And You Thought Your Relatives Were Square : Paula Lawrie’s “My Geometric Family”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Taking an experimental approach — visually, conceptually, thematically — to the well-trod ground that is memoir is no easy task, but weaving that experimentation into the metaphorical “DNA” of the work itself ups the ante considerably, and requires both sure-footed artistic skill as well as a fair amount of confidence in one’s vision form the get-go. As evidence for this assertion, I give you Paula Lawrie’s recently-self-published ‘zine My Geometric Family, a collection of single-page illustrations with accompanying text that bring to life formative experiences from the artist’s youth in the late 1940s and early 1950s with the added wrinkle of presenting everyone’s heads as a hodge-podge of various geometric (you saw that coming) shapes, thereby imbuing the proceedings with a pretty heavy layer of surrealism that both belies and accentuates their prosaic origins. Don’t ask me how that contradiction works itself out on the page, but it does…

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Music Video Of The Day: Always by Bon Jovi (1994, directed by Marty Callner)


In 1993, Jon Bon Jovi wrote a song called Always for the soundtrack of a movie called Romeo is Bleeding.  However, after Bon Jovi saw a rough cut of the film, he decided that the film was not worthy of his music so he declined to allow Always to be played over scenes of Lena Olin and Gary Oldman shooting guns at each other.

Instead, Bon Jovi recorded and released the song on their next album, Cross Road.  And rather than allowing the song to appear in a bad feature film, they instead decided to feature it an even worse music video.

The video features Jack Noseworthy (who was very briefly a semi-big deal in the 90s) as a young man who is so stupid that he can’t just be happy having the amazingly sexy Carla Gugino as his girlfriend.  He also decided to cheat on her with Keri Russell, who is either Carla’s roommate or maybe her kid sister.  Either way, it was a pretty stupid move on Jack Noseworthy’s part.  Carla runs out of the apartment and meets Jason Wiles, an artist who paints a terrible portrait of her.  For some reason, Carla then calls up Jack and invites him to the the apartment.  When Jack starts to look at the painting, Carla tries to stop him.  (So why did you call him in the first place, Carla?)  Jack sees the painting, gets upset, stabs the canvas, and then somehow makes the apartment explode.  Later, Jack thinks that he sees Carla standing in his bedroom but it turns out that it’s just his imagination.  Questions abound like, How did Jack blow up that apartment?  Why would two incredibly attractive women settle for Jack Noseworthy?  Where did the painter disappear to?  Those questions go forever unanswered.

In the United Kingdom, Always was the very first number-one single on the UK Rock and Metal Singles Chart, which just goes to show you the sad state of metal in 1994.

Enjoy!

Here Are The Nominees Of The Florida Film Critics Circle!


The winners will be announced on Monday, December 23rd!

BEST PICTURE
1917
Ad Astra
Marriage Story
Portrait of a Lady on Fire
The Irishman

BEST ACTOR
Adam Driver, Marriage Story
Adam Sandler, Uncut Gems
Antonio Banderas, Pain and Glory
Franz Rogowski, Transit
Joaquin Phoenix, Joker
Taron Egerton, Rocketman

BEST ACTRESS
Charlize Theron, Bombshell
Elisabeth Moss, Her Smell
Florence Pugh, Midsommar
Renée Zellweger, Judy
Scarlett Johansson, Marriage Story

BEST SUPPORTING ACTOR
Anthony Hopkins, The Two Popes
Brad Pitt, Once Upon a Time in Hollywood
Joe Pesci, The Irishman
John Lithgow, Bombshell
Tom Hanks, A Beautiful Day in the Neighborhood

BEST SUPPORTING ACTRESS
Annette Bening, The Report
Isla Fisher, The Beach Bum
Jennifer Lopez, Hustlers
Laura Dern, Marriage Story
Margot Robbie, Bombshell
Scarlett Johansson, Jojo Rabbit
Zhao Shuzhen, The Farewell

