A Movie A Day #225: Behind The Camera: The Unauthorized Story of Mork & Mindy (2005, directed by Neil Fearnley)


The year is 1978.  A television producer named Garry Marshall (Daniel Roebuck) teaches America how to laugh again by casting Pam Dawber (Erinn Hayes) and a hyperactive stand-up comedian named Robin Williams (Chris Diamantopoulos) in a sitcom about an alien struggling to understand humanity.  Despite constant network interference, the show makes Robin a star but, with stardom, comes all the usual temptations: lust, gluttony, greed, pride, envy, wrath, and John Belushi.

The Behind The Camera films, which all dramatized the behind the scenes drama of old television shows, were briefly a big thing in the mid-aughts.  Because they were lousy, they never got good reviews but they did get good ratings from nostalgia-starved baby boomers and gen xers.  I think The Unauthorized Mork & Mindy Story was the last one produced.  It probably would have been better if there had been any sort of drama going on behind-the-scenes of Mork & Mindy but, according to this movie, everyone got along swimmingly.  Williams may get hooked on cocaine but the film squarely puts the blame for that on John Belushi.  The script, which was obviously written with one eye on avoiding getting sued, is sanitized of anything that could have reflected badly on anyone who was still alive when the movie aired.

Stuck with unenviable task of having to play one of the most famous people in the world, Chris Diamantopoulos was not terrible as Robin Williams.  Considering how sanitized the script was, not terrible is probably the best that could be hoped for.  There was not much of a physical resemblance but Diamantopoulos nailed the voice and some of the mannerisms.  Erinn Hayes looks like Pam Dawber but, just as in the actual show, the movie gives her the short end of the stick and focuses on Williams.

For aficionados of bad television, this is mostly memorable for Daniel Roebuck’s absolutely terrible performance as Garry Marshall and a scene in which Williams is heckled in a comedy club but an overweight man who steps out of the shadows and announces that he’s John Belushi!  Roebuck’s performance as Garry Marshall begins and end with his attempt to impersonate Marshall’s familiar voice.  He was much better cast as Jay Leno in The Night Shift.  As for Belushi , since he was not around to sue or otherwise defend himself, the movie goes all out to portray Belushi (who was played by Tyler Labine) as being an almost demonic influence on Williams.   The film’s portrayal of Belushi is even worse and probably more inaccurate than Wired and that’s saying something!

To quote Mork himself: Shazbot!  This movie is full of it.

Roger of the Skies: VON RICHTOFEN AND BROWN (United Artists 1971)


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Producer/director Roger Corman finally cut ties with American-International Pictures after they butchered his apocalyptic satire GAS-S-S! Striking out on his own, Corman’s next movie was VON RICHTOFEN AND BROWN, a World War I epic about famed German aerial ace The Red Baron and the Canadian pilot who shoots his down Roy Brown. There are grand themes, as Corman sought to make a statement on the futility of war, the end of chivalry, and the mechanized savagery of what was to be “the last war”. The film looks good, shot in Ireland, with exciting aerial footage, but despite all the outer trappings VON RICHTOFEN AND BROWN is still a Corman drive-in movie.

John Philip Law also looks good as Baron Manfred von Richtofen, the aristocrat/warrior who became the feared Red Baron. Law was always great to watch, whether as the blind angel in BARBARELLA, the black-clad supervillain in DANGER: DIABOLIK, sexy Robin Stone in…

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Scene That I Love: The End of the World from Lars Von Trier’s Melancholia


Over the past few years, there’s been many movies about the end of the world.

A lot of them have been pretty bad.  I never did find the high heel that I threw at the screen while watching Seeking A Friend For The End Of The World.

And some of them have been pretty good.  Dawn of the Planet of the Apes and its sequels come to mind.

And then there’s Lars Von Trier’s Melancholia.  Von Trier is always going to be controversial filmmaker but no one has ever matched his brilliance when it came to capturing the end of existence.  In Melancholia, a depressed woman (played in a revelatory performance by Kristen Dunst) finds unexpected strength in the end of the world.  As can be seen in the scene below, it’s a beautifully sad film, one that ends on a note of triumphant apocalypse:

A Movie A Day #224: Armed and Dangerous (1986, directed by Mark L. Lester)


John Candy and Eugene Levy make a great team in the underrated comedy, Armed and Dangerous.

John Candy plays Frank Dooley, a member of the LAPD.  One of the first scenes of the movie is Frank climbing up a tree to save a little boy’s kitten and then getting stuck in the tree himself.  When Frank discovers two corrupt detectives stealing televisions, Frank is framed for the theft and kicked off the force.

Eugene Levy plays Norman Kane, a lawyer whose latest client is a Charles Manson-style cult leader who has a swastika carved into his head.  After being repeatedly threatened with murder, Norman asks for a sidebar and requests that the judge sentence his client to life in prison.  The judge agrees on the condition that Norman, whom he describes as being “the worst attorney to ever appear before me,” find a new line of work.

