Retro Television Review: Law and Order 6.13 “Charm City” and Homicide 4.11 “For God And Country”

Posted on October 19, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.

This week, Homicide crosses over with Law & Order.

Law & Order 6.13 “Charm City”

(Dir by Ed Sherin, originally aired on February 7th, 1996)

Homicide 4.11 “For God and Country”

(Dir by Ed Sherin, originally aired on February 9th, 1996)

This week, we have a two-part cross-over between Law & Order and Homicide.

On Law & Order, things start in New York City. A chemical attack on a subway train leaves 20 people dead. Because the train was specifically heading into Harlem and all of the victims were black, it is suspected that the attack was racially motivated. In Baltimore, Frank Pembleton and Tim Bayliss hear about the attack and are reminded of a similar attack on a black church, which occurred five years prior. Pembleton was the primary on the church attack. He and Bayliss head to New York City, where they meet and quickly get on the nerves of Detectives Lennie Briscoe (Jerry Orbach) and Rey Curtis (Benjamin Bratt).

Pembleton’s investigation uncovers that a man from Baltimore, Brian Egan (Kevin Geer), not only had access to the chemicals used in both attacks but also that’s he currently in New York. When Briscoe and Curtis arrest Egan and fail to get him to confess, Pembleton asks for permission to interrogate him. Pembleton, being Pembleton, rather easily gets Egan to confess to having committed the church bombing. However, before getting the confession, Pembleton pretends not to hear Egan say that he no longer wants to continue talking. In typical Law & Order (if not Homicide) fashion, the confession is tossed out.

Jack McCoy (Sam Waterston) and Claire Kincaid (Jill Hennessy) still get their conviction. (And Claire gets an admirer in the form of Tim Bayliss.) However, it’s obvious that Egan was not working alone. Egan says that he will never name names.

That changes when his wife is murdered and his teenage son goes missing. Homicide opens with Bayliss investigating the poisoning of Egan’s wife. He and Pembleton eventually track down Egan’s son and they get him to admit that he saw his uncle, former NSA agent Col. Alexander Rausch (J.K. Simmons), murder his mother. Because Brian Egan has said that he’ll only reveal the truth of the conspiracy if his son is brought to New York, Briscoe and Curtis show up in Baltimore.

While Curtis, Bayliss, and Pembleton track down Colonel Rausch, Briscoe hangs out with Munch. Their friendly banter goes south as soon as Briscoe mentions that he once knew a Gwen Munch in New York. Gwen is John Munch’s ex-wife and John is not happy when he finds out that Briscoe slept with Gwen. John Munch spends the rest of the episode drinking heavily. Stanley Bolander would not approve.

As for Col. Rausch, he is captured and he turns out to be a smug snake. (He’s played by J.K. Simmons, after all.) Pembleton wants to see Rausch prosecuted for the church bombing and he especially wants to see racist Rausch publicly humiliated. New York, however, wants to prosecute him for the subway attack. Claire comes down to Baltimore and gets a judge to agree that Rausch should first be sent to New York.

Rausch doesn’t care. He has a heart condition so he simply stops taking his heart pills and then drops dead while waiting for the train to take him to the Big Apple. The episodes ends with Pembleton sobbing as he realizes Rausch will never be humiliated at a trial. The New York cops shrug and say, “Sorry, Frank.”

I enjoyed this crossover quite a bit. It was interesting to see two police dramas, each with a very different style, come together to tell one big story. As Homicide always celebrated the lengths that Pembleton would go to get a confession in the Box, it was amusing to see what would actually happen to one of those confessions if it was brought to court. Jack McCoy is not at all amused by Pembleton’s tactics. Meanwhile, Briscoe, Curtis, and Claire was allowed to loosen up a bit when they went to Homicide and I enjoyed watching them shed their “just-the-facts” personas. If the Law & Order episode was ultimately superior to the the Homicide episode, that’s just because the Law & Order episode featured an actual mystery to be solved whereas the Homicide episode occasionally felt as if it was padded out a bit. On Homicide, it was obvious that Colonel Rausch was guilty and, from the minute he started to cough during the interrogation, it was easy to guess what his ultimate fate would be.

(I also have to say that it was interesting to compare this episode of Law & Order to watch Law & Order has become today. How this show went from featuring McCoy confidently doing his job to Nolan Price essentially begging his co-counsel, on a weekly basis, to actually do her job is something that is worth considering.)

