Film Review: Forever My Girl (dir by Bethany Ashton Wolf)

Posted on January 20, 2018 by Lisa Marie Bowman

Forever My Girl is a film about a country music star who doesn’t understand how voicemail works.

It’s been nearly a decade since Liam Pace (Alex Roe) fled his Louisiana hometown. On the plus side, fleeing his town gave Liam the chance to become a country music star. He plays to sell-out crowds. His manager keeps him endlessly supplied with groupies and vodka. Apparently, he once got so strung out that, afterward, he didn’t even remember telling his father, the Reverend (John Benjamin Hickey), that he never wanted to talk to him again. The Reverend Pace did have some important news to give to Liam but … oh well.

On the negative side, when Liam fled his hometown, he also left behind his fiancée, Josie (Jessica Rohe). In fact, they were supposed to be married on the day that Liam left town. Eight years ago, Josie left him one message. Every day since then, Liam has listened to that voicemail. When a groupie accidentally steps on his ancient flip phone, Liam freaks and ends up running barefoot to the closest phone store. He’s chased by a group of adoring fans. Video of barefoot Liam goes viral! Liam doesn’t care. He’s just desperate to get the phone repaired because, again, Liam doesn’t understand how voicemail works.

(As we learn later in the film, Liam also doesn’t understand how to order stuff online. He doesn’t even carry his own credit cards. He’s a celebrity. People do stuff for him.)

Anyway, when an old friend of Liam’s dies, Liam returns to his hometown for the funeral. He doesn’t actually attend the funeral, of course. He just sits outside the church and listens to his Dad give the eulogy. Josie, when she spots him, proceeds to punch him in the stomach and then introduce him to her daughter, Billie (Abby Ryder Fortson). Billie is cute and adorable and 7 years old…

OH MY GOD!

LIAM HAS A DAUGHTER!

(Personally, I think it would have been funny if Josie had replied, “No, she’s your best friend’s daughter and she was conceived right after I called you and left that message…”)

Nobody in town thinks that Liam will ever be responsible enough to be a good father. They’re probably all looking at him and thinking, “How is he going to be a father when he’s still using a flip phone from 2008?” But Liam is determined to prove that he can be a good father and also to win back Josie. Fortunately, it doesn’t turn out to be too hard to win back Josie. Apparently, she hasn’t had a date in 8 years. But being a good father, that’s another challenge all together…

Forever My Girl, which is based on a novel by Heidi McLaughlin, is being advertised as a film for people “who love Nicholas Sparks movies.” Superficially, Forever My Girl may look similar to a Nicholas Sparks adaptation but actually, it’s never comes close to equaling the over the top melodrama of a good Nicholas Sparks film. If anything, Forever My Girl is such a mild and innocuous film that it feels more like something you’d expect to find on the Hallmark Channel rather than playing in theaters. You could easily imagine the film being turned into a television series where, every week, Liam would learn another lesson that would lead to him better appreciating small town life.

Forever My Girl is a sweet-natured movie and Alex Roe and Jessica Rothe are appealing in the lead roles. It’s a film that doesn’t feature people shooting guns or blowing stuff up and, for some people, that’s going to provide a nice diversion from the usual January releases. But, ultimately, the film is too thin and insubstantial to make much of a lasting impression.

Sundance Film Review: Circle of Power (dir by Bobby Roth)

Posted on January 20, 2018 by Lisa Marie Bowman

With the Sundance Film festival currently taking place in Utah, I am currently reviewing films that originally made a splash at the Sundance Film Festival!

(a.k.a. Circle of Power, Mystique, Naked Weekend, and probably a handful of other titles)

The Sundance Film Festival wasn’t always the Sundance Film Festival.

Up until 1984, it was known as the US Film Festival. Because of the involvement of Robert Redford, it was something of a big deal but still nowhere as big a deal as it is today. In fact, many of the films that were showcased and celebrated at the US Film Festival have slipped into obscurity. While winning an award at the US Film Festival may have been nice a ego boost for an independent filmmaker, it certainly didn’t bring a film anywhere near the amount of attention that winning at Sundance does now.

Take the long and strange saga of Circle of Power, for instance.

