Retro Television Review: St. Elsewhere 4.6 “Lost and Found In Space”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

This week, it’s not just the patients who need to be stitched up.

Episode 4.6 “Lost and Found In Space”

(Dir by Robert Becker, originally aired on November 13th, 1985)

Bobby Caldwell lives!

Things were looking pretty bad for Bobby last week.  As you may remember, he picked up a waitress, took her to his Cape Cod home, and then ended up getting slashed across the face when she pulled a razor blade out from under her tongue.  This week, Bobby is wandering around the hospital with a huge bandage on his face and telling everyone that he had an “accident.”  It’s only to Dr. Turner that he confesses that he was attacked by the waitress.  Bobby claims that he responded by punching her and that he then called the police.

Bobby spends this episode in a truly foul mood.  Not only does he have a bandage on his face but he’s also been told that the Hospital Review Board doesn’t feel that he’s performing enough surgeries for the residents to really get the training that they need.  (“We’re a teaching hospital,” Dr. Craig explains.)  Bobby pressures an old man into getting a face lift that he really doesn’t need.  Even Victor thinks that the surgery is unethical.  I mean, when you’ve lost Victor Ehrlich….

Meanwhile, Dr. Westphall is finally released from the hospital after fainting due to the Malaria that he brought back from working abroad.  Westphall is depressed about the whole thing.  Westphall is always depressed.  Even when his daughter comes home to help out, Westphall is depressed to see her.  Cheer up, Westphall!

After weeks of trying to lose weight, Elliot discovers that he’s actually gained three pounds.  What’s worse is that his girlfriend, Marcy (Jeannie Elias), lost weight at the same time that Elliot was gaining weight and, when she sees that he’s just as heavy as ever, she dumps him.

Amongst the patients, Pru Dowler (Amanda Wyss) and Buddy Askew (Mark Baker) are two developmentally challenged teenagers who end up “procreating” (as Luther puts it) in Pru’s hospital room.  Dr. Craig takes it upon himself to discuss what happened when Pru and it’s just as awkward as you might expect.

Col. Chuck Cochrane (David Ackroyd) is an astronaut who collapses while giving a speech.  In the hospital, he has nightmares about being trapped in space.  The whole storyline brought to mind The Ninth Configuration, a film that perhaps not coincidentally starred the future Donald Westphall himself, Ed Flanders.

The highlight of this episode was undoubtedly William Daniels’s performance as Dr. Craig.  With Dr. Westphall recovering his illness, the day-to-day tasks of running the hospital fell on Dr. Craig and he was not at all happy about it.  On this show, William Daniels is always at his best when Dr. Craig is in a bad mood.  Before going on rounds, Dr. Craig predicted that Dr. Morrison would show up late and have some overly complicated excuse.  Morrison did just that and it was hard not to smile at Craig’s exasperation.  At the same time, it is made clear that the main reason that Craig is upset is because his granddaughter has been taken away from him.  It was hard not to feel bad for him, even when he was biting everyone’s heads off.

This was not a happy episode.  No one in the hospital seems to be doing well.  Bobby is bitter.  Dr. Craig is angry.  Elliott is feeling defeated.  And Westphall …. well, he’s just Westphall.  Fortunately, the strong cast and the smart writing made up for the fact that St. Eligius isn’t a happy place right now.

Seriously, I could watch William Daniels yell at people all day.

Retro Television Review: Saved By The Bell: The New Class 2.9 “Belding’s Prank”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Saved By The Bell: The New Class, which ran on NBC from 1993 to 2o00.  The show is currently on Prime.

This week, we have an episode that you should watch at your own risk.

Episode 2.9 “Belding’s Prank”

(Dir by Don Barnhart, originally aired on October 8th, 1994)

This is one of those episodes where the plot just gives you a headache.

It’s Prank Week at Bayside and Mr. Belding is all in.  He thinks that Prank Week is a great way to build school spirit.  When Screech informs Belding that the new superintendent is coming to inspect the school, Belding assumes that it’s a prank.  Meanwhile, Brian, Tommy, and Bobby are trying to prank Rachel, Lindsay, and Megan and vice versa.  Brian, Tommy, and Bobby sabotage a sink in the girls locker room.  Rachel, Lindsay, and Megan put a live chicken in the boys locker room.

Finally, Screech is able to convince Belding that the superintendent is coming.  Belding suspends prank week.  However, when a plumber (Ken Thorley) shows up to look at the sink, the girls tell Screech that he’s the superintendent.  (The plumber was at the Plumber Awards Banquet and is wearing a suit.)  Belding and Screech give the plumber a tour of the school.  Belding take him to the Max for lunch.

