In this scene from Robert Altman’s 1975 masterpiece, Nashville, Julie Christie plays herself as a famous visitor to the city for which the film is named. She is introduced to Haven Hamilton (Henry Gibson), Haven’s lawyer, Delbert Reese (Ned Beatty), political advance man John Triplette (Michael Murphy), and country music star Connie White (Karen Black). Julie Christie may be a star in Hollywood but Connie is the star of Nashville.
Karen Black, who was born on this date in 1939, improvised her dismissive line about Julie Christine not even being able to comb her hair. It was a moment that reportedly shocked the rest of the cast and the crew but it was also a line that perfectly summed up both Connie as a character and Altman’s version of Nashville.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
88 years ago today, Sydney Pollack was born in Indiana. Though Pollack got his start as an actor, he soon moved into directing and was one of the key television directors of the 1960s. He eventually branched out into film, making a name for himself as a director of intelligent and sensitive comedies and dramas. Though he only directed 21 films over the course of his career, his films received a total of 48 Oscar nominations and 11 wins. 1982’s Tootsie and 1985’s Out of Africa were both nominated for Best Picture. Out of Africa won.
Pollack also returned to acting in the 90s, making a name for himself as a skilled character actor. I’ll always remember him from Eyes Wide Shut, intimidating Tom Cruise while playing pool.
When he passed away in 2008, Pollack was remembered as one of the best directors of Hollywood’s second golden age.
In honor of Sydney Pollack, here are….
4 Shots From 4 Sydney Pollack Films
Jeremiah Johnson (1972, dir by Sydney Pollack, DP: Duke Callaghan)
Three Days of Condor (1975, dir by Sydney Pollack, DP: Owen Roizman)
Out of Africa (1985, dir by Sydney Pollack, DP: David Watkin)
The Firm (1993, dir by Sydney Pollack, DP: John Seale)
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, for #ScarySocial, Deanna Dawn will be hosting 2015’s Hell House LLC!
If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag! The film is available on Prime and Tubi. I’ll probably be there and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.
Happy Wednesday all! This week #ScarySocial presents the 2015 found footage flick, Hell House LLC… a reel creeper, sure to get under your skin! Join us at 9pm est on Prime!#DontWatchAlonepic.twitter.com/gLq17yBQJV
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing The Master, which ran on NBC from January to August of 1984. The show can be found on Tubi!
This week, The Master goes to New York City!
Episode 1.8 “The Good, the Bad, and the Priceless”
(Dir by Michael Caffey, originally aired on March 23rd, 1984)
This week’s episode of The Master asks us to consider just how needlessly complicated an hour’s worth of entertainment can be.
John Peter McAllister (Lee Van Cleef) and Max Keller (Timothy Van Patten) are in New York City! Apparently, McAllister was flipping through a magazine when he came across an advertisement featuring a picture of his long-lost daughter, Terri. The agency responsible for the ad is headquartered in New York. McAllister is excited about the prospect of finally tracking down his daughter. Max is a little sad because he knows that McAllister won’t need him after he finds Terri. And Cat Sinclair (Tara Buckman) is just along for the ride….
Who is Cat Sinclair? She was introduced last episode as a love interest for Max. This episode tests Cat as a third member of the regular cast. Unfortunately, since Cat isn’t a ninja, she doesn’t really got to do much in the episode, other than stand in the background and roll her eyes whenever Max makes one of his terrible jokes. At one point, McAllister mentions that Max has a bit of a crush on Cat but we don’t really see much evidence of it. If anything, both McAllister and Max seem to go out of their way to ignore her.
Anyway, it turns out that the modeling agency is surprisingly willing to give out the home phone numbers of its models. They also have no problem telling McAllister, Max, and Cat that Terri has been booked as a model at a private fashion show being put on by Simon Garrett (George Maharis).
However, what neither McAllister nor Simon Garrett realize is that the woman who shows up at the fashion show and introduces herself as Terri McAllister is not Terri at all but is instead an FBI agent named Gina (Janine Turner), who bears a passing resemblance to Terri as long as she’s wearing a brunette wig. Simon Garrett is not only a fashion designer but he’s also an international criminal. Gina shows up (as Terri) at the fashion show and tries to search Garrett’s office. When Garrett’s security goons discover her, her life is saved by McAllister and Max, who both believe her to be Terri.
(How exactly McAllister, Max, and Cat managed to crash Garrett’s exclusive and private fashion show is not discussed.)
Gina continues to pretend to be Terri so that she can convince McAllister to help her figure out what Garrett’s current scheme is. Meanwhile, Garrett recognizes McAllister as an American ninja so he arranges for his men to kidnap Gina (who, again, everyone thinks is Terri). He threatens to kill Gina/Terri unless McAllister uses his ninja powers to break into the Brooklyn Museum of Art and steal the Crown Jewels of England. McAllister agrees to do so, which leads to an extended sequence of Lee Van Cleef’s stunt double avoiding the security lasers by doing elaborate back flips. Timothy Van Patten’s stunt double then does the exact same back flips. Who knew that stealing the Crown Jewels would be so simple?