From my own research, it appears that Circle of Power was originally filmed in 1980. At that time, it was called Mystique. It premiered at the Chicago International Film Festival in 1981. A year later, under the title Circle of Power, it played at the US Film Festival. It was awarded the Dramatic prize (which was the forerunner for Sundance’s Grand Jury Prize).

After that, it still took Circle of Power two years to achieve national distribution. In 1984, when it was reviewed by Roger Ebert, the film had been released as Naked Weekend, a title that was as commercial as it was misleading. (There is nudity in the film but probably not the type of nudity that Naked Weekend‘s audience was expecting.) By the time the film was finally released on VHS, it had picked up yet another title: Brainwash.

That’s the poster for Brainwash at the top of this video. There are two images on that poster. One is of a woman holding a riding crop and showing off her bra. The other is of a naked man in a cage. Only the latter image actually appears in the movie.

The film’s distributors were obviously trying to sell Circle of Power as an exploitation film. Actually, it’s not. It’s … well, it’s hard to describe what exactly it is. It starts out with a title card, informing us that what we’re about to see is based on a true story. The rest of the film deals with a group of executives and their wives who are required to spend the weekend attending a “training course” at a beautiful hotel. The weekend gets off to a good start, with lots of dancing and laughing. Of course, none of the executives seem to notice that the hotel staff is watching them with a mix of scorn and pity.

(The film continually contrasts the privileged white executives with the largely black and Hispanic hotel staff.)

Before the training sessions begin, all of the executives and their wives are forced to sign a paper that states they understand that they will be psychologically and physically abused over the weekend. Only one executive objects and he is quickly bullied into signing by his co-workers. Apparently, they can’t do the training unless everyone agrees to sign.

The men and the women are separated. (Interestingly, all of the executives are men.) The men are “trained” by Bianca Ray (Yvete Mimieux, who is chilling in her final performance to date) while the women are left with Jordan Carelli (John Considine). The training turns out to be a combination of ego stripping and physical abuse. One overweight executive (Walter Olkewicz) is ordered to strip naked and is then locked in a cage, where food is dumped on him. An alcoholic is forced to lay down in a coffin. Soon, everyone is covered in bruises. What’s remarkable is that only one executive and his wife actually seems to find any of this to be objectionable. In fact, everyone else reacts to the abuse by hugging their abusers and crying for joy.

It’s a strange little film, one that often seems to be unsure of what it’s saying but which, at the same time, still possesses an undeniable power. The film may be 38 years old but brainwashing is a timeless subject. One need only spend an hour or two on twitter to see how easily people can be brainwashed. While the film probably disappointed those seeking a naked weekend, it’s still an undeniably watchable oddity.

Previous Sundance Film Reviews:

Sundance Film Review: I Don’t Feel At Home In This World Anymore (dir by Macon Blair)

Posted on January 19, 2018 by Lisa Marie Bowman

(With the Sundance Film Festival currently taking place in Colorado, I am currently reviewing films that originally made a splash at Sundance!)

This is a sad story.

I Don’t Feel At Home In This World Anymore created quite a stir when it premiered at Sundance last year. It may be hard to believe but, for a brief while, this film has just as much Sundance buzz as both Mudbound and Get Out. It even won the Dramatic Grand Jury Prize, which has helped to launch many independent films into the public consciousness.

So, why isn’t I Don’t Feel At Home In This World Anymore a better known film?

Unfortunately, the distribution rights for this film were purchased by Netflix. With very little fanfare and, as far as I can tell, not even the briefest of theatrical releases, Netflix started streaming I Don’t Feel At Home In This World Anymore on February 24th. With Netflix putting most of its promotional muscle behind Mudbound, I Don’t Feel At Home In This World Anymore has been somewhat overlooked. You can watch it, of course. You can go on Netflix and you’ll find it sitting there with Sandy Wexler and maybe a Uwe Boll dragon movie. Obviously, some distribution is better than no distribution and I Don’t Feel At Home In This World Anymore is probably too quirky of a movie to have ever set the box office on fire but still, it’s hard not to feel that this movie deserved better.

