In the wake of Zohran Mamdani’s victory in New York City and Graham Platner’s possible victory in Maine, I’ve become a lot more interested in watching anti-communist films. And really, it doesn’t get more anti-communist than a movie about an independent, non-union trucker who has no interest in being an authoritarian and who only want to be left alone so that he can raise his son and make a little money arm-wrestling.
In this scene from 1987’s Over The Top, Lincoln Hawk (played by Sylvester Stallone) explains the importance of turning his hat. That’s all it takes.
Hi, everyone! Guess is who is guest hosting the #MondayMuggers live tweet tonight? That’s right …. me!
Tonight’s movie will be The Delta Force (1986), starring Chuck Norris, Lee Marvin, Robert Forster, George Kennedy, Robert Vaughn, Steven James, Hanna Schygulla, Shelley Winters, Martin Balsam, Bo Svenson, Joey Bishop, Susan Strasberg, Kim Delaney …. well, you get the idea. There’s a lot of people in this movie! Jedadiah Leland swears that this is the greatest film ever made. We’ll find out tonight!
You can find the movie on Prime and then you can join us on twitter at 9 pm central time! (That’s 10 pm for you folks on the East Coast.) See you then!
93 years ago, on this date, Menahem Golan was born in Israel. After serving in the Israeli Air Force, Golan would attend the Old Vic Theater School in London before returning to Israel and launching his legendary career in film. With his cousin, Yoram Globus, and using Roger Corman as both a mentor and a inspiration, Golan would go on to producer and direct some of the most successful films in Israeli history. Eventually, Golan and Globus would purchase Cannon Films and would be responsible for some of the greatest (in a fashion) films of the 80s.
Though Golan was best-known as a producer, he never stopped directing. Today, on what would have been his birthday, Lisa Marie’s Favorite Grindhouse Trailers presents 6 trailers for 6 Golan films!
Lepke (1975)
After finding great success in Israel, Golan first attempted to break into the American market with this biopic about the head of the Mafia’s Murder, Inc., Louis “Lepke” Buchalter. Though the budget was low, Golan managed to get a name — in this case, Tony Curtis — to play the lead role. As you can tell, the trailer wanted to make sure that you knew that this film was about Lepke.
2. Enter the Ninja (1981)
This was, I think, the first film that Golan directed after buying Cannon Films. How great is Enter the Ninja? It stars Franco Nero as a ninja! Seriously, you don’t get much greater than that. Anyway, as I think I’ve stared on this site before, Enter the Ninja is a lot of fun and Franco Nero was the sexiest ninja of the 80s.
3. The Delta Force (1986)
Chuck Norris was a Cannon mainstay and it seems appropriate that he starred in The Delta Force, a film that was very important to Golan. The Delta Force was essentially a remake of an 1977’s Operation Thunderbolt, an Israeli film that earned Golan his only Oscar nominations when it was nominated for Best Foreign Language Film. The Delta Force did not receive any Oscar nominations but it has a legion of fans. Our own Jedediah Leland has frequently described this film as being the greatest ever made. I don’t know if I’d go that far but still, it is always satisfying to see Chuck blow up the bad guys at the end of the movie.
4. Mack the Knife (1989)
Menahem Golan directs a musical! Unfortunately, this film has never received a proper DVD or Blu-ray release. Though it was a Cannon production, Golan and Globus had a falling out (one that was, at least partially, caused by Golan spending money on films like Mack The Knife) and Golan ended up distributing this film himself. I find the trailer to be intriguing. The film itself is on YouTube so I’ll watch it someday …. maybe.
5. Hit The Dutchman (1992)
Much like Lepke, this film is about a real-life gangster. In this case, the gangster was Dutch Schultz. Interestingly enough, the trailer suggest that Al Capone was active in New York whereas everyone knows that, though Capone did get his start in New York, he didn’t become a prominent gangster until he relocated to Chicago.
6. Crime and Punishment (2002)
Finally, this adaptation of the great novel was a bit of passion project for Golan. He filmed it in Russia in 1993 but, because of financial difficulties, it was not given a release until 2002.
What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable or Netflix? This feature is all about those insomnia-inspired discoveries!
It’s been nearly a year since I did my last Insomnia File. To be honest, as much as I enjoy writing these posts, I feel like the idea behind the Insomnia File format has become obsolete. The days of people dealing with insomnia by randomly flipping through movies and infomercials have pretty much come to an end. Now, if someone has insomnia, they’re more likely to binge an old show on Netflix.
That said, if you had insomnia at one in the morning last night and you didn’t feel like binging The Office for the hundredth time, you could have turned over to TCM and watched the 1981 film, Enter the Ninja.