Frank and Norman end up taking a one day training course to act as security guards and are assigned to work together by their tough by sympathetic supervisor (Meg Ryan!).  Assigned to guard a pharmaceutical warehouse, Frank and Norman stumble across a robbery.  The robbery leads them to corruption inside their own union and, before you can say 80s cop movie, Frank and Norman are ignoring the orders of their supervisors and investigating a crime that nobody wants solved.

Armed and Dangerous was one of the many comedy/cop hybrid films of the 1980s.  Like Beverly Hills Cop, it features Jonathan Banks as a bad guy.  Like the recruits in Police Academy, all of Frank and Norman’s fellow security guards are societal misfits who are distinguished by one or two eccentricities.  There is nothing ground-breaking about Armed and Dangerous but Mark Lester did a good job directing the movie and the team of Candy and Levy (who has previously worked together on SCTV) made me laugh more than a few times.

Armed and Dangerous was originally written to be a vehicle for John Belushi and Dan Aykroyd.  It’s easy to imagine Belushi and Aykroyd in the lead roles but I think the movie actually works better with Candy and Levy, whose comedic style was similar to but far less aggressive than that of Belushi and Aykroyd.  One of the reasons that Armed and Dangerous works is because John Candy and Eugene Levy seem like the two last people to ever find themselves in a shootout or a car chase.  With Belushi and Aykroyd, it would have been expected.  After all, everyone’s seen The Blues Brothers.

 

A Movie A Day #223: The Texas Rangers (1936, directed by King Vidor)


Sam (Lloyd Nolan), Jim (Fred MacMurray), and Wahoo (Jack Oakie) are three outlaws in the old west.  Wahoo works as a stagecoach driver and always lets Sam and Jim know which coaches will be worth holding up.  It’s a pretty good scam until the authorities get wise to their scheme and set out after the three of them.  Sam abandons his two partners while Jim and Wahoo eventually end up in Texas.  At first, Jim and Wahoo are planning to keep on robbing stagecoaches but then they realize that they can make even more money as Texas Rangers.

At first, Jim and Wahoo are just planning on sticking around long enough to make some cash and then split.  However, both of them discover that they prefer to be on the right side of the law.  After they save a boy named David from Indians, Jim and Wahoo decide to stay in Texas and protect its settlers.

The only problem is that their old friend Sam has returned and his still on the wrong side of the law.

Made to commemorate the Texas centenary (though it was filmed in New Mexico), The Texas Rangers is a good example of what’s known as an oater, a low-budget but entertaining portrayal of life on the frontier.   King Vidor does a good job with the action scenes and Fred MacMuarry and Jack Oakie are a likable onscreen team.  The best performance comes from Lloyd Nolan, as the ruthless and calculating Sam.  Sam can be funny and even likable but when he’s bad, he’s really bad.

Jack Oakie was better known as a comedian and The Texas Rangers provides him with a rare dramatic role.  Four years after appearing in The Texas Rangers, Oakie would appear in his most famous role, playing a parody of Benito Mussolini in Charlie Chaplin’s The Great Dictator.

Dead Pigeons Make Easy Targets: THE CHEAP DETECTIVE (Columbia 1978)


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THE CHEAP DETECTIVE could easily be subtitled “Neil Simon Meets MAD Magazine”. The playwright and director Robert Moore had scored a hit with 1976’s MURDER BY DEATH, spoofing screen PI’s Charlie Chan, Sam Spade, and Nick & Nora Charles, and now went full throttle in sending up Humphrey Bogart movies. Subtle it ain’t, but film buffs will get a kick out of the all-star cast parodying THE MALTESE FALCON, CASABLANCA , TO HAVE AND HAVE NOT, and THE BIG SLEEP .

Peter Falk  does his best Bogie imitation as Lou Peckinpaugh, as he did in the previous film. When Lou’s partner Floyd Merkle is killed, Lou finds himself in a FALCON-esque plot involving some rare Albanian Eggs worth a fortune. Madeline Kahn , John Houseman, Dom De Luise , and Paul Williams stand in for Mary Astor, Sydney Greenstreet, Peter Lorre, and Elisha Cook Jr, respectively, and they milk it for every…

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A Movie A Day #222: Secret Service of the Air (1939, directed by Noel M. Smith)


When a secret service agent’s investigation into a supposed counterfeiting ring instead leads to him discovering a plot to smuggle illegal aliens into the United States via airplanes, the agent ends up plummeting several hundred miles to his death.  Realizing that they need someone who can go undercover and infiltrate the smuggling ring, the Secret Service recruits Lt. Brass Bancroft (Ronald Reagan).  Bancroft is a war hero who is now a commercial airline pilot.  He is also good with his fists, has an innate sense of right and wrong, and a sidekick named Gabby (Eddie Foy Jr., giving a very broad performance as the movie’s comic relief).  But before Brass can win the trust of the smugglers, he will have to establish a firm cover story and that means allowing himself to be arrested on fake charges.  In order to save the day, Brass will have to first survive prison.