Overall, this was a good crossover. For those who want to watch it, the Law & Order episode is available on Hulu and Disney+ while Homicide can be found on Peacock and Tubi.

Late Night Retro Television Review: Saved By The Bell 1.1 “Dancing To The Max”

Posted on October 18, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Saved By The Bell, which ran on NBC from 1989 to 1993. The entire show is currently streaming on Prime and Tubi!

Good Morning Miss Bliss failed where it aired on the Disney Channel but Brandon Tartikoff, president of NBC, felt that the show still had a potential future on NBC. Specifically, Tartikoff felt the kids — Mark-Paul Gosselaar, Dustin Diamond, and lark Voorhees — and Dennis Haskins were the ones worth keeping around. As such, Hayley Mills was let go. Max Battimo and Heather Hopper were dropped from the cast. The show was retconned from taking place in Indiana to taking place in California. The show itself was retitled Saved By The Bell….

Episode 1.1 “Dancing To The Max”

(Dir by Don Barnhart, originally aired on August 20th, 1989)

This is it. This is the first episode of Saved By The Bell, the network morning show that would go on to dominate syndication for 20 years. That’s the thing about Saved By The Bell. It’s not necessary to have been anywhere close to being a teenager when this show began. It’s not necessary to have watched the shows when they originally aired. If you grew up in the 90s or the aughts, you knew Saved By The Bell. It was one of those shows that always seemed like it was airing somewhere. Even as recently as two years ago, it was airing on MeTV and there were frequent marathons on E! Today, it’s on Prime and Tubi. That’s not bad for a show that, if we’re to be absolutely honest, really wasn’t that good.

The first episode — which actually premiered in prime time before the show subsequently moved to its Saturday morning time slot — sets up the show. Zach Morris (I know that some people claim that it’s spelled Zack but I’ve always gone with Zach), Screen Powers, Lisa Turtle, and Mr. Belding have all been resecured from the Indiana Hell of Good Morning, Miss Bliss. Now, they all live in California and they all attend Bayside High School. They hang out at the Max, a tacky restaurant owned by a tacky magician named Max (Ed Alonzo).

Joining the ensemble are Jessie Spano (Elizabeth Berkley), Kelly Kapwoski (Tiffani-Amber Thiessen), and AC Slater (Mario Lopez). Both Slater and Zach have a crush on Kelly. Screech likes Lisa. A dance contest is approaching, one that is hosted by Casey Kasem. (All the teenagers on the show go crazy over someone who, realistically, most of them had probably never heard of. Max imitates Casey Kasem saying his name twice.) Screech wants to ask Lisa to be his partner but Lisa’s already been asked by someone else. Kelly can’t choose between Zach and Slater so they agree to have a dance-0ff. Uh-oh, Zach can’t dance! Maybe his childhood friend Jessie will teach him….

Jessie doesn’t have a date because she’s tall. When she tells Kelly and Lisa about being insecure about her height, they joke that she could become a basketball player. This gets a big laugh and I assume this episode aired before the WNBA was a thing. Eventually, Zach tells Kelly to enter the contest with Slater because he’s going with his best friend, Jessie. Meanwhile, Lisa sprains her ankle, get dumped by her partner, and ends up entering the contest with Screech.

It’s interesting to watch the character dynamics in this first episode. Jessie is not the straw feminist she would later become. Slater is a jock but still sensitive enough to comfort Screech. Kelly is actually portrayed as being somewhat shallow. Watching this episode, one gets the feeling that Zach and Jessie were originally meant to be the show’s main couple until someone decided that Zach and Kelly had better chemistry and that Jessie’s feminism and Slater’s chauvinism would make for an interesting combination. Lisa doesn’t like Screech but she doesn’t quite hate him as much she would in later episodes. Even more importantly, Zach is nowhere near as cocky as he would be in later episodes. He’s actually insecure about something.

As for the dance contest, Lisa and Screen dance “The Sprain” and they win, largely due to Slater and Zach bullying everyone into voting for them. “C’mon,” Casey Kasem announces, “let’s all do …. THE SPRAIN!” Everyone starts hopping on one foot and, at home, I cringe like you wouldn’t believe.

God, this was a stupid episode. And yet …. it was very likable. The young cast had a lot of talent. In this episode, even Dustin Diamond’s Screech is tolerable. I cringed at the extremely cheesy dance contest but I also smiled. I guess that’s the power of nostalgia. Sometimes, even the really bad things make you feel good when you rewatch them.