As you can probably guess, this all leads to all the stunt doubles getting into a fight at Garrett’s office. Garrett is arrested. The crown jewels are recovered. Both McAllister and Max turn out to be surprisingly understanding about Gina having lied to them. One would think that McAllister, who is essentially being hunted a ninja assassins because he came to America to find his daughter, would be a bit more upset over having his emotions so blatantly manipulated but McAllister actually appears to be amused by the whole thing. Again, it’s hard not to suspect that finding Terri is not really as big a thing to McAllister as Max seems to believe it to be.
This is one of those episodes where everything was dependent upon everyone else being an idiot. These are typically my least favorite episodes of any show and that’s the case here. It’s kind of a shame because Lee Van Cleef and Timothy Van Patten both had some good moments in this episode. The scenes where Max talked about how much he’s going to miss McAllister after they find Terri actually did have some emotional heft but it wasn’t enough to make up for the episode’s missteps. I will admit that I smiled a bit at a subplot about an ad guy who wanted McAllister to put on a cowboy outfit and pose for a series of deodorant ads. McAllister took one look at the outfit and said, “I would never wear that.” Oh yes, you would, Van Cleef!
With the year almost halfway over, the Oscar race still feels pretty fluid, though I think things will come a bit more into focus next month with the release of Oppenheimer and Barbie. Obviously, Oppenheimer feels more like an Oscar picture than Barbie but you never know what could happen. The Academy appears to really like Greta Gerwig. Of course, both of those film have received so much hype that the true test could be just living up to expectations. Killers of the Flower Moon manage to pass that test at Cannes and, as a result, it’s the current Oscar front runner.
Below are my predictions for June. Be sure to also check out my predictions for March and April and May!
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, #FridayNightFlix has got 1984’s Purple Rain!
If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! It’s a friendly group and welcoming of newcomers so don’t be shy.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001. Almost the entire show is currently streaming on YouTube!
This week, Dawn finally get another date and L-Train gets a van. Life is never less than exciting for the neat guys.
Episode 5.9 “Dawn Don’t Know Jack”
(Dir by Frank Bonner, originally aired on October 13th, 2001)
At the Manhattan Diner, L-Train tells Jamal and Al that he’s spent the past three years going to a junkyard and fixing up a van — the L-VAN! And now that the L-Van is ready to be driven, L-Train has no problem giving his friends a ride to the DMX concert in New Jersey. Even though Al and Jamal agree that L-Train’s van is kind of a mess (and it really is — just because you found the van in a junkyard doesn’t mean you can’t clean it out, L-Train!), they agree to allow L-Train to drive them to the concert. However, when L-Train picks up a hitchhiker, the three of them end up getting robbed and tied up in the back of the van. Fortunately, Ms. Noble just happens to be driving by so she …. wait a minute, what? L-Train, Jamal, and Al are tied up in a van that’s parked off the side of the road in freaking New Jersey and their high school principal just happens to be driving by and decided to stop and explore an unwashed van?
I think we all know what happened here. Ms. Noble set the boys up to be robbed. Of course, the show doesn’t admit that. The show would have use believe that it would be totally normal for L-Train’s high school principal to suddenly show up and untie him. But we all know what really happened….
While that’s going on, Dawn has a new boyfriend! Yay! His name is Jack and he is an old friend of Chris’s. It turns out that Jack is big into community service projects. Dawn, because she has a crush on him, helps him build a house. For some reason, Chris and Cassidy also help. (When I was in high school, the last thing I ever wanted to do was help someone build a house.) Anyway, Jack and Dawn go out on a few dates but Jack lets Chris know that he’s also seeing a girl named Jenna. Chris tells Cassidy and then Cassidy tells Dawn and Dawn …. well, not surprisingly, Dawn refuses to believe it. But then, at the party to celebrate the completion of the house, Dawn walks in on Jack giving Jenna jewelry.
Poor Dawn. Dating Al really destroyed whatever self-esteem she once had.
This episode perhaps would have been more effective if not for the fact that the exact same cheating boyfriend storyline was also used on Saved By The Bell, California Dreams, Hang Time, One World, SavedBy The Bell: The College Years, Saved By The Bell: The New Class, USA High, Sk8te, and every other show that Peter Engel ever produced. Seriously, has Dawn never watched television before?
Let’s move on.
Episode 5.10 “Rosie O’Diner”
(Dir by Frank Bonner, originally aired on October 13th, 2001)
Here’s the plot description, according to Wikipedia:
Jamal falls for and after some mistakes in introducing himself, he hooks up with and starts dating one of the waitresses at the Manhattan diner named Rosie. She is very independent and not afraid to speak her mind, which proves to be trouble when she begins to offend customers who get on her nerves at the diner. After numerous complaints, Mr. Grant gives his son the uncomfortable job of firing her.
