AMV of the Day: Wolf In Sheep’s Clothing (Ace Attorney)

Posted on May 1, 2018 by Lisa Marie Bowman

Today is not just Communist New Year. It’s also Law Day!

Now, I know that Law Day sounds like a made up holiday but, believe it or not, it is very much real. Dwight Eisenhower proclaimed the first Law Day on May 1st, 1958 and it has been observed every year since. In fact, Congress even made it one of those official holidays that no one has ever heard of.

According to Wikipedia:

36 U.S.C. § 113 states, in part:

Law Day, U.S.A., is a special day of celebration by the people of the United States—

(1) in appreciation of their liberties and the reaffirmation of their loyalty to the United States and of their rededication to the ideals of equality and justice under law in their relations with each other and with other countries; and

(2) for the cultivation of the respect for law that is so vital to the democratic way of life.

So, in honor of Law Day, here’s an Ace Attorney AMV!

Anime: Ace Attorney

Song: Wolf in Sheep’s Clothing by Set It Off

Creator: ChaosFanGal

Past AMVs of the Day

A Blast From The Past: Patriotism

Posted on May 1, 2018 by Lisa Marie Bowman

Flag (Erin Nicole Bowman, 2010)

Today is Loyalty Day!

If you haven’t ever heard of Loyalty Day before … well, then you’re probably a subversive or something. Loyalty Day has been a real holiday since 1955. That was when President Dwight D. Eisenhower proclaimed May 1st to be Loyalty Day. (I’m going to guess that this was done largely to provide an alternative to International Workers Day or Communist New Year or whatever May Day was known as back then.) The official statutory definition reads as follows:

(a) Designation.— May 1 is Loyalty Day.(b) Purpose.— Loyalty Day is a special day for the reaffirmation of loyalty to the United States and for the recognition of the heritage of American freedom.(c) Proclamation.— The President is requested to issue a proclamation—

(1) calling on United States Government officials to display the flag of the United States on all Government buildings on Loyalty Day; and

(2) inviting the people of the United States to observe Loyalty Day with appropriate ceremonies in schools and other suitable places.

So, in honor of Loyalty Day, here’s a short film from 1972. It’s called Patriotism and it was apparently made to teach school children what it meant to be a patriot. Apparently, it means working as a crossing guard and wearing a vaguely fascist-looking vest while doing so. It also means keeping an eye out for weeds and trash in your neighborhood. My favorite part of this film is when the kid spots the turned over garbage can and gets a look of disgust on his face. You can just tell he’s thinking, “Those goddamn hippies.”

(For the record, that’s what I always think whenever I can’t find a pen at work.)

Personally, I agree that making a good neighborhood is the first step in making a good country so I definitely applaud the kids for taking the time to clean their neighborhood up. Still, I have to wonder: where are the adults? How many grown ups walked past the overturned trash can and just ignored it? Perhaps all the adults in the neighborhood were so disillusioned by George McGovern dumping Tom Eagleton as his running mate that they just gave up on life. Who knows? 1972 was apparently a pretty traumatic year for some people. Myself, I just find it amusing that there was a politician named McGovern. That’s like a seminarian named McClergy.

Speaking of adults, this short film was hosted by actor Bob Crane, who would be murdered six years later and whose life would serve as the basis for a rather depressing movie called Auto Focus.

Anyway, in the immortal words of Team America: World Police, “America! Fuck yeah!” Let’s make this the best Loyalty Day ever!

Music Video of the Day: Money (That’s What I Want) by The Flying Lizards (1979, dir by ????)

Posted on May 1, 2018 by Lisa Marie Bowman

Hi, everyone! Welcome to the merry old month of May!

So, today is May Day, which is apparently some sort of communist new year. (Actually, technically, the holiday is International Workers Day or something like that but May Day sounds prettier and little bit less grimy.) Anyway, with that in mind, it only seems appropriate (to me, at least) that today’s music video of the day should be about wanting money.

This song was originally recorded by Barrett Strong in 1959 and subsequently become heavily identified with the Beatles. There have been quite a few covers over the year but my favorite version is by The Flying Lizards, largely because this version achieves a perfect balance between sincerity and satire.

