Lifetime Film Review: Identity Theft Of A Cheerleader (dir by Christie Will Wolf)


Poor Vicky Patterson!

All she wants is …. well, actually she wants a lot but none of it is really too much to ask.  Vicky (pictured above and played by Maiara Walsh) wants to grow up to lead a successful life, like the life led by her wealthy and demanding mother (Gail O’Grady).  She wants to be one of the popular girls at school.  She wants to date a star athlete and she wants to be the girl who throws the legendary party that all of her classmates will be talking about for years after they graduate.  She wants to be the captain of her high school’s cheerleading squad.  Not the co-captain or anything like that.  No, she wants to be the captain.

The only problem is that Vicky is 31 years old and she dropped out of high school a long time ago.  In fact, she dropped out after it became obvious that she would never make the squad, the popular girls would never accept her, and she’d never be able to make her mother happy.  So, now, Vicky is working in a dead-end job at an outlet store and supporting her good-for-nothing boyfriend, Darren (Matty Finochio).  When Vicky talks about going back to night school and maybe even trying to earn a degree, her mother informs her that she’s too old to have any hope of successfully breaking into any worthwhile industry.  In short, Vicky’s life is pretty much over.

However, Caitlyn’s life has just begun!  Caitlyn is what Vicky starts calling herself after she steals the identity of one of her co-workers.  As Caitlyn, Vicky enrolls herself at the local high school.  She tells all of her new classmates that she’s 18 years old and that she and her mom have just moved to town.  As Caitlyn, Vicky finally makes the cheerleading squad and gets to experience the life about which she’s spent the past decade dreaming.  Suddenly, she’s hanging out with the popular crowd.  She’s got an athletic boyfriend.  She’s got a future to which she can actually look forward!

Of course, there are some problems.  No solution is ever perfect.  For one thing, Darren wants to know why his girlfriend is suddenly dressing like a teenager and spending so much time out of the apartment.  For another thing, another girl is named captain of the squad so Vicky has to arrange for her to break her ankle.  (Vegetable oil has so many uses.)  There’s also the fact that one of her fellow cheerleaders, Heather (Karis Cameron), is suspicious that Vicky may not be who she claims to be.  This is a Lifetime film, so you can probably guess that this is going to lead to murder and attempted murder.  But seriously, what else could Vicky do?  Go back to working at Big Lots?

In the long and proud history of Lifetime cheerleading films, Identity Theft Of A Cheerleader is perhaps the best yet.  I don’t say this lightly because there’s been some great Lifetime cheerleading films.  But what sets Identity Theft Of A Cheerleader apart from all the others is the wonderfully unhinged — yet, at times, oddly sympathetic — performance of Maiara Walsh.  As played by Walsh, Vicky is both dangerous and relatable.  I don’t think there’s anyone alive who hasn’t, at some point, wished for a chance to relive a year from their past and make some different choices, if just for the opportunity to see what would happen.  Identity Theft Of A Cheerleader embraces the melodrama as all good Lifetime film should but, at the same time, it also taps into a very real human emotion.  Who hasn’t asked “What if?”

Despite the rather unwieldy title, Identity Theft Of A Cheerleader is an entertaining and undeniably enjoyable Lifetime film.  Director Christie Will Wolf and screenwriter  Barbara Kymlicka craft a fun melodrama that’s rooted just enough in reality to stick with you even after the final cheer.

Here’s The Latest Trailer for Black Christmas!


To be honest, I thought that someone had already done a remake of Black Christmas but I guess we’re getting a new one.  Maybe it’s going to become a new holiday tradition.  Every year, we’ll get a new Black Christmas and we can go to the theater and all yell out, “The call is coming from inside the house!” at the same time.

And you know what?  I think that’ll bring people together.  I mean, we can only spend so much time hoping that the MCU will continue to bring filmgoers together.  Myself, I’ve been a bit disenchanted ever since Natasha died in Avengers: Endgame and the fact that the most charming member of the MCU has apparently been taken out of the MCU and sent back to Sony kind of makes me wonder if perhaps the MCU’s glory days might be over with.

