Lisa Marie’s Week In Television: 5/12/24 — 5/18/24

Posted on May 18, 2024 by Lisa Marie Bowman

This was a week of season finales. I watched two of them.

On Wednesday, I watched the third season finale of ABC’s Abbott Elementary. While I certainly had my issues with this season, I did really enjoy the finale. Jacob tried to set up the perfect field trip and, needless to say, things did not go as planned. My favorite part of the finale was, not surprisingly, Ava standing up for her school. I know some would complain that the show is dragging out the will they/won’t they stuff with Janine and Gregory (and sometimes I get annoyed with the deliberate pace myself) but I think the show is avoiding the mistake that The Office made when it got Jim and Pam together too quickly. Janine and Gregory are destined to be together but I think, as characters, they’re more fun when they’re single.

On Thursday, I watched the season finale of NBC’s Law & Order. Together with last week’s episode, the finale erased any doubt I may have had about Tony Goldwyn as the new District Attorney. In fact, there’s a part of me that kind of wishes the Nick could somehow step down as D.A. and take over Price’s job because Goldwyn is believable and compelling on this show in a way that Hugh Dancy never has been. (Dancy is a fine actor but, as a character, Price is just too wishy washy.) Price could become second chair and Maroun, who spent the entire third season whining about having to do her job and prosecute people, could join the Public Defender’s Office.

On Thursday, I also watched Spacey Unmasked on Max. Spacey Unmasked is the latest documentary to feature people sitting on an empty soundstage and talking about how badly they were treated by a celebrity. The ten men featured in the documentary all told stories about their encounters with Kevin Spacey. Some of the men were compelling but it still felt as if the main reason this documentary was made was because Kevin Spacey is currently an easy target who really doesn’t have the resources to retaliate. I’d have more respect for a documentary that exposed someone who is currently in power as opposed to someone who is already on his way to obscurity.

On Friday and Saturday, I binged a few episodes of Seinfeld on Netflix. George obsessively wanting to tell someone that the “Jerk Store called and they’re all out of you!” was definitely the highlight of the episodes I watched. I also enjoyed Kramer turning his apartment into a talk show set.

Finally, on Friday Night, I watched an old 90s talk show called Night Music on YouTube. David Sanborn interviewed musicians and performed with them. Sting, who I usually can’t stand, performed a really good version of Ain’t No Sunshine.

Watched And Reviewed Elsewhere:

Baywatch Nights (YouTube)
Check it Out! (Tubi) — My review should be dropping in about an hour!
CHiPs (Freevee)
Degrassi Junior High (YouTube)
Fantasy Island (DVR)
Friday the 13th: The Series (YouTube)
Highway to Heaven (Tubi)
The Love Boat (Paramount Plus)
Malibu, CA (YouTube)
Miami Vice (Prime)
Monsters (YouTube)
T and T (Tubi)
Welcome Back, Kotter (Tubi)

The Films of 2024: Scars (dir by Shaun Kosta)

Posted on May 18, 2024 by Lisa Marie Bowman

A young man named Eric (Allen Williamson) enlists as a combat medic and is sent to Afghanistan. Eric truly thinks that he’s going to help to make the world a better place but, what he sees and experiences in Afghanistan, leaves him shaken and haunted by memories of the dead and wounded.

Upon returning home, Eric tries to keep himself busy helping his family’s winery recover from the latest round of California wildfires but he still finds himself tormented by his experiences. Suffering from PTSD, Eric discovers that his country is more than willing to send young men overseas to fight but it’s less willing to provide them with the support that they need when they return. With the help of his mother (Elizabeth Gast), his girlfriend (Cayla Black), and a fellow veteran (Stephen Wesley Green), Eric tries to find his place in the world.

Scars is an undeniably low-budget film. If you’re looking for a war film that is full of epic battle scenes and which will leave you feeling as if you actually are in the middle of Afghanistan, Scars is not the film to go with. Indeed, it took me a while to realize that Eric was in Afghanistan because Afghanistan looked exactly like California. As well, towards the end of the film, there’s a few moments of clumsy melodrama that feel as if they were added solely so that this rather talky film could be sold as a thriller.

