first season premiered and, even though the long wait could’ve been a detriment, the second season has been one of the most-anticipated by Star Wars fans. Season 2 of Andor just got it’s first trailer it fetures a very non-Star Wars’y kind of music but very appropriate considering what the season will be about.

I, for one, never thought Steve Earle’s song of rebellion, “The Revolution Starts…” would be the clarion call to start the revolution.

Andor: Season 2 is set for an April 22, 2025 release.

Song of the Day: While My Guitar Gently Weeps (by The Beatles)

Posted on February 21, 2025 by Arleigh

Continuing our series of greatest guitar solo series, I present “While My Guitar Gently Weeps” by The Beatles.

The song was written by George Harrison and was composed at a time after the band had just returned from a trip and stay in India to study Transcendental Meditation. Harrison, inspired by his stay in India, re-discovered his passion for the guitar and began to write songs with it as his main instrument. Thus begins an era of The Beatles and George Harrison as a maturing songwriter than made a huge contribution to the band becoming more than just the global rock phenomena pre-1968 and one where the group began to release songs and albums that reflected their new world views.

Yet, as great as the song has become since its release on November 22, 1968, it’s also well-remembered as the song that began a series of collaborations between George Harrison and Eric Clapton (a close friend) who plays lead guitar on the song. It is Clapton’s lead guitar work on “While My Guitar Gently Weeps” that has mesmerized listeners throughout the decades.

Clapton plays two guitar solos, the first occurring during first bridge section of the song, and the second the song’s outro. Both solos accentuates and focuses on the song’s lyrical tradition styling where the musical instrument provides the emotions that propel the song.

The outro guitar solo has also reached a new level of immortality in 2004 when Harrison was posthumously inducted into the Rock and Roll Hall of Fame. The collaboration of artists that included Tom Petty, Jeff Lynne, Steve Winwood, Marc Mann, Dhani Harrison, Prince, Steve Ferrone, Scott Thurston, Jeff Young, and Jim Capaldi. It was Prince’s extended performance of the outro solo that’s become legendary.

While My Guitar Gently Weeps

I look at you all, see the love there that’s sleeping

While my guitar gently weeps
I look at the floor and I see it needs sweeping
Still my guitar gently weeps

I don’t know why nobody told you how to unfold your love
I don’t know how someone controlled you
They bought and sold you

I look at the world and I notice it’s turning
While my guitar gently weeps
With every mistake we must surely be learning
Still my guitar gently weeps

[guitar solo]

I don’t know how you were diverted
You were perverted too
I don’t know how you were inverted
No-one alerted you

I look at you all, see the love there that’s sleeping
While my guitar gently weeps
Look at you all……
Still my guitar gently weeps

I look at you all, see the love there that’s sleeping
While my guitar gently weeps
I look at the floor and I see it needs sweeping
Still my guitar gently weeps

I don’t know why nobody told you how to unfold your love
I don’t know how someone controlled you
They bought and sold you

I look at the world and I notice it’s turning
While my guitar gently weeps
With every mistake we must surely be learning
Still my guitar gently weeps

I don’t know how you were diverted
You were perverted too
I don’t know how you were inverted
No-one alerted you

I look at you all, see the love there that’s sleeping
While my guitar gently weeps
Look at you all……
Still my guitar gently weeps

[guitar solo]

Great Guitar Solos Series

AMV of the Day: Whatever It Takes (Spy x Family)

Posted on February 18, 2025 by Arleigh

It is hard to say that when the anime series Spy x Family premiered in 2022 that it was a surprise hit. The manga it was adapted from (still ongoing) was and is still one of the popular manga currently in publication. It was a series that was going to be a hit even if it had been half-assed.

The latest AMV of the Day comes courtesy of azure ryn and combines Imagine Dragons’ “Whatever It Takes” with scenes from Spy x Family that highlights the balance of Loid Forger trying to balance his super-spy agent work with the fake family he has created as cover for his current assignment. The song really emphasizes the serious side of the series (the series itself is mostly the hijinks of the three characters that forms the Forger Family).

Song: Whatever It Takes by Imagine Dragons

Anime: Spy x Family

Creator: azure ryn

Past AMVs of the Day

Trailer: The Accountant 2

Posted on February 13, 2025 by Arleigh

The Accountant, released in 2016, was an action-thriller that came out of nowhere and surprised a lot of people. The film had come out a two years since the release of John Wick and it would help usher in what I consider a new age of Western action films.

There was instant talk of a sequel after the success of the first film, but with Ben Affleck busy doing his Batman and Justice League bit over at DC Films the sequel had been put on the back-burner. Well, with the crash and burn of the DCEU it looked like Affleck had some time on his hands now and this meant the sequel to The Accountant was back to cooking.

On April 25, 2025, we will see just what Gavin O’Connor, Ben Affleck and Jon Bernthal have cooked up as a follow-up to the first film with The Accountant 2.

Song of the Day: Little Wing (by Jimi Hendix)

Posted on February 11, 2025 by Arleigh

Jimi Hendrix was arguably one of the greatest musicians of the 20th Century. Some may dispute that label and maybe pigeonhole him as one of the greatest rock musician, but his impact on the musical landscape goes beyond just rock music, but all of music no matter the genre or style.

He was that one singular musician, just like any prodigy, who came along and burned bright for a short period of time before being snuffed out by the very gift and genius for creativity he became known for. There has been other musicians who have attained legend status since Jimi Hendrix’s untimely death on September 18, 1970, but even they would say that they still couldn’t comprehend what Hendrix was able to do with an electric guitar and in the short time he had in the limelight.

Jimi Hendrix’s “Little Wing” is a microcosm of why musicians and rock historians almost look at Hendrix’s work with nigh-mythical status. The song, released on December 1, 1967, begins with Hendrix’s much slower chord progression accompanied by the haunting use of the glockenspiel that then leads to Hendrix’s vocals and drums. It is around the 1:45 minute mark when the song follows through on its vocals with one of the most precise and a nominee for greatest guitar solo of all-time.

The song itself is not very long, but even in the its two-and-a-half minute running time “Little Wing” achieves what most musicians could only dream of and that is a song that continues to inspire and bewilder (the song has been covered and studied countless times, but no could ever agree how Hendrix did his magic on the song).

Little Wing

Well, she’s walking through the clouds
With a circus mind that’s running wild
Butterflies and zebras and moonbeams
And her fairy tales
That’s all she ever thinks about
Riding with the wind
When I’m sad, she comes to me
With a thousand smiles, she gives to me free
“It’s alright” she says, “It’s alright”
Take anything you want from me, take anything
Anything
Fly on, little wing

[guitar solo]

Great Guitar Solos Series

Trailer: Final Destination Bloodlines Teaser

Posted on February 3, 2025 by Arleigh

Looks like Death is up to its shenanigans once again with Final Destination Bloodlines. Just when we thought it was safe to go about our lives without having to worry about Death’s penchant for complex Rube Goldbergesque plans to kill some people it looks like we spoke too soon.

On May 16, 2025, Death runs in the family and wearing a nose ring may not be the best thing when Death’s around. Here we have the first teaser trailer for Final Destination Bloodlines.