Drive-In Saturday Night 2: BIKINI BEACH (AIP 1964) & PAJAMA PARTY (AIP 1964)


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Welcome back to Drive-In Saturday Night! Summer’s here, and the time is right for a double dose of American-International teen flicks, so pull in, pull up a speaker to hang on your car window, and enjoy our first feature, 1964’s BIKINI BEACH, starring Frankie Avalon and Annette Funicello:

BIKINI BEACH is the third of AIP’s ‘Beach Party’ movies, and this one’s a typical hodgepodge of music, comedy, and the usual teenage shenanigans. The gang’s all here, heading to the beach on spring break for surfing and swinging. This time around, there’s a newcomer on the sand, British rock star The Potato Bug, with Frankie playing a dual role. Potato Bug is an obvious spoof of the big Beatlemania fever sweeping the country, with all the beach chicks (or “birds”, as he calls ’em) screaming whenever PB starts singing one of his songs, complete with Lennon/McCartney-esque “Wooos” and “Yeah, yeah, yeahs”…

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New Recipe: HOW TO STUFF A WILD BIKINI (AIP 1965)


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HOW TO STUFF A WILD BIKINI, the sixth entry in American-International’s “Beach Party” series, attempts to breathe new life into the tried-and-true  formula of sun, sand, surf, songs, and corny jokes. Frankie Avalon and Annette Funicello are still around as Frankie and Dee Dee, but in this go-round they’re separated; he’s in the Navy stationed on the tropical island of Goona-Goona, while Annette has to contend with the romantic enticements of Dwayne Hickman .

Frankie’s part amounts to a cameo, enlisting local witch doctor Buster Keaton (!!) to keep those girl-hungry beach bums away from Dee Dee (while he frolics unfettered with lovely Irene Tsu !). Keaton’s magic ain’t what it used to be, so he has his daughter conjure up a knockout named Cassandra, who first appears on the beach as an animated bikini. All the boys go ga-ga for Cassandra, including a go-go ad man named Peachy Keane…

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Drive-In Saturday Night: DR. GOLDFOOT AND THE BIKINI MACHINE (AIP 1965) & DR. GOLDFOOT AND THE GIRL BOMBS (AIP 1966)


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American-International Pictures, never ones to shy away from jumping on a trend, released a pair of secret agent spoofs starring the one and only Vincent Price as the evil supervillain Dr. Goldfoot. AIP president James H. Nicholson himself allegedly came up with the story, wanting to use the film as a showcase for wife Susan Hart, a beautiful woman of limited talent. The first was DR. GOLDFOOT AND THE BIKINI MACHINE, an endearingly goofy little movie co-starring SKI PARTY’s Frankie Avalon and Dwayne Hickman. The two even use the same character names from that previous film, Tod Armstrong and Craig Gamble – only reversed, with Frankie as Craig and Dwayne as Tod!

Mad scientist Goldfoot, an obvious cross between James Bond nemeses Dr. No and Goldfinger, is Price at his campy best, carving up large slices of ham as the malevolent meanie. His fiendish plot is creating an army of…

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Rockin’ in the Film World #14: SKI PARTY (AIP 1965)


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American-International Pictures takes the “Beach Party ” concept to the slopes in 1965’s SKI PARTY, an endearingly goofy ball of fluff headlining Frankie Avalon, Dwayne Hickman, Deborah Walley , and a pre-‘Batgirl’ Yvonne Craig . It sells itself with a sly wink to the audience that says, “We know the whole thing’s absurd, and we don’t care”! Besides the off-the-wall comedy, the film features above average musical interludes by guests Lesley Gore and the Godfather of Soul himself, James Brown.

