What a Lovely Day! The National Board of Review Honors Mad Max: Fury Road!


MadMaxFuryRoad

OH MY GOD!

So, like a lot of people, I was expecting the National Board of Review to name Spotlight as best picture of the year.  I haven’t seen Spotlight yet but I have to admit that I’m already kind of bored of hearing about how it’s the Oscar front-runner.  I mean, for all I know, Spotlight could be the best film ever made but I like it when my awards season is interesting.  It’s boring when one film — like The Social Network a few years ago — keeps winning every single award.

So, with all that in mind, I was really happy to hear that the National Board of Review picked Mad Max: Fury Road for best picture.  I was happy because not only is Fury Road a really great movie that deserves the love but also because it was just so unexpected!  Way to go, NBR!

(The only thing that would have made things better would have been if the Guitar Guy had won Best Supporting Actor.)

Now, I’d caution anyone about getting too excited.  Just because a film wins one of the precursor awards, that does not mean that it’s going to be nominated come Oscar time.  Last year, for instance, the NBR picked A Most Violent Year for best picture.  However, at the same time, it can be argued that the momentum that led to Her being nominated in 2014 began with its victory at the NBR.

So, who knows?

Anyway, here are the NBR winners!

Best Film:  Mad Max: Fury Road

Best Director:  Ridley Scott – The Martian

Best Actor:  Matt Damon – The Martian

Best Actress: Brie Larson – Room

Best Supporting Actor:  Sylvester Stallone – Creed

Best Supporting Actress:  Jennifer Jason Leigh – The Hateful Eight

Best Original Screenplay:  Quentin Tarantino – The Hateful Eight

Best Adapted Screenplay:  Drew Goddard – The Martian

Best Animated Feature:  Inside Out
Breakthrough Performance:  Abraham Attah – Beasts of No Nation & Jacob Tremblay – Room

Best Directorial Debut:  Jonas Carpignano – Mediterranea

Best Foreign Language Film:  Son of Saul

Best Documentary:  Amy

William K. Everson Film History Award:  Cecilia De Mille Presley

Best Ensemble:  The Big Short

Spotlight Award: Sicario for Outstanding Collaborative Vision

NBR Freedom of Expression Award:  Beasts of No Nation & Mustang

Top Films

Top 5 Foreign Language Films

  • Goodnight Mommy
  • Mediterranea
  • Phoenix
  • The Second Mother
  • The Tribe

Top 5 Documentaries

  • Best of Enemies
  • The Black Panthers: Vanguard of the Revolution
  • The Diplomat
  • Listen to Me Marlon
  • The Look of Silence

Top 10 Independent Films

A Most Violent Year Is A Most Unexpected National Board Of Review Winner!


A Most Violent Year

The National Board of Review has spoken!  They named their picks for the best of 2014 earlier today and — to the shock of many (especially me) — they picked JC Chandor’s crime drama A Most Violent Year as the best film of the year!

I love surprises!

Now, a lot of us were expecting A Most Violent Year to be an Oscar contender, with practically everyone expecting Jessica Chastain to either be nominated for best actress or supporting actress.  (The NBR named her best supporting actress.)  But I think a lot of us were expecting to see the NBR select Boyhood, Birdman, or maybe Selma.

Also of note is that Clint Eastwood won best director for American Sniper, which appears to be coming on strong as a potential Oscar nominee as well.

(Also of note: Foxcatcher was totally ignored by the NBR.)

Here are the NBR winners!