It tells the story of Ruth (Melanie Lynesky), a nursing assistant who is having a bad day. One her patients dies. She has to deal with an elderly racist. She gets stuck in traffic and can only watch helplessly as a truck spews toxic exhaust into the environment. When she stops off at a bar and tries to read book, a stranger casually tells her how the it ends. As you can guess from the film’s title, this is not the world in which Ruth wants to live. While she’s not the type to demand perfection, would it kill people to be just a little bit considerate?

Things get even worse when Ruth returns home and discovers that someone has broken into her house. Whoever it was didn’t get away with much, just some medication, some silverware, and Ruth’s laptop. The police are indifferent and basically blame Ruth, telling her that it’s her own fault for leaving her door unlocked. Her neighbors are even less helpful, all claiming that they didn’t see anyone breaking into Ruth’s house. No one seems to care.

No one but Tony.

Tony (who is played by Elijah Wood) is one of Ruth’s neighbors. He likes to listen to heavy metal music. He likes to work out. He claims to be an expert in martial arts. We’ve all known someone like Tony. However, it turns out that Tony is the only person as upset about the break-in as Ruth is.

Tony and Ruth work together to try to track down Ruth’s stuff. It starts out fairly simple but then gets progressively more complicated (and violent) as things go on. Ruth and Tony become unlikely heroes. (In one of the film’s more memorable moments, Ruth witnesses a sudden burst of violence and reacts by throwing up.) The world may tell Ruth and Tony that they should just accept things the way that they are but Ruth and Tony aren’t willing to do that…

I Don’t Feel At Home In This World Anymore was directed by Macon Blair, who previously starred in the thematically similar Blue Ruin. It’s not a perfect film, of course. There are a few uneven moments but, overall, the film is strong enough that I can’t wait to see what Blair follows it up with. The best thing about the film is that it provides lead roles to Melanie Lynesky and Elijah Wood, two quirky and appealing actors who rarely seem to get the parts that they really deserve. As played by Lynesky and Wood, both Ruth and Tony are so likable and sincere in their desire to make the world a better place that you can’t help but wish the best for both of them.

I Don’t Feel At Home In This World Anymore is a good film and definitely one that deserves more attention than it’s received. It’s on Netflix so, the next time you’re trying to decide what to watch, why not take a chance on it?

Previous Sundance Film Reviews:

Blood Simple

Film Review: The Loves of Edgar Allan Poe (dir by Harry Lachman)

Posted on January 19, 2018 by Lisa Marie Bowman

I have to admit that the 1942 film, The Loves of Edgar Allan Poe, turned out to be far different from what I was expecting.

Just based on the title, I was expecting it would be a highly fictionalized, borderline silly film about Edgar Allan Poe defeating his romantic rivals and winning the hand of the woman he loved while still finding time to write The Raven. I figured that there would be at least a few gentlemanly fisticuffs, with Poe portrayed as a combination of Rhett Butler and Cary Grant. Looking at the title, it was easy for me to imagine the film closing with Poe kissing his future wife and then looking straight at the camera. “Quoth the Raven!” he would say and wink while romantic music swelled in the background…

But no. The Loves of Edgar Allan Poe is actually a very conventional biopic. With a running time of only 67 minutes, the movie often feels rather rushed but it still manages to include most of the better known details of Edgar Allan Poe’s short but eventful life. (An ever-present narrator is always ready to fill us in on every thing that happens off-screen.) The film doesn’t spend much time on what initially inspired Poe’s macabre imagination. There’s a scene of Poe, as a child, standing on a desolate hill and looking at a raven perched in a dead tree. With the exception of an extended section that deals with Annabel Lee, that’s about as deep as the movie is willing to get as far as Poe’s art is concerned.

When Poe grows up, he’s played by actor Sheppard Strudwick, who has a good mustache but never exactly comes across as being the type of tortured genius who would eventually end up both revolutionizing literature and drinking himself to death. The majority of the film deals with Poe’s advocacy for copyright reform, which is an important issue but not exactly the most cinematic of concerns. Poe survives college. Poe tries to sell The Raven for $25. Eventually, Poe marries Virginia Clemm (Linda Darnell) and her subsequent sickness and death leads to not only Poe’s greatest work but also his own tragic end.

