Horror Scenes That I Love: The Drive to the Overlook from Stanley Kubrick’s The Shining


As I’ve stated many times on this site, Stanley Kubrick’s The Shining is one of my favorite horror films and it’s also one of the few horror films that can still scare me even after I’ve seen it hundreds of time.  Those two little “Come and play with us” girls still freak me out and I still think about the blood pouring out of that elevator at least one week out of the month.

That said, one of my favorite scenes from The Shining comes early on in the film.  It’s the scene where Jack Torrance (Jack Nicholson, of course) is driving his family to the Overlook Hotel for the first time.  He’s already visited for his job interview but this is the first time that his family is going to see their new home.  And, as you can tell in this scene, he already appears to be kind of sick of them.

Seriously, when someone is driving and has that expression on his face, don’t ask him about the Donner Party.

What I love about this scene is Nicholson’s obvious exasperation.  You can just tell that he’s thinking, “I’m going to be stuck in a hotel with these two for months.”  I especially love the way that he delivers the line about Danny learning about cannibalism from the television.  (Of course, I think one reason why Jack is upset is because Wendy’s the one who brought up the Donner Party, in the first place.  If you don’t want your child to know about cannibalism, don’t randomly start talking about a famous example of it.  That’s parenting 101, I’d think.)

Seriously, if I was a passenger in that car, that is exactly when I would say, “Pull over and let me out.  This is not going to end well.”

4 Shots From 4 Horror Films: October 13th


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

4 Shots From 4 Horror Films

The Shining (1980, dirby Stanley Kubrick, DP: John Alcott)

Swamp Thing (dir by Wes Craven, DP: Robbie Greenberg)

Scalps (1983, dir by Fred Olen Ray, DP: Larry Van Loon and Cynthia Webster)

Friday the 13th: The Final Chapter (1984, dir by Joseph Zito, DP: João Fernandes)

 

October Positivity: My Refuge (dir by Jeff Morrison)


Shot straight-on-video, 2013’s My Refuge is a film about the end of the world.

Maybe.

It’s actually somewhat difficult to explain what’s going on in My Refuge.  It’s an ensemble film, one that is apparently taking place in a small city in Arizona.  (That’s according to the plot summary on Tubi.  The film itself doesn’t give us as specific location, though it certainly looks like it’s taking place in the arid Southwest.)  It’s an ensemble film, one that has a dizzying amount of characters.  The majority of the character never meet each other and quite a few are never even named.  After reports come in that New York City (which is pretty far away from Arizona) has been hit with a nuclear bomb, the characters all deal with the impending end of the world in their own way.

One woman quit her retail job and makes plan to finally finish that novel that she started years ago.

One teenage girl overdoses and is rushed to the hospital, where her family watches and prays.

A woman obsessively cleans her house and accuses her husband of having an affair.  Her husband says that he was tempted but he never actually went through with it but, eventually, he decides that being tempted is just as bad.

A criminal seeks revenge on the cop who shot his best friend.

A married couple look forward to the birth of their first child.

A preacher preaches.

The news reports that more bombs are on the way.

People pray in the street and prepare for the unknowable future.

The film’s message is clear.  Even with the world descending into chaos and the end apparently right around the corner, the people in this film find peace and hope through their belief in God.  He is their refuge in terrible times.  The film itself is not as preachy as I probably just made it sound and it deserves some credit for acknowledging that all of the characters have a good reason to be worried about the future.  I mean, nuclear war is a big deal, regardless of what you may believe about the afterlife.

The narrative is difficult to follow.  This is a low-budget,straight-to-video film and it’s pretty clear that the majority of the performers were not professionals.  There’s a lot of awkward line readings and moments that don’t quite make sense.  Everyone tends to blend together.  Normally, I would say that would be a problem for an ensemble film but, oddly enough, it kind of works here.  In the end, everyone is in the same boat.  All of their individual drams are going to reach the same conclusion, regardless of how they may feel about it.

The film is only 79 minutes long but, as is so often the case with earnest , shot-on-video productions, the pace is slow and things aren’t helped by a muddy soundtrack that sometimes makes it a struggle to understand what the characters are saying.  Amateur filmmakers often tend to overlook the importance of clean and understandable sound.

My Refuge is flawed but sincere.  At its best, it captures the shock and fear that would surround any major calamity.  It’s a confusing film but, for many people, these are confusing times.

Late Night Retro Television Review: CHiPs 6.12 “Hot Date”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, Ponch meets David Caruso.

Episode 6.12 “Hot Date”

(Dir by John Florea, originally aired on January 9th, 1983)

Ponch, whose fiancée was tragically killed just four episodes ago, is super-excited because his new girlfriend is going to be in town for the weekend.  Lori (Catherine Hickland) is a flight attendant and, from the dialogue, it sounds like she and Ponch have been an item for a while.  So, was Ponch seeing her while he was engaged?  What a jerk!

Unfortunately, Jake (Brendan Burns) and Charlie (David Caruso) are also in town.  Jake was busted and sent to prison by Ponch and Bobby.  (That’s kind of weird since Bobby is still in his probationary period and hasn’t even been with the Highway Patrol for more than a year.  Maybe it was a short prison sentence.)  Now that Jake’s out, he wants revenge.  He and Charlie take Ponch, Lori, and the annoying housekeeper (Ivy Bethune) hostage in Ponch’s apartment.

