Live Tweet Alert: Join #FridayNightFlix for Road House!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  1989’s Road House!

The name is Dalton!  Everyone thought that Dalton would be bigger but he’s the second best bouncer in the world and if anything happens to Wade Garrett, he’ll be the absolute best.  He’s a legend but can he clean up the wildest bar in Missouri?  Will Ben Gazzara convince him to switch sides?  Will Doc convince him to give peace a chance?  And will Tinker ever get over his fear of polar bears?  Just remember, pain don’t hurt.  Be nice until it’s time not to be nice.  And always check the boots for blades.

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Road House is available on Prime!

See you there!

Scenes That I Love: The Traitor Scene From Red Dawn


The original Red Dawn doesn’t get as much credit as it deserves.

It’s often described as just being an anti-communist film but actually, it’s a lot more complex than that.  Yes, it’s about a group of teenagers who wage guerilla warfare against communist invaders.  But it’s also about how those teenagers lose their innocence as a result and how they all come to realize that war is not as simple as they thought it was.  The movie celebrates the Wolverines while also mourning that they were put in the position to have to risk and sacrifice their lives in the first place.

That’s what today’s scene that I love is all about.  After they are tracked down and attacked by a group of Russian soldiers, the Wolverines discover that one of the original members of the group visited his father in town and was forced to swallow a tracking device.  In this scene, the group is forced to deal with the reality of war.  The fact that the traitor was a friend to all of them and popular enough to be president of his class just adds to the difficulty of emotionally processing with his betrayal.  Patrick Swayze can’t bring himself to pull the trigger.  C. Thomas Howell, on the other hand, is so quick to shoot his former friend that you realize just how consumed by hate he has become.

Today’s scene was directed by the brilliant John Milius.

Retro Television Review: Pigs vs. Freaks (dir by Dick Lowry)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1984’s Pigs vs. Freaks!  It  can be viewed on YouTube.

In the late 1960s, a small town is divided between the conservative older generation and their rebellious hippie children.  Former high school football star Doug Zimmer (Patrick Swayze) has just returned from fighting in Vietnam and, unlike many of his former classmates, he is firmly on the side of the establishment.  He wears his hair short.  He has a job as a cop.  He tries to keep his younger sister, Janice (Penny Peyser), from hanging out with hippies like his former best friend, Neal (Grant Goodeve).

Neal is also the son of the local police chief, Frank Brockmeyer (Eugene Roche).  Though Frank and Neal have different political beliefs and Frank is always telling Neal to get a haircut, they still have a respectful relationship.  When Neal complains that cops like Doug and his partner, Sgt. Cheever (Brian Dennehy), are always harassing the hippies who want to play football in park, Frank suggests a football game between the hippies and the police.  When Neal agrees, the game becomes known as “Pigs vs. Freaks.”

While Frank coaches the Pigs and signs a few former athlete as police reservists, Neal recruits his former little league coach, a bearded guru who now goes by the name of Rambaba Organimus (Tony Randall) to serve as the Freak’s coach.  He also places a call to a former football star named Mickey South (Adam Baldwin) and talks him into coming down from Canada to play in the game.  Of course, Mickey is wanted by the FBI for dodging the draft so it might not seem like a great idea for him to risk federal prison for an exhibition football game but no matter!  Who cares that there are now two federal agents watching the Freaks practice?  There’s a game to be won!

Pigs vs. Freaks is an amiable mix of comedy and drama.  Some of the comedy, like Tony Randall’s bearded guru and Stephen Furst’s perpetually frantic hippie linebacker, is a bit too broad but there’s enough moments of dramatic insight that it’s easy to overlook those flaws.  I appreciated the fact that both the Freaks and the Pigs are treated fairly, with both sides getting a chance to make a case for themselves.  When they first appear and start harassing the hippies for playing football in the park, it’s easy to dismiss both Doug and Cheever as fascists but a later scene, which is very well-played by both Brian Dennehy and Patrick Swayze, establishes them as just being two men who are confused by the direction of the world.  Swayze, in particular, gives a strong performance that reveals the vulnerability underneath Doug’s tough exterior.  As for the hippies, Mickey South is no self-righteous crusader but instead someone who feels the Vietnam War is wrong but who is also someone who both misses and loves his home country.  Adam Baldwin does a wonderful playing him and is well-matched with Grant Goodeve, who plays the most reasonable hippie that one could hope to meet.

It’s a likable film and well-intentioned, a portrait of two opposing groups brought together by the love of one game.  Some will cheer for the Pigs.  Some will cheer for the Freaks.  I cheered for both.

