Trailer: G.I. Joe: Retaliation


I will admit right here and right now that I really enjoyed G.I. Joe: The Rise of Cobra when it came out in 2009. I know that it was really panned by critics and many film-goers, but I thought it brought the cartoonish action of the original cartoon to life. I wasn’t too thrilled with some of the casting choices, but overall I had fun with the film. I wasn’t really the only one who enjoyed it since it made quite enough in the box-office to warrant a sequel. This sequel looks to bring in only a few people from the first film (Channing Tatum, Ray Park and Lee Byung-hun as Duke, Snake Eyes and Storm Shadow respectively) while bringing in a new cast and, most important of all, a new director and writers.

Jon Chu, fresh off the success of Fast Five, took on this project and from the trailer shown above it looks like he has injected the very same fun action he did for the Fast and the Furious franchise. It’s going to be interesting to see if the action in this sequel follows the same cartoonish (lasers and stuff) kind they had in the first film or will Chu and crew go old-school action and just go with bullets, bombs and rockets. If they go with the latter then I am all for it. Plus, it has “The Rock” as Roadblock. That alone had me as ticket-buyer on Day One of it’s release.

G.I. Joe: Retaliation is set for a June, 29, 2012 release.

Trailer: Shame (dir. Steve McQueen) Red Band


Shame looks to be the film of 2011 which may just be one of the most talked about. This is no mean feat considering earlier independent films such as Drive has been the talk of the town whether one loved or hated the film.

The film stars Michael Fassbender who has been having quite the year with exceptional roles both in mainstream and the arthouse circuit (X-Men: First Class and A Dangerous Method). It also stars Carey Mulligan playing the younger sister to Fassbender’s 30ish yuppie who has issues with his addiction and urge when it comes to sex. The film has been given by the MPAA the dreaded NC-17 rating, but instead of railing against this system it looks like filmmaker Steve McQueen will embrace the rating and release the film as is.

I find this decision refreshing. The film is for adults and mature audiences and should be seen by only those old enough as allowed by the NC-17 rating. One thing for sure is that the film has been getting major hype and buzz due to Fassbender baring it all and on more than one occasion. Will this titillating aspect of the film be the biggest draw for audiences or will the performances, direction and writing by the creative minds involved in the film be it’s biggest seller. Either way should be good since in the end the film will be seen.

Shame is set to have a December 2, 2011 release in the United States…just in time for awards season.

Review: The Walking Dead S2E7 “Pretty Much Dead Already”


“It ain’t like it was before!” – Shane Walsh

[spoilers within]

Tonight marks the mid-season finale of AMC’s The Walking Dead. We won’t get a new episode until the show returns in February to continue with season 2’s second half. One could say that tonight’s episode is the reason why this show has gained such a vocal and loyal following despite it’s many flaws both large and small.

This new season has been trying to improve on some of the flaws of the truncated first season by working on rounding out some of the main characters on the show. Whether the writers succeeded in this aspect of the show’s writing has been a hit-or-miss proposition. Characters like Daryl Dixon, Shane Walsh and new ones like Maggie and Hershel Greene become more fully realized during the first six episode this season while others like Rick, Dale, Carol and T-Dog remain too one-dimensional too often through the first half of the season. Then there are plot threads which seem to either drag on too long (search for the missing Sophia) or get too little mention (what is up with the nearly invisible T-Dog through this first half). It’s these inconsistencies which has brought out the even more vocal minority of the show’s viewers who have come to either feel apathetic towards the series or hate it for one reason or another.

“Pretty Much Dead Already” is the title of tonight’s episode and what happens throughout this episode goes a long way to rewarding the show’s loyal viewers for their wait through the first six episodes of this season and all its many flaws. It’s en episode which doesn’t come off as subtle with how it explores new themes of whether one belongs in a world of the living dead and does one have to lose their humanity to survive long. The episode also brings to a head the conflict which has been brewing for the last couple episodes between Rick’s group and that of Hershel Greene’s.

We see a silent opening of Rick and his group of survivors enjoying a breakfast with the tension in the air thick with unspoken consequences from the previous episode’s deluge of secrets being revealed. While Glenn had revealed the secret of the walkers in the barn to Dale the rest of the group still were kept unawares. Despite look of pleading from Maggie for Glenn to not tell the group he gives in to his conscience and tells everyone the biggest secret and their reaction at this reveal ranged from shock, surprise, incredulity and, finally with Rick, a hint of anger. It how everyone moves forward with this final secret reveal that the episode focuses mostly on. There were still some moments of character development and conflict sprinkled throughout the episode (mainly involving Shane and his distancing from Rick, Lori and others of the group), but the episode’s narrative still moved towards a final confrontation between Hershel’s need to keep the zombies corralled with the hope a cure could be found for them or Shane voicing everyone’s concern that a barn full of zombies was a disaster waiting to happen. Either they took care of the problem while they were still kept relatively harmless or they continue on towards their original plan of reaching Fort Benning.