Along the way, Poe meets both Thomas Jefferson and Charles Dickens. Jefferson shows up long enough to tell a young Poe that he’s a good writer and that he needs to stop gambling. Dickens meets Poe and encourages him to continue to advocate for better copyright laws.

It is known that Poe and Dickens actually did meet but did Poe also meet Thomas Jefferson? Legend says that he did but no one knows for sure. Here’s what we do know:

Poe attended the University of Virginia in 1826. The University’s founder, former President Thomas Jefferson, was still alive in 1826 and would often invite promising students to Monticello. Whether Jefferson was still doing that when Poe enrolled at the University of Virginia is questionable. Jefferson died five months after Poe started his studies.

As for Dickens, Charles Dickens and Edgar Allan Poe admired each other’s writing and they met in Philadelphia during Dickens’s 1842 tour of North America. No record has been kept of what they discussed, though some think that Dickens told Poe about his pet raven and perhaps inspired Poe’s best-remembered poem. In the movie, they discuss copyright laws, which is nowhere near as much fun.

(When it comes to Poe’s meetings with both Jefferson and Dickens, it is perhaps best to remember the lesson of The Man Who Shot Liberty Valance and print the legend.)

The Loves of Edgar Allan Poe is a very short film and an obviously low-budget one as well. When the presence of that somewhat pedantic narrator, The Loves of Edgar Allan Poe feels more like an educational special than a real movie. It’s an okay introduction to Poe’s life but, ultimately, the best way to get to know Edgar Allan Poe is to sit down and start reading.

Cleaning Out the DVR #17: Film Noir Festival 3

Posted on January 18, 2018 by gary loggins

cracked rear viewer

To take my mind off the sciatic nerve pain I was suffering last week, I immersed myself on the dark world of film noir. The following quartet of films represent some of the genre’s best, filled with murder, femme fatales, psychopaths, and sleazy living. Good times!!

I’ll begin chronologically with BOOMERANG (20th Century-Fox 1947), director Elia Kazan’s true-life tale of a drifter (an excellent Arthur Kennedy ) falsely accused of murdering a priest in cold blood, and the doubting DA (Dana Andrews ) who fights an uphill battle against political corruption to exonerate him. Filmed on location in Stamford, CT and using many local residents as extras and bit parts, the literate script by Richard Murphy (CRY OF THE CITY, PANIC IN THE STREETS, COMPULSION) takes a realistic look behind the scenes at an American mid-sized city, shedding light into it’s darker corners.

Andrews is solid as the honest…

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Sundance Film Review: Blood Simple (dir by Joel Coen)

Posted on January 18, 2018 by Lisa Marie Bowman

(The 2018 Sundance Film Festival opens tonight! Over the years, Sundance has become the premiere festival for independent film. Not only have some of the best American films ever made premiered at Sundance, but it’s become the first stop in many a successful Oscar campaign. Manchester By The Sea, Whiplash, Brooklyn, Beasts of the Southern Wild: all of them started their journey to a best picture nomination at Sundance. For the duration of this year’s Sundance Film Festival, from today to the 28th, I’ll be reviewing films that first made a splash at Sundance.)

Blood Simple is an essential film.

If you love American movies, this is a movie that you have to see. A delirious tribute to film noir, it’s a film that takes place in the darkest corners of America. This is a film that shows that stories of love, betrayal, and murder can be just as complicated in the middle of America as in California and New York.

If you’re fascinated by the history of indie cinema, Blood Simple is a film that you have to see. Joel and Ethan Coen, at a time when they were best known for their work with director Sam Raimi, created a trailer for Blood Simple long before they shot the actual movie. They used this trailer to raise the film’s small budget. Blood Simple was not only their directorial debut (though only Joel received a directorial credit, while the screenplay was credited to Ethan) but it was also both the feature debut of Frances McDormand and cinematographer (and future director) Barry Sonnenfeld’s first major credit as well.