My point is, we need a new franchise to bring us together and an annual remake of Black Christmas might just be what Doctor Strange ordered.

Anyway, here’s the latest trailer for Black Christmas, which will be released on December 13th.  Hopefully, somebody in Hollywood learned a lesson from the mismarketing of David Fincher’s version of The Girl With The Dragon Tattoo and they won’t advertise this as being the “Feel Bad Movie Of The Holidays.”

(Yes, 8 years later and I’m still bitter about that.)

Here’s the trailer!

Film Review: Shadowplay (dir by Tony Pietra Arjuna)


When he was just a child, Anton Shaw disappeared, the victim of an apparent kidnapping.  He was missing for days until he was found with little memory of where he had been or who had abducted him.  He’s haunted by dreams of his mother being taken away from him, her farewell cry of “Adieu,” ringing in his mind.

As an adult, Anton (played by Tony Eusoff) is a private investigator, working in Kuala Lampur, Malaysia.  He’s not a particularly successful detective.  In fact, as the film begins, it seems like he spends more time reading old paperback novels about other detectives than doing any investigating of his own.  Even as an adult, he’s haunted by dreams and random flashes of memories, all linking back to the trauma that he suffered as a child.

When Anton is hired to investigate the disappearance of a college student named Lumya (Jurias Hartman), he soon finds himself plunging into the underworld of Kuala Lampur.  Everyone from Lumya’s dance instructor to her art teacher seems to have something to hide and, for once, Anton’s problem is not having enough options but instead having too many.  Everyone seems as if they may have had something to do with Lumya’s disappearance and the more that Anton digs, the more he finds himself obsessing on his own disappearance.  Could these two mysteries somehow be linked?

While Anton investigates, he also reads a book.  The book, with is credited to no author and no publisher, appears to be a choose your own adventure-type book from the 1980s and the choices that it asks the reader to make are unmistakably similar to the choices that Anton will have to make to solve not only Lumya’s mystery but his own as well.  Does the book hold the answers to Anton’s questions or is both his disappearance and Lumya’s destined to just be another unsolved mystery in a world that’s full of them?

 

Shadowplay is a wonderfully surreal mystery from director Tony Pietra Arjuna.  Tempting as it may be to call Shadowplay a film noir, perhaps a better label would be neon noir.  The city of Kula Lampur is definitely one of the stars of the film with, Arjuna capturing the urban landscape with its mix of beauty and danger.  The neon of the city glows in each scene, adding a progressively more and more menacing tint to each chapter of Anton’s story.  When Anton’s investigation leads him to a bar, Ich bin ein Berliner glows, in purple lettering, from a wall, a reminder that all things will ultimately be commercialized.  Towards the end of the film, when Anton meets some very bad people, the neon gives off a red glow that warns us of the blood that will soon be spilled.  Throughout it all, the synthpop score (provided by Stellar Dreams) pulses in the background, adding to the film’s dream-like feel.

Shadowplay is a film that keeps you off-balance.  It’s a film that keeps you wondering what’s real and what is just a fragment of memory or a figment of imagination.  It’s a film that welcomes a second viewing, just so you can pick up on the clues that you might have missed the first time around.  In the lead role, Tony Eusoff makes Anton into a sympathetic character and, even as the film grows progressively more surreal, the sincerity of his performance keeps you watching.  You want to know what’s going on in his mind.  You want to know the answers to his questions and the solutions to his mysteries.

Playing out like a filmed dream, Shadowplay is an existential journey worth taking.  It’s played in some theaters and is currently available on VOD.  I watched it on Vimeo.

Bruce Lee vs. The Star Whackers: Game of Death (1978, directed by Robert Clouse)


Billy Lo (played by archival footage of Bruce Lee and two stand-ins) is the world’s biggest film star and the Syndicate (represented by Dean Jagger and Hugh O’Brian) want a piece of the action.  When Billy refuses to allow the Syndicate to take control of his career, the Syndicate responds by threatening both Billy and his girlfriend (Colleen Camp).  After a Syndicate hitman sneaks onto the set of Billy’s latest film and shoots him in the face, Billy allows the world to believe that he’s dead.  Using a variety of disguises, Billy seeks revenge on the Syndicate and all of its assassins, including the 7 foot tall Hakim (Kareem Abdul-Jabbar).