But you know what? In the end, those flaws don’t matter. Scars is a heartfelt film, featuring an excellent lead performance from Allen Williamson, playing a man who is burdened by guilt but who never lets go of hope. Scars is a film about the pain that people carry with them and the struggle that men like Eric have when it comes to opening up about that pain. (Not all of the scars in the film are physical.) It’s an indictment of a society that, far too often, pushes the needs of veterans to the side. That’s especially true if that veteran served in an unpopular war, like the ones in Vietnam, Iraq, and Afghanistan. Considering that we still don’t know how many people were left behind when we left Afghanistan, Scars is a film that feels all too relevant.

And yes, Eric Roberts is in Scars. Playing a sympathetic doctor, he has about a minute of screentime towards the end of the film. It’s always a good idea to put your Eric Roberts cameo at the end of your movie, just to make sure that audiences stick around for the entire film.

Previous Eric Roberts Films That We Have Reviewed:

Retro Television Review: Welcome Back, Kotter 3.22 “What Goes Up”

Posted on May 18, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC from 1975 to 1979. The entire show is currently streaming on Tubi!

This week, Freddie gets hooked on pills!

Episode 3.22 “What Goes Up”

(Dir by Jeff Bleckner, originally aired on February 9th, 1978)

At the new, big, how-does-he-afford-that-on-a-teacher’s-salary apartment, Gabe tries to avoid taking out the trash by telling Julie a joke about his Uncle George. Julia tells Gabe to shut up and take out the damn trash.

Meanwhile, at school, Freddie has a problem. After injuring his knee while playing basketball, Freddie is given a prescription for pain killers. But the pain killers leave him feeling groggy so he also starts taking pills to give him energy. The other Sweathogs are concerned. Freddie insists that he’s just taking vitamins. Horshack insists that Freddie would never lie to him. If Freddie says that the pills that he’s buying in the bathroom and carrying around in his shoe are harmless vitamins than Freddie is telling the truth!

Woodman, however, is concerned. He tells Kotter that Freddie entered the cafeteria, took off his shoes, and said, “Ho ho ho, I’m the Jolly Black Giant.” “Is he on the dope!?” Woodman demands to know.

Epstein and Barbarino decide that the best way to handle this problem is to act like they’re on drugs as well so that Freddie can see how dumb he looks. Epstein tries to act spacey. Vinnie walks around hunched over and repeating, “Give me drugs …. give me drugs …. give me drugs….” Freddie doesn’t buy it for a second but then …. what’s going on with Horshack!? Horshack explains that he took some of Freddie’s special vitamins and then he tries to jump out of the classroom window!

(What the Hell was in those pills? I pretty much take the same thing for my ADHD and I have never been tempted to jump out a window.)

That’s all it takes for Freddie to realize that it’s time to stop taking the pills. Gabe encourages him to flush them down the school’s toilet and Freddie agrees to do while the studio audience watches in reverent silence.

Back at the apartment, Gabe tells Julie a joke about his Uncle Luther. Julie does not care.

It’s hard to know where to begin with this episode. On the one hand, Lawrence Hilton-Jacobs was often underused by the show so it’s always nice when he gets a chance to show off the fact that he was one of the better actors on the show. That said, the show’s portrayal of drug use was so cartoonish that it ultimately kind of made being a speed freak look kind of fun. If nothing else, this show left me wondering how a bunch of teenagers in the late 70s could be so naive about drugs.

Of course, if Barbarino had been the one who nearly died, I imagine the audience would have been more upset. If Epstein had gotten hooked due to Freddie’s lies, it could have led to some drama. But Horshack? Eh, who cares? When the show first started, Ron Pallilo was often given an opportunity to show that there was some hidden depths underneath Horshack’s eccentricity. But, by the time the third season rolled around, Horshack had become such a cartoonish character that it’s impossible to take anything involving him seriously.

To give credit where credit is due, John Travolta made me laugh with his delivery of “Give me drugs …. give me drugs….” Travolta appeared to be having a lot of fun in this episode, perhaps because he knew he wouldn’t be on the show much longer.