BEST PICTURE
“A Most Violent Year”

BEST DIRECTOR
Clint Eastwood, “American Sniper”

BEST ACTOR (TIE)
Oscar Isaac, “A Most Violent Year”
Michael Keaton, “Birdman”

BEST ACTRESS
Julianne Moore, “Still Alice”

BEST SUPPORTING ACTOR
Edward Norton, “Birdman”

BEST SUPPORTING ACTRESS
Jessica Chastain, “A Most Violent Year”

BEST ORIGINAL SCREENPLAY
Phil Lord and Christopher Miller, “The Lego Movie”

BEST ADAPTED SCREENPLAY
Paul Thomas Anderson, “Inherent Vice”

BEST ENSEMBLE
“Fury”

BEST ANIMATED FEATURE
“How to Train Your Dragon 2”

BEST FOREIGN LANGUAGE FILM 
“Wild Tales”

BEST DOCUMENTARY
“Life Itself”

SPOTLIGHT AWARD
Chris Rock for writing, directing, and starring in “Top Five”

BREAKTHROUGH PERFORMANCES
Jack O’Connell, “Starred Up” and “Unbroken”

DEBUT DIRECTOR
Gillian Robespierre, “Obvious Child”

WILLIAM K. EVERSON FILM HISTORY AWARD
Scott Eyman

FREEDOM OF EXPRESSION
“Rosewater”
“Selma”

BEST PICTURE NOMINEES (alphabetical)
“American Sniper”
“Birdman”
“Boyhood”
“Fury”
“Gone Girl”
“The Imitation Game”
“Inherent Vice”
“The Lego Movie”
“Nightcrawler”
“Unbroken”

BEST FOREIGN LANGUAGE NOMINEES (alphabetical)
“Force Majeure”
“Gett: The Trial of Vivian Amsalem”
“Leviathan”
“Two Days One Night”
“We Are the Best!”

BEST DOCUMENTARY NOMINEES (alphabetical)
“Art and Craft”
“Jodorowsky’s Dune”
“Keep On Keepin’ On”
“The Kill Team”
“Last Days in Vietnam”

BEST INDEPENDENT FILMS (alphabetical)
“Blue Ruin”
“Locke”
“A Most Wanted Man”
“Mr. Turner”
“Obvious Child”
“The Skeleton Twins”,
“Snowpiercer”,
“Stand Clear of the Closing Doors”
“Starred Up”
“Still Alice”

The National Board of Review Falls For Her


The National Board of Review announced their picks for the best films and performance of 2013 earlier today and the results are a bit … unexpected.

For best picture, they picked Spike Jonze’s Her, a film that has not exactly been seen as being an Oscar front-runner.  Meanwhile, the two presumptive frontrunners — 12 Years A Slave and Gravity — had to make due with just being mentioned in the NBR’s Top Ten list.  Also, it’s interesting to note that the NBR totally snubbed American Hustle which, just yesterday, was named best film of the year by the NYCC.

Despite the impression that one might get from a lot of breathless film bloggers (like me, to cite just one example), winning a critic’s prize does not automatically translate into Academy recognition.  It’ll be interesting to see if the acclaimed but reportedly offbeat Her manages to turn the NBR prize into Oscar momentum.

BEST PICTURE
“Her”

BEST DIRECTOR
Spike Jonze, “Her”

BEST ACTOR
Bruce Dern, “Nebraska”

BEST ACTRESS
Emma Thompson, “Saving Mr. Banks”

BEST SUPPORTING ACTOR
Will Forte, “Nebraska”

BEST SUPPORTING ACTRESS
Octavia Spencer, “Fruitvale Station”

BEST ORIGINAL SCREENPLAY
Joel and Ethan Coen, “Inside Llewyn Davis”

BEST ADAPTED SCREENPLAY
Terence Winter, “The Wolf of Wall Street”

BEST ENSEMBLE
“Prisoners”

BEST ANIMATED FEATURE
“The Wind Rises”

BEST FOREIGN LANGUAGE FILM 
“The Past”

BEST DOCUMENTARY
“Stories We Tell”

SPOTLIGHT AWARD
Career collaboration of Martin Scorsese and Leonardo DiCaprio

BREAKTHROUGH PERFORMANCES
Adele Exarchopoulos, “#Blue is the Warmest Colo#r”
Michael B. Jordan, “Fruitvale Station”

DEBUT DIRECTOR
Ryan Coogler, “Fruitvale Station”

CREATIVE INNOVATION IN FILMMAKING 
“Gravity”

FREEDOM OF EXPRESSION
“Wadjda”