If, like me, you love films about Texas, Blood Simple is an essential. Long before they made No Country For Old Men, the Coens filmed Blood Simple in Texas. Texas is as much a character in Blood Simple as Minnesota and the Dakotas were in Fargo. Along with their twisty crime plots, Fargo, No Country, and Blood Simple all share a similarly cynical and fatalistic view of human nature, one that is perfectly reflected by the bleak locations where their stories take place. Watching Blood Simple, it’s easy to imagine that, once the film ended, it fell to No Country‘s Sheriff Ed Tom Bell to laconically look over the carnage and try to figure out what the Hell just happened.

Like many Coen Brothers films, Blood Simple starts out simply and then gets progressively more and more complicated. Almost all of those complications are due to a combination of human stupidity and greed. Abby (Frances McDormand) and Ray (John Getz) are having an affair. Abby’s husband, Marty (Dan Hedaya), owns the bar where Ray works as a bartender. Marty hires a sleazy private detective named Loren Visser (M. Emmett Walsh) to kill Abby and Ray. Visser has other plans. By the end of the movie, almost everyone is dead but no one’s sure why.

The film largely serves as a showcase for Walsh, so much so that McDormand, Hedaya and Getz run the risk of getting lost in the shuffle. That’s a shame, because all three give excellent performances. McDormand brings strength and determination to the role of Abby. Meanwhile, both Getz and Hedaya play two very familiar types. Anyone who has spent any time in Texas will immediately recognize the characters played by Getz and Hedaya. Ray may not be the smartest guy in the world but he’ll keep your car running and your glass full. He’s probably never going to amount too much but he’s what is universally known as a good guy. On the other hand, Marty, as played by Hedaya, is perhaps one of the most pathetic characters to ever appear in an American film. Film noirs are full of betrayed husbands but it’s hard to think of a bigger loser than Marty. Marty is the guy who tries to act tough but even he secretly knows that no one will ever take him seriously. With the combination of his northern accent and his pathetic attempts to dress “western,” Marty is an outsider in Texas, one who is too stupid to realize just how far outside he actually is.

That said, the film is dominated by M. Emmett Walsh. As played by Walsh, Loren Visser is one half sleazy redneck and one half demon from Hell. Speaking in a sarcastic drawl and seemingly amused by all the chaos he has created, Walsh turns Visser into a truly fascinating villain. He may be evil but you can’t stop watching him. Walsh’s best moment is also his last in the film, a sarcastic one-liner that suggests that everything that has happened was caused more for his own amusement than anything else. Visser is clever but not even he can escape the random whims of fate.

Violent and, as is typical for the Coens, darkly humorous, Blood Simple won the Grand Jury Prize at the 1985 Sundance Film Festival. Though it was only a modest box office success, it not only launched the careers of the Coen Brothers but continues to be on the most influential independent films ever made. The film remains impressive today. Whenever I see it, I’m always stunned to see how, even with their first film, the Coens had already developed their own very unique aesthetic.

Blood Simple is an essential film.

Cleaning Out The DVR: Sea Change (dir by Chris Grismer)

Posted on January 17, 2018 by Lisa Marie Bowman

(Hi there! So, as you may know because I’ve been talking about it on this site all year, I have got way too much stuff on my DVR. Seriously, I currently have 162 things recorded! I’ve decided that, on February 15th, I am going to erase everything on the DVR, regardless of whether I’ve watched it or not. So, that means that I’ve now have only have a month to clean out the DVR! Will I make it? Keep checking this site to find out! I recorded Sea Change off of Lifetime on September 17th, 2017! Incidentally, Sea Change was the final 2017 Lifetime movie that I had sitting on my DVR. I have now watched and reviewed all of the Lifetime films that I recorded in 2017!)

Based on the novel by Aimee Friedman, Sea Change tells the story of Miranda and T.J.

Miranda (Emily Rudd) is a fiercely intelligent and independent teenager who, having lost her father, is spending the summer on an island with the mother (Maria Drizzia) that she barely knows. It’s a beautiful island, one that is very popular with rich vacationers, the majority of whom have spoiled children. It’s a struggle for Miranda to fit in. She has deeper interests than just popularity and money. Add to that, she doesn’t swim. With everyone on the island obsessed with getting in the water, Mirana is stuck on the land.

