Here’s The Trailer for Battle of the Sexes!


Battle of the Sexes, which people like me have been touting as a probable Oscar contender since January, finally has a trailer!

The trailer looks pretty good but I regret that they left out the scene of Emma Stone asking Steve Carell why he said Martha.

Here’s The Trailer for Good Time!


Ever since the end of the Twilight series, Robert Pattinson has been picking unexpected and edgy projects.  And, while there is occasionally a hint of desperation to Pattinson’s picks (“I am not Edward, goddammit!” seems to be the common subtext), it’s also led to him appearing in some genuinely interesting films and proving that, if nothing else, he’s a far better actor than Zac Efron.

(For the record, I still say that Pattinson was brilliantly cast in Cronenberg’s Cosmopolis.)

Here’s the trailer for Pattinson’s latest, Good Time.  This film, which takes place over the course of one night, features Pattinson as a career criminal who is desperately trying to put together enough money to get his brother out of prison.  Judging from the trailer, this is either going to be really good or a complete mess.

Watch below and judge for yourself!

Film Review: Snatched (dir by Jonathan Levine)


So, here’s the thing.

Lately, I’ve been seeing way too many good movies.  Seriously.  In March, I saw Logan and I thought it was great.  Then, roughly a month later, I saw Free Fire and, at first, I thought it was disappointing but, as the weeks have passed, I haven’t been able to get the film out of my mind.  Free Fire is definitely flawed but, if nothing else, all of the 70s-era costuming choices have stuck with me.  And then last week, I saw Guardians of the Galaxy Volume 2, which I really enjoyed.

However, when you’re serious about movies, you can’t just watch the good ones and pretend that the bad ones don’t exist.  So, this weekend, I decided that I would devote myself to seeing some bad movies.  Fortunately, it appears that every film that opened today is bad so that definitely makes my task a bit easier.

With that in mind, earlier tonight, my BFF Evelyn and I went to a showing of Snatched.  Snatched is a comedy that stars Amy Schumer and Goldie Hawn as a daughter and a mother who go on vacation in South America and end up getting kidnapped and then lost in the Amazon rain forest.  This was one of those movies that sounded terrible from the beginning.  The plot sounded terrible.  The trailer looked awful.  For the most part, the reviews have been lacerating and the few good comments have largely been of the “It’s not a very good movie but I don’t want to be too critical lest anyone mistake me for a member of the Schumer-hating alt-right” variety.

In other words, I wasn’t expecting much when I saw Snatched and, for the most part, the film met my expectations.  It’s not so much awful as it’s just forgettable and generic.  Even the film’s “raunchy” moments feel rather bland, as if the filmmakers said, “Let’s just let Amy be Amy,” and then Amy showed up on the set with a bunch of sketches that were previously judged to be not quite good enough for Inside Amy Schumer.  (Actually, in all fairness and as opposed to Trainwreck, Schumer did not write Snatched.  Instead, the script for Snatched was written by Kate Dippold, who also wrote the script for Ghostbusters, another film that often struggled to maintain narrative momentum from scene to scene.  Though the script was undoubtedly rewritten to accommodate her comic persona, a few reviews have been too quick to exclusively blame Amy Schumer for Snatched‘s flaws.)

The film actually starts with some promise.  Emily Middleton (Amy Schumer) loses her job and her boyfriend, Micheal (Randall Park), in the same day.  (The break-up scene, with Michael blithely dumping her and Emily desperately trying to convince both him and herself that she actually dumped him, is hilarious and briefly gave me hope for the rest of the movie.)  Emily had been planning on going on a trip to Ecuador with Michael but now she’s stuck with two, nonrefundable tickets.  Unfortunately, none of Emily’s friends are willing to go on a trip with her because, it turns out, they all kind of hate Emily.

In the end, Emily asks her mother, Linda (Goldie Hawn), to go to Ecuador with her.  Linda, as evidenced by a scrapbook of all the trips that she took when she was younger, used to be adventurous but, after being abandoned by her husband, she now spends almost all of her time locked away in her house.  She loves cats and her children, even if her son, Jeffrey (Ike Barinholtz) is kind of creepy.  Linda is reluctant to go to Ecuador.  She’s heard that it’s unsafe.  But those tickets are non-refundable and soon, Emily and Linda are in South America.