This video was recorded for a show called TopPop, which was apparently some sort of Danish music show. I have to admit that I have a weakness for bands that were willing to be openly eccentric. That’s something that the world is missing today. Everyone’s so tediously earnest.

Anyway, enjoy!

Music Video of the Day: Livin’ Thing by Electric Light Orchestra (1976, dir by ????)

Posted on April 30, 2018 by Lisa Marie Bowman

Hi, everyone!

I don’t have much to say about this video. That’s actually one of the reasons why I picked it. My allergies and my asthma are teaming up to try to take me out before April ends so I figured this would be a good day to pick a video that can pretty much speak for itself.

I’ve liked this song ever since I first watched Boogie Nights. Apparently, in 2006, it was voted the “greatest guilty pleasure” of all time by the British music magazine, Q. I just find all the random shouts of “I’m taking a dive” to be fascinating.

Enjoy!

What Lisa Watched Last Night #179: Fiance Killer (dir by Fred Olen Ray)

Posted on April 29, 2018 by Lisa Marie Bowman

Last night, I turned over to the Lifetime Movie Network and watched the latest Lifetime movie, Fiance Killer!

Why Was I Watching It?

It was on Lifetime! By now, y’all should know that I’ll watch anything that’s on Lifetime!

What Was It About?

So, Cameron (Felisha Cooper) is about to be very, very rich. As soon as she turns 25, she’ll be coming into a huge inheritance! On top of that, Cameron also has a new boyfriend. His name is Brent (Adam Huss) and he runs a non-profit! Or, at least, that’s what he says. Cameron’s mother (Kari Wuhrer) doesn’t trust him. In fact, she does a background check on him and comes away convinced that Brent is only interesting in Cameron’s money. Of course, Cameron doesn’t believe that. In fact, Cameron is so offended by her mother’s paranoia that she elopes with Brent!

Except, of course, mom is right. Brent is after Cameron’s money. Of course, Brent doesn’t really have it in him to commit murder. However, his girlfriend, Lexi (Jean Louise O’Sullivan), definitely does…

What Worked?

Lexi is one of my favorite characters of all time! Seriously, she must have undergone ninja training at some point because she could seriously just pop up anywhere. Someone gets in a car and there’s Lexi in the back seat! Someone goes down to the kitchen and there’s Lexi hiding behind the refrigerator. My favorite thing about Lexi was that, for all of the intricate plotting that went into her scheme, she didn’t really seem to care whether it actually worked or not. Lexi was an agent of pure chaos, less a schemer and more a revolutionary. Jean Louise O’Sullivan had a lot of fun with the role.

What Did Not Work?

Obviously, with any Lifetime film, you’re going to have to suspend your disbelief to a certain extent but seriously, Cameron was occasionally too naive to be believed. Maybe if she had been 18, I could have bought that she wouldn’t be able to see through Brent and his schemes. But, by the time you turn 25, you really should know better.

“Oh my God! Just like me!” Moments

Obviously, it would have been nice if I could have related to Cameron, who was a very nice person and always tried to do the best for everyone. But, honestly, I could never do the whole eloping thing. When I do get married, it’s going to be a huge wedding and I’m going to expect a lot of expensive gifts. As well, I couldn’t ever marry someone who worked for a “non-profit” because bragging about working for a company that doesn’t make a profit just seems strange to me.

So, that pretty much left with me with little choice but to relate to Lexi. Unfortunately, Lexi killed people and I’m not really into that either. However, I do enjoy making a scene so I guess Lexi and I had that in common.

Lessons Learned

I should sign up for ninja training as soon as possible. Admittedly, I might not be a very good ninja and I’m not really sure if there’s much ninja work available where I live but I’d still love to learn how to just pop up anywhere whenever I wanted to. That seems like that could be a valuable skill to have.

Music Video of the Day: Human Behavior by Bjork (1993, dir by Michel Gondry)

Posted on April 29, 2018 by Lisa Marie Bowman

A video featuring a human-sized toy bear beating up a hunter?

The question isn’t why wouldn’t I share this video. The question is why haven’t I shared this video yet?