T.J. (Keenan Tracy) lives on the island year-round. His family is not rich. T.J. works for a living and he’s not going to let anyone push him around just because they happen to have more money than he does. When Miranda first sees T.J. she notices his scars. When she sees him a second time, the scars have disappeared. When Miranda falls into the water, T.J. saves her from drowning. T.J. claims that he just dived after her but Miranda gets the feeling that there’s something more to it, almost as if he was already in the water when she fell in. When he grabbed her underwater and led her back to the surface, there was something different about his eyes…

Could it have anything to do with the legendary Seawalkers? The Seawalkers are said to be half-human and half-fish. Everyone knows the story has to be a myth but, after T.J. rescues her, Miranda isn’t quite sure. Could the Seawalkers be real and could they be connected to the secrets that Miranda believes her mother to be hiding from her?

You’ve probably already guesses the answers to all of those questions but that’s okay. Sea Change won’t win many points for originality. If you’ve seen any other film adaptation of a YA novel, you’ll be able to guess almost everything that happens in Sea Change before it happens. But, again, that doesn’t matter. Sea Change is a well-made and likable film, one that is full of gorgeous imagery. (The film really makes excellent use of that island setting.) Keenan Tracy and Emily Rudd are both talented actors and they have a nice chemistry. Underneath all of the talk of Seawalkers, there’s a very real and sincere sweetness to their relationship. You find yourself hoping that things work out for them and really, in order to work, that’s pretty much the only thing that a film like this has to accomplish.

Sea Change ends with the possibility of a sequel. Personally, if they did make a sequel, I’d watch it.

Cleaning Out The DVR: The Watcher In The Woods (dir by Melissa Joan Hart)

Posted on January 16, 2018 by Lisa Marie Bowman

(Hi there! So, as you may know because I’ve been talking about it on this site all year, I have got way too much stuff on my DVR. Seriously, I currently have 163 things recorded! I’ve decided that, on February 15th, I am going to erase everything on the DVR, regardless of whether I’ve watched it or not. So, that means that I’ve now have only have a month to clean out the DVR! Will I make it? Keep checking this site to find out! I recorded The Watcher In The Woods off of Lifetime on October 21st, 2017!)

There’s something watching in the woods.

At the very least, that’s what Jan (Tallulah Evans) believes. Jan and her family are spending the summer in Wales, at the Aylwood Manor. From the minute that they move in, Jan starts to suspect that something is strange about the place. Sometimes, she thinks that she can hear whispers coming from the nearby woods. Her younger sister starts to act strangely. Their parents are convinced that Jan is just playing tricks and trying to frighten them. When Jan tries to find out more information about both the woods and her new home, she discovers that most of the people in the village don’t want to talk about it. Those that do speak to her tend to say things like, “Soon, you’ll be gone too.”

(Other than some shots of the beautiful countryside, I doubt this film will do much for Welsh tourism.)

And then there’s Mrs. Aylwood (Anjelica Huston), the mysterious and stand-offish owner of Aylwood Manor. Thirty years ago, her daughter disappeared in the woods. Most people in the village believe that Mrs. Aylwood murdered her own daughter. At first, Jan suspects that she’s a witch and that she not only sacrificed her daughter but now wants to sacrifice Jan’s sister as well!

Of course, the truth might be something altogether different. It’s not always so easy to tell who is a witch and who is just a grieving mother. The only thing that Jan knows for sure is that there’s something in the woods and it’s watching…

I have to admit that the main reason I wanted to see The Watcher In The Woods was because it was directed by Melissa Joan Hart and she’ll always be Sabrina, the Teenage Witch to me. (Don’t start yelling at me about God’s Not Dead 2. Actors have bills to pay and Melissa gave about as good a performance as anyone could with that script.) Hart does a pretty good job directing The Watcher In The Woods. It’s not particularly scary but, for all the talk of witches and demons, it’s not really meant to be a horror film. Instead, it’s a coming-of-age story with paranormal elements. Jan not only learns about what’s watching in the woods but she also learns an important lesson about assuming that people are witches. And, even if it’s not really a scary movie, it does have some appropriately creepy scenes. The woods are a great location and there’s a scene where Jan nearly downs that’s especially well-handled. The film is also well-acted, with a natural and believable performance from Tallulah Evans and an enjoyably stylized one from Anjelica Huston.