The real superintendent (Raye Birk) shows up but Screech thinks he’s the plumber.  (Oh my God, this hurts my head just to write.)  Screech tells the superintendent to fix the sink.  The superintendent gets sprayed with black sludge.  Screech takes the superintendent to the boys locker room to wash up.  The superintendent runs into the chickens and ends up covered in feathers.

The superintendent demands to speak to Belding in his office.  Our core group of students — who apparently don’t have any classes to go to — wait outside.  Belding steps out of the office and announces, “I’ve been fired.”

Well, yeah, I should say so.  There’s absolutely no reason for Belding not to be fired.  He obviously can’t control his school.  Hell, he can’t even get his students to go to class.

The next day, the superintendent returns and, at a school assembly, says he’s going to introduce the new principal.

“We want Mr. Belding back!” Brian cries out.

“Then you should have appreciated him when he was here,” the superintendent replies.

The superintendent then introduces the new principal — “Mr. Richard Belding!”

Belding steps out on stage, disappointing Screech who thought he was going to be the new principal.  “Got ya!” Belding says to the students.  Hey, it was all a prank!  Belding mentions that it’s a good thing that the superintendent had a sense of humor.

WHAT!?

I’ve seen this episode a few times.  Dennis Haskins actually gives one of his better performances as Belding in this episode.  You really do believe him when he says, “I’ve been fired,” which makes it all the more strange when it turns out it was all just an elaborate prank.

Overall, though, this is one of those episodes that gives me a headache in that every problem could have been resolved by everyone not acting like an idiot.  This is migraine television.  And that’s no prank!

So, I Watched Perry Mason: The Case of the Lethal Lesson (1989, Dir. by Christian I. Nyby II)


Perry Mason (Raymond Burr) has spent a semester teaching moot court at a law school.  When one of his students, Frank Wellman Jr. (John Allen Nelson), is murdered, the accused is another student named Ken Malansky (William R. Moses).  Despite being a close friend of the victim’s father (Brian Keith), Perry thinks that Ken is innocent and agrees to defend him.  Ken’s ex-girlfriend, Amy Hastings (Alexandra Paul), pays Ken’s bail and helps him and Perry investigate the crime, even though Ken spends the whole movie talking about how “crazy” she is.

No William Katt.  No David Ogden Stiers.  Barbara Hale’s barely in it.  The Case of the Lethal Lesson was the start of a new era in the Mason movies and I didn’t like it.  Ken and Amy are Perry’s new assistants but I didn’t like either one of them.  Amy was stalkerish but Ken still cried too much about her being the one who paid his bail.  Did Ken just want to stay in jail?  Ken just wasn’t very likable and it bothered me that the movie never explained why Paul wasn’t available to help.  Both Paul and William Katt deserved better.  Meanwhile, the new prosecutor (Marlene Warfield) didn’t have the same friendly rivalry that her predecessor did.  The mystery element was okay until some cartoonish gangsters showed up.  I didn’t buy any of it.

Give it up for my sister, though.  A few minutes into the movie, Lisa said, “I bet that’s the murderer,” and she was right!  If Perry Mason had her helping him instead of Ken and Amy, he could have solved this case a lot quicker.

The Naked Gun 33 1/3: The Final Insult (1994, directed by Peter Segal)


Mad bomber Rollo Dillon (Fred Ward) has been hired by terrorists to bomb a major American institution.  Captain Ed Hocken (George Kennedy) and Detective Nordberg (O.J. Simpson) know that there’s only one man who can handle this job and his name is Frank Drebin (Leslie Nielsen).  Frank, however, has retired from Police Squad and promised his wife, Jane (Priscilla Presley), that he is through with police work.

At heart, Frank remains a cop.  He even dreams of shoot-outs.  When he tries to do police work without Jane noticing, it backfires on him.  Even though Frank lies and claims that he’s just having an affair, Jane leaves him.  Frank, with nothing better to do, goes into prison undercover to gain Rollo’s confidence.  After Rollo and Frank escape, Frank discovers that Rollo and his girlfriend (Anna Nicole Smith) is planning on bombing the Academy Awards!

The Naked Gun 33 1/3 is the weakest of the original Police Squad films, which is to say that it’s still pretty funny, even if some of the jokes no longer feel as fresh as they did in the previous films.  It opens with a brilliant send-up of the shoot-out from The Untouchables and it ends with a perfect parody of the Academy Awards.  (Pia Zadora singing This Could Be The Start Of Something Big is funny because it’s exactly the sort of thing that used to happen at the Oscars.)  It’s in the middle section that the film drags, though there are still things that made me laugh, like a flashback to Frank, Ed, and Nordberg in the 70s.  David Zucker did not return to direct this installment and his absence is definitely felt.