The song, of course, is a look at human behavior through the eyes of an animal. Bjork had the following to say about the idea behind the video:

“Human Behaviour is an animal’s point of view on humans. And the animals are definitely supposed to win in the end. So why, one might ask, is the conquering bear presented as a man-made toy? I don’t know. I guess I just didn’t think it would be fair to force an animal to act in a video. I mean, that would be an extension of what I’m against.”

This was the first video on which Michel Gondry and Bjork collaborated. (Gondry, of course, would later direct Eternal Sunshine Of The Spotless Mind.) Gondry had the following to say about the video:

“When we did our first video, for “Human Behaviour”, I was thinking: “Great, we’re going to Iceland and we’re going to shoot a lot of great landscape.” And she [Björk] said no – she had a similar idea as my friend Etienne in Oui Oui, she wanted to use animals to reflect human nature. And it was great, because as soon as she started to throw some ideas, they started to bounce in my mind and imagination and I immediately came back with other ideas, and we did a video that was very collaborative. “

So, there you have it. The animals always win in the end.

Enjoy!

Film Review: The Bounty (dir by Roger Donaldson)

Posted on April 28, 2018 by Lisa Marie Bowman

Oh, poor Captain Bligh.

For those who recognize the name, it’s probably because they’ve either read a book or seen a film that portrayed him as being the tyrannical captain of the HMS Bounty. In 1787, William Bligh and the Bounty set off on a mission to Tahiti. When, after ten months at sea, the Bounty arrived in Tahiti, the crew immediately fell in love with the relaxed pleasures of island life. When Bligh ordered them to leave Tahiti and continue with their mission, his own second-in-command led a mutiny. Bligh and the few men who remained loyal to him were set adrift in a lifeboat while Christian and the mutineers eventually ended up settling on Pitcairn Island. Against impossible odds, Bligh managed to make it back to civilization, where he faced both a court-martial and a future of being portrayed as a villain.

Though most historians agree that Bligh was a knowledgeable and talented (if strict) captain and that the mutiny had more to do with Christian’s desire to remain in Tahiti than Bligh’s treatment of the crew, most adaptations of what happened on the Bounty have laid the blame for the mutiny squarely at Bligh’s feet. Personally, I think it has to do with the names of the people involved. William Bligh just sounds evil, in much the same way that the name Fletcher Christian immediately brings to mind images of heroism. In 1935’s Mutiny On The Bounty, Charles Laughton portrayed Bligh as being a viscous sadist. In 1962’s Mutiny in the Bounty, Trevor Howard portrayed Bligh as being an overly ambitious martinet, though ultimately Howard was overshadowed by Marlon Brando, who gave a bizarrely mannered performance in the role Christian.

In fact, it would seem that there’s only one film that’s willing to give William Bligh the benefit of the doubt. That film is 1984’s The Bounty.

The Bounty opens with Bligh (played by Anthony Hopkins) facing a court-martial for losing the Bounty. That the admiral presiding over Bligh’s court-martial is played by Laurence Olivier is significant for two reasons. Olivier’s stately and distinguished presence lets us know that the mutiny was viewed as being an affront to British society but it also reminds us that Hopkins began his career as Olivier’s protegé. Much as how William Bligh was a star of the British navy, Hopkins was (and is) a star of British stage and screen. One gets the feeling the scene isn’t just about the admiral judging Bligh. It was also about Olivier judging Hopkins as the latter played a role that had already been made famous by two other great British thespians, Charles Laughton and Trevor Howard.

By opening with Bligh on trial, The Bounty allows itself to be told largely through Bligh’s point of view. We watch familiar events play out from a new perspective. Once again, it takes longer than expected for Bligh and the Bounty to reach Tahiti and, once again, Bligh’s by-the-book leadership style alienates a good deal of the crew. However, this time, Bligh is not portrayed as being a villain. Instead, he’s just a rather neurotic man who is trying to do his duty under the most difficult of circumstances. Bligh knows that the crew blames him for everything that goes wrong during the voyage but he also knows that the only way their going to survive the journey is through maintaining order.