BEST PICTURE NOMINEES (alphabetical)
“12 Years a Slave”
“Fruitvale Station”
“Gravity”
“Inside Llewyn Davis”
“Lone Survivor”
“Nebraska”
“Prisoners”
“Saving Mr. Banks”
“The Secret Life of Walter Mitty”
“The Wolf of Wall Street”

BEST FOREIGN LANGUAGE NOMINEES (alphabetical)
“Beyond the Hills”
“Gloria”
“The Grandmaster”
“A Hijacking”
“The Hunt”

BEST DOCUMENTARY NOMINEES (alphabetical)
“20 Feet from Stardom”
“The Act of Killing”
“After Tiller”
“Casting By”
“The Square”

BEST INDEPENDENT FILMS (alphabetical)
“Ain’t Them Bodies Saints”
“Dallas Buyers Club”
“In a World…”
“Mother of George”
“Much Ado About Nothing”
“Mud”
“The Place Beyond the Pines”
“Short Term 12”
“Sightseers”
“The Spectacular Now”

The National Board of Review Honors Zero Dark Thirty


Oscar season continues!  Just a few hours ago, the National Board of Review announced their picks for the best of 2012.  Like the New York Film Critics Circle, the NBR named Zero Dark Thirty the best film of 2012 and Kathryn Bigelow best director.

I haven’t seen Zero Dark Thirty so I can’t judge whether it’s truly a great film or not.  However, to be perfectly honest, I sincerely hope that it doesn’t win every single critics’ award out there because, seriously, that would be sooooooooooo boring!  I mean, I know that all of you establishment film critics love to jump on the bandwagon but seriously, variety is the spice of life!

As much as I wish that the NBR had kept things interesting by choosing some out-of-nowhere pick for best picture, I am happy to see that they honored Bradley Cooper for his excellent work in Silver Linings Playbook.

Along with naming Zero Dark Thirty as best picture, the NBR also listed the 9 runner-ups.  It’s interesting to note that The Dark Knight Rises does not appear anywhere on that list.

On a personal note, I’ll be posting my own picks for the best of 2012 during the first week of January and, trust me, my picks are going to be a lot more interesting than anything you’re going to get from the National Board of Review.

BEST PICTURE
“Zero Dark Thirty”

BEST DIRECTOR
Kathryn Bigelow (“”Zero Dark Thirty””)

BEST ACTOR
Bradley Cooper (“Silver Linings Playbook”)

BEST ACTRESS
Jessica Chastain (“Zero Dark Thirty”)

BEST SUPPORTING ACTOR
Leonardo DiCaprio (“Django Unchained”)

BEST SUPPORTING ACTRESS
Ann Dowd (“Compliance”)

BEST ORIGINAL SCREENPLAY
Rian Johnson (“Looper”)

BEST ADAPTED SCREENPLAY
David O. Russell (“Silver Linings Playbook”)

BEST ENSEMBLE
“Les Miserables”

BEST ANIMATED FEATURE
“Wreck-It-Ralph”

BEST FOREIGN LANGUAGE FILM 
“Amour”

BEST DOCUMENTARY
“Searching for Sugar Man”

SPOTLIGHT AWARD
John Goodman

BREAKTHROUGH PERFORMANCES
Tom Holland (“The Impossible”)
Quvenzhane Wallis (“Beasts of the Southern Wild”)

DEBUT DIRECTOR
Benh Zeitlin (“Beasts of the Southern Wild”)

SPECIAL ACHIEVEMENT 
Ben Affleck (“Argo”)

FREEDOM OF EXPRESSION
“Central Park Five”
“Promised Land”

 

 

BEST PICTURE NOMINEES (alphabetical)
“Argo”
“Beasts of the Southern Wild”
“Django Unchained”
“Les Miserables”
“Lincoln”
“Looper”
“The Perks of Being a Wallflower”
“Promised Land”
“Silver Linings Playbook”

BEST FOREIGN LANGUAGE NOMINEES (alphabetical)
“Barbara”
“The Intouchables”
“The Kid with a Bike”
“No”
“War Witch”

