Paddies Reminder; Wash Your Hands!


I know this video has been making it’s rounds thru social media lately and I wanted to expresses my greatest and utmost *Washing of my Hands* of it!

 

This is a great Beatles song remake…. and a great reminder to wash your hands!

*Nor I or TSL own any copyrights or contribution to this song or video* *We are washing our hands of it!*

*Although, every member of the TSL staff is completely sanitized!* We are proud of keeping our work spaces clean!

WASH YOUR HANDS, PEOPLE!

Guilty Pleasure No. 41: The Dead Are After Me (Raiders of the Living Dead), performed by George Edward Ott


If you watched Raiders of the Living Dead earlier today, you heard this theme song:

The dead are after me….

We are the Raiders of the Living Dead….

Seriously, how can you not love that!?  Yes, the song is totally mid-80s and it’s kind of silly but it’s also kind of perfect.  Certainly, it’s the best thing about the film and the song has even gone on to achieve a life outside of the movie that it was written for.  There are bands that regularly cover this song.  It’s a permanent part of my Halloween playlist.

Seriously, you can ask my friends and they’ll tell you that, every October, they’re forced to listen to me sing this song in my off-key way.  The deeeeeeeead are afterrrrrr meeeeee….

Many sites incorrectly refer to this song as being called, like the movie in which it appeared, “Raiders of the Living Dead.”  The actual title is The Dead Are After Me.  It was written and performed by a musician named George Edward Ott.  I did some research and I came across some comments that Ott left on another site, in which he discussed how this song came into existence.  From Morgan on Media:

In 1986, after viewing early outtakes of the film with Sam Sherman and Tim Ferrante, I went home and wrote the song in about 15 minutes. Cheesy song for a cheesy movie! 

Yes, it is a cheesy song but it’s also rather brilliant in a cheerful, no apologies sort of way.  Just try to get out of your head.

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
  29. On the Line
  30. Wolfen
  31. Hail Caesar!
  32. It’s So Cold In The D
  33. In the Mix
  34. Healed By Grace
  35. Valley of the Dolls
  36. The Legend of Billie Jean
  37. Death Wish
  38. Shipping Wars
  39. Ghost Whisperer
  40. Parking Wars

 

One Hit Wonders #22: “Heartbeat – It’s A Lovebeat” by The DeFranco Family (20th Century Records 1973)


cracked rear viewer


Now that I’ve got horror movies out of my system (at least for a minute!), let’s switch gears to the saccharine sweet DeFranco Family, Canada’s answer to the Osmond Brothers, The Partridge Family, and The Jackson 5, who scored a #1 hit in 1973 with the bubblegum-pop “Heartbeat – It’s A Lovebeat”:

Siblings Benny, Marisa, Nino, Merlina, and Tony DeFranco had been making music together all their lives before a demo tape earned them a contract with 20th Century Records. 13-year-old lead singer Tony was groomed to be the Next Big Teen Idol, and his face was plastered all over the covers of teen magazines of the era: Tiger Beat, 16, Fave!, ad nauseam. The DeFranco’s popularity was brief however, as disco began taking over the airwaves, not to mention Tony hitting puberty and his liltingly light voice changing! The family became a Vegas lounge act for a couple of…

View original post 59 more words

Halloween Havoc! Extra: Boris & Bela Do THE MONSTER MASH!


cracked rear viewer

Bobby “Boris” Pickett’s 1962 hit “The Monster Mash” was not only a graveyard smash, but has become an annual Halloween tradition here on Cracked Rear Viewer. This season, I’ve picked out a Monster Mash-Up of clips starring Universal Horror icons Boris Karloff and Bela Lugosi set to Pickett’s groovy ghoulie tune. Break out your dancing shoes and get ready to Do The Mash with Boris and Bela:

Have a Happy HORRORween, Dear Readers!