And really, if Snatched had just been Linda and Emily hanging out at the resort and bonding, it probably would have been a better movie.  Goldie Hawn and Amy Schumer are believable as mother and daughter and their relationship had a lot of potential.  Unfortunately, the plot demands that Emily and Linda end up getting kidnapped and held for ransom.  They escape fairly easily (and Emily kills a few people) but then they end up wandering through the rain forest, trying to make their way to the American embassy.  Along the way, they meet a few people.  Christopher Meloni is occasionally funny as a wannabe explorer but the film dispatches his character in a way that feels needlessly mean-spirited.  There’s also a scene with a tapeworm, which would be funny if it was an isolated bit on a sketch comedy show but which feels out-of-place here.  There’s even a poorly conceived scene, in which Emily helps a group of native villagers with their daily tasks and is complimented on it by Linda.  At first, I thought the scene was supposed to be a parody of condescending white liberalism but then I realized that it actually was condescending  white liberalism.  (You can almost hear the story meeting where an executive said, “Since some people might find our portrayal of South America to be xenophobic and borderline racist, we need to have one scene where Goldie and Amy interact with some natives without having to kill any of them.  One or two minutes will do.  Don’t put too much effort into it, time is money…”)  Snatched never seems to know what it’s trying to say or be.

That doesn’t mean that I didn’t chuckle sometimes.  As I said, the first quarter of the movie was fairly enjoyable in its slapdash way.  However, once the whole kidnapping plot kicked in and the film really got started, the only time I really laughed was when Linda reprimands her daughter with a sharp, “EMILY LOUISE!”  I laughed because it reminded me of all the times that my mom would stop my bratty behavior by snapping, “LISA MARIE!”  It was a moment that felt like an authentic and true mother-daughter moment and the fact that it happened while Emily and Linda were lost in the rain forest and being pursued by murderers is what made me laugh.  At the same time, it’s also one of the few moments in Snatched that actually felt spontaneous.  For a few seconds, the film actually felt alive.

Unfortunately, it’s very much an isolated moment.  Snatched is not terrible but it is awfully forgettable.  If you miss it in the theaters, don’t worry.  It’ll probably be mainstay on TBS for years to come.

Insomnia File #25: The Winning Season (dir by James C. Strouse)


What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable? This feature is all about those insomnia-inspired discoveries!

If, last night, you were up at 11:45 then … well, you were probably like most people.  To be honest, I don’t know if The Winning Season, which aired on Cinemax last night, really counts as an insomnia file.  Being up at midnight probably doesn’t qualify as insomnia.

That said, The Winning Season is an extremely sweet and likable movie that, until I came across it last night, I had previously heard nothing about.  Even if it wasn’t directly inspired by insomnia, this was a film that I was happy to discover and I’m going to recommend that, if you haven’t seen it, you discover it too.

Of course, I guess I shouldn’t be too shocked that I loved this film because it stars Sam Rockwell.  Sam Rockwell is one of my favorite actors.  It’s not just that he’s talented and that he frequently takes risks and chooses interesting projects, though all of that is certainly true.  There’s a sincerity to Sam Rockwell’s performances.  He’s one of those actors who, when you watch him, you feel as if he’s literally opening up his heart and soul to you.  There are few actors who can make me cry quite as effectively as Sam Rockwell.  That he didn’t win an Oscar for Moon (and has, in fact, never even been nominated) remains one of the most glaring mistakes in the history of the Academy Awards.

Sam Rockwell is at the center of The Winning Season and it’s hard to imagine the film working with anyone other than him in the leading role.  Sam plays Bill, a former high school basketball star who is now a divorced alcoholic with a 16 year-old daughter that he struggles to communicate with.  Like many of Rockwell’s character, Bill is irresponsible but he means well.  Bill spends most of his time drinking and working as a busboy at a restaurant.

One night, Bill is approached by his former teammate, Terry (Rob Corddry).  Terry is now a high school principal and he has an offer for Bill.  Terry needs a new coach for the Girls’ Basketball Team.  Even though Bill doesn’t consider Girls’ Basketball to be a real sport, he accepts the position.

And you can guess what happens.  When Bill is first hired, no one takes the team seriously.  There’s only six players on the team and none of them — not even the ones played by Emma Roberts and Rooney Mara — believe that they have a chance at a winning season.  In fact, their best player breaks her ankle before the season even begins.  After a rough start, Bill and the girls bond and soon, they start to win games.

Again, it’s not surprising but it is incredibly sweet.  And, as predictable as it may be, the film still throws in a few unexpected twists.  One thing that I liked is that, even after they started to get good, the team still struggled and lost the occasional game.  They didn’t all magically become the best basketball players ever and, for that matter, Sam didn’t magically become the best coach in the world.  This is an unapologetic crowd pleaser that still keeps one foot in reality.  Everyone, in the film, fully commits to their roles.  In particular, Margo Martindale is great in the role of Bill’s assistant.  It’s always a pleasure to watch two good actors play off of each other and Martindale’s scenes with Sam Rockwell are fun to watch.