Scenes I Love: “Avenge Me!” from Red Dawn


Today, the Shattered Lens wishes a happy birthday to a true Hollywood iconoclast, John Milius!  In honor of Milius and his career and his legacy, today’s scene that I love comes from Milius’s 1984 film, Red Dawn.

After their small town is taken over by a combination of Cuban and Russian soldiers, a group of teenagers flee to the hills.  After a few months, they sneak back into town.  In this scene, two brothers (Patrick Swayze and Charlie Sheen) discover that their father (Harry Dean Stanton) is one of the many townspeople who have been sentenced to a reeducation camp.  Their dad says a few final words to them, knowing that he’ll probably never see them again.  He leaves them with one final instruction: “AVENGE ME!”  Not even the propaganda film playing in the background can cover the sound of their father demanding vengeance.

And, of course, they do get their revenge, sacrificing their lives so that America might once again be free.  It’s a classic John Milius moment and an appropriate scene with which to celebrate his birthday.

Retro Television Reviews: Return of the Rebels (dir by Noel Nosseck)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1981’s Return of the Rebels!  It  can be viewed on YouTube!

Mary Beth Allen (Barbara Eden) used to be the wife of the leader of Rebels, Arizona’s toughest motorcycle gang.  She’s now a widow and she operates a Colorado River campground.  Her teenager daughter, Amy (Deanna Robbins), has got a crush on a local boy named K.C. Barnes (Patrick Swayze) and that’s a problem because K.C. is kind of a jerk.

Every weekend, K.C. and his gang descend on the campground and proceed to have a good time, redneck-style.  They set up a few kegs of beer.  They water ski.  They play loud music.  They get into fights.  They drive their vans all over the property.  They are so disruptive that Mary Beth is losing customers.  For reasons that are not quite clear, the police refuse to help her.  For some reason, K.C. seems to be determined to drive Mary Beth out of business.  And when I say “for some reason,” what I mean is that there’s absolutely no reason for K.C. to be as obnoxious as he is.  It’s not like he owns a rival campground or anything.  He’s not going to gain a thing by running Mary Beth out of business.  K.C.’s only motivation seems to be that he’s a jerk.  Unfortunately, he’s played by a young Patrick Swayze, who was a bit too likable to be believable as someone who would be a jerk just for the Hell of it. Swayze smirks and sneers and laughs whenever Mary Beth yells at him but, up until the last few moments of the film, he still comes across more as being an overgrown teenager who is too dumb to realize how annoying he’s being than a true villain.  When K.C. does suddenly reveal himself to be a true villain, it’s a bit jarring.  It’s like seeing the neighborhood bully suddenly pick up a gun and rob a bank.  Swayze’s character was definitely bad but he didn’t seem that bad,

Regardless of K.C.’s level of villainy, his antics are threatening to put Mary Beth out of business.  She goes into the city and pays a visit on Sonny (Don Murray).  Sonny used to be a member of the Rebels.  Now, he’s a fairly successful auto mechanic.  He’s also always been in love with Mary Beth.  When he finds out that Mary Beth needs help, he decides that it’s time to get the old Rebels back together so that they can put some young punks in their place. 

The problem, of course, is that some of the old Rebels are really, really old.  Al Williams (Robert Mandan) was once the most fearsome dude on a motorcycle but now he sells used cars and collapses after he’s challenged to run down to the end of the street.  Mickey Fine (Jamie Farr) is now more concerned with taking care of his family than riding motorcycles.  Jay Arnold Wayne (Christopher Connelly) is a wealthy businessman who …. well, he doesn’t get much of a personality beyond that.  “Wild” Bill Karp (Michael Baseleon) is still wild but he’s also middle-aged and out-of-shape.  

Can Sonny get the gang back together before K.C. takes over the campground?  And even if he can, will he able to gather enough former Rebels to take on K.C.’s surprisingly large gang?  Seriously, when K.C. and his gang show up at the campground, K.C. appears to be leading a convoy.  It’s almost as if the entire population of Arizona is following K.C. around for the weekend.

As you may have already guessed, Return of the Rebels struggles to find a consistent tone.  On the one hand, the battle between the old bikers and the young rednecks is a dangerous one and the film tries to generate some suspense over whether everyone will survive.  On the other hand, the film’s cast is full of sitcom veterans who often deliver their lines as if they’re waiting for a laugh track to punctuate their point.  On the one hand, Patrick Swayze’s gang is supposed to be dangerous.  On the other hand, they’re Patrick Swayze’s gang.  For a bunch of delinquents, it seems like all they really want to do is spend the weekend water skiing and drinking beer.  Obviously, beer and motorboats don’t always go well together but Swayze and his friends still never come across as being quite as dangerous as they’re supposed to be.