Late Night Retro Television Review: Freddy’s Nightmares 1.12 “Deadline”

Posted on October 17, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week …. oh, who knows?

Episode 1.12 “Deadline”

(Dir by Michael Lange, originally aired on January 29th, 1989)

This week’s first story is about Peter (Aaron Harnick), whose father owns the local Springwood paper and who is given a job for the summer. He’s assigned to write the obits so that he can hang out around the newspaper office and learn from the veteran writers. Peter would rather be in Europe. That’s especially true when he starts to visualize the obits that he’s writing and somehow comes to realize that he’ll die unless he meets his deadline.

This story was the epitome of a good premise that was sloppily executed. Peter hates writing obits but if he doesn’t write the obits, he’ll die in the same way as the person that he’s writing about. He has visions. He has dreams. Unfortunately, both his boss and his girlfriend tell him to stop working on his current obit and to get some rest. But if Peter stop writing, he’ll die! Uhmm …. how long does it take to type up an obituary? I mean, doesn’t he just have to type up whatever dead person’s loved ones sent to the paper?

There’s a clever moment where Peter deletes an old article about Freddy Krueger from the newspaper’s computer system. The episode implies that maybe Peter’s visions are in some way Freddy’s revenge but, as was so often the case with this show, it doesn’t really do much to explore the idea.

The first story ends with Peter dead. The episode’s second story deals with Emily (Page Hannah), a friend of Peter’s girlfriend. Emily has been dating an older college student (Timothy Brantley) and she continually has dreams where her friends — including Peter’s girlfriend — get mad at her for not spending more time with her. In her dreams, her friends all die in a car accident. At the end of the story, it turns out that Emily was just daydreaming. Seriously, that’s the entire story.

What a terrible episode. I usually try to be positive about even the lesser episodes but I have to admit that I’m kind of ticked off that I wasted 50 minutes watching this week’s episode of Freddy’s Nightmares. It felt as the show’s writers didn’t even try this week. Instead, they just came up with some weird scenes and then dismissed them by shrugging and saying, “Hey, it was all a dream. Nothing means anything!”

This episode was just lazy.

Retro Television Review: St. Elsewhere 2.20 “Cramming”

Posted on October 17, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu and, for purchase, on Prime!

This week, Peter White goes on trial.

Episode 2.20 “Cramming”

(Dir by Tim Matheson, originally aired on May 2nd, 1984)

Dr. Peter White finally goes on trial, charged with raping Kathy Martin and assaulting Wendy Armstrong. For his attorney, he hires the same lawyer (Conrad Janis) who previously made the case against him at his disciplinary hearing. The lawyer asks Kathy Martin about her own reputation at St. Eligius. (“How many times have you had sex in the morgue?”) Peter himself manages to pass a lie detector test. (Sociopaths don’t have the same physical reactions to telling a lie as normal people.) In the end, Peter is acquitted.

Shirley Daniels blames Kathy for the acquittal, saying that she should have come forward earlier. As for Wendy, she deals with the trauma by binging and then purging. When one of her patients miscarries after being admitted to the hospital, it’s determined that Wendy carelessly missed a heart murmur. When Wendy argues that she’s been under pressure due to the trial, Dr. Craig points out that Wendy missed the heart murmur before the trial even started. Wendy breaks down into tears.

I have to admit that Wendy Armstrong has never been one of my favorite characters on this show. She’s the type of doctor who most people would dread having to deal with. She knows all of the technical stuff but she has absolutely no idea how to relate to patients and she gets defensive whenever anyone disagrees with her. Even if she hadn’t been attacked by Peter White, it seems like it was inevitable that she would eventually end up overlooking something with one of her patients. That said, my heart still broke for her in this episode. One gets the feeling that she’s one bad day away from breaking.

This episode ends with all of the residents taking their National Board exams. The residents know that five of them will be cut from the program. Having been acquitted, Dr. White approaches Westphall and Auschlander and announces that he doesn’t have any hard feelings towards them and he hopes that they’ll give him a fair shot. “I’m innocent,” he lies.

Dr. Ehrlich is also nervous about his exams, cramming everything he can into his last minute study sessions. His Aunt Cherise (Louise Lasser) comes to visit and help him deal with the end of his marraige to Roberta but Ehrlich is able to dump her off on Dr. Westphall. After having an awkward dinner with the eccentric Cherise, Westphall realizes that he’s not ready to start dating again.