But really, the entire film belongs to Sam Rockwell.  Sam Rockwell can take the most predictable dialogue imaginable and make it sound like poetry.  About halfway through the film, Bill loses his driver’s licence and is reduced to showing up at the games on bicycle.  There’s little that is more adorable than Sam Rockwell pedaling across the screen.

The Winning Season is an incredibly sweet and likable movie.  I’m glad that I discovered it.

Previous Insomnia Files:

  1. Story of Mankind
  2. Stag
  3. Love Is A Gun
  4. Nina Takes A Lover
  5. Black Ice
  6. Frogs For Snakes
  7. Fair Game
  8. From The Hip
  9. Born Killers
  10. Eye For An Eye
  11. Summer Catch
  12. Beyond the Law
  13. Spring Broke
  14. Promise
  15. George Wallace
  16. Kill The Messenger
  17. The Suburbans
  18. Only The Strong
  19. Great Expectations
  20. Casual Sex?
  21. Truth
  22. Insomina
  23. Death Do Us Part
  24. A Star is Born

Watch Kirsten Dunst In The Haunting Trailer For Woodshock


I’ve been hearing rumors that Kirsten Dunst might have an outside chance of getting an Oscar nomination for her performance as a recovering drug addict in the upcoming film, Woodshock.

Well, judging from the trailer below, it’s hard to say for sure.  I love this trailer but it seems to indicate that Woodshock is either going to be brilliant or a mess.  If nothing else, Kirsten Dunst appears to be playing a character similar to the one that she played in Melancholia.  Dunst may have become a star playing a cheerleader in the first Bring It On but her best performances have always been the ones, like Crazy/Beautiful, Melancholia, and perhaps this one, where Dunst has played troubled characters who seem to be lost in the world.

Woodshock will be released on September 15th.

 

Here’s The Final Trailer For Wonder Woman!


Oh God.

Every few months, a new DCU trailer is released and everyone says that the DCU is finally going to be as good as the MCU.

Man of Steel was going to be an Oscar contender.

Batman v Superman was going to be the epic that made us reconsider everything we thought we knew about super hero films.

Suicide Squad was going to be the most fun that anyone had ever had at the movies.

Now, everyone’s saying that Wonder Woman is going to be the first good DCU movie.  Well, I certainly hope that’s the case.

The latest (and final) trailer seems to confirm that the best thing that Wonder Woman has going for it is Gal Gadot.  The trailer also has a self-aware feel to it that I hope will be present in the actual film.  After three films that took themselves way too seriously, the DCU needs to have a little fun.

Anyway, here’s the trailer!

 

Here’s The Trailer For Blade Runner 2049!


At first, I was enthusiastic about Blade Runner 2049.

Then, for reasons that I’m still not quite sure that I understand, I became rather less enthusiastic.  I thought about all the disappointing sequels and reboots that I’ve seen and, for whatever reason, I failed to take into account all of the recent sequels — Star Wars: The Force Awakens, Logan, Guardians of the Galaxy Volume 2– that I’ve seen that actually did work.  I thought about how tremendous hype often leads to disturbing results.  I considered that, after a countless number of brilliant films, Denis Villeneuve is due for disappointment.  These were my concerns and I started to lower my expectations.

But then, earlier today, I saw the trailer and it looks totally badass!

Seriously, I love that trailer.

And here it is!

What Lisa Watched Last Night #164: Running Away (dir by Brian Skiba)


After I watched Deadly Sorority, I watched the second Lifetime premiere of the night, Running Away!

Why Was I Watching It?

I nearly missed Running Away, which would have been a shame.  After being disappointed with Deadly Sorority, I was seriously tempted to go down to my neighbor’s 3-day Cinco de Mayo party.  But, somehow, my cinematic instincts knew that I should take the time to watch Running Away.  I’m glad that I did because Running Away is one of the best Lifetime films of the years so far.

What Was it About?

Peg (Paula Tricky) is a single mother, struggling to raise two rebellious daughters even as the bank attempts to take her home away from her.  However, salvation comes in the form of Richard (William McNamara).  Richard is never quite clear about what he does for a living but he’s rich.  He has a great (and big) house.  He drives a red sports car and has no problem about honking the horn at people crossing the street and shouting, “Yeah, you better be watching!”  He’s more than a little creepy but he appears to worship the ground that Peg walks on.  Add to that, when he asks her to marry him, he gives her a really nice ring.

After the wedding, Peg’s two daughters have differing reactions to Richard.  The youngest, Lizzie (Madison Lee Brown), loves their new home and decides that Richard isn’t as bad or as creepy as he originally seemed.  Maggie (Holly Deveaux) knows that Richard is a creepy perv, the type who walks in on her when she’s in the shower and who, when he discovers that she’s been drinking beer, uses the knowledge for sexual blackmail.  Being molested and abused by her stepfather, Maggie resorts first to self-harm and then to running away.