Meanwhile, at headquarters, Bobby and Kathy (Tina Gayle), talk two runaways (Brad Savage and Michelle Riskas) into returning home.  Kathy also receives flowers from a unknown man.  (The first set of flowers is delivered by someone wearing a gorilla suit.)  Kathy’s unknown admirer turns up at the station.  It turns out to be an old widower (Phil Silvers) to whom Kathy was once polite.

While all of this is going on, Getraer tires to impress the captain (John Ericson) during the station’s annual inspection.  I guess he manages to do that, despite Grossman having an expired driver’s license and Officer Webster (Clarence Gildyard, Jr.) getting mud on his car while chasing a criminal.  (Was Webster just supposed to let the criminal escape so the car would stay clean?)  The whole inspection plot just kind of disappears.

The majority of this episode deals with Ponch being held hostage and it’s pretty dreary.  As I’ve explained many times in the past, I absolutely hate episodes that feature people being held hostage because it’s always the same thing.  Ponch tries to negotiate.  Jake yells a lot.  Charlie is dumb but loyal.  It’s nothing that hasn’t been done a hundred times in the past. It’s boring.  Eventually, Bobby calls the apartment and Ponch is able to tip him off that something’s happening.  Bobby, Getraer, and Bruce show up to take down the bad guys.

For whatever reason, everyone overacts in this episode.  In the role of Ponch’s houseskeeper, Ivy Bethune is almost unbearable.  David Caruso also goes more than a little overboard as Charlie.  Unfortunately, none of it does anything to liven up a fairly dull episode.

Horror On TV: Fear Itself 1.12 “Echoes” (dir by Rupert Wainwright)


For our final episode of Fear Itself, we have Echoes.  In this episode, a man discover that he was a killer in a previous life.  Director Rupert Wainwright also directed the remake of The Fog.  Does anyone remember that remake?

Though this episode was meant to air in 2008, the show went on hiatus and was then cancelled before it could air.  It was finally released in 2009, as a part of the Fear Itself box set.

Retro Television Review: Crime Story 2.2 “Blast From The Past”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Crime Story, which ran on NBC from 1986 to 1988.  The entire show can be found on Tubi!

This week, Julie returns.

Episode 2.2 “Blast From The Past”

(Dir by Eugene Corr, originally aired on September 29th, 1987)

Torello’s ex-wife, Julie (Darlanne Fluegel), is in Las Vegas with her new husband, Dr. John Newhouse (David Soul). While Julie waits outside, John steps into a bank to withdraw some money. He ends up walking straight into a bank robbery. When one of the four robbers is shot and wounded by a security guard, Newhouse tries to stanch the young criminal’s bleeding. Newhouse explains that he’s a doctor. The leader of the gang, Smilin’ Jack (James Remar), took a bullet to the hand during the robbery, so he abducts Newhouse so that he can take care of both his hand and the other robber.

Newhouse is held prisoner in a trailer park in the middle of the desert. Needing to launder the stolen money, Smilin’ Jack calls his old friend, Frank Holman. Holman, who has moved on from his singing career and now wants to shoot stag films, comes out to the trailer park. He brings his movie camera. Soon, the trailer park is full of aspiring actresses.

Meanwhile, Julie goes to Torello and asks for his help. Torello puts the investigation into Las Vegas organized crime on hold so that he can find Dr. Newhouse. The other members of the Task Force have no problem with this because they all worship the ground that Torello walks on. And, of course, Torello ends up sleeping with Julie before eventually tracking down Smilin’ Jack and rescuing Dr. Newhouse.

This episode was pretty boring. Holman trying to become a filmmaker provided some amusing moments, but otherwise this was a fairly standard crime melodrama. James Remar brought a certain demented energy to the character of Smilin’ Jack, but the character was still obviously just a one-off villain from the minute he first appeared.

This was the second episode to not feature Luca and Pauli, both of whom are presumed dead despite the fact that Tony Denison and John Santucci are still listed in the opening credits. Crime Story’s narrative momentum really slows down when it’s just Torello’s story. He needs a worthy adversary and, without Luca around, he doesn’t have one.

Hopefully, next week’s episode will be a bit more interesting.

Horror On The Lens: The Naked Witch (dir by Larry Buchanan)


 

Today’s Horror on the Lens come to us for director Larry Buchanan.

Larry Buchanan was not only born in Texas but he made most of his films here too.  In 1964’s The Naked Witch, a college student is doing a research project on the German-speaking villages in Central Texas.  It’s while visiting one such village that this idiot accidentally brings an ancient witch back to life.  In many ways, this is a typical Buchanan film.  The budget is low and the plot is sometimes incoherent.  But the film is also fairly atmospheric.  In my case, it helps that I’ve actually spent time in Central Texas and I know how creepy things can sometimes get out there.

Enjoy The Naked Witch!

Join #MondayMania For Cheer For Your Life!


Hi, everyone!  Tonight, on twitter, I will be hosting one of my favorite films for #MondayMania!  Join us for 2021’s Cheer For Your Life!

You can find the movie on Prime and then you can join us on twitter at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  See you then!