Lee’s original plan for the Game of Death was that it would feature him as a retired martial artist who, in order to save the lives of his family, had to make his way up a five-level pagoda, defeating a different guardian on each floor.  Each guardian would represent a different fighting style and the journey up the pagoda would allow Lee to discuss his beliefs regarding the principles of martial arts.  Serving as both director and star, Lee did during the making of the film, of cerebral edema though some said Lee was either murdered or that he had faked his own death.

Released seven years after his death, the final version Game of Death has little in common with Lee’s original vision.  Only about 11 minutes of footage from the original film was used in the revised version and most of Lee’s philosophical concerns were abandoned for a plot that, today, feels like it could have been lifted from Randy Quaid’s twitter timeline.  (Also, when watching the film today, it’s also impossible to watch the Syndicate’s assassins disguise Billy Lo’s shooting as an on-set accident without being reminded of what would happen to Brandon Lee on the set of The Crow.)  Game of Death opens with footage lifted from Lee’s battle with Chuck Norris at the end of Way of the Dragon and the other fight scenes are full of close-ups of Lee that were obviously lifted from other films.  There’s even a scene in Billy’s dressing room where a cardboard cut-out of Lee’s face has obviously been taped onto a mirror.  After Billy fakes his own death, footage of Bruce Lee’s actual funeral is shown, including a shot of Lee in his coffin.

If you can overlook the ethical issues of making a Bruce Lee film without the actual participation of Bruce Lee, Game of Death is actually a pretty entertaining movie.  Director Robert Clouse had previously directed Enter the Dragon and obviously knew how to direct a fight scene while even stock footage of Bruce Lee has more charisma than the average action star.  Best of all, Bruce Lee battles Kareem Adbul-Jabbar, in an epic scene that Lee himself directed for the original version of Game of Death.  When the 7’2 Kareem Abdul Jabber plants his foot in the middle of Bruce Lee’s chest, Game of Death achieves pop cultural immortality.

Thorny ethical concerns aside, Game of Death proves that Bruce Lee will live forever.

Lifetime Film Review: The Secret Lives of Cheerleaders (dir by Peter Sullivan)


When I first started high school, quite a few people told me that I needed to follow my sister Erin’s example and try out for cheerleader and I have to admit that I was occasionally tempted to do so.  I never did because I already had ballet and drama club, I wanted to establish my own identity, and Erin told me that being cheerleader meant that I had to be perky all the time and, quite frankly, I’ve always needed my time to sulk.  Add to that, I’ve always been a natural contrarian so my usual response to several people telling me that I need to do something is to do the exact opposite.  (That was perhaps even more true in high school than it is today.)

On the one hand, I can honestly say that I have never regretted not trying out for cheerleading.  On the other hand, it’s only natural to occasionally wonder, “What if?” Would I have been the nice, responsible cheerleader like the type that Kirsten Dunst played in Bring It On?  Would I have been the bitchy cheerleader who cruelly maintained the school’s status quo?  Or would I have been the one trying to make fetch happen?  Personally, I like to think that I would have been the cheerleader who dressed in all black and who came up with snarky cheers that sarcastically commented on modern culture.

That question of “What If?” is one of the reasons why I always make sure to catch all of the Lifetime cheerleading films.  The other reason is that I enjoy making Erin watch them with me so I can ask her if they’re a realistic depiction of what it was like to be a cheerleader.  For instance, earlier today, I made Erin watch The Secret Lives of Cheerleaders with me and I asked her, “Is this an accurate portrayal of cheerleading?”

“Maybe if you were a cheerleader in Hell,” she replied.

In The Secret Lives of Cheerleaders, Savannah May plays Ava.  Ava and her mother, Candice (Denise Richards), have just moved to a new town and that means that Ava is going to be starting at a new high school.  With her mother’s very strong (some might say too strong) encouragement, Ava tries out for cheerleading and makes the squad.  Soon, Ava is not only a hit with the other cheerleaders but she’s also on her way to becoming the most popular girl at school!  That doesn’t sit well with Katrina (Alexandria DeBerry), the cheer captain and homecoming queen who is all about three things: trying to control everyone’s lives, hazing the Hell out of all the new recruits, and being more popular than everyone else.  When Ava makes it clear that she’s going to date whoever she wants (even if he isn’t a starter on the football team) and that she’s not really that happy with all the hazing either, Katrina plots to take down her only potential rival.