In fact, the film suggests that Bligh’s biggest mistake was promoting Fletcher Christian (Mel Gibson) to second-in-command. Christian is portrayed as being good friends with Bligh and one gets the feeling that Bligh promoted him largely so he would have someone to talk to.

The film does a good job contrasting the dank claustrophobia of the Bounty with the vibrant beauty of Tahiti. When the crew first lands, Bligh proves his diplomatic skills upon meeting with the native king. However, it quickly becomes apparent that, while Bligh views the stop in Tahiti as just being a part of the mission, the majority of the crew view it as being an escape from the dreariness of their lives in Britain. For the first time in nearly a year, the crew is allowed to enjoy life. When Bligh eventually orders the crew to leave Tahti, many of the men — including Christian — are forced to abandon their native wives.

Unfortunately for Bligh, he doesn’t understand that his crew has no desire to return to the dreariness of their old life, either on the Bounty or in the United Kingdom. Bligh’s solution to the crew’s disgruntlement is to become an even harsher disciplinarian. (Bligh is the type of captain who will order the crew to clean the ship, just to keep them busy.) However, Bligh no longer has Christian backing him. When the inevitable mutiny does occur, Bligh seems to be the only one caught by surprise.

Anthony Hopkins gives a performance that turns Bligh into a character who is, in equal amounts, both sympathetic and frustrating. Bligh means well but he’s so rigid and obsessed with his duty that he can’t even being to comprehend why his crew is so annoyed about having to leave Tahiti. Since Bligh can’t imagine ever loving anything more than sailing, it’s beyond his abilities to understand why his men are so obsessed with returning to Tahiti. Hopkins portrays Bligh as being not evil but instead, rather isolated. He knows everything about sailing but little about emotion or desire. Ironically, the same personality traits that led to him losing the Bounty are also key to his survival afterward. By enforcing discipline and emphasizing self-sacrifice, Bligh keeps both himself and the men who stayed loyal to him alive until their eventual rescue.

Interestingly, Mel Gibson portrayed Christian as being just as neurotic as Bligh. In fact, if Bligh and Christian have anything in common, it would appear to be they’re both obsessed with what the crew thinks of them. Whereas Bligh is obsessed with being respected, Christian wants to be viewed as their savior. When the mutiny finally occurs, Christian gets an almost messianic gleam in his eyes. While Christian is not portrayed as being a villain (and, indeed, The Bounty is unique in not having any cut-and-dried villains and heroes), Gibson’s portrayal is certainly far different from the heroic interpretation offered up by Clark Gable.

(The rest of the cast is full of familiar British character actors, along with a few future stars making early appearances. Both Daniel Day-Lewis and Liam Neeson appear as members of the Bounty’s crew. One remains loyal to Bligh while the other goes with Christian. Watch the movie to find out who does what!)

The Bounty is best viewed as being a character study of two men trying to survive under the most trying of conditions. Just as Bligh’s personality made both the mutiny and his survival inevitable, the film suggests that everything that made Christian a successful mutineer will also make it impossible for him to survive for long afterward. Whereas Bligh may have been a poor leader but a good diplomat, Christian proves to be just the opposite and the king of Tahiti makes clear that he has no room on his island for a bunch of mutineers who will soon have the entire British navy looking for them. Whereas Bligh makes it back to Britain, Christian and the mutineers are forced to leave Tahiti a second time and end up settling on the previously uncharted Pitcairn Island. (Of course, no one knows for sure what happened to Christian after the mutineers reached Pitcairn Island. The last surviving mutineer claimed that Christian was murdered by the natives who were already living on the island.)

The Bounty has its flaws. There are some pacing issues that keep the film from working as an adventure film and a few of the actors playing the crew aren’t quite as convincing as you might hope. (If you only saw him in this film, you would never believe that Daniel Day-Lewis is a three-time Oscar winner.) But it’s still an interesting retelling of a familiar story and it’s worth watching for the chance to see one of Anthony Hopkins’s best performances.

Music Video Of The Day: Novocaine For The Soul by Eels (1996, dir by Mark Romanek)

Posted on April 28, 2018 by Lisa Marie Bowman

So, I’ve been having a bit of a Mark Romanek film festival tonight!