View original post

Jack Ryan (Season 1) Review by Case Wright


jack-ryan-1035300-1280x0

There are two types of streaming television series: Get a sitter and watch in rapt silence with your SO and friends and Elliptical and/or Hangover Television.  Jack Ryan is in the latter category.  It’s a solid: NOT BAD.   Ok, it was a little weird seeing Jack Ryan (John Krasinski) put Osama Bin Laden’s AK-47 in a Jello Mold, but I thought it was a nice call back.  JK!

Jack Ryan has been a staple for nerds who like action for decades.  Jack Ryan is a data analyst badass who defeats terrorism and rogue commies, in other words, fictional.  He’s been in countless books, films, and video games.  The only other character that gets this much media has to use The Force.  In this iteration, Carlton Cuse of “Lost” fame takes a crack the characters.

Jack Ryan is a young Marine Vet turned CIA officer with PTSD.  He is teamed up with Greer who in the books and previous iterations was a tough talking Admiral with shitty dialogue; whereas, in this version, Greer’s a down and out muslim CIA officer whose career is in decline after killing a Pakistani asset.  They are on the hunt for the big bad: Sulieman.

Sulieman is the product of the American intervention in the Lebanese civil war in 1986, which…checks out.  He is hell bent on causing all kinds of mayhem in America and abroad.  They make a big show about how he was treated badly throughout his life-  Boo hoo.  I guess it was supposed to make him more human. I thought it made him really really whiny.  So what, you didn’t get your dream job that gives you the right to blow everybody up?!

The big question most of my readers have: Did John Krasinski – Jim- have a passable performance as a super spy?????  KINDA. He was pretty close at times, but was he held back by some purposely slowed down plot points.  I will get to the derpy derp moments later, but really the season should’ve been 6 episodes instead of 8 because there were too many contrivances, which inhibited John’s performance.  I have to write that he was in fact believable.   I did not know what to expect, but he delivered a good performance.

What they got right:

Sleepless nights with PTSD and drinking too much.  They portrayed that spot on.  I thought, I’ve had those late nights.  Ok, Pass!

The SEAL/Ranger team: I’ve known many Special Operators over the years and they are all real salt of the Earth types.  They played those matter of fact tough guys perfectly. Ok, Pass!

The inherent turpitude of civilian government officials: Very good, they’re all presumptive Dirtbaggus Americanus.  Ok, Pass!

The director building suspense? Yep, the direction was done quite well.  No complaints.

What was so very dumb?  NO F#@#!NG Way!!! NFW!!!! NFW!!!

1.  They portrayed Jack Ryan as dealing PTSD, giving him pause to shoot his weapon.  I get that, BUT he’s still a Marine.  There’s a scene where he makes the decision to shoot and misses by a mile just so they could have fight scene later.  This is just dumb.  Marines are ALL crackshots.  If you are in a Marine’s line of fire and he’s got a clear shot, you’re dust.  When you see it, you’ll roll your eyes.

2.  There’s a terrorist strike by Sulieman and he claims responsibility.  They show his face being plastered on all television networks. He’s on tv more than Anderson Cooper. Then, with no face disguise, he’s NEVER recognized.  We’re not talking just one time, but FIVE times at least.  His face would’ve been burned in everyone’s memory.  It was just dumb,  lazy, and contrived to keep the villain the in the action.

3.  A CIA Officer meets Sulieman’s wife and he just lets her walk away the same day as a major terror attack: NFW! Anyone who said that they knew an Osama equivalent would be sequestered and interrogated immediately, but it was obvious that they needed to pad the plot to squeeze three unnecessary episodes for story arc.

4.  There’s a duo who are drone pilots that are just sort of shoehorned into the story for no reason at all.  I couldn’t even figure out the message if drones were supposed to be good or bad.  I left thinking… Man, drones work really well.  Then, one of the drone pilots gets all guilty about a mistargeting incident and flies to Syria because ya know Active Duty Soldiers just get to go anywhere they like on leave…. NFW!!!!!!! Just think about it…we shouldn’t just get to go wherever we like.  It’s dangerous for us and could lead to a Soldier getting compromised.  NFW!

5.  There’s a plot point where a doctor becomes aware of a biological threat and just sends an email.  WHAAAA?!  She would be calling everyone and their brother to report that because she’s supposed to be smart.