BEST DOCUMENTARY NOMINEES (alphabetical)
“Al Weiwei”
“Detropia”
“The Gatekeepers”
“The Invisible War”
“Only the Young”

BEST INDEPENDENT FILMS (alphabetical)
“Arbitrage”
“Bernie”
“Compliance”
“End of Watch”
“Hello, I Must Be Going”
“Little Birds”
“Moonrise Kingdom”
“On the Road”
“Quartet”
“Sleepwalk with Me”

The National Board of Review Gives It Up For “Hugo”


 

It took them a while but, earlier today, the folks who made up the National Board of Review (nobody’s quite sure who they are) finally announced their picks for the best of 2011.  And the winner is — Martin Scorsese’s Hugo!  As anyone who was on twitter earlier today knows, this was something of a surprising result and most of the self-appointed film experts out there seemed to be convinced that the NBR would honor either War Horse or The Artist.  Seeing as it took the NBR longer than usual to announce the winners, I’m assuming that the voting was fairly close.  The NBR is usually considered to be a precursor to the Academy Awards so, if nothing else, this result would seem to bode well for Hugo‘s chances to pick up a best picture nomination.  Here are the winners with the occasional editorial comment from me:

Best Film:
Hugo

(I loved Hugo, though my favorite film of the year remains, at this point, Hanna)

Best Director:
Martin Scorsese, Hugo

Best Actor:
George Clooney, The Descendants

(I may be the only person in America who thinks that The Descendants is overratedCertainly, the members of the NBR disagree with me on that point.)

Best Actress:
Tilda Swinton, We Need to Talk About Kevin

(This was kind of surprising since I think the conventional wisdom was that Meryl Streep would win everything for The Irony Lady.)

Best Supporting Actor:
Christopher Plummer, Beginners

(I have a feeling that Plummer’s going to be the sentimental favorite at the Oscars.)
Best Supporting Actress:
Shailene Woodley, The Descendants

Best Original Screenplay:
Will Reiser, 50/50

(Yay!  This film has been strangely underrated as an awards contender but it deserves a lot more attention.)

Best Adapted Screenplay:
Alexander Payne, Nat Faxon & Jim Rash, The Descendants

Best Animated Feature:
Rango

(Another yay!)
Breakthrough Performance:
Felicity Jones, Like Crazy

Breakthrough Performance
:
Rooney Mara, The Girl with the Dragon Tattoo

(Bleh.  On twitter, I already went into a rant about how too many of my fellow film bloggers have allowed themselves to be co-opted into a conspiracy to both  force The Girl With The Dragon Tattoo remake down our throats and to try to make us forget about the original trilogy and the fact that Noomi Rapace gave a brilliant performance as Lisbeth.  I’ll hold off on going into that again until it’s time to review the remake but seriously, people — the Hollywood establishment is not going to give you a promise ring, I don’t care how much you kiss their ass.)

Debut Director:
J.C. Chandor, Margin Call

Best Ensemble:
The Help

(Believe it or not, I still need to see this one.)

Spotlight Award
:
Michael Fassbender (A Dangerous Method, Jane Eyre, Shame, X-Men: First Class)

(Oh. My. God.  So.  Hot.)

NBR Freedom of Expression
:
Crime After Crime

NBR Freedom of Expression:
Pariah

Best Foreign Language Film:
A Separation

Best Documentary:
Paradise Lost 3: Purgatory

Special Achievement in Filmmaking:
The Harry Potter Franchise – A Distinguished Translation from Book
to Film

(This is probably my favorite award to be given out by NBR.  Seriously, the Harry Potter franchise provided me — and so many others — such a blessed escape whenever life seemed overwhelming.)