What would you have gotten out of Enter the Ninja? Five words: France Nero as a ninja. Seriously, what more do you need? Nero plays Cole, a former mercenary who goes off to Japan, trains to become a ninja, and then heads off for the Philippines, where his old mercenary friend, Frank (Alex Courtney), owns a farm. Frank and his wife, Mary-Ann (Susan George) are having problems because evil businessman Charles Venarius (Christopher George, chewing up the scenery as the bad guy) is determined to force them off of their land. Add to that, Frank is a pathetic drunk.
Soon, Cole is putting on his white ninja suit and fighting to protect the farm and also dealing with Venarius’s ninja, who just happens to be an old rival of Cole’s. Cole is also carrying on an affair with Mary-Ann but that’s not big deal because Frank isn’t much of a man. One of the most interesting things about Enter the Ninja is that it may be a martial arts film but it’s also a modern western and a domestic drama. Cole could just as easily be a gunslinger, protecting the homesteaders. Frank and Mary-Ann could just as easily be a couple on a daytime drama. Instead, they’re all in a ninja film.
The main appeal of Enter the Ninja is Franco Nero, an actor who — in his prime — was one of the sexiest men to ever appear in the movies. He spends a good deal of the film with his face covered but the important thing is that you can still see those beautiful blue eyes. As usual, Nero gives a good performance with so-so material. Nero brings his trademark intensity to the role and he does actually seem to care about whether or not his friends lose their farm.
Enter the Ninja was directed by the legendary Menahem Golan, a filmmaker who understood the importance of never letting the action slow down. Enter the Ninja is dumb, over the top, and entertaining. Plus, it’s got Franco Nero! What else do you need at one in the morning?
On June 27th, 1976, four terrorists hijacked an Air France flight and diverted it to Entebbe Airport in Uganda. With the blessing of dictator Idi Amin and with the help of a deployment of Ugandan soldiers, the terrorists held all of the Israeli passengers hostage while allowing the non-Jewish passengers to leave. The terrorists issued the usual set of demands. The Israelis responded with Operation Thunderbolt, a daring July 4th raid on the airport that led to death of all the terrorists and the rescue of the hostages. Three hostages were killed in the firefight and a fourth — Dora Bloch — was subsequently murdered in a Ugandan hospital by Idi Amin’s secret police. Only one commando — Yonatan Netanyahu — was lost during the raid. His younger brother, Benjamin, would later become Prime Minister of Israel.
A year after the the raid on Entebbe, Menahem Golan would direct a film the recreated that heroic moment. Originally, Operation Thunderbolt was intended to be a Hollywood production, with none other than Steve McQueen playing the role Yonatan Netanyahu. When McQueen withdraw for the project (as he did from a lot of productions in the 70s), Golan and the project returned to Israel, where it was produced with the help of the Israeli military and the Israeli government. (Yitzhak Rabin and Shimon Peres are among the notable Israeli leaders who appear as themselves.) Singer and comedian Yehoram Gaon was cast as Netanyahu while veteran exploitation stars Klaus Kinski and Sybil Danning were cast as the German terrorists.
The end result is a rousing action film that takes a semi-documentary approach to telling its story. Imagine a less flamboyant version of Golan’s The Delta Force, one that tells a similar story but without the oversized personas of Chuck Norris, Robert Forster, and Lee Marvin. Though the film celebrates the bravery of Yonni Netanyahu, the emphasis is more on the IDF working as a team than on individual heroics. (The film open with the IDF running a drill that mirrors the eventual raid on Entebbe, a reminder that Israel and the IDF were determined not to be caught off guard.) The film is not only a celebration of the strength of the Israeli people but, with the Germanic Kinski and Danning cast the villains, it’s only a very loud cry of “NEVER AGAIN!” It may be an exciting action film but it’s an action film with a message: Don’t mess with us.
(At the same time, the hijacker portrayed by Klaus Kinski is not presented as being cardboard villain, which may seem surprising given Kinski’s reputation as an actor and Golan’s reputation as a director. Kinski’s terrorist does get a chance to explain his ideological motivations, with the film presenting him as being more misguided than evil.)
Though I will always consider The Delta Force to be the greatest film ever made (if just for it’s cry of “Beer! America!” at the end), Operation Thunderbolt features Golan’s best work as a director. Menahem Golan was a frequently crass director but, with Operation Thunderbolt, it’s obvious that he was motivated by more than just making a hit movie. Golan’s aim with Operation Thunderbolt was to make a film that would celebrate both Israel and the strength of the Jewish people. With Operation Thunderbolt, Menahem Golan succeeded.