Is it worth watching?

Yes, yes it is.  It’s got real problems in terms of story holes, but my hope is that Carlton Cuse learns from this.  He can DM me if he likes.  I’ll consult or script doctor for a very reasonable rate.  Jack Ryan is great for watching on the Elliptical at the gym or if you’re hungover or something.  It is NOT at this time get a babysitter and everyone be quiet television, but it is …. fun.

 

One Hit Wonders #19: “Hot Smoke & Sasafrass” by The Bubble Puppy (International Artists Records 1969)


cracked rear viewer

San Antonio, Texas rockers The Bubble Puppy rocketed to #14 on the charts with the psychedelic hard rocking “Hot Smoke & Sasafrass”:

The band pioneered the dual lead guitar sound, with Rod Prince and Todd Potter riffing their way to an appearance on Dick Clark’s AMERICAN BANDSTAND. Soon groups like The Allman Brothers and Thin Lizzy took the concept to new rocking heights, but The Bubble Puppy (also featuring Roy Cox on bass and “Fuzzy” Fore on drums) were there first. The song, which has been covered by MGMT and The Mooche, remains an early example of the heavy metal genre.

Though The Bubble Puppy released only one album (“A Gathering of Promises”) before disbanding in 1970, it’s members all continued working in the music industry. Prince and Fore are currently gigging in the Texas area in a reformed version of The Bubble Puppy with new members Mark Miller (guitar)…

View original post 30 more words

“How It Ends” A Netflix Film Reviewed By Case Wright – Some Spoilers


How-it-ends

How It Ends is a horror/thriller from Netflix and if you don’t watch, Netflix will probably make you.  The story begins with Will, an up and coming lawyer who is seeing the ultrasound of his soon to be son with beloved Samantha. Will is sweet, but the least manly man to ever unmanly.  He’s wound tight, nervous, and hyper-insecure.  Will needs to get Sam’s father Tom (Forest Whitaker) to give his blessing so Will and Sam can wed.  Will flies from the greatest city on Earth- Seattle to a totally ok City of Chicago to see Tom.

We meet Tom and his wife.  Tom is everything Sam is not.  Tom was a career Marine, manly, confident, and determined.  During the dinner, Tom does everything, but say to Will- You are a wimpy worthless un-man. Tom’s response is both whiny and defensive.  It’s just all kinds of awful.  Then, the power goes out nationwide with F-22s buzzing around Chicago AND all communications are down as well nationwide.  Tom asks if Will rise to the occasion and road trip to Seattle to find/rescue Sam.

I know, I know… this sounds like Taken et al, but it’s not.  It becomes a Father (in-Law) and Son survival story and we watch Will become a Man.  They leave in Tom’s Cadillac and hit the road to Seattle.  Immediately, they find that they cannot stay on the main roads to get there because rednecks try to steal their car at the first rest stop and then an escaped convict tries to murder them.  This is within the first half hour of this very action packed show and we still don’t know what caused the catastrophe.  We get hints, but it’s not Aliens …. I don’t think.  Frankly, I’m still not totally sure of all of the details of the disaster even now.

They decide to stay off the main roads and team up with a teen who has mechanical skills.  Along the way, people are trying to murder them for gas and supplies.  The teen that goes with them becomes part of Will and Tom tribe for a short time and has to kill to protect her new tribe.  Unfortunately, this is too much for the teenager to accept and she abandons Will and Tom to find her way forward alone.  It’s a very accurate depiction of societal breakdown.  During Katrina, towns setup armed checkpoints to prevent looting and mayhem.  I had friends in Mississippi during Katrina and they did exactly that.  They needed to shut ingress and egress from their communities to survive and they did so.  The communities acted like a tribe would.

Will has to learn how to shoot, drive and shoot, do a chest-tube, read people, give up trust, and murder.  We watch him change from a spineless nerd to a confident leader who will readily kill to protect his tribe.  During Will’s transformation, the tribal bond between Will and Tom becomes as strong as steel.   It’s a story that gets to the very foundation of what family does and what it means to be part of a tribe.  The moment the lights go out, we will go from Facebook likes to being real tribal humans again.