Frankie and Dwayne play a pair of slightly overage college students (Avalon was 25, Hickman 31!) trying to woo Deborah and Yvonne. The two knuckleheads can’t figure out why they can’t get to first base, while college Romeo Aron Kincaid scores with every babe on campus. When the whole gang (including Beach movie regulars Luree Holmes, Michael Nader, Salli Sachsee , and surfing champ Mickey Dora) go on a…

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A Movie A Day #328: Panic in Year Zero! (1962, directed by Ray Milland)


The year is 1962.  Lights flash over California and the news on the radio is bad.  What everyone feared has happened.  Atomic war has broken out and the world is about to end.  Refugees clog the highways as a mushroom cloud sprouts over Los Angeles.  This is year zero, the year that humanity will either cease to exist or try to begin again.

Harry Baldwin (Ray Milland) and his family were among the lucky ones.  They were camping in the mountains when the war broke out.  Harry does not hesitate to do what he has to do to make sure that his family survives.  Harry alone understand that this is a brand new world.  When a local storekeeper refuses to allow Harry to take any goods back to his family, Harry takes them by force.  While his wife (Jean Hagen) worries about whether or not her mother has survived in Los Angeles, Harry’s teenage son and daughter (Frankie Avalon and Mary Mitchel) try to adjust to the harshness of their new situation.  Harry may now run his family like a dictator but his instincts are proven correct when the Baldwins find themselves being hunted by three murderous, wannabe gangsters (Richard Bakalyan, Rex Holman, and Neil Nephew).  This is year zero.

As both a director and an actor, Ray Milland does a good job of showing what would be necessary for a family to survive in the wake of a nuclear apocalypse.  Milland doesn’t shy away from showing Harry as being harsh and violent but he also makes a good case that Harry has no other choice.  Everyone who tries to hold on to their humanity is either killed or sold into slavery.  What sets Panic In Year Zero! apart from so many of the other nuclear war films that came out in the 60s is that, instead of focusing on an anti-war message or calling for disarmament, Panic In Year Zero! seems to argue that end of the world is inevitable and only those who prepare ahead of time are going to survive.  Get a gun and make sure you know how to use it before it is too late to learn, the movie seems to be saying.  That the movie is probably correct in its pessimistic view of humanity makes it all the more powerful.  Panic in Year Zero! is a little-known but gritty and effective film about the end of the world

 

Fun in the Sun: BEACH BLANKET BINGO (AIP 1965)


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You’d think by the fourth entry in American-International’s ‘Beach Party’ series, 1965’s BEACH BLANKET BINGO, the formula would be wearing a bit thin. Frankie and Annette are still trying to make each other jealous, Eric Von Zipper and his Rats are still comic menaces, and the gang’s into yet another new kick (skydiving this time around). But thanks to a top-notch supporting cast of characters, a sweet subplot involving a mermaid, and the genius of comedy legend Buster Keaton , BEACH BLANKET BINGO is loads of fun!

Aspiring singer Sugar Kane skydives from a plan into the middle of the ocean and is “rescued” by surfer Frankie. But not really… it’s all been a publicity stunt by her PR agent ‘Bullets’. Sugar is played by lovely Linda Evans, right before she landed on TV’s THE BIG VALLEY, and ‘Bullets’ is none other than the fantastically sarcastic Paul Lynde. But wait… Eric Von Zipper…

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Back to the Beach: MUSCLE BEACH PARTY (AIP 1964)


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The “Beach Party ” gang’s back and so’s the familiar formula in MUSCLE BEACH PARTY, second in the American-International series. It’s Easter vacation and Frankie Avalon is still horny, Annette Funicello’s still waiting for marriage, and a beautiful foreign woman is again coming between them. This time it’s Lucianna Paluzzi as Countess Julie, a rich heiress who wants to make Frankie a singing star and her personal property.

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Eric Von Zipper and his Rats aren’t around this time, replaced by a bunch of bodybuilders led by trainer Jack Fanny (the inimitable Don Rickles). Julie first sets her sights on “Mr. Galaxy” Flex Martian, but dumps him when she spies Frankie. This leads to war between the surfers and the musclemen, with the inevitable slapstick melee. Flex is played by Rock Stevens, a real-life bodybuilder who muscled his way through a few Italian peplum films before reverting to his real name of Peter Lupus and…

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