This episode left me reeling, to be honest. The acquittal of Peter White was a gut punch. I know he’s guilty. Everyone in the hospital knows that he’s guilty. But he’s acquitted. Kathy Martin’s name is drugged through the mud. Wendy Armstrong has gone from being determined to self-destructive. But Peter White has not only gotten away with his crimes but he’s now apparently convinced that he can go back to being a doctor at St. Eligius. And who knows? He probably can. It’s a messed up world. It was messed up in 1984 and it’s messed up today.

Next week, we’ll find out which residents made the cut!

Late Night Retro Television Review: Highway to Heaven 4.18 “We Have Forever: Part Two”

Posted on October 16, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!

This week’s episode is massively confusing.

Episode 4.18 “We Have Forever: Part Two”

(Dir by Michael Landon, originally aired on February 17th, 1988)

Picking up from last week, an embittered Jonathan is no longer an angel. Instead, he’s a mortal man who can’t get a job because he doesn’t have any references. (The idea is that Jonathan can’t explain that he’s spent the last 40 years working for God. But, over the past four and a half seasons, he’s had numerous jobs where he helped people out. Couldn’t he have listed some of those people are references?) However, Jonathan is happy because he’s fallen in love with Jennifer (Leann Hunley), the woman that he saved from drowning last week.

Meanwhile, Mark is actually making an effort to help people by working at the camp for the blind where he and Jonathan worked earlier in the season. (Actually, why couldn’t Jonathan ask for a job at the camp? The more I think about it, Jonathan not being able to get a job makes less and less sense.)

Jennifer, however, has a secret of her own. At the end of the episode, she leaves Jonathan a note, in which she explains that she’s actually Joan, Jonathan’s late wife. Jonathan was upset because he felt God was keeping him from seeing Joan in Heaven. Instead, it turns out that Joan — like Jonathan — has been assigned to work on Earth as an angel. So, the two months that Jonathan spent with Jennifer was actually God giving Jonathan a chance to spend time with Joan but, for some reason, no one told Jonathan that was what was happening so Jonathan got mad and walked out on God. But then, Jonathan changes his mind after learning that Joan is Jennifer but instead of asking to work with Joan/Jennifer, Jonathan goes back to working with Mark.

Seriously, I’m having a hard time following some of the logic here.

That said, despite all the lapses in logic, this episode still made me cry. Admittedly, I’ve been feeling under the weather today so maybe that’s why I was so emotionally susceptible to this episode. Or maybe it’s just the fact that Highway to Heaven is such an overwhelmingly earnest and sincere show that even the episodes that shouldn’t work somehow do. All I know is that I was sobbing by the end of this episode.

The important thing is that, at the end of the episode, Jonathan and Mark have a new assignment and drive off. Wait, I thought Mark had a job. Way to abandon all those blind children, Mark!

Perhaps it’s best not to think too hard about this episode and just accept it for being the tear jerker that it was.

Retro Television Review: Decoy 1.8 “Escape Into Danger”

Posted on October 16, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!

This week, Casey pursues her neighbor and nearly dies.

Episode 1.8 “Escape Into Danger”

(Dir by Teddy Sills, originally aired on December 2nd, 1957)

Casey Jones (Beverly Garland) returns home from a night shift, hoping to get some rest so that she can get over a bad cold. (I’ve had enough bad colds that I’m fairly confident that Garland herself was suffering from a cold when she filmed this episode and it was written into the script.) She discovers that her neighbor, Mary (Madeline Sherwood), has hit her abusive and drunken husband across the back of his head. Mary is convinced that she’s killed her husband and is terrified that she’ll go to jail. When Casey informs her that her husband is just knocked out and that everything is going to be okay, Mary doesn’t believe her because Casey is a cop and a cop will say anything to make an arrest. While Casey is in her apartment calling for an ambulance, Mary flees the scene.

Mary’s husband does die but he dies of acute alcohol poisoning so Mary’s off the hook. (Apparently, this episode take place in a world where assault isn’t a crime.) Despite her cold, Casey takes to the streets and searches for Mary. Knowing that Mary is masseuse, Casey checks out all the massage parlors. In a move that kind of makes me wonder if Casey is really that good at her job, she decides that she might as well get a massage as well.