There’s not a subtle moment to be found in The Secret Lives of Cheerleaders, which is why it’s perhaps the best Lifetime cheerleader film ever made.  From the minute that Katrina gives Ava the side eye, we know that we’re in store for an epic battle between two differing philosophies of high school popularity, with Ava representing the way we wish things could be while Katrina represents what we secretly suspect the world to be like.  The film’s signature scene is perhaps the moment when Katrina and Ava get into an impromptu dance-off on the football field.  It’s so thoroughly and unashamedly over-the-top that it’s also more than a little brilliant.

I mean, seriously, this is a Lifetime cheerleader film.  You don’t watch a film like this for a subtlety.  You watch a film like this for scenes of Katrina live-streaming a hazing and forcing her rival to stand on edge of the roof of the school.  We watch a film like this for the moment that the entire high school breaks into applause as they watch one of their classmates get led away in handcuffs.  Savannah May and Alexandria DeBerry are well-cast as the rival cheerleaders and DeBerry especially deserves credit for making Katrina the most joyfully evil cheerleader in recent memory.

Whether it’s an accurate portrayal of high school cheerleading or not, The Secret Lives of Cheerleaders is an undeniably entertaining Lifetime film.  It fully embraces the melodrama and we’re all better for it.

Pre-Code Confidential #29: Joan Blondell is BLONDIE JOHNSON (Warner Bros 1933)


gary loggins's avatarcracked rear viewer

There are many contenders for the crown Queen of Pre-Code – Jean Harlow, Miriam Hopkins, Barbara Stanwyck, Mae West, and a slew of other dames – but there’s only one Joan Blondell! Rose Joan Blondell was “born in a trunk” (as they say) to vaudevillian parents on August 30, 1906, and made her stage debut at the tender age of four months. Little Joanie took to show biz like a duck to water, and worked her way up to Broadway, costarring with a young actor named James Cagney in 1930’s PENNY ARCADE; the pair went to Hollywood for the film version, retitled SINNERS’ HOLIDAY, their first of seven screen teamings.

Our Girl Joanie struck a chord with Depression Era audiences: she was a tough, wisecracking, fast-talking, been-around-the-block tomato whose tough-as-leather veneer cloaked a heart of gold. Joan and Glenda Farrell had ’em rolling in the aisles as a pair…

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Empathy Inc. Movie preview, review and trailer


Don’t worry, what you are about to read does not exist out side of your own mind.

poster

Let’s get the technical out if the way before I gush all over this film.

Cast:

Zack Robidas as Joel

Kathy Searle as Jessica

AJ Cedeno as Sonny

Eric Berryman as Nicolaus

Director:

Yedidya Gorsetman

Preview: 

Hotshot venture capitalist Joel has a multimillion-dollar deal go up in smoke, and he and his actress wife Jessica are forced to move in with her parents and start from scratch. At the lowest and most desperate moment in his life, Joel meets old friend Nicolaus
and his business partner Lester, who are seeking investors in a new technology known as XVR—Xtreme Virtual Reality—from their company Empathy, Inc., which is said to offer the most realistic and moving experiences for users by placing them in the lives of the less fortunate. Joel gets the startup its funds but soon discovers that the tech’s creators have far more sinister uses in store for their creation and that the reality it provides its customers isn’t virtual.

Review:

I got sucked into this movie from the minute I started watching. And I’m still not sure if I’m watching real life or a VR of real life. Eric Berryman steals this movie and Zack Robidas closes the deal. Yedidya Gorsetman takes you on a fantastic ride of real life and what real life could be. There are other VR movies out there, but I don’t think I have seen one as completely put together as Empathy, Inc. is in a long time. They are two people (characters) in this movie that I haven’t even mentioned that their performance is so amazing I got lost in them.