After her archaeologist father disappears while searching for the fabled mines of King Solomon, Jesse Houston (Sharon Stone) hires famed explorer Allan Quartermain (Richard Chamberlain) to help her find him. After walking around in the jungle and exploring a nearby village, Allan and Jesse discover that her father has been kidnapped by a German military expedition who want to use King Solomon’s treasure to fund their war effort. Working with the Germans is Allan’s old enemy, Dogati (John Rhys-Davies). Allan and Jesse find themselves in a race against time to find the mines before the Germans. Along the way, they steal an airplane, fight German soldiers on a train, and nearly get cooked alive in a giant cauldron.
Because this is a Cannon film and it was made at the height of Indiana Jones’s popularity and it stars John Rhys-Davies and it has a score that sounds like it was written by someone trying too hard to be John Williams, you might be tempted to think that King Solomon’s Mines is a rip-off of Raiders of the Lost Ark. However, there are some crucial differences between Raiders and King Solomon’s Mines. For instance, Raiders of the Lost Ark took place during World War II. King Solomon’s Mines takes place during World War I. Raiders of the Lost Ark had angels that melted a man’s face. King Solomon’s Mines has a lava pit that makes you explode if you fall into it. Raiders of the Lost Ark has a big fight in an airfield while King Solomon’s Mines has a big fight at an airfield …. well, wait, I guess they do have a few things in common.
Probably the biggest difference between Raiders of the Lost Ark and King Solomon’s Mines is that Raiders had Harrison Ford and Karen Allen while King Solomon’s Mines has to make due with Richard Chamberlain and Sharon Stone. (If the imdb trivia section is to be believed, Sharon Stone was cast because Menahem Golan mistook her for Kathleen Turner.) Along with generating zero romantic sparks, neither Chamberlain nor Stone come across as if they’ve ever even seen a jungle, much less explored one. The only time that the two of them are credible as anything other than actors slumming on Cannon’s dime is when they’re yelling at each other. There’s also a scene where they’re trying to steal an airplane and Chamberlain tells Stone to “reach between your legs and grab it.” That was funny, I guess.
Along with trying to be an adventure, King Solomon’s Mines also tries to be a comedy. As a general rule, Cannon films are great when they’re unintentionally funny but not so much when they actually try to be funny. The film’s idea of comedy is Richard Chamberlain having to do an impromptu jig while someone shoots at his feet. Add in a healthy dose of casual racism as Allan and Jesse run into a tribe in Africa who want to cook them in a giant stew pot and you’ve got a film so bad that you’ll hardly believe it could have been produced by the same people who gave us Delta Force, which is, of course, the greatest film ever made.
Golan and Globus had enough confidence in King Solomon’s Mines that they shot a sequel before the first film was even released. Tomorrow, I will force myself to watch and review Allan Quartermain and The Lost City of Gold. And, after that, I’ll probably go sit in a corner and think about what I’ve done.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today is the 80th birthday of the greatest living American, Chuck Norris! For those who doubt that power of Chuck, consider this: Chuck Norris is a year older than Bernie Sanders and he could still beat him in a fight.
In honor of Chuck’s birthday, here are 4 shots from 4 of his best.
4 Shots From 4 Films
An Eye For An Eye (1981, directed by Steve Carver)
Most of the time, late night Cinemax was dominated by noirish films starring Shannon Tweed but, occasionally, the network did slip in a low-budget action flick. Killing Streets is a typical example of one of those films.
A Marine named Craig Brandt (Michael Pare) has disappeared in Beirut so his twin brother Chris (also played by Michael Pare) flies all the way over from Dayton, Ohio to search for him. Even though everyone says that Craig’s dead, Chris knows that it isn’t true because, as a twin, he and Craig have a psychic connection. It turns out, of course, that Chris is right. Craig is being held prisoner by terrorist leader Abdel (Alon Aboutboul). Chris is determined to rescue Craig, even though Charles (Lorenzo Lamas), an official at the American embassy, orders him to leave the country. Chris may just be a high school basketball coach but that doesn’t stop him from going all Jack Bauer on every terrorist that he meets. With the help of diplomat Sandra Ross (Jennifer Runyon) and Gilad (Gabi Amrani), the Middle East’s most helpful taxi driver, Chris sets out to rescue his brother.
When I started watching Killing Streets, I was excited because, according to the opening credits, it starred Lorenzo Lamas and it was produced by Menahem Golan. Unfortunately, for the most of the movie, Lamas doesn’t get to do much other than bark out orders in one of the least convincing Southern accents that I’ve ever heard. Instead, the first part of the movie is all about Michael Pare. Michael Pare usually isn’t capable of showing enough emotion to be convincing as one character. Now, imagine him playing two characters. While one Michael Pare is walking around Beirut and searching for clues, the other Michael Pare is sitting in a cell and getting beaten and, since they both always have the same blank expression on their face, the only way you can tell which Michael Pare is which is by paying attention to who has more blood on them. The whole time, you just want Lorenzo Lamas to show up and start showing off his Renegade skills but instead, he’s stuck telling one of the Michael Pares that he better get on the next plane back home.