The woman who gives Casey the massage is Katy Olin (Virginia Kaye), who is Mary’s sister and a bitter ex-con who hates all cops. While Katy massages Casey, Mary hides in the changing room. When Casey says that she’s looking for Mary, Katy has Mary sneak out of the dressing room and choke Casey into unconsciousness. Mary steals Casey’s gun and then makes her escape.

A few thoughts:

First off, after years of being spoiled by shows like Law & Order, I have to say that I was initially surprised that Casey didn’t know that Mary had a sister or that the sister was an ex-con. But then I remembered that this episode was filmed in 1957, back before all of that information was available at just the touch of a key.

That said, what type of police officer is going to get a massage while on duty? Even if Casey had looked up from the massage table and seen Mary trying to escape the room, what was Casey going to do? Chase her through the streets of New York while wearing a towel? Also, Casey often seems to just drop her purse anywhere, despite the fact that her purse contains a loaded gun.

Third, Katy mentions to Mary that there’s no way for her to leave the room without walking right past Casey. So, how did Mary get into the room in the first place and how come Casey didn’t notice her when she first arrived?

Fourth, once Casey wakes up, she takes Katy down to the police station. Katy’s interrogated and refuses to answer any questions. She asks if she’s being charged with anything and, because she’s not, she’s allowed to go. Is she not an accessory for hiding Mary and then just standing by while Mary attempted to murder a police officer?

Katy decides that the best thing for Mary to do would be to hide out in her old apartment, the one that is next door to the police officer who Mary just tried to strangle. (Neither Katy nor Mary appear to be that smart.) Casey, of course, discovers that two of them hiding there. She and the neighborhood priest (John McLiam) talk Mary into putting down the gun. They assure her that she did not kill her husband. Mary finally believes that Casey is telling the truth….

….which is all good and well except Mary ASSUALTED A POLICE OFFICER! Indeed, one could argue that what Mary did to Casey counts as attempted murder. So, really, it seems like Mary should be going to jail regardless. Unfortunately, we never learn about what happened to Mary after she stop pointing the gun as Casey. If I was Casey, I would prefer a neighbor who hasn’t tried to kill me.

This episode didn’t really make sense but I’m glad that Casey got over her cold by the end of it.

Late Night Retro Television Review: 1st & Ten 2.1 “The Rookies”

Posted on October 15, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, the 2nd season begins!

Episode 2.1 “The Rookies”

(Dir by Bruce Seth Green, originally aired on August 25th, 1986)

It’s time for another season of Bulls football and …. hey, where did everyone go?

As soon as the opening credits for the first episode of the second season started, I noticed that there were quite a few people missing. Delta Burke, Reid Shelton, Prince Hughes, and Cliff Frazier were all listed. However, not listed were Geoffrey Scott, Sam Scarber, Clayton Landey, Ruta Lee, Marshall R. Teague, Michael V. Gazzo, and Robert Miranda. That’s the majority of the cast!

Instead of Geoffrey Scott’s veteran quarterback Bob Dorsey, we now have Jason Beghe as rookie quarterback Tom Yinessa. We now have Stan Kamber as assistant coach Fred Griner. We now have Marcus Allen as rookie running back Rick Lambert. And, as the veteran running back T.D. Parker, we have …. O.J. SIMPSON!

Oh yeah, this isn’t going to be awkward.

O.J, only appears for a few minutes in this episode. As T.D. Parker, he talks to his wife about how much he loves playing football and how he feels that he has one more season left in him as the Bulls’s starting running back. Uhmm …. I thought Carl Witherspoon was the Bulls’s running back. All last season, Carl was the Bulls’s running back. What the Hell is T.D. Parker talking about? Is he delusional? Maybe he’s a crazed fan who just thinks that he was the running back last year. All of that said, T.D. does come across as being a very nice guy and definitely someone who you can trust to slash his way through all of the ego and hype surrounding professional football.

(Probably not coincidentally, the other Bulls assistant coach is played by A.C. Cowlings, who was a friend of O.J.’s. Remember A.C?)

Anyway, this episode deals with rookie training camp. While the veterans get a week off, rookies like Tom Yinessa try out for the Bulls. Yinessa played football in the Army and the only reason he’s being given a tryout is because “Captain Pete” is a friend of Denardo’s. Denardo is shocked to discover that Yinessa is a good quarterback but he’s already got two veteran quarterbacks and Diana has signed a deal to bring in a third. Denardo is forced to cut Yinessa. Yinessa smashes the mirror in Denardo’s office and says that he’s done Denardo a favor because now Denardo won’t have to face what’s he done. Okay, weirdo….