Would I Recommend this movie?

Absolutely! Yes! Go spend your bitcoins and virtual dollars on this movie!

Now that I recommended it where can you watch?

Empathy, Inc. will have limited theater releases by Dark Star Pictures on September 13th and on VOD September 24th

If you are still hesitant and want to see a trailer first, here you go into a VR world you might not escape from!

 

Ride the Trail to DODGE CITY with Errol & Olivia (Warner Brothers 1939)


gary loggins's avatarcracked rear viewer

1939 has been proclaimed by many to be Hollywood’s Greatest Year. I could make a case for 1947, but I won’t go there… for the moment. Be that as it may, 1939 saw the release of some true classics that have stood the test of time, including in the Western genre: DESTRY RIDES AGAIN, JESSE JAMES, STAGECOACH , and UNION PACIFIC. One that doesn’t get a lot of attention anymore is DODGE CITY, the 5th screen pairing in four years of one of Hollywood’s greatest romantic duos, heroic Errol Flynn and beautiful Olivia de Havilland.

DODGE CITY was Warner Brothers’ biggest hit of 1939, and the 6th highest grossing picture that year, beating out classics like GOODBYE MR. CHIPS, GUNGA DIN, NINOTCHKA, and THE WIZARD OF OZ. It’s a rousing actioner with plenty of romance and humor thrown in, shot in Glorious Technicolor by Warners’ ace director Michael Curtiz …

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Lisa’s Early Oscar Nominations for August


It’s the time of the month again!

It’s time for me to share my early Oscar predictions!  With the Telluride and Venice Film Festivals currently underway, the Oscar picture does seem to be a little bit less murky.  But then again, we should remember that appearances can be deceiving.  Last year, at this time, most people were still expecting a First Man vs. Beale Street vs. A Star is Born Oscar race.

These predictions below take into account the reports that have been coming back from Telluride and Venice.  If you want to see how my thinking has evolved over the year, be sure to check out my predictions from January, February, March, April, May, June, and July!

And now, for what their worth, here are my predictions for August:

Best Picture

1917

A Beautiful Day In The Neighborhood

The Farewell

Ford v Ferrari

Harriet

A Hidden Life

The Irishman

Little Women

Once Upon A Time In Hollywood

Waves

Best Director

Kasi Lemmons for Harriet

Terrence Malick for A HIdden Life

Sam Mendes for 1917

Trey Edward Shults for Waves

Martin Scorsese for The Irishman

Best Actor

Antonio Banderas in Pain & Glory

Leonardo DiCaprio in Once Upon A Time In Hollywood

Eddie Murphy in Dolemite is My Name

Joaquin Phoenix in Joker

Adam Sandler in Uncut Gems

Best Actress

Awkwafina in The Farewell

Cynthia Erivo in Harriet

Saoirse Ronan in Little Women

Alfre Woodard in Clemency

Renee Zellweger in Judy

Best Supporting Actor

Sterling K. Brown in Waves

Willem DaFoe in The Lighthouse

Anthony Hopkins in The Two Popes

John Lithgow in Bombshell

Brad Pitt in Once Upon A Time In Hollywood

Best Supporting Actress

Penelope Cruz in Pain & Glory

Scarlett Johansson in Jojo Rabbit

Nicole Kidman in The Goldfinch

Margot Robbie in Once Upon A Time In Hollywood

Zao Shuzhen in The Farewell

4 Shots From 4 Films: Happy Birthday Joan Blondell


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking. Hollywood Pre-Code Queen Joan Blondell was born on this date in 1906. After starring in vaudeville and on Broadway, Joan made her film debut in 1930, beginning a screen career that lasted 50 years, until her death in 1979 (her final film was released posthumously in 1981). In honor of one of my favorite stars of the Golden Age, here are 4 Shots from the Films of Joan Blondell (and be on the lookout for more on Joanie, coming next week!):

Blonde Crazy (1931; D: Roy Del Ruth)

Gold Diggers of 1933 (1933; D: Mervyn LeRoy)

Nightmare Alley (1947; D: Edmund Goulding)

Grease (1978; D: Randal Kleiser)

Happy Birthday, Joanie!