BEST ENSEMBLE
Little Women
Marriage Story
Parasite
The Farewell
The Irishman

BEST DIRECTOR
Céline Sciamma, Portrait of a Lady on Fire
Greta Gerwig, Little Women
Sam Mendes, 1917

BEST ORIGINAL SCREENPLAY
Bong Joon-Ho and Han Jin-Won, Parasite
Céline Sciamma, Portrait of a Lady on Fire
Lulu Wang, The Farewell
Noah Baumbach, Marriage Story
Quentin Tarantino, Once Upon a Time in Hollywood
Ronald Bronstein, Benny Safdie and Josh Safdie, Uncut Gems

BEST ADAPTED SCREENPLAY
Anthony McCarten, The Two Popes
Greta Gerwig, Little Women
Micah Fitzerman-Blue and Noah Harpster, A Beautiful Day in the Neighborhood
Steven Zaillian, The Irishman
Taika Waititi, Jojo Rabbit
Terrence Malick, A Hidden Life

BEST CINEMATOGRAPHY
Claire Mathon, Portrait of a Lady on Fire
Hoyte Van Hoytema, Ad Astra
Jorg Widmer, A Hidden Life
Roger Deakins, 1917

BEST VISUAL EFFECTS
Ad Astra
Avengers: Endgame
Alita: Battle Angel

BEST ART DIRECTION/PRODUCTION
Barbara Ling, Once Upon a Time in Hollywood
Kevin Constant, Christa Munro, Alison Sadler, David Scott and Gary Warsaw, Ad Astra
Simon Elsley, Elaine Kusmishko, Rod McLean, Niall Moroney, Stephen Swain and Robert Voyset, 1917

BEST SCORE
Daniel Lopatin, Uncut Gems
Hildur Guðnadóttir, Joker
Max Richter, Ad Astra
Randy Newman, Marriage Story
Thomas Newman, 1917

BEST DOCUMENTARY
American Factory
Apollo 11
Honeyland
The Biggest Little Farm

BEST FOREIGN LANGUAGE FILM
Long Day’s Journey Into Night
Pain and Glory
Parasite
Portrait of a Lady on Fire
The Farewell

BEST ANIMATED FILM
Frozen 2
How to Train Your Dragon: The Hidden World
I Lost My Body
Toy Story 4
Weathering With You

BEST FIRST FILM
Booksmart
Honeyland
Queen & Slim
The Last Black Man in San Francisco

BREAKOUT AWARD
Florence Pugh, Midsommar, Fighting With My Family and Little Women
Honor Swinton Byrne, The Souvenir
Lulu Wang, The Farewell
Roman Griffin Davis, Jojo Rabbit

Music Video Of The Day: Cardiac Arrest by Madness (1982, directed by Dave Robinson)


Cardiac Arrest is one of Madness’s more serious songs, though it retains their signature sound.  The lyrics are about a man who literally works himself to death, having a heart attack while he’s on the way to his job.  The video features Chas Smith playing the man who has the heat attack while the other members of the band encourage him to not work so hard and to take time to actually enjoy life.

Smith not only stars in the video but he also wrote the song.  The song was actually based on his father, who had suffered from repeated heart attacks at the time that the lyrics were composed.  Hence, in the video, Smith is almost playing his own father.

Perhaps because of the subject matter, Cardiac Arrest was a rare non-hit for Madness.  The song was also banned by BBC Radio 1 because it was felt that the lyrics were too disturbing.

Rather than telling you to “enjoy,” I’ll just suggest taking the song and video’s message to heart.