When Will gets to Seattle, it’s heartbreaking.  Seattle is totally destroyed….sniff.  It just gets you. Even the Clink…The Home of my Beloved Seahawks is gone.  THE PAIN, THE PAIN!  It’s like 2015 all over again! Will’s beloved is gone, but she left a note for her coordinates.  Therefore, Will has to go back on the road to find her and save her from whomever.

Will finds Sam with a neighbor Randy who is at his mountain lodge getaway.  Randy is the epitome of our current society. He is a wealthy-techie-know-it-all-socially-awkward-creep who thinks that all of his thoughts are facts.  He believes that in this new society he will continue to be on top and he tries to take Sam as his own.  Not so fast, the world has changed- sorry the power was down forever so no more facebook updates for you.  Life has reverted back to a tribe-based system and Randy is left behind literally into dust.

I would recommend this film because it has tremendous suspense and dares to show us what we’ve lost trading our friendships for likes and retweets.  You never really know what caused the disaster because that is not the story.  The story is about the immediate reemergence of tribal life and how it enables people to determine rapidly who is a friend and who is a foe.  In essence, the film challenges us to see a possible positive to this new reality.  People are closer and snakes like Randy are easily identified and remedied for the good of the tribe.  We still survive, but we have to do it as human beings.

 

One Hit Wonders #17: “The Safety Dance” by Men Without Hats (Backstreet Records 1982)


cracked rear viewer

When this song came on my car radio last week, I immediately knew I had to do a “One Hit Wonders” post on it, so without any further ado, here’s Canadian New Wave pop rockers Men Without Hats doing their #3 smash dance hit “The Safety Dance”:

The band was led by singer/songwriter Ivan Doroschuck, who claimed he penned the bouncy tune in response to nightclubs banning pogo dancing, then a hot thing. At the time of recording the song and others for the album “Rhythm of Youth”, the group consisted of Ivan’s brothers Colin (guitars) and Stefan (bass), Allen McCarthy (keyboards/electronics), and Martin Cartier (percussion). The silly, Renaissance Fair-looking video got in heavy rotation on MTV (remember when they actually played music all day?), which aided it’s rise to the top of the pop charts.

Men Without Hats have gone through multiple personell changes over the years, with Ivan…

View original post 48 more words

Happy American Redneck Day from Gretchen Wilson!


My father’s family is from South Carolina, my mother’s from Massachusetts, which makes me half Redneck, half Yankee, and 100% American! Since Lisa has already let us know today is American Redneck Day, let’s celebrate with Gretchen Wilson doing her 2004 country music hit, “Redneck Woman”:

Happy American Redneck Day, y’all! Now somebody give me a Hell Yeah!

 

One Hit Wonders #12: “(We Ain’t Got) Nothin’ Yet” by The Blues Magoos (Mercury Records 1966)


cracked rear viewer

The very first concert I saw was… er, a very long time ago! Teenybop pop rockers Herman’s Hermits headlined the show, and the opening act was The Blues Magoos, performing their #5 Billboard hit, “(We Ain’t Got) Nothin’ Yet”:

The Blues Magoos, from The Bronx, were early practitioners of psychedelic rock’n’roll, going so far as to name their debut album “Psychedelic Lollipop”. They were loud, heavy, and wore these electric suits that blinked on and off during their rendition of the classic “Tobacco Road”:

Even without the suits, they were pretty far out, man! The lineup consisted of Emil “Peppy Castro” Theilheim (vocals, rhythm guitar), Mike Esposito (lead guitar), Ralph Scala (organ), Ron Gilbert (bass), and Geoff Daking (drums). They made the rounds of all the TV shows, like AMERICAN BANDSTAND, THE SMOTHERS BROTHERS COMEDY HOUR , and the above clip from a Jack Benny-hosted episode of THE KRAFT MUSIC…

View original post 82 more words