Anyway, for someone who couldn’t go an hour without popping a pill, Freddie got over his addiction pretty quickly. That’s good because next week, Vinnie is going to have to deal with the death of one of his teachers and Freddie’s going to have to be there for him. As for Horshack, this episode ends with him being taken to the school nurse but I assume he’ll eventually make a full recovery as as well. It takes more than pills to keep the Sweathogs down.

Scenes That I Love: The Muppets Meet Dabney Coleman In The Muppets Take Manhattan

Posted on May 18, 2024 by Lisa Marie Bowman

Yesterday, the world learned the sad news that the great Texas character actor, Dabney Coleman, had passed away at the age of 93.

Today’s scene that I love comes from 1984’s The Muppets Take Manhattan. In this scene, the Muppets try to sell Coleman on their idea for a musical. Coleman, meanwhile, does his best to cheat the Muppets out of all of their money. It takes a truly great actor to give a convincing performance while acting opposite a very large group of puppets.

(I mean, we all know Kermit’s real but I’m pretty sure that the rest of them are puppets….)

Live Tweet Alert: Join #ScarySocial for Tell Me A Creepy Story!

Posted on May 18, 2024 by Lisa Marie Bowman

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.

Tonight, at 9 pm et, Tim Buntley will be hosting #ScarySocial! The movie? 2023’s Tell Me A Creepy Story!

If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag! I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.

Tell Me A Creepy Story is available on Prime and Tubi!

See you there!

4 Shots From 4 Films: Special Frank Capra Edition

Posted on May 18, 2024 by Lisa Marie Bowman

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

127 years ago, on this date, Frank Capra was born in Sicily. Capra was six years old when his family immigrated to the United States and, for the rest of his long life, he would often talk about seeing the Statue of Liberty from the deck of a boat sailing to Ellis Island. Capra went on to become a director whose work celebrated the ideals and the promise of America. He not only gave us the holiday classic, It’s A Wonderful Life, but he also directed one of the few political films that matteed, Mr. Smith Goes To Washington. And let us not forget that the first two comedies to win the Oscar for Best Picture were directed by Capra, It Happened One Night and You Can’t Take It With You.

In honor of a great career and legacy, here are….

4 Shots From 4 Frank Capra Films

It Happened One Night (1934, dir by Frank Capra, DP: Joseph Walker)

You Can’t Take It With You (1938, dir by Frank Capra, DP: Joseph Walker)

Mr. Smith Goes To Washington (1939, dir by Frank Capra, DP: Joseph Walker)

It’s A Wonderful Life (1946, dir by Frank Capra, DP: Joseph Walker and Joseph Biroc)

Music Video of the Day: Star Maps by Aly & AJ (2019, dir by Amanda Crew)

Posted on May 18, 2024 by Lisa Marie Bowman

Rest in Peace, Dabney Coleman.

Late Night Retro Television Review: Friday the 13th: The Series 2.4 “Tails I Live, Heads You Die”

Posted on May 17, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, a flip of the coin leads to tragedy!

Episode 2.4 “Tails I Live, Heads You Die”

(Dir by Mark Sobel, originally aired on October 21st, 1988)

Finally, Jack, Micki, and Ryan have a night to relax. Jack does some reading while Micki poses for Ryan, who is apparently a sculptor now. Micki says that it’s unfortunate that Ryan is stuck having work at Curious Goods when he has so much artistic talent. Micki has a point, even if this is the first time that we’ve heard about Ryan’s artistic interests.

Suddenly, the phone rings. A reporter named Tom Hewitt (Bill MacDonald) is calling because he’s heard that Jack is an expert in the occult. Tom says that he’s tracked down a Satanic cult that is planning on doing something big. He tells Jack where he can find all of the evidence that Tom has gathered over the course of his investigation. While Jack and Ryan head over to the bus depot where Tom has hidden his research, Micki stays at the store. As for poor old Tom, he ends up dead with the image of a bloody ram’s head imprinted on his forehead.