All in all, The Watcher in The Woods was an enjoyable October treat.

Cleaning Out the DVR #16: Keep Calm and Watch Movies!

Posted on January 16, 2018 by gary loggins

cracked rear viewer

All last week, I was laid up with sciatic nerve pain, which begins in the back and shoots down my left leg. Anyone who has suffered from this knows how excruciating it can be! Thanks to inversion therapy, where I hang upside down three times a day on a table like one of Bela Lugosi’s pets in THE DEVIL BAT , I’m feeling much better, though not yet 100%.

Fortunately, I had a ton of movies to watch. My DVR was getting pretty full anyway, so I figured since I could barely move, I’d try to make a dent in the plethora of films I’ve recorded.., going all the way back to last April! However, since I decided to go back to work today, I realize I won’t have time to give them all the full review treatment… and so it’s time for the first Cleaning Out the DVR post…

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Cleaning Out The DVR: Story of a Girl (dir by Kyra Sedgwick)

Posted on January 15, 2018 by Lisa Marie Bowman

(Hi there! So, as you may know because I’ve been talking about it on this site all year, I have got way too much stuff on my DVR. Seriously, I currently have 163 things recorded! I’ve decided that, on February 15th, I am going to erase everything on the DVR, regardless of whether I’ve watched it or not. So, that means that I’ve now have only have a month to clean out the DVR! Will I make it? Keep checking this site to find out! I recorded Story of a Girl off of Lifetime on July 23rd, 2017!)

Michael (Kevin Bacon) owns a pizza place in a small town. He’s just hired 16 year-old Deanna Lambert (Ryann Shane) to work for him over summer. Deanna shows up for her first day of work. Deanna apologizes for being late. Michael points out that he has no costumers so it doesn’t matter. Michael then introduces Deanna to his other employee, Tommy (Tyler Johnston). Deanna looks shocked. Tommy looks shocked.

“You two know each other?” Michael asks.

“In the biblical sense,” Tommy replies.

And so it goes from there…

Seriously, what was I doing on July 23rd that kept me from watching Story of a Girl? Was I watching a shark movie on SyFy? I do remember that Story of a Girl was very aggressively advertised in the days leading up to its premiere and I did actually mean to watch it. I’ve read the Sara Zarr penned book on which it was based and the commercials made it look fairly good. Add to that, it was directed by Kyra Sedgwick and co-starred Kevin Bacon and they seem like such a nice couple that I was naturally hoping it would be a good movie.

Three years ago, a sex video featuring 13 year-old Deanna and 17 year-old Tommy went viral. While Tommy (who, as Michael points out, was committing a felony) suffers not a single bit for taking advantage of his best friend’s younger sister, Deanna is branded a slut and sent into social exile. Her father, Ray (Jon Tenney), refuses to forgive her. Tensions at home are exasperated by the presence of Deanna’s brother, Darren (Iain Belcher), his girlfriend, Stacey (Sosie Bacon), and their baby. Darren and Stacey are planning on moving into a place of their own and Deanna is planning on going with them.

Though it may not be obvious from that plot description, Story a Girl is not a typical Lifetime film. It takes place in a thoroughly blue-collar milieu and the Lamberts live in perhaps the ugliest, most cluttered house that I’ve ever seen. Between that house and Ray acting like an asshole 24/7, it’s easy to understand why Deanna wants to get away from these people. The problem, however, is that, after only a few minutes, most viewers will be desperate to get out of there as well. And, unlike Deanna, viewers actually have a way of doing that. They can just change the channel. The film does have a good and important message but the characters are all so off-putting that a good deal of the audience probably won’t stick around to hear it.

Story of a Girl is a disappointingly superficial film. The Juno influence is obvious but Story of a Girl never comes to life in the same way that Juno did. Kevin Bacon is solid as Michael and Ryann Shane does a passable Ellen Page impersonation but everyone else is trapped in a film that’s long on plot but short on depth. I really wanted to like Story of a Girl but I just didn’t.