Maggie finds herself living with a drug dealer and his traumatized girlfriend.  Both Richard and Peg are searching for her but both have different plans for what to do when they find her.

What Worked?

I know that the plot probably sounds extremely melodramatic and, in a way, I guess it was.  But, that’s okay.  This is a film that used melodrama to make a very real and important point about the consequences of abuse.  This a very well-done and very heartfelt film.

It took me a while to recognize William McNamara, who gives an all-too realistic performance as the monstrous Richard.  When we first meet Richard, the film wisely plays up his dorkiness.  We know he’s a bad guy but we’re still shocked by just how bad and dangerous he ultimately turns out to be.  Paula Trickey also does a good as Peg, portraying her with a combination of regret, disillusionment, and, as the same time, a cautious hope for the future.  However, the film really belongs to Holly Deveaux, who gives an empathetic and compelling performance of Maggie, one that reveals both her pain and her inner strength.

What Did Not Work?

I have to admit that, towards the end of the film, I kind of rolled my eyes when one final secret about Richard was revealed.  At that point, he was already such a bad guy that revealing the reason why he was so rich felt like overkill.  Other than that, though, I would say that the entire films worked.

“Oh my God!  Just like me!” Moments

As someone who was an angry, rebellious, and often self-destructive teenager, I related to Maggie.  Holly Deveaux’s performance captured all of the emotions.  Though the whole movie, I was cringing as I had flashbacks to all the times that I was tempted to get on a bus and go wherever it took me.

(Seriously, for about a year and a half, I had this ludicrously romanticized fantasy about getting on a bus, traveling to random towns, and spending a year filling up my notebooks with my thoughts on America.  After I talked about it one too many times, my sister Megan drove me down to the Greyhound station in downtown Dallas and we spent an hour watching people get on and off buses.  The sights and the smells — well, mostly the smells — of actual bus living pretty much ended that fantasy.)

Lessons Learned

You can’t run away from your problems but you can beat them over the head with a baseball bat.

What Lisa Watched Last Night #163: Deadly Sorority (dir by Shawn Tolleson)


Last night, I watched the latest Lifetime original film, Deadly Sorority!

Why Was I Watching It?

You have to give the people at Lifetime some credit.  I often give them a hard time for the way that they retitle movies to give them more of a “Lifetime-y” feel but Deadly Sorority is a perfect title.  According to the imdb, this movie was originally called Undergrad Nightmare.  Deadly Sorority is such an improvement that I don’t even know where to begin.  It was enough to convince me to watch.

(Of course, I would have watched anyway because the movie was on Lifetime but, for the purpose of this review format, let’s pretend like the title was the sole reason.)

What Was It About?

Sam (Greer Grammer) and Kris (Emilija Branac) have been BFFs since high school but, once they arrive at Barclay University, things start to change.  Kris gets accepted into an exclusive sorority and soon, her new “sisters” are telling Sam to stay away.  When Kris is murdered, Sam suddenly finds herself as the number one suspect.  Everyone says that Sam was obsessed with Kris and jealous over her new friends.

In order to prove her innocence, Sam is going to have to catch the real murderer.  Was it Kris’s frat boy boyfriend?  Was it the lecherous professor or his wife?  Was it the creepy guy who lives upstairs from her?  Was it one of Kris’s sorority sisters?  Was it … well, actually, that’s all the suspects.  It’s a small school.

What Worked?

I absolutely loved Barclay University, which was located up in the mountains, had nice, big dorm rooms (during my first year of college, I lived in a dorm that didn’t even have air conditioning), and — as far as I could tell — only three or four professors.  There weren’t many students either.  Sam and Kris’s history class only had about 12 students in it.  As someone who hated the anonymous feeling of being one of many students in a gigantic lecture hall, I appreciated that.

The sorority was effectively creepy.  However…

What Did Not Work?

…the sorority itself really didn’t figure much into the plot.  There were a few effective scenes of all of the sisters staring at Sam dismissively but otherwise, the sorority was just a big, pink-clad red herring.  Deadly Sorority is a great title but Undergrad Nightmare was actually a more accurate title.  Usually, I don’t mind a misleading title but, when you promise a deadly sorority, you need to deliver.

The identity of the murderer also felt a bit random to me.

“Oh my God!  Just like me!” Moments

I related to Sam, who had a wonderfully snarky attitude and said whatever was on her mind.  Unlike Sam, I was actually invited to join a sorority but I turned them down because I was busy being a nonconformist.  I kind of regret that choice because, according to what I’ve seen on Lifetime, joining a sorority would have led to several years of adventure and melodrama.  At the very least, I would have had a few hundred more closets to borrow from.

Oh well!

Lessons Learned

I should have applied to Barclay University.