Looking through Tom’s papers and photographs, Jack discovers that the head of the Satanic cult is a taxidermist named Sylvan Winters (Colin Fox) and that Sylvan is in possession of a coin that is imbued with Satanic energy. When the owner of the coin flips it, it leads to the death of whoever is standing nearby. After the coin kills someone, it can be used to bring someone back to life.

First, Jack goes to the taxidermy shop with Ryan but the two of them fail to find the coin. Later, Jack returns with Micki and the two of them stumble on a Satanic ceremony. When they are spotted by Sylvan and the cultists, Jack and Micki make a run for it. Sadly, they get separated. While Jack manages to escape from the cultists, Micki is caught by Sylvan. Sylvan flips the coin and …. KILLS MICKI!

Seriously, Micki’s death took me totally by surprise and it actually left me feeling really upset. I’ve got red hair. Micki has red hair. Micki tends to be a skeptic. I tend to be a skeptic. Micki was pretty much me on this show! And now she’s dead? Agck!

Arriving at the taxidermy place, Ryan sobs over Micki’s body and then tells Jack that, after he gets the coin and destroys Sylvan, he is done with the cursed antiques business. Ryan says that he’s ready to live his life and he can’t handle losing anyone else close to him. (Remember that Ryan’s father was killed by a cursed pipe last season.)

Returning to the taxidermy studio, Ryan and Jack discover that Sylvan is planning on using the coin to raise two powerful warlocks and a witch so that they can combine their power to bring Satan into the world. However, Ryan and Jack steal Micki’s body from the morgue, put a mask on her to make her look like the witch that Sylvan wants to raise from the dead, and then the replace the witch’s body with Micki’s body. As a result, Sylvan brings Micki back to life. (Ryan and Jack’s plan is incredibly complicated and I’m kind of surprised that they were able to pull it off. But who cares as long as Micki is no longer dead.) Satan gets angry, the taxidermist studio collapses. and Ryan grabs the coin and flips it in front of Sylvan. Sylvan dies but the coin is still out there.

But no matter! The important thing is that Micki comes back to life! Yay! And Ryan decides not to leave Curious Goods, mostly because he’s in love with his cousin, though that’s something that the show rarely acknowledges.

By the time this episode came around, Robey, Chris Wiggins, and John D. LeMay had developed into a tight enough ensemble that Ryan’s tears and Jack’s anger over the death of Micki felt very powerful and very real. As well, Colin Fox was a wonderfully hissable villain. He was so smug that I couldn’t wait to see him get his comeuppance. This was an excellent episode.

Next week, Ryan falls in love with a cursed violinist because Ryan is never allowed to be happy for long.

The Films of 2024: He Went That Way (dir by Jeffrey Darling)

Posted on May 17, 2024 by Lisa Marie Bowman

The year is 1964. Kennedy is dead and Johnson is president. American troops are in Vietnam but the American public is not yet concerned with that conflict. Instead, it’s the British Invasion that has intrigued the youth of America. People know that times are changing but they have no idea just how much change is waiting for them in the future.

Jim Goodwin (Zachary Quninto) is a meek animal trainer who is driving across the country with his chimpanzee, Spanky. At one time, Spanky was a celebrity. He ice skated with the stars. He appeared on the Ed Sullivan Show. Everyone loved Spanky but now, it appears that his time has passed. People are more interested in Beatles than chimps. With Spanky no longer in demand, Jim’s marriage is failing and he’s struggling to pay the bills.

At a Nevada gas station, Jim sees a young man named Bobby Falls (Jacob Elordi) trying to hitch a ride. Assuming that Bobby is a college student and wanting someone to talk to during the long drive to Chicago, Jim offers him a ride. Bobby is reluctant at first and demands to know if Jim has some sort of sinister motive for picking him up. After Jim promises that he doesn’t, Bobby gets in the truck with him.