Saying So Much With So Little : Walker Tate’s “Waiting Room”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Walker Tate’s comics have a way of clinging in the back of your mind and staying there for extended periods — and given that this is the second of his works I’ve reviewed in the past week or so (the other being his most recent, Cloggel, the cover of which appears at the bottom of this review as a friendly reminder for you to, ya know, buy it), you can safely surmise that they’ve been clawing their way to the forefront of mine in recent days. And so they have. This is largely down to the fact that they lend themselves to careful consideration, as you’ve no doubt guessed, but they just as surely eschew immediate interpretation and classification, instead going the slow-burn route of conceptual percolation, for lack of a better term, until the reader finally either has a “Eureka!” moment or, more likely, achieves a kind of…

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Music Video of the Day: In The Air Tonight by Phil Collins (1981, directed by Stuart Orme)


“I don’t know what this song is about. When I was writing this I was going through a divorce. And the only thing I can say about it is that it’s obviously in anger. It’s the angry side, or the bitter side of a separation. So what makes it even more comical is when I hear these stories which started many years ago, particularly in America, of someone come up to me and say, “Did you really see someone drowning?” I said, “No, wrong”. And then every time I go back to America the story gets Chinese whispers, it gets more and more elaborate. It’s so frustrating, ’cause this is one song out of all the songs probably that I’ve ever written that I really don’t know what it’s about, you know?”

— Phil Collins, on In The Air Tonight

I was thinking about Phil Collins last week.

I was visiting some members of my family in London and, on Thursday night, I was watching as the results of the general election came in.  After spending the past few days worrying that Jeremy Corbyn might actually somehow weasel his way into power, I was very happy to see the results of the exit poll, which indicated that Corbyn’s Labour Party was going to lose in a landslide.  As I watched the results come in and as Labour lost seat after seat, I found myself thinking about Phil Collins.

Phil Collins has a reputation for being a supporter of the Tories, though he’s often said that he’s not.  This is because he let the UK after Tony Blair was initially elected.  Collins said that he was living in Switzerland because that’s where his girlfriend lived but many others accused him of being a tax exile.  During the 2005 election, Oasis’s Liam Gallagher famously quipped that everyone should vote Labour because, otherwise, Phil Collins might return home.  Everyone had a good laugh, except for Phil who is notoriously thin-skinned about such things.  Last Thursday, as I watched Boris Johnson give his victory speech with Elmo, Count Binface, and Lord Buckethead standing behind him, I asked myself, “Can Phil Collins come home now?”

(Which was a stupid think to ask since it’s been nearly ten years since the UK last had a Labour government and I’m fairly certain that Phil Collins has already come home.  Chalk it up to the emotion of the moment.  After spending a week being yelled at by angry Corbynites, watching them go down in defeat was a moment of such personal gratification that I was perhaps allowed to ask myself one silly question.)

Phil Collins may be thin-skinned but perhaps he’s earned the right to be.  For all the ridicule that has been directed his way over the years, Phil Collins’s songs have, for better or worse, defined an era and many of them hold up far better than is usually acknowledged.  Take, for instance, In The Air Tonight.  Today’s music video of the day is not only one of the ultimate songs of the 80s but it’s also a song that has been sampled by a countless number of other artists.

It’s also a song that’s been the subject of many rumors.  The most popular one is that Phil Collins wrote it after witnessing a man drowning.  The legend goes that Collins was too far away to save the man but that someone else was close by but declined to help.  Collins wrote the song to call out the callousness of the person who declined to help and, so the story goes, used to reveal the person’s name during his concerts.  Much like the idea of Phil Collins hiding out in Switzerland because he didn’t want to pay his taxes, it’s a good story but it’s also not true.  Collins has said that he has no idea what the song is about, beyond that he was in a dark place emotionally when he wrote it.

The song’s rapid progress up the charts was undoubtedly helped by the music video above.  During the early days of MTV, this video was part of the regular rotation.  Director Stuart Orme went on to direct several other videos for both Collins and Genesis, though In The Air Tonight remains his best work.

Enjoy!

The Dallas-Ft. Worth Film Critics Association Names 1917 As The Best of 2019!


Reunion Tower (picture by Erin Nicole)

Here are the winners in Dallas!