Yinessa returns to his job at the auto yard and Bulls football continues! While hotshot rookie Rick Lambert continues to ask for more money before he’ll even show up at training camp, Diana is informed that the players are threating to strike if the League institutes mandatory drug testing. Diana says a strike will bankrupt the team. Why are the Bulls always on the verge of going bankrupt? Diana needs to hire better people to look after the books.

Here’s my prediction for the rest of the season! Yinessa will be back because he’s in the opening credits. And, whatever problems may come up, O.J. Simpson will always cut right to the heart of the matter.

As for this particular episode, it got the job done. It re-introduced us to the team and, even more importantly, it seemed to signal that all of the nonsense from the first season — the Mafia, Diana’s ex-husband and all the rest of it — was over with. The show is ready to move on so let’s give it more of a chance than Coach Denardo gave Tom Yinessa.

Retro Television Review: The Love Boat 6.22 “Abby’s Maiden Voyage/He Ain’t Heavy/I Like To Be In America”

Posted on October 15, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

Love, life’s sweetest reward….

Episode 6.22 “Abby’s Maiden Voyage/He Ain’t Heavy/I Like To Be In America”

(Dir by Jerome Courtland, originally aired on February 26th, 1983)

When Abby (Mary Beth McDonough) boards the boat, her best friend (Constance Forslund) informs Julie that this cruise will be Abby’s “first time.” She may be setting sail a virgin but she won’t be returning one. Julie is too coked up to care. Abby meets Neil (Brodie Greer), who is handsome and nice but, whenever they start to fool around, Abby starts laughing and the mood is killed. At the end of the voyage, Abby is still a virgin but she and Neil are now a couple.

Spoiled high school grad Jimmy (Michael J. Fox) boards the boat with his adoptive parents (Don Porter and Barbara Billingsley) and almost immediately makes an enemy out of a waiter named Greg (Gregg Henry). We’ve never actually seen Greg on the show before but Isaac acts as if Greg has been working on the boat forever. Jimmy later realizes that Greg is his older brother, the one who he hasn’t seen since their parents died and Jimmy was adopted. At first, Greg refuses to accept that Jimmy is his brother but, by the end of the cruise, they embrace. Awww! Actually, considering that Gregg Henry and Michael J. Fox look absolutely nothing alike, I can understand why Greg had his doubts. That said, if he’s been on the boat for as long as this episode implies, Greg has surely seen another long-lost siblings just happen to find each during a cruise. It happens at least once every season.

Speaking of once every season, it’s time for April Lopez (Charo) to take her annual voyage. Though April is returning to Mexico, she wants to become an American citizen. Good for her! America rocks! Unfortunately, she struggles with the oral exam. Judge Kramer (Esther Rolle) realizes that April will be able to remember the answers if she sings them so she gives April the examination while April is performing in the Acapulco Lounge. The audience loves it because who doesn’t love paying money for an expensive cruise just so you can spend the final night watching someone take a citizenship exam.

(For the record, in high school, I tutored one student who was about to take his exam because he was like really hot but he couldn’t remember how many years were in a Congressional term. I taught him to think of it as 2-4-6. Two for the House. 4 for the President. 6 for the Senate. He became a citizen and sent me flowers and then he moved to Idaho.)

This week’s cruise was a bit bland but I’m glad April became a citizen of the greatest country in the world.

Late Night Retro Television Review: Pacific Blue 3.2 “Ties That Bind”

Posted on October 14, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, the bike patrol continues to be largely ineffective.

Episode 3.2 “Ties That Bind”

(Dir by Sara Rose, originally aired on August 10th, 1997)

TC is excited because Jeff Pierce has moved to Santa Monica. I had no idea who Jeff Pierce was but the show explained that he was some sort of professional bike rider. Even if Jeff Pierce hadn’t been credited as “himself,” I would have guessed that he was a professional athlete just by how bad of an actor he was.

Pierce needs help retrieving his pink competition shirt. TC and Victor help him out. That was nice of them. Pierce challenges the thief to a race and the thief is so excited about getting to race Jeff Pierce that he doesn’t even mind when he gets arrested at the finish line. He even gets an autographed picture of Jeff Pierece!