What Jim doesn’t know, but eventually learns, is that Bobby is a criminal. Using a derringer, Bobby has been robbing gas stations and executing the gas station attendants. Their journey becomes a rather macabre road trip, with Jim and Bobby bonding despite the fact that Jim is scared of Bobby and Bobby always seems to be one step away from snapping. Bobby encourages Jim to stop being such a wimp and Jim encourages Bobby to maybe not be such a violent sociopath. Though Bobby and Jim come from different worlds, they both have one thing in common. They really like the chimpanzee.

I have to admit that I liked the chimpanzee as well. Bobby’s a killer so it’s impossible for me to like him. Jim is a wimp who fails to take advantage of several opportunities to escape so it’s impossible for me to respect him. But Spanky is an innocent animal who likes to eat apples and who sincerely cares about both his owner and the hitchhiker who keeps losing his temper. I watched the film dreading that something bad would happen to Spanky. In fact, the only reason I stuck with the film for its entire running time was because I wanted to make sure Spanky survived.

(SPOILER ALERT: He did. Whatever other flaws this film may have, there is no deliberate animal cruelty.)

I have to admit that I have mixed feelings about this movie. There was a lot that I didn’t like about the film. I never bought the relationship between the two main characters (though I should also acknowledge that the film is loosely based on a true story and ends with an interview with the real life model for Jim). The performances felt a bit one-note. And, to be honest, I’m a bit bored with movies about people who spend the majority of their time killing other people. At the same time, the film looked great. Visually, it really captured the arid beauty of the American desert. And the film’s final twist was just bizarre enough to make me smile. Tragically, director Jeffrey Darling died shortly after completing production of this film. (It was his feature directorial debut.) And while I didn’t care much for the film, there were moments where I could see the talent of the director peeking through. I would have liked to have seen what Darling’s second film would have been.

As for He Went That Way, it’s not a disastrous film but it’s also not one that I will probably ever feel like rewatching.

Retro Television Review: T and T 3.9 “Movie Madness”

Posted on May 17, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!

This week, things get really, really silly.

Episode 3.9 “Movie Madness”

(Dir by Don McCutcheon, originally aired on March 3rd, 1990)

Fritz and Nobby are back!

Who?

Fritz (Dominic Cuzzocrea) and Nobby (Avery Saltzman) are two criminals who appeared in two episode of the second season of T and T. The first time they appeared, they pulled a gun on T.S. Turner and threatened to kill him, The second time, they were portrayed a bit more comedically as lovable bunglers. This third episode finds Fritz and Nobby at their most cartoonish.

Fritz wants to rob a Chinese jewelry store that happens to be right next to Decker’s gym. So, he and Nobby walk into the gym and tell Decker that they’ve reformed and they want to shoot a boxing movie starring him. Decker agrees to act. (“I could have been a contender!” he announces.) Then Terri shows up and demands to know what Fritz and Dobby are doing at the gym so they ask her if she wants to be the female lead. (“I have always depended on strangers being kind,” she says.) The boxing movie becomes a love story. Then, when the gym starts shaking due to the efforts to break through the wall that the gym shares with the jewelry store, Fritz explains that they’re testing the special effects for the big earthquake scene. It’s a boxing love story disaster film!

Where is T.S. Turner during all of this? Well, he doesn’t show up until the final 10 minutes of the episode. He immediately suspects that Fritz and Nobby are up to no good. “I’m going to pull the plug on your permanently!” he growls.

One would think that Fritz and Nobby would be smart enough to get out of the gym but they still try to blow up the wall, even with Turner nearby. That’s a big mistake as Turner proceeds to grab them and turn them over to the police.

What a weird episode. First off, Decker has been dumb in the past but he’s never been this dumb. Secondly, Terri apparently knows Fritz and Nobby despite the fact that she wasn’t around during the second season. Not only has this show failed to explain why Amy is no longer on the show but it also continually acts as if Terri has always been present despite not showing up until the start of third season. We’re just mean to accept that Teri has always been the second T in T and T. (How Orwellian.) Finally, T.S. Turner is absent for most of the episode. Why would you go to the trouble to build a show around Mr. T and then not use him?

This was all pretty silly and pretty dumb, even by T and T standards. Remember when this show at least pretended to be a crime drama?

Oh well. There’s only a handful of episodes left! We’ll make it.