6 Shots From 6 Films: Special John Ford Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

John Ford was born 130 years ago today, in Maine.  Seeing as how John Ford is one of the most influential and important directors of all time, it was pretty much guaranteed that we were going to share a few shots from his filmography on the Shattered Lens.

In honor of John Ford, here are….

6 Shots From 6 Films: Special John Ford Edition

The Informer (1935, dir by John Ford, DP: Joseph August)

Stagecoach (1939, dir by John Ford, DP: Bert Glennon)

The Grapes of Wrath (1940, dir by John Ford, DP: Gregg Toland)

My Darling Clementine (1946, dir by John Ford, DP: Joseph MacDonald)

The Searchers (1956, dir by John Ford, DP: Winston C. Hoch)

The Man Who Shot Liberty Valance (1962, dir by John Ford. DP: William H. Clothier)

10 Oscar Snubs From The 1960s


Ah, the 60s. Both the studio system and the production code collapsed as Hollywood struggled to remain relevant during a time of great social upheaval. The Academy alternated between nominating films that took chances and nominating films that cost a lot of money. It led to some odd best picture lineups and some notable snubs!

1960: Psycho Is Not Nominated For Best Picture and Anthony Perkins Is Not Nominated For Best Actor

To be honest, considering that the Academy has never really embraced horror as a genre and spent most of the 60s nominating big budget prestige pictures, it’s a bit surprising that Psycho was actually nominated for four Oscars.  Along with being nominated for its production design and its cinematography, Psycho also won nominations for Alfred Hitchcock and Janet Leigh.  However, Anthony Perkins was not nominated for Best Actor, despite giving one of the most memorable performances of all time.  The film literally would not work without Perkins’s performance and, considering that Perkins pretty much spent the rest of his career in the shadow of Norman Bates, it’s a shame that he didn’t at least get a nomination for his trouble.  Psycho was also not nominated for Best Picture, despite being better remembered and certainly more influential than most of the films that were.

1962: The Man Who Shot Liberty Valance Is Almost Totally Snubbed

The Man Who Shot Liberty Valance was not totally snubbed by the Academy.  It received a nomination for Best Costume Design.  But still, it deserved so much more!  John Ford, James Stewart, John Wayne, Lee Marvin, Vera Miles, and the picture itself were all worthy of nominations.  Admittedly, 1962 was a year full of great American films and there was a lot of competition when it came to the Oscars.  Still, The Man Who Shot Liberty Valance definitely deserved a best picture nomination over the bloated remake of Mutiny on the Bounty.  Today, if the first Mutiny on the Bounty remake is known for anything, it’s for Marlon Brando being difficult on the set.  But The Man Who Shot Liberty Valance is still remembered for telling us to always print the legend.

1964: From Russia With Love Is Totally Snubbed

The same year that the Academy honored George Cukor’s creaky adaptation of My Fair Lady, it totally ignored my favorite James Bond film.  From Russia With Love is a Bond film that works wonderfully as both a love story and a thriller.  Sean Connery, Lotte Lenya, Robert Shaw, and Terence Young all deserved some award consideration.  From Russia With Love was released in the UK in 1963.  In a perfect world, it would have also been released concurrently in the U.S., allowing From Russia With Love to be the film that gave the the Academy the chance to recognize the British invasion.  Instead, Tom Jones was named the Best Picture of 1963 and From Russia With Love had to wait until 1964 to premiere in the U.S.  It was snubbed in favor of one of old Hollywood’s last grasps at relevance.

1964: Slim Pickens Is Not Nominated For Best Supporting Actor

Playing three separate roles, Peter Sellers dominates Dr. Strangelove: Or How I Learned To Stop Worrying And Love The Bomb.  But, as good as Sellers is, the film’s most memorable image is definitely Slim Pickens whooping it up as he rides the bomb down to Earth.  George C. Scott and Sterling Hyaden also undoubtedly deserved some award consideration but, in the end, Pickens is the one who brings the film to life even as he helps to bring society to an end.

1967: In Cold Blood Is Not Nominated For Best Picture

In Cold Blood, though not a perfect film, certainly deserved a nomination over Dr. Doolittle.  In Cold Blood is a film that still has the power to disturb and haunt viewers today.  Dr. Doolittle was a box office debacle that was nominated in an attempt to help 20th Century Fox make back some of their money.

1967: Sidney Poitier Is Not Nominated For Best Actor For In The Heat Of The Night

In 1967, Sidney Poitier starred in two of the films that were nominated for Best Picture but somehow, he did not pick up a nomination himself.  His restrained but fiercely intelligent performance in In The Heat Of The Night provided a powerful contrast to Rod Steiger’s more blustery turn.  That Poitier was not nominated for his performance as Virgil Tibbs truly is one of the stranger snubs in Academy history.  (If I had to guess, I’d say that the Actors Branch was split on whether to honor him for In The Heat of the Night or Guess Who’s Coming To Dinner or even for To Sir With Love and, as a result, he ended up getting nominated for none of them.)