Top Films (in alphabetical order)

The Artist (Can’t Wait To See It)
The Descendants
(Overrated)
Drive (Yay!)
The Girl with the Dragon Tattoo (Bleh)
Harry Potter and the Deathly Hallows Part 2 (Yay!)
The Ides of March (One of the worst films of the year)
J. Edgar (Bland and forgettable but well-made)
Tree of Life
(Yay!)
War Horse
(Going to see it but I feel obligated to do so and I resent it, to be honest)

Top 5 Foreign Language Films (in alphabetical order)

13 Assassins
Elite Squad: The Enemy Within
Footnote
Le Havre
Point Blank

Top 5 Documentaries (in alphabetical order)

Born to be Wild
Buck
George Harrison: Living in the Material World
Project Nim
Senna

Top 10 Independent Films (in alphabetical order)

50/50 (Yay!)
Another Earth
(Whatever, this was a terrible movie)
Beginners (A good film that deserves to be seen)
A Better Life
(Overrated)
Cedar Rapids (Likable but nothing spectacular)
Margin Call
(Need to see it)
Shame
(Fassbender!)
Take Shelter
(Yay!)
We Need To Talk About Kevin
(Looking forward to it)
Win Win
(Yay!)

Who the Hell Are These People?


With the Golden Globe nominations set to be announced on Tuesday, I figured now would be a good time to recap which films and performances have already been honored by the various critics groups. 

One thing that I discovered as I researched this is that there are a lot of critics groups out there!   I don’t know who half these people are and most of them probably won’t have any bearing at all on who is actually nominated come Oscar time.  But since I’m a lover of trivia and lists, there you go.

The following films and performances were honored by either The National Board of Review, the D.C. Film Critics, the Boston Society of Film Critics, The New York Film Critics Online,The Los Angeles Film Critics, The Indiana Film Journalists, The Southeastern Film Critics, The New York Film Critics Circle, or the San Francisco Film Critics.

Best Picture:

The Social Network (All.  That’s right, it’s a clean sweep for an above average film.)

Best Director:

Darren Aronofsky for Black Swan (S.F)

Olivier Assayas for Carlos (LAFC)

David Fincher for The Social Network (BSFC, DC, NBR, NYFCC, NYFCO, SEFC, S.F.)

Christopher Nolan for Inception (IFJ)

Best Actor:

Jesse Eisenberg (BSFC, NBR)

Colin Firth for The King’s Speech (DC, LAFC, NYFCC, SEFC, S.F.)

James Franco for 127 Hours (IFJ, NYFCO)

Best Actress:

Annette Bening for The Kids Are All Right (NYFCC)

Kim Hye-ja for Mother (LAFC)

Jennifer Lawrence for Winter’s Bone (DC)

Lesley Manville for Another Year (NBR)

Natalie Portman for Black Swan (BSFC, IFJ, NYFCO, SEFC)

Michelle Williams for Blue Valentine (S.F.)

Best Supporting Actor:

Niels Arestrup for A Prophet (LAFC)

Christian Bale for The Fighter (BSFC, DC, IFJ, NBR, NYFCO)

John Hawkes for Winter’s Bone (S.F.)

Mark Ruffalo for The Kids Are All Right (NYFCC)

Geoffrey Rush for The King’s Speech (SEFC)

Best Supporting Actress:

Melissa Leo for The Fighter (DC, NYFCC, NYFCO)

Juliette Lewis for Conviction (BSFC)

Hailee Steinfeld for True Grit (IFJ, SEFC)

Jacki Weaver for Animal Kingdom (LAFC, NBR, S.F.)

Best Documentary:

Exit Through The Gift Shop (DC, IFJ, NYFCO)

The Inside Job (NYFCC, SEFC)

Last Train Home (LAFC)

Marwencol (BSFC)

The Tillman Story (S.F.)

Waiting For Superman (NBR)

Best Animated Feature:

How To Train Your Dragon (IFJ)

The Illusionist (NYFCC)

Toy Story 3 (BSFC, DC, LAFC, NBR, NYFCO, SEFC, S.F.)

Best Adapted Screenplay:

The Social Network (BSFC, DC, IFJ, LAFC, NYFCO, SEFC, S.F.)

Best Original Screenplay:

Inception (DC)

The Kids Are All Right (NYFCC)

The Kings Speech (SEFC, S.F.)