Val and I have looked at several Romanek-directed music videos here on the Shattered Lens. Here’s just a few of them: Perfect Drug, Closer, Criminal, Hella Good. Shake It Off. Hurt. (Also I should mention that I’m a huge fan of Romanek’s adaptation of Never Let Me Go.)

For this video, Romanek decided to create the impression that the band was flying by suspending them in the air. In the audio commentary for this video (which can be found on The Work of Director Mark Romanek), Mark Oliver Everett says that he was scared for his life at certain points during the filming. He also complained that the bass player, Tommy Walter, wasn’t moving realistically for someone floating in the air.

That may be true but Tommy’s the best-looking guy in the group so who cares? Or, I should say, he was the best-looking guy in the group. Tommy left Eels a year after this video came out. The drummer, Butch Norton, left several years later. Apparently, Mark Oliver Everett is incredibly talented and also extremely difficult to work with.

Anyway, it’s a good video!

Enjoy!

Playing Catch-Up: Crisscross, The Dust Factory, Gambit, In The Arms of a Killer, Overboard, Shy People

Posted on April 27, 2018 by Lisa Marie Bowman

So, this year I am making a sincere effort to review every film that I see. I know I say that every year but this time, I really mean it.

So, in an effort to catch up, here are four quick reviews of some of the movies that I watched over the past few weeks!

Crisscross
Released: 1992
Directed by Chris Menges
Starring David Arnott, Goldie Hawn, Arliss Howard, Keith Carradine, James Gammon, Steve Buscemi

An annoying kid named Chris Cross (David Arnott) tells us the story of his life.

In the year 1969, Chris and his mother, Tracy (Goldie Hawn), are living in Key West. While the rest of the country is excitedly watching the first moon landing, Chris and Tracy are just trying to figure out how to survive day-to-day. Tracy tries to keep her son from learning that she’s working as a stripper but, not surprisingly, he eventually finds out. Chris comes across some drugs that are being smuggled into Florida and, wanting to help his mother, he decides to steal them and sell them himself. Complicating matters is the fact that the members of the drug ring (one of whom is played by Steve Buscemi) don’t want the competition. As well, Tracy is now dating Joe (Arliss Howard), who just happens to be an undercover cop. And, finally, making things even more difficult is the fact that Chris just isn’t that smart.

There are actually a lot of good things to be said about Crisscross. The film was directed by the renowned cinematographer, Chris Menges, so it looks great. Both Arliss Howard and Goldie Hawn give sympathetic performances and Keith Carradine has a great cameo as Chris’s spaced out dad. (Traumatized by his experiences in Vietnam, Chris’s Dad left his family and joined a commune.) But, as a character, Chris is almost too stupid to be believed and his overwrought narration doesn’t do the story any good. Directed and written with perhaps a less heavy hand, Crisscross could have been a really good movie but, as it is, it’s merely an interesting misfire.

The Dust Factory
Released: 2004
Directed by Eric Small
Starring Armin Mueller-Stahl, Hayden Panettiere, Ryan Kelly, Kim Myers, George de la Pena, Michael Angarano, Peter Horton

Ryan (Ryan Kelly) is a teen who stopped speaking after his father died. One day, Ryan falls off a bridge and promptly drowns. However, he’s not quite dead yet! Instead, he’s in The Dust Factory, which is apparently where you go when you’re on the verge of death. It’s a very nice place to hang out while deciding whether you want to leap into the world of the dead or return to the land of the living. Giving Ryan a tour of the Dust Factory is his grandfather (Armin Mueller-Stahl). Suggesting that maybe Ryan should just stay in the Dust Factory forever is a girl named Melanie (Hayden Panettiere). Showing up randomly and acting like a jerk is a character known as The Ringmaster (George De La Pena). Will Ryan choose death or will he return with a new zest for living life? And, even more importantly, will the fact that Ryan’s an unlikely hockey fan somehow play into the film’s climax?

The Dust Factory is the type of unabashedly sentimental and theologically confused film that just drives me crazy. This is one of those films that so indulges every possible cliché that I was shocked to discover that it wasn’t based on some obscure YA tome. I’m sure there’s some people who cry while watching this film but ultimately, it’s about as deep as Facebook meme.