Return of the Rebels is a film about getting old.  The members of the Rebels have all found success but all of them are nostalgic for their days of being “outlaw” bikers and they get one final chance to show everyone what they can do.  It’s not a bad theme but again, the film can never quite make up its mind how seriously it wants us to take either the Rebels or Swayze’s gang.  It’s a bit of a mess.  That said, the scenery was gorgeous and I’m enough of a country girl that I definitely got a little thrill out of watching scenes of various pickup trucks and vans driving through the river.  I have a weakness for rebels and reformed bikers.  It’s an amiable film, even if it doesn’t make much sense in the end.

Live Tweet Alert: Join #FridayNightFlix for Road House!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  1989’s Road House!

The name is Dalton!  Everyone thought that Dalton would be bigger but he’s the second best bouncer in the world and if anything happens to Wade Garrett, he’ll be the absolute best.  He’s a legend but can he clean up the wildest bar in Missouri?  Will Ben Gazzara convince him to switch sides?  Will Doc convince him to give peace a chance?  And will Tinker ever get over his fear of polar bears?  Just remember, pain don’t hurt.  Be nice until it’s time not to be nice.  And always check the boots for blades.

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Road House is available on Prime and Netflix!

See you there!

Music Video of the Day: She’s Like The Wind, covered by Michael Spaulding (2013, dir by Michael Carroll)


Continuing yesterday’s Dirty Dancing theme, today’s music video of the day is for Michael Spaulding’s cover of She’s Like The Wind.  She’s Like The Wind was written and originally performed by Patrick Swayze and, while there’s official video for the original on YouTube, I think Spaulding’s cover serves as an acceptable substitute.

Enjoy!

Musical Sequence of the Day: “Notorious” from Donnie Darko (dir by Richard Kelly)


For today’s musical sequence of the day (which is a temporary feature that I’m doing until Val’s internet is working again and she can return to doing her music videos of the day), we have the “Notorious” scene from 2001’s Donnie Darko.

In this scene, Sparkle Motion performs onstage while, miles away, Donnie Darko (Jake Gyllenhaal) burns down the house of creepy motivational speaker, Jim Cunningham (Patrick Swayze).  Playing throughout this scene: Duran Duran’s “Notorious.”

Why does Drew Barrymore hate Sparkle Motion?

This is the second scene from Donnie Darko to have been featured in this series.  Check out the “Head Over Heels” scene here.

(And yes, one reason why I love this scene is because I very much related to it.  Sparkle Motion is perhaps the most realistic part of Donnie Darko…)

Musical Sequence of the Day: “Head over Heels” from Donnie Darko (dir by Richard Kelly)


Hi, everyone!

Well, Val is having some internet issues so it’s going to be a few days until she’s able to do another music video of the day.  So, until she returns, I’m going to fill in with some of my favorite cinematic musical sequences!  These are scenes that made brilliant use of music.

And what better way to start things off than with the Head Over Heels scene from 2001’s Donnie Darko.  Directed by Richard Kelly, this scene not only makes brilliant use of the Tears For Fears song, Head Over Heels, but it also manages to introduce every character and set up almost every important relationship in the film.

It’s brilliant but I always find myself wondering what Drew Barrymore had against Sparkle Motion.

To quote Val, “Enjoy!”

A Movie A Day #25: Next of Kin (1989, directed by John Irvin)


next-of-kinTruman Gates (Patrick Swayze) may have been raised in Appalachia but, now that he lives in Chicago, he’s left the old ways behind.  He has a job working as a cop and his wife (Helen Hunt) is pregnant with their first child.  When Truman’s younger brother, Gerald (Bill Paxton), shows up in town and asks for Truman’s help, Truman gets him a job as a truck driver.  But, on his first night on the job, Gerald’s truck is hijacked by a Sicilian mobster named Joey Rosellini (Adam Baldwin) and Gerald is killed.  Truman’s older brother, Briar (Liam Neeson), soon comes to Chicago and declares a blood feud on the mob.

Of the many action films that Patrick Swayze made between Dirty Dancing and Ghost, Roadhouse may be the best known but Next of Kin is the best.  Next of Kin spends as much examining the family dynamics of Rosellini’s family as it does with Truman’s, suggesting that there is not much of a difference between the two groups.  There’s even a scene where Joey’s uncle (played by Andreas Katsulas) tells Joey that the Sicily was the Appalachia of Italty.  Next of Kin also has a better supporting cast than most of the films that Swayze made during this period.  Along with Paxton and Neeson, the hillbillies are represented by actors like Ted Levine and Michael J. Pollard while Ben Stiller has an early role as Joey’s cousin.  Patrick Swayze gives one of his better performances as Truman but the entire movie is stolen by Liam Neeson, who is a surprisingly believable hillbilly.