If Secret Service of the Air is remembered today, it is because it featured future President Ronald Reagan in an early starring role.  In the role of Brass Bancroft, Reagan gives a performance that can be best described as being amiable.  He may not be anyone’s idea of a good actor but he is likable, a trait that served him well when, 26 years later, he ran for governor of California.  As for the rest of the movie, it was obviously cheaply made but it is also only an hour long, which means that there is rarely time for a dull moment.  It plays out like as serial, with a new cliffhanger ever few minutes.  Though Reagan was dismissive in the film in his autobiography, Secret Service of the Air was enough of an unexpected success that he would play Brass Bancroft is two sequels.

A Movie A Day #221: Scorned (1994, directed by Andrew Stevens)


“In an hour, I promise, you’ll be able to beg in two languages.” — Patricia (Shannon Tweed) in Scorned

If anyone could pull that line off, it would be Shannon Tweed at the height of her Skinemax stardom!

In Scorned, Shannon plays Patricia, the beautiful wife of executive Truman Langley (Daniel McVicar).  Truman is desperate to land the Wainwright account, thinking it could be the key to getting a huge promotion.  To help him out, Patricia sleeps with Mason Wainwright (Stephen Young).  Truman gets the account but Alex Weston (Andrew Stevens, who also directed) gets the promotion.  After Truman kills himself, Patricia shows up at the Weston house, disguised as a tutor for their son, Robey (Michael D. Arenz).  Like clockwork, Patricia seduces not just Alex and Robey but Marina Weston (Kim Morgan Greene) as well.

Of the many direct-to-video films that Andrew Stevens and Shannon Tweed made together in the 90s, Scorned is one of the best.  Of course, Shannon Tweed looks good.  Of all the regular 90s direct-to-video vixens, Shannon was the sexiest.  What is often forgotten is that Shannon could also actually act and she shows that here with her ferocious performance.  Andrew Stevens does a good job too, giving an above average performance and, as a director, staying out of Shannon’s way.  He knows that everyone watching the movie is watching to see Shannon and this film does not disappoint.

It does stretch credibility that no one in the household realizes that Shannon is trying to destroy them but, then again, what parents would actually hire their hormonal, teenage son a live-in tutor who looks like this?

It is all about maintaining a healthy suspension of disbelief.

 

A Movie A Day #220: Entangled (1993, directed by Max Fischer)


There has been a car crash in Paris and now, David (Judd Nelson) is in the hospital, slowly recovering.  In flashbacks, it is revealed that David is an American writer who came to France after his first novel flopped.  He came to see his best friend, a womanizing photographer (Roy Dupuis), and ended up meeting and falling in love with the beautiful model, Annabelle (Laurence Treil).  Even as he worked on his second novel, he was consumed with jealousy over Annabelle.  Why was she sneaking off to a château owned by a mysterious and decadent businessman named Garavan (Piece Brosnan)?  Any why, while he is in the hospital, is his second novel published and credited to someone else?

Entangled is yet another 90s neo-noir starring Judd Nelson.  Laurence Treil was beautiful and often naked, which made it perfect for showings on Skinemax but the movie fails because, like so many others, it requires the audience to believe that Judd Nelson could not only write a book but get a model girlfriend as well.  That takes much more work than is portrayed in Entangled.  Early on in Entangled, Judd Nelson gropes a cardboard cut-out of George H.W. Bush and it is pretty much all downhill from there.  Not even Brosnan doing a good job as a sinister character can do much to save Entangled.

What could have saved Entangled?  Like so many of Judd Nelson’s direct-to-video movies, Entangled needed the calming hand of Judd’s co-star from Shattered If Your Kid’s On Drugs, Burt Reynolds!

Am I saying that Entangled would have been a better movie if Burt Reynolds had been given a role?

It couldn’t have hurt.

Action in the Alps: WHERE EAGLES DARE (MGM 1969)


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Alistair MacLean’s adventure novels, filled with muscular action and suspenseful plot twists, thrilled moviegoers of the 60’s and 70’s in such big budget hits as THE GUNS OF NAVARONE and ICE STATION ZEBRA. In his first foray into screenwriting, 1969’s WHERE EAGLES DARE,  he adapted his own work to the silver screen, resulting in one of the year’s biggest hits, aided by the box office clout of Richard Burton and Clint Eastwood . The film’s a bit long, running over two and a half hours, but action fans won’t mind. There’s enough derring-do, ace stunt work, explosions, and cliffhanging (literally!) to keep you riveted to the screen!

A lot of the credit goes to veteran stunt coordinator Yakima Canutt, in charge of all the action scenes as second unit director. Canutt staged some of the most exciting scenes in film history, from John Ford’s STAGECOACH to William Wyler’s BEN HUR, and certainly keeps things busy…

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