Meanwhile, Gloria Allred also appears as herself. She appears as an advocate for a group of women who are protesting the release and the return of former serial killer Conway Henriksen (Marc Riffon). Conway has spent ten years in a mental hospital and he says that he’s now reformed. However, after he gets harassed by some of his former victims (apparently, he didn’t kill everyone) and his house house is set on fire, Conway snaps and kidnaps Cory’s best friend, Billie (Rainer Grant). Conway thinks that Billie is his abusive mother and he starts quoting from the Bible and the overacting gets a bit embarrassing. Finally, Conway shoots himself.

Now, this storyline had potential. Conway was sincere in his desire to start his life over again but the harassment campaign pushed him over the edge. Unfortunately, because this is Pacific Blue, the idea of the people trying to protect their neighborhood from a serial killer pushing the guy into becoming just that was left largely unexplored. Instead, everyone just breathes a sigh of relief after Conway shoots himself.

Finally, Chris’s real father (Kent McCord), shows up at headquarters and explains to Chris that, despite what her mother told her, he didn’t actually die in Vietnam. Instead, he’s been working as a commercial pilot and now he wants to get to know Chris. Chris, of course, acts like a total bitch about it, especially after she discovers that he’s married and that Chris has a teenage half-sister who is as much of a sullen brat as she is. Still, Chris eventually forgives her father for having a life and the episode ends with Chris and her real father going sky-diving. This episode missed an opportunity to have Gloria Allred and Jeff Pierce join them in jumping out of the plane. That would have been classic Blue.

It’s just another day in L.A.

Retro Television Review: Fantasy Island 7.14 “Lady of the house/Mrs. Brandell’s Favorites”

Posted on October 14, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. The show is once again on Tubi!

Justice for Tattoo!

Episode 7.14 “Lady of the House/Mrs. Brandell’s Favorites”

(Dir by Bob Sweeney, originally aired on February 25th, 1984)

This was one of the Fantasy Island episode that was not on my DVR. However, now that the show is once again streaming in its entirety on Tubi, I was still able to watch it. Lucky me.

This is probably the worst episode of Fantasy Island that I’ve ever seen.

This episode gets off to a bad start with Mr. Roarke informing Lawrence that there will only be one guest with a fantasy this week. That guest is Esther Brandell (Polly Bergen). Whenever there’s only one guest and that guest is played by a middle-aged actress who was big in the 50s and the 60s, you know you’re about to spend an hour watching an hour of awkward melodrama that you’re supposed to excuse by saying, “She was great in Kisses For My President!”

Mrs. Brandell says that she’s a former sorority house mother who wants her three favorite sorority girls to be her bridesmaids at her wedding. Actually, Mrs. Brandell was a former madam and the three “sorority girls” all worked for her. Bebe (Lauren Tewes), Coleen (Randi Oakes), and Lynn (Shelley Smith) have all moved on and want to keep their past a secret. Over the course of the episode, each will admit the truth to their current partner and each will realize that Mrs. Brandell really did protect and care about them.

This episode basically features the same scene over and over again. Each of the girls works up the courage (or the anger) to admit that they were once a prostitute. Their significant other reacts. One guy tries to blackmail Mrs. Brandell. Another reveals that he knew all along because “I’m an investigative reporter.” Bebe’s idiot boyfriend (Dick Gautier) refuses to believe Bebe and insists that she sleep with another man for money so that he’ll be convinced. What? Bebe realizes that’s not her lifestyle anymore and she really does love her idiot boyfriend, the same one who pimped her out to some random guy on the Island.

And, through the whole thing, Polly Bergen delivers her lines in a voice that sounds like she just finished smoking a pack of cigarettes. The truth of the matter is that Bergen is absolutely lousy in the role but the script is probably as much to blame as Bergen herself. Every scene feels like it’s been cribbed from an old Barbra Stanwyck melodrama. At the end of the episode, the vice cop (Robert Brown) who used to bust her shows up at the wedding. “Everybody freeze!” he says. Oh, thank God, everyone’s getting busted for overacting. Oh wait — Mrs. Brandell (a widow) is marrying him!

The episode ends with the wedding, which would be touching if any of these characters were actually interesting. Lawrence gives away the bride because I guess they had do something to justify paying Christopher Hewett’s salary.

This was not a good trip to the Island. Is this season over yet?