Luckily, towards the end of the movie, the two Michael Pares team up with Lorenzo Lamas and they spend about ten minutes shooting guns and blowing stuff up and doing all of the other things that we want to see happen in a film like this. It just takes a while to get there and while Menahem Golan may have produced this film, he didn’t direct it so, even though the ending is exciting, most people will probably lose interest before they get there. As far as action films about rescuing hostages in the Middle East are concerned, this is no Delta Force.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
96 years ago, Lee Marvin was born in New York City. After getting kicked out of several prestigious prep schools for “bad behavior,” 18 year-old Lee Marvin enlisted in the Marin Corps, was briefly a corporal before getting demoted back to private (again, because of “bad behavior”), and was wounded in action during the Battle of Saipan. (Marvin was one of the few members of his unit to survive the battle.) After he was discharged from the Marines, he worked as a plumber’s assistant at a local community theater and, after being asked to temporarily replace an actor who had fallen ill, Marvin decided to pursue a career as an actor.
Marvin became one of Hollywood’s premier tough guys. He played his share of gangsters, cops, and cowboys but, because of his background, he was a natural for playing military men. Whether it was The Dirty Dozen, The Big Red One, or The Delta Force, Lee Marvin was a natural leader and brought authenticity to every military role the played. His final film was The Delta Force,which just happens to be the greatest film ever made.
In honor of Lee Marvin’s birthday, here are:
4 Shots From 4 Films
The Man Who Shot Liberty Valance (1962, directed by John Ford)
To quote Geoffrey Chaucer, “All good things must come to an end.”
Death Wish V: The Face of Death marked the end of the original Death Wish franchise, concluding the violent saga of Paul Kersey 20 years after it began. It probably should have ended sooner.
After the box office failure of Death Wish IV and the subsequent bankruptcy of Cannon Films, future plans for the Death Wish franchise were put on hold. After the collapse of Cannon, Menahem Golan started a new production company, 21st Century Film Corporation. In 1993, needing a hit and seeing that the previous Death Wish films were still popular on video, Golan announced that Paul Kersey would finally return in Death Wish V: The Face of Death. Charles Bronson also returned, though he was now 72 years old and in poor health. Death Wish V would also mark the end of Bronson’s feature film career. He would make appearances in a few television movies before subsequently retiring from acting.
Death Wish V finds Paul in the witness protection program. His latest girlfriend, Olivia (Lesley-Anne Down), just happens to be the ex-wife of a psychotic mobster named Tommy O’Shea (Michael Parks). Throughout the entire franchise, the Death Wish films argued that crime is so out of control that no one was safe and that Paul had no choice but to pick up a gun and shoot muggers. But, judging from Death Wish V, Paul just seems to have incredibly bad luck. What are the odds that a mild-mannered architect would lose his wife, his maid, his daughter, his best friend from the war, his next two girlfriends, and then end up dating the ex-wife of New York City’s craziest gangster?
The district attorney’s office wants Olivia to testify against her ex-husband so Tommy gets his henchman, the dandruff-prone Freddie Flakes (Robert Joy), to kill her. Looks like it’s time for New York’s favorite vigilante to launch a one-man war against the Mafia!
The only problem is that New York’s favorite vigilante is too old to chase people down dark alleys and shoot them. He has to get creative, which means using everything from poisoned cannoli to a vat of acid to take out his targets. One gangster is killed by an exploding soccer ball!
With both Bronson and Lesley-Anne Down giving an indifferent performances, it is up to the supporting cast to keep the movie interesting. Appearing here after his bravura turn as Jean Renault in Twin Peaks but before Robert Rodriguez and Quentin Tarantino introduced him to a whole new generation of filmgoers, Michael Parks is flamboyantly evil as Tommy O’Shea and injects the movie with what little life that it has. Speaking of Twin Peaks alumni, Kenneth Welsh (who played Windom Earle in the last few episodes of season 2) plays this installment’s understanding police detective. Saul Rubinek plays the district attorney who is willing to look the other way when it comes to killing gangsters.
Dull and cheap-looking, Death Wish V was a box office bomb and it brought the original franchise to a definite end. Will the Eli Roth/Bruce Willis reboot of Death Wish also lead to a reboot of the franchise? Time will tell!
To quote Geoffrey Chaucer, “All good things must come to an end.”
Through the Shattered Lens 