1968: 2001: A Space Odyssey and Planet of the Apes Are Not Nominated For Best Picture

Neither one of these classic science fiction films were nominated for Best Picture, despite the fact that both of them are far superior and far more influential than Oliver!, the film that won that year.

1968: The Good, The Bad, and the Ugly Is Totally Ignored

Not even Ennio Morricone’s score received a nomination!

1968: Petulia Is Totally Snubbed

Seriously, I don’t know what was going on with the Academy in 1968 but it seems they went out of their way to ignore the best films of the year.  Richard Lester’s Petulia is usually cited as one of the definitive films of the 60s but it received not a single Oscar nomination.  Not only did the film fail to receive a nomination for Best Picture but Richard Lester, George C. Scott, Julie Christie, Shirley Knight, Richard Chamberlain, and the film’s screenwriters were snubbed as well.

1969: Easy Rider Is Not Nominated For Best Picture

Yes, I know.  Easy Rider is a flawed film and there are certain moments that are just incredibly pretentious.  That said, Easy Rider defined an era and it also presented a portrait of everything that was and is good, bad, and timeless about America.  The film may have been produced, directed, and acted in a drug-razed haze but it’s also an important historical document and it was also a film whose success permanently changed Hollywood.  Certainly, Easy Rider’s legacy is superior to that of Hello, Dolly!

Agree? Disagree? Do you have an Oscar snub that you think is even worse than the 10 listed here? Let us know in the comments!

Up next: It’s the 70s!

Scenes I Love: “Print The Legend” From The Man Who Shot Liberty Valance


The legendary director John Ford was born 129 years ago today, in Maine.  As I sit here writing this, you can go see The Fabelmans, which ends with a scene in which a young Steven Spielberg (or Sammy Fabelman, whatever) meets John Ford (played by David Lynch).  The meeting is based on a meeting that a young Spielberg actually had with Ford shortly before Ford’s death in 1971.

However, long before John Ford met Steven Spielberg, he directed one of my favorite films, The Man Who Shot Liberty Valance.  Today’s scene that I love comes from the end of that 1962 film and it features a line that would become a classic.  “Print the legend.”  That was a line that Ford understood and I imagine it’s one that Spielberg eventually came to understand as well.

4 Shots From 4 John Ford Films: The Informer, Stagecoach, The Quiet Man, The Man Who Shot Liberty Valance


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Yesterday was John Ford’s birthday.  Better late than never, here are four shots from four of my favorite John Ford films!

4 Shots From 4 John Ford Films

The Informer (1935, directed by John Ford. Cinematography by Joseph August)

Stagecoach (1939, directed by John Ford, Cinematography by Bert Glennon)

The Quiet Man (1952, directed by John Ford. Cinematography by Winton C. Hoch)

The Man Who Shot Liberty Valance (1962, directed by John Ford. Cinematography by William Clothier)

6 Shots From 6 Films: Special John Ford Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

John Ford was born 127 years ago today, in Maine.  Seeing as how John Ford is one of the most influential and important directors of all time, it was pretty much guaranteed that we were going to share a few shots from his filmography on the Shattered Lens.  As a challenge to myself, I decided that I would only picks shot from Ford’s non-westerns.

However, I then remembered just how much I love The Man Who Shot Liberty Valance and that plan pretty much went out the window.

Anyway, in honor of John Ford, here are….

6 Shots From 6 Films: Special John Ford Edition

The Informer (1935, dir by John Ford, DP: Joseph H. August)

The Long Voyage Home (1940, dir by John Ford. DP: Gregg Toland)

The Grapes of Wrath (1940, dir by John Ford. DP: Gregg Toland)

They Were Expendable (1945, dir by John Ford. DP: Joseph H. August)

The Quiet Man (1952, dir by John Ford, DP: Winton C. Hoch)

The Man Who Shot Liberty Valance (1962, dir by John Ford. DP: William H. Clothier)

Scenes That I Love: The Steak Scene From The Man Who Shot Liberty Valance


Since today is the 113th anniversary of the birth of John Wayne, I decided to watch the 1962 classic, The Man Who Shot Liberty Valance!  And then I decided to share a scene that I love from the film.

The famous steak scene features three of the greatest screen icons of Hollywood’s golden age: James Stewart, John Wayne, and Lee Marvin.  Lee Marvin is the bully who is terrorizing the entire town.  James Stewart is the idealist who thinks that the law, and not violence, is the answer.  And John Wayne is …. well, he’s John Wayne.  He’s the only man in town who can stand up to Lee Marvin but, at the same time, he’s also aware that his time is coming to a close.  In the scene below, all three of the characters display their different approaches to life and a disagreement with steak nearly leads to violence.