  

The National Board Of Review: I Give Up!


The rather enigmatic National Board of Review announced their selections for the best films of 2010 today.  The NBR is traditionally considered to be the first precursor to how the actual Oscar race will shape up.  Typically, those honored by the NBR are, at the very least, nominated by the Academy.  Strangely, nobody seems to be sure just who exactly makes up the membership of the NBR.  As far as I can tell, it appears to be a collection of film professors and cable tv executives.  It wouldn’t surprise me to discover that the NBR is actually some sort of Illuminati conspiracy or MK-Ultra experiment designed to keep American filmgoers from thinking for themselves.

Anyway, as I look over this year’s award winners, all I can say is that I give up.  If my reaction to Avatar indicated to me that I’m totally out-of-step with mainstream opinion, then the current Pavlovian acclaim of the Social Network proves it.  I will never be a part of the mainstream and it’s not by choice.  It’s just I am apparently thoroughly incapable of understanding how the mainstream brain works. 

So, that’s what the National Board of Review taught me today.  I am destined to always be alone, railing against the dying of the light.  Thank you for the insight, assholes.

Anyway, here’s this year’s award winners:

Best Picture: The Social Network (Don’t get me wrong, the Social Network is a good movie.  It’s just not that good.) 

Best Director: David Fincher, The Social Network

Best Actor: Jesse Eisenberg, The Social Network (I am so sick of hearing that this is Jesse’s “breakthrough” role.  Jesse’s breakthrough was in Adventureland, long before the mainstream ever decided to embrace him.)

Best Actress: Lesley Manville, Another Year (Haven’t seen it yet)

Best Supporting Actor: Christian Bale, The Fighter (Another movie that I will see when it opens later this month.  Still, Bale should have been nominated for American Psycho back in the day.)

Best Supporting Actress: Jacki Weaver for Animal Kingdom (Yay!  This award gives me hope.)

Best Animated Feature: Toy Story 3 (yay!)

Best Documentary: Waiting For Superman (Yes, my favorite movie of the year —Exit Through The Gift Shop — was totally ignored.)

Best Ensemble Cast: The Town (Bleh.  So I guess that would include Jon Hamm, who gave such an amazingly bad performance in this film?)

Breakthrough Performance: Jennifer Lawrence, Winter’s Bone (Another yay but you know all the mainstream is going to offer her is a role in a Twilight rip-off and maybe a Maxim cover shoot.)

Best Adapted Screenplay: Aaron Sorkin for The Social Network (Fuck Aaron Sorkin and his elitist, sexist, technophobic script.)

Best Original Screenplay: Chris Sparling for Buried (which I didn’t see, mostly because I’m claustrophobic and the movie is called Buried.)

Ten Best Films Of The Year (in alphabetical order):

Another Year

The Fighter

Hereafter (which sucked!)

Inception (yay!)

The King’s Speech (I’m actually really looking forward to seeing this)

Shutter Island (kinda bleh but enjoyable)

The Town

Toy Story 3

True Grit (another one I can’t wait to see)

Winter’s Bone (yay!)

Yep, you read that right.  No awards for such presumed favorites as James Franco and 127 Hours, Black Swan, or The Kids Are All Right.  But you better believe they found room to honor a shallow, pandering film like Hereafter.

Finally, here are the Top Ten Independent Films of 2010, according to the toadsuckers at the National Board of Review:

Animal Kingdom (yay!)

Buried (Now I guess I have to see it)

Fish Tank (yay!)

The Ghost Writer (yay — kinda)

Greenberg (bleh)

Let Me In (another kinda yay)

Monsters (shrug)

Please Give (yay!)

Somewhere (going to see it when it opens down here, Sofia Coppola is my role model)

Youth in Revolt (shrug, it’s neither bleh nor yay)

You can read the full list of winners at The Wrap.

Anyway, in order to show just how exactly I feel when confronted with mainstream thought and opinion, here’s an old picture of me with a tampon stuck up my nose.