BEST PICTURE

Winner: 1917

Runners-up: MARRIAGE STORY (2); PARASITE (3); THE IRISHMAN (4); ONCE UPON A TIME IN HOLLYWOOD (5); JOJO RABBIT (6); LITTLE WOMEN (7); THE FAREWELL (8); THE TWO POPES (9); KNIVES OUT (10)

BEST ACTOR

Winner: Adam Driver, MARRIAGE STORY

Runners-up: Joaquin Phoenix, JOKER (2); Antonio Banderas, PAIN AND GLORY (3); Leonardo DiCaprio, ONCE UPON A TIME IN HOLLYWOOD (4); Robert De Niro, THE IRISHMAN (5)

BEST ACTRESS

Winner: Scarlett Johansson, MARRIAGE STORY

Runners-up: Renée Zellweger, JUDY (2); Charlize Theron, BOMBSHELL (3); Saoirse Ronan, LITTLE WOMEN (4); Awkwafina, THE FAREWELL (5, tie); Lupita Nyong’o, US (5, tie)

BEST SUPPORTING ACTOR

Winner: Brad Pitt, ONCE UPON A TIME IN HOLLYWOOD

Runners-up: Willem Dafoe, THE LIGHTHOUSE (2); Joe Pesci, THE IRISHMAN (3); Al Pacino, THE IRISHMAN (4); Shia LaBeouf, HONEY BOY (5)

BEST SUPPORTING ACTRESS

Winner: Laura Dern, MARRIAGE STORY

Runners-up: Margot Robbie, BOMBSHELL (2); Florence Pugh, LITTLE WOMEN (3); Jennifer Lopez, HUSTLERS (4); Annette Bening, THE REPORT (5)

BEST DIRECTOR

Winner: Sam Mendes, 1917

Runners-up: Bong Joon-ho, PARASITE (2); Martin Scorsese, THE IRISHMAN (3); Quentin Tarantino, ONCE UPON A TIME IN HOLLYWOOD (4); Noah Baumbach, MARRIAGE STORY (5)

BEST FOREIGN LANGUAGE FILM

Winner: PARASITE

Runners-up: PAIN AND GLORY (2); THE FAREWELL (3); LES MISÉRABLES (4); PORTRAIT OF A LADY ON FIRE (5)

BEST DOCUMENTARY

Winner: APOLLO 11

Runners-up: ONE CHILD NATION (2); AMERICAN FACTORY (3); HONEYLAND (4); FOR SAMA (5)

BEST ANIMATED FILM

Winner: TOY STORY 4

Runner-up: I LOST MY BODY

BEST SCREENPLAY

Winner: Noah Baumbach, MARRIAGE STORY

Runner-up: Steven Zaillian, THE IRISHMAN

BEST CINEMATOGRAPHY

Winner: Roger Deakins, 1917

Runner-up: Hong Kyung-pyo, PARASITE

BEST MUSICAL SCORE

Winner: Thomas Newman, 1917

Runner-up: Alexandre Desplat, LITTLE WOMEN

RUSSELL SMITH AWARD (best low-budget or cutting-edge independent film)

Winner: THE LIGHTHOUSE

Slimy Old Men, Indeed : Abby Jame’s “Lizard Daddies”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

What the hell is this, anyway? A review of a four-page mini? Am I nuts?

Well, yeah, I am — but that’s nothing new. What is new is the idea that there could, indeed, be a four-page mini worth devoting more than a quick 150-word paragraph to talking about, but such is indeed the case with Abby Jame’s latest from Silver Sprocket Bicycle Club, Lizard Daddies. I don’t expect this to happen too often, mind you, but Jame’s work is always worthy of examination on some level, and this one touches on so many relevant cultural themes in so few pages that the word “extraordinary” comes to mind pretty quickly and easily.

The set-up here is as immediately grabbing as one would assume it to be : a group of teenage girls decide to attend a “sugar daddy/sugar baby” party to fleece some cash out of some horny old…

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