Gambit
Released: 2012
Directed by Michael Hoffman
Starring Colin Firth, Cameron Diaz, Alan Rickman, Tom Courtenay, Stanley Tucci, Cloris Leachman, Togo Igawa

Harry Deane (Colin Firth) is beleaguered art collector who, for the sake of petty revenge (which, as we all know, is the best type of revenge), tries to trick the snobbish Lord Shabandar (Alan Rickman) into spending a lot of money on a fake Monet. To do this, he will have to team up with both an eccentric art forger (Tom Courtenay) and a Texas rodeo star named PJ Puznowksi (Cameron Diaz). The plan is to claim that PJ inherited the fake Monet from her grandfather who received the painting from Hermann Goering at the end of the World War II and…

Well, listen, let’s stop talking about the plot. This is one of those elaborate heist films where everyone has a silly name and an elaborate back story. It’s also one of those films where everything is overly complicated but not particularly clever. The script was written by the Coen Brothers and, if they had directed it, they would have at least brought some visual flair to the proceedings. Instead, the film was directed by Michael Hoffman and, for the most part, it falls flat. The film is watchable because of the cast but ultimately, it’s not surprising that Gambit never received a theatrical release in the States.

On a personal note, I saw Gambit while Jeff & I were in London last month. So, I’ll always have good memories of watching the movie. So I guess the best way to watch Gambit is when you’re on vacation.

In The Arms of a Killer
Released: 1992
Directed by Robert L. Collins
Starring Jaclyn Smith, John Spencer, Nina Foch, Gerald S. O’Loughlin, Sandahl Bergman, Linda Dona, Kristoffer Tabori, Michael Nouri

This is the story of two homicide detectives. Detective Vincent Cusack (John Spencer) is tough and cynical and world-weary. Detective Maria Quinn (Jaclyn Smith) is dedicated and still naive about how messy a murder investigation can be when it involves a bunch of Manhattan socialites. A reputed drug dealer is found dead during a party. Apparently, someone intentionally gave him an overdose of heroin. Detective Cusack thinks that the culprit was Dr. Brian Venible (Michael Nouri). Detective Quinn thinks that there has to be some other solution. Complicating things is that Quinn and Venible are … you guessed it … lovers! Is Quinn truly allowing herself to be held in the arms of a killer or is the murderer someone else?

This sound like it should have been a fun movie but instead, it’s all a bit dull. Nouri and Smith have next to no chemistry so you never really care whether the doctor is the killer or not. John Spencer was one of those actors who was pretty much born to play world-weary detectives but, other than his performance, this is pretty forgettable movie.

Overboard
Released: 1987
Directed by Garry Marshall
Starring Goldie Hawn, Kurt Russell, Edward Herrmann, Katherine Helmond, Roddy McDowall, Michael G. Hagerty, Brian Price, Jared Rushton, Hector Elizondo

When a spoiled heiress named Joanne Slayton (Goldie Hawn) falls off of her luxury yacht, no one seems to care. Even when her husband, Grant (Edward Herrmann), discovers that Joanne was rescued by a garbage boat and that she now has amnesia, he denies knowing who she is. Instead, he takes off with the boat and proceeds to have a good time. The servants (led by Roddy McDowall) who Joanne spent years terrorizing are happy to be away from her. In fact, the only person who does care about Joanne is Dean Proffitt (Kurt Russell). When Dean sees a news report about a woman suffering from amnesia, he heads over to the hospital and declares that Joanne is his wife, Annie.

Convinced that she is Annie, Joanne returns with Dean to his messy house and his four, unruly sons. At first, Dean says that his plan is merely to have Joanne work off some money that she owes him. (Before getting amnesia, Joanne refused to pay Dean for some work he did on her boat.) But soon, Joanne bonds with Dean’s children and she and Dean start to fall in love. However, as both Grant and Dean are about to learn, neither parties nor deception can go on forever…

This is one of those films that’s pretty much saved by movie star charisma. The plot itself is extremely problematic and just about everything that Kurt Russell does in this movie would land him in prison in real life. However, Russell and Goldie Hawn are such a likable couple that the film come close to overcoming its rather creepy premise. Both Russell and Hawn radiate so much charm in this movie that they can make even the stalest of jokes tolerable and it’s always enjoyable to watch Roddy McDowall get snarky. File this one under “Kurt Russell Can Get Away With Almost Anything.”