This scene — and really, the entire film — features these three actors at their best.  John Wayne is an actor who is often described as having “just played himself” but that’s really not quite fair.  While Wayne’s outsized persona definitely does influence how the audience reacts to any character that he plays, he was a better actor than he’s often given credit for being.  That’s especially evident in The Man Who Shot Liberty Valance, in which Wayne plays a confident man’s man who knows that fate is closing in on him.  The coming of civilization (represented by James Stewart) will be great for the town of Shinbone but it will also leave men like Wayne’s Ton Doniphon with nowhere to go.  The coming of civilization means that the heroes of the past are destined to become obsolete.

Enjoy this scene from The Man Who Shot Liberty Valance:

4 Shots From 4 Films: Special Henry Fonda Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate the birthday of Henry Fonda!  Fonda was born 115 years ago today and, over the course of his long career, he was often cast in role the epitomized everything great about America.  It’s rare to find a Henry Fonda film in which he played an out-and-out villain, though he did just that in Sergio Leone’s Once Upon A Time In The West.  (Leone, in fact, cast Fonda as the evil Frank because he knew audiences would be shocked to see Fonda coldly gunning down settlers and their families.)

In honor Henry Fonda’s legacy, here are….

4 Shots From 4 Films

My Darling Clementine (1946, dir by John Ford)

Fort Apache (1948, dir by John Ford)

Once Upon A Time In The West (1968, dir by Sergio Leone)

My Name Is Nobody (1973, dir by Tonino Valerii)

4 Shots From 4 Films: Special Lee Marvin Edition


Prime Cut (1972, directed by Michael Ritchie)

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

96 years ago, Lee Marvin was born in New York City.  After getting kicked out of several prestigious prep schools for “bad behavior,” 18 year-old Lee Marvin enlisted in the Marin Corps, was briefly a corporal before getting demoted back to private (again, because of “bad behavior”), and was wounded in action during the Battle of Saipan.  (Marvin was one of the few members of his unit to survive the battle.)  After he was discharged from the Marines, he worked as a plumber’s assistant at a local community theater and, after being asked to temporarily replace an actor who had fallen ill, Marvin decided to pursue a career as an actor.

Marvin became one of Hollywood’s premier tough guys.  He played his share of gangsters, cops, and cowboys but, because of his background, he was a natural for playing military men.  Whether it was The Dirty Dozen, The Big Red One, or The Delta Force, Lee Marvin was a natural leader and brought authenticity to every military role the played.  His final film was The Delta Force, which just happens to be the greatest film ever made.

In honor of Lee Marvin’s birthday, here are:

4 Shots From 4 Films

The Man Who Shot Liberty Valance (1962, directed by John Ford)

Point Blank (1967, directed by John Boorman)’

The Big Red One (1980, directed by Sam Fuller)

The Delta Force (1986, directed by Menahem Golan)

4 Shots From 4 Films: Special John Ford Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

John Ford.

The very name brings to mind sweeping vistas, the grandeur of the old west, and stories about men doing what men had to do.  John Ford began his directing career during the silent era and he continued to work through the 1960s and, along the way, he created a unique and very American sort of cinema.  Though Ford may be known for his westerns, he also directed his share of war films, historical epics, and even a classic romantic comedy.  The son of Irish immigrants, Ford made several films that took place in Ireland.  The Quiet Man featured one of the greatest fight scenes in film history.  Stagecoach introduced the world to John Wayne and The Searchers proved that he could act.  With The Grapes of Wrath, Ford provided, for future generations, the definitive look at the Great Depression.  Twenty-two years later, The Man Who Shot Liberty Valance told us to always “Print the legend.”

John Ford was born 126 years ago today.  In honor of his legacy, here are 4 shots from 4 films.

4 Shots From 4 Films

Stagecoach (1939, directed by John Ford)

The Grapes of Wrath (1940, directed by John Ford)

The Searchers (1956, directed by John Ford)

The Man Who Shot Liberty Valance (1962, directed by John Ford)

4 Shots From 4 Films: Happy Birthday Lee Van Cleef!


Lee Van Cleef in The Good, The Bad, and the Ugly

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today is the 95th birthday of the great, late Lee Van Cleef!  Van Cleef got his start playing western outlaws in Hollywood westerns like High Noon and The Man Who Shot Liberty Valance.  In the 1960s, Van Cleef did what many American actors of the time.  He went overseas to find better roles and bigger paychecks.  A series of roles in Spaghetti westerns made Van Cleeef one of the biggest stars in Europe and it also made him a timeless film icon.

In honor of the career and legacy of Lee Van Cleef, here are 4 shots from 4 films.

 4 Shots From 4 Lee Van Cleef Films

High Noon (1952, directed by Fred Zinnemann)

The Man Who Shot Liberty Valance (1962, directed by John Ford)

For A Few Dollars More (1965, directed by Sergio Leone)

Sabata (1969, directed by Gianfranco Parolini)