I had to go with the Wikipedia description for this episode because it hasn’t been uploaded to YouTube. It sounds pretty stupid, from the silly title to the fact that apparently, Mr. Grant can’t fire his own employees but instead puts the responsibility on his teenaged son. As far as Rosie offending the customers …. it’s New York. People in New York can get away with being rude. It’s a part of their charm. That’s why we all secretly want to live there.
I’m kind of glad I had an excuse not to watch this one.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!
This week, we have a special 90-minute episode of The Love Boat!
Episode 2.21 “A Good and Faithful Servant/The Secret Life of Burl Smith/Tug of War/Designated Lover”
(Dir by Roger Duchowny, originally aired on February 17th, 1979)
It’s a Mills family reunion as John, Juliet, and Haley all board The Love Boat. Despite being related, the three of them appears in three separate and unconnected stories. (There is one moment where Juliet walks past John and he gives her a slightly quizzical “Do I know you?” look.)
John Mills plays Bertram MacDonald, the long-time butler and chauffeur to Estelle Castlewood (Celeste Holm). Estelle has booked herself a vacation cruise on the Pacific Princess and she’s surprised to discover that Bertram has also booked a cruise. As Bertram explains it, the only time that he can take a vacation is when Celeste takes a vacation. At first, Bertram promises to stay away from Celeste during the cruise so that they can both enjoy their vacations without feeling like employer and employee. However, fate keeps bringing them together and soon, Bertram tells Celeste that he has to resign from his position because he’s now in love with her. Fortunately, Celeste is also in love with him so it all works out. Upon returning to America, Bertram again drives Celeste home but, this time, Celeste sits up front with him instead of in the back of her limo. This was a rather sweet story, largely because John Mills and Celeste Holm had a lot of chemistry and, being two veteran actors, they both knew exactly how to deliver their sentimental dialogue without making it sound overly calculated.
Juliet Mills plays Millicent, who is separated from Sherman (David Hedison). Millicent boards the cruise with her 8 year-old son, Lucas (Keith Coogan) and she is shocked to discover that Sherman has decided to take the cruise as well. Lucas blames himself for the separation but, fortunately, he gets a pep talk from a real-life baseball star, Reggie Jackson. (Yes, I did ask my sister who he was.) Even better, Sherman and Millicent realize that they still love each other and agree to call off the divorce. Yay! Again, this was another story that worked because of the chemistry between the two leads. Juliet Mills and David Hedison were convincing as a couple who, for all of their ups and downs, were still willing to give their marriage another chance.
Now, you may be wondering what Reggie Jackson was doing on the cruise. It turns out that Reggie is an old friend of Isaac Washington’s. Apparently, Isaac was known as “Freight Train Washington” in high school. Reggie went on to become a multi-millionaire athlete while Isaac went on to become a bartender on a cruise line. When Reggie boards the boat, he tells Isaac that he doesn’t want anyone to know that he’s famous. However, in an amusing twist, Reggie soon becomes frustrated when he gets what he asked for. He’s soon reduced to telling people that he’s Reggie Jackson, just to have them reply that he looks nothing like Reggie Jackson. Not even Captain Stubing believes that he’s Reggie Jackson! Fortunately, Reggie is finally able to convince Cleo (Telma Houston) that he is who he says he is and the two of them leave the boat together. As an actor, Reggie Jackson was a bit stiff but he still had decent comedic timing and it was hard not to be amused at his growing frustration over being anonymous.
Finally, Haley Mills plays model Cheryl Tyson. Gopher is excited that Cheryl is going to be on the cruise. She’s his favorite model! He even has a big poster on the wall next to his bed in his cabin. Unfortunately, every time that Gopher is near Cheryl, he loses the ability to speak in complete sentences. As such, Gopher spends the majority of the episode fantasizing outlandish, film-inspired scenarios that all lead to him sweeping Cheryl off her feet. Gopher imagines himself as an explorer, an admiral, a knight, a spy, and as Humphrey Bogart in Casablanca. He imagines himself as Elton John, performing Pinball Wizard as the Love Boat crew dances around. He even imagines being in a love triangle with Julie and Cheryl. Eventually, Cheryl gives him a pity date and it’s …. well, this whole storyline was pretty stupid. Fred Grandy was likable in the role and Gopher could be an amusingly goofy character but his fantasies were just so silly and poorly written that I couldn’t wait for them to be over. It’s nice that the show finally gave Grandy a showcase but neither he nor Haley Mills were particularly well-served by this episode.
This was an uneven episode. Even though the stories featuring John and Juliet Mills and Reggie Jackson were nicely done, the Hayley Mills/Fred Grandy stuff took up the majority of the episode and it dragged the whole thing down.
Next week …. Freight Train Washington falls in love!
Through the Shattered Lens 