A remake of Overboard, with the genders swapped, is set to be released in early May.

Shy People
Released: 1987
Directed by Andrei Konchalovsky
Starring Jill Clayburgh, Barbara Hershey, Martha Plimpton, Merritt Butrick, John Philbin, Don Swayze, Pruitt Taylor Vince, Mare Winningham

Diana Sullivan (Jill Clayburgh) is a writer for Cosmopolitan and she’s got a problem! It turns out that her teenager daughter, Grace (Martha Plimpton), is skipping school and snorting cocaine! OH MY GOD! (And, to think, I thought I was a rebel just because I used to skip Algebra so I could go down to Target and shoplift eyeliner!) Diana knows that she has to do something but what!?

Diana’s solution is to get Grace out of New York. It turns out that Diana has got some distant relatives living in Louisiana bayou. After Cosmo commissions her to write a story about them, Diana grabs Grace and the head down south!

(Because if there’s anything that the readers of Cosmo are going to be interested in, it’s white trash bayou dwellers…)

The only problem is that Ruth (Barbara Hershey) doesn’t want to be interviewed and she’s not particularly happy when Diana and Grace show up. Ruth and her four sons live in the bayous. Three of the sons do whatever Ruth tells them to do. The fourth son is often disobedient so he’s been locked up in a barn. Diana, of course, cannot understand why her relatives aren’t impressed whenever she mentions that she writes for Cosmo. Meanwhile, Grace introduces her cousins to cocaine, which causes them to go crazy. “She’s got some strange white powder!” one of them declares.

So, this is a weird film. On the one hand, you have an immensely talented actress like Jill Clayburgh giving one of the worst performances in cinematic history. (In Clayburgh’s defense, Diana is such a poorly written character that I doubt any actress could have made her in any way believable.) On the other hand, you have Barbara Hershey giving one of the best. As played by Hershey, Ruth is a character who viewers will both fear and admire. Ruth has both the inner strength to survive in the bayou and the type of unsentimental personality that lets you know that you don’t want to cross her. I think we’re supposed to feel that both Diana and Ruth have much to learn from each other but Diana is such an annoying character that you spend most of the movie wishing she would just go away and leave Ruth alone. In the thankless role of Grace, Martha Plimpton brings more depth to the role than was probably present in the script and Don Swayze has a few memorable moments as one of Ruth’s sons. Shy People is full of flaws and never really works as a drama but I’d still recommend watching it for Hershey and Plimpton.

Music Video of The Day: Like A Rolling Stone, covered by The Rolling Stones (1995, dir by Michel Gondry)

Posted on April 27, 2018 by Lisa Marie Bowman

How does it feel….

Needless to say, this song was not originally recorded by The Rolling Stones. Despite what the title has led some people to assume, the song actually has nothing to do with the Rolling Stones. Instead, the song was written by Bob Dylan. It’s long been debated just who exactly Dylan was addressing in the lyrics. Some people think that Dylan was writing about Edie Sedgwick. Grace Zabriskie, who is probably best known for playing Sarah Palmer on Twin Peaks, has long claimed that she was the one who inspired the song. It would appear that only Bob Dylan knows for sure and it’s reasonable to assume that he’ll never tell.

Regardless, I really like this song. A part of it is because I relate to the lyrics. I almost feel like they could have been written about me at a certain time in my life. The other reason I love the song is because the taunting tone of the lyrics makes them perfect whenever you’re looking for something to say to someone who you dislike. For example, someone once unfollowed me on twitter and I responded by tweeting the lyrics of this song at her until she finally deleted her account. That was fun.

Anyway, it seemed somewhat inevitable that this song would be covered by The Rolling Stones. This video, which was directed by the prolific Michel Gondry, follows a young woman as she discovers how it feels to be a complete unknown. The woman in the video is played by future Oscar-winner Patricia Arquette.

Enjoy!