Leslie Nielsen is as funny as ever and he’s well-matched with George Kennedy and Priscila Presley.  (OJ Simpson’s presence is as awkward as ever.)  Fred Ward plays his villainous role straight, a smart move.  But then you’ve got Anna Nicole Smith, who was such a terrible actress that her presence in the film doesn’t even work as a joke.  Whenever Smith shows up, the film grinds to a halt.  It’s the worst type of stunt casting.

This was Leslie Nielsen final performance as Frank Drebin.  Even in a lesser film, he was still a comedic treasure.

The Naked Gun: From the Files of Police Squad! (1988, directed by David Zucker)


Let’s take a moment to appreciate Frank Drebin (Leslie Nielsen), a true American hero.

Even though Frank is just a Los Angeles cop, he still goes to the Middle East and disrupts a conference of America’s greatest enemies.  He beats up Fidel Castro.  He knocks out Gadafi and Yasser Arafat.  He cleans Gorbachev’s head.  (“I knew it!” he says as the birthmark disappears.)  He takes out Idi Amin and he sends the Ayatollah Khomeini through a window.  Thirty-seven years ago, this scene opened The Naked Gun and, after all that time, it is still funny because Leslie Nielsen plays it all with a straight face, delivering his silly lines without flinching.  It’s also interesting that none of the leaders taken down by Frank Drebin are around anymore.  Khomeini died just a few months after this film came out.  Gorbachev was the last to go, in 2022, by which time he was no longer an enemy.  Consider it the Frank Drebin Effect.  He’s making the world safe for democracy.

When Drebin returns to Los Angeles, he’s informed by Captain Ed Hocken (George Kennedy) that Police Squad has been put in charge of security for a visit from Queen Elizabeth (Jeanette Charles) and that Officer Nordberg (O.J. Simpson) is in the hospital and suspected of being a dirty cop.  The Mayor (Nancy Marchand) doesn’t want Los Angeles to be embarrassed by a police scandal before the Queen arrives so Drebin has 24 hours to exonerate Nordberg.  Drebin’s attempt to clear Nordberg’s name leads him to a shipping magnate (Ricardo Montalban) who has come up with a diabolical scheme to assassinate the Queen at a baseball game.  It also leads to love between Drebin and Jane Spencer (Priscilla Presley).

Though Liam Neeson did a fine job in the recent reboot, there really is only one Frank Drebin and his name is Leslie Nielsen.  The original Naked Gun is nearly 40 years old and, even if some of the jokes are dated, it’s still laugh out loud funny.  Most of the credit has to go to Leslie Nielsen and ability to deliver even the most bizarre bits of dialogue with natural authority, gravitas and a straight face.  Whether he’s mumbling his way through the National Anthem, paying an informer for information, or hamming it up as an umpire, Nielsen is never less than hilarious.  By the end of the movie, it’s impossible to look at Nielsen without laughing.  Kennedy, Presely, and Montalban also generate their share of laughs.  John Houseman has a great cameo as an unflappable driving instructor.  (“Now, extend your middle finger.”)  As for OJ Simpson, he doesn’t seem to be in on the joke like the rest of the cast but he does frequently get injured and re-injured throughout the movie and there’s definitely some pleasure to be found in that.

(When Simpson died, director David Zucker said, “His acting was a lot like his murdering: He got away with it, but no one believed him.”  That sounds about right.)

Liam Neeson made for a fine Frank Drebin, Jr.  I hope he has many more adventures.  But the greatest Frank Drebin will always be Leslie Nielsen and the original Naked Gun will always be one of my favorite comedies.  Sometimes, it’s good just to laugh.

Thank you, David Zuker.

Thank you, Jerry Zucker.

Thank you, Jim Abrahams.

And most of all, thank you, Leslie Nielsen.

Horror on the Lens: Deadly Messages (dir by Jack Bender)


Today’s horror on the lens is a made-for-TV movie from 1985!

In Deadly Messages, Kathleen Beller plays a woman named Laura who witnesses a murder and then becomes convinced that the murderer is after her.  She also finds a Ouija board that continually sends her the same message: “I am going to kill you.”  The police are skeptical of Laura.  Even worse, her boyfriend (Michael Brandon) is skeptical!  And, needless to say, Laura may have some secrets of her own…

Deadly Messages is a lot of fun.  Thank you to frequent TSL commenter Trevor Wells for suggesting this movie!

Enjoy!