This question finally gets answered with Shane forcefully making the decision for everyone. Jon Bernthal’s performance in the final five minutes of this episode was pretty good and while he teetered on over-the-top level in his anger and frustration at having to make the hard decisions concerning the group’s safety (at least in his own mind) he never steps over the line. The scene where he shows Hershel (as both he and Rick attempt to bring back two more catch-poled zombies back to the barn) made for some very tense and illuminating moments for everyone in the scene. We see understanding from people like Andrea and Daryl who think what Shane is saying is true to the look of horror on the faces of Hershel and Maggie as their idyllic world begins to crash all-around them. Maggie has gradually begun to move away from her father’s viewpoints about the zombies and how they should be treated through the last couple episodes, but to finally see Shane show them the true horror of what the world has become really hits both her father and herself pretty brutal and hard.

It’s interesting to note that tonight’s episode actually made a conscious effort to try and humanize the zombies. The way the episode unfolded was almost like the writers were trying to add some credence to Hershel’s way of thinking. This focus was understandable since everyone in the episode either followed Hershel blindly, were beginning to doubt Hershel’s way of doing things or just outright hostile towards it. This made the massacre of the zombies coming out of the barn with Shane leading a veritable firing squad somewhat poignant and sad. Even Glenn joined in on the shooting spree (though not before silently asking for Maggie’s consent) with an earlier personal epiphany about how he had forgotten just how dangerous the zombies were.

In the end, even the massacre of the barn zombies wasn’t the biggest shock of tonight’s episode. As the sound of gunfire stopped and the echoes faded away we hear a final zombie come out of the barn’s darkened interior and into the daylight. This was the final secret that finally answered the biggest and most dividing question of the second season of The Walking Dead.

Where the hell was Sophia?

Her final moments on the show has her coming out last from the barn and everyone’s fears were confirmed and everyone’s hopes about her eventually being found safe and alive were dashed. Even Shane who had been so gung-ho in showing Hershel and Rick that he was the right man for this new world to make the decisions about people’s well-being was left dumbstruck and unable to do what was needed. It took Rick — lambasted by both fans and detractors of the show plus Shane on top of them as being weak and unable to make the hard choices and decisions — to do what was needed. The scene ending with him standing over the body of Sophia after he shot her in the head (with the same Python revolver he used to start the series with the shooting of the little girl zombie in the pilot) made for a sad, poignant and incredible ending to what had been a tumultous story-arc to cover the first half of this new season.

The show will return this February. It is safe to say that moving forward the second half will be all about how new showrunner Glen Mazzara sees the show as and how to keep it the momentum of tonight’s episode into the second half. Darabont’s contribution to the show has probably ended with tonight’s episode or, as some have surmised, maybe even a couple episodes earlier. If the latter is the case then his firing from the show, as controversial and polarizing a decision to genre fans who love his work, may work to the show’s benefit. With Darabont we had a creative mastermind who dealt with film, but never with long-form tv shows. Maybe in addition to AMC being penny-pinchers and creating a hostile working arrangement with Darabont was only part of the problem. Could be that Darabont not having any experience writing for TV finally showed and kept the show from fixing some of the writing problems from the previous season. It will be interesting how a veteran tv writer and showrunner like Glen Mazzara will handle a show that tries to explore the conflicts and drama of a zombie apocalypse.

“Pretty Much Dead Already” doesn’t mean the show is now dead on arrival, but it does highlight that the premise which drives The Walking Dead could easily symbolize how this apocalyptic event has killed what humanity some might have had while also highlighting that every zombie killed was still someone’s son, daughter, mother, father, friend and family. In a world full of dead people the walking dead may not be the zombies but the survivors themselves.

Notes

  • Once again I like how the show has evolved the character of Glenn. Even when he’s being awkward as he tells everyone the secret of the barn gives a glimpse as to the sort of person Glenn is. Part of him wants to make Maggie happy, but knowing that keeping the secret of the barn will endanger his people and Maggie, he makes the hard decision to tell all even if it means Maggie hates him for it. Glenn shows that he can make the hard choices but do so with his conscience guiding him.
  • This is opposite with how the show has developed Shane this season and how this episode finally shows Shane tipping past his breaking point. Yes, he shows he can make the hard decisions but he does so not with his conscience as his guide but his base, survival instinct.
  • I found it darkly comical how Shane tried to one-up Rick in the eyes of Lori by pointing out how he was the one who has saved Lori and Carl to her. This scene with Lori really makes Shane less the badass zombie killer with people’s well-being in mind, but more of a selfish, sociopath who’s begun to believe all the lies he has been telling everyone and himself to justify his actions.
  • This in contrast to Daryl. While Daryl didn’t have as many scenes in tonight’s episode the ones he was in continued to explore his dual-nature. He will always be the true badass zombie killer in the show, but the show also continues to explore his growing humanity in his steadfast belief that they will find Sophia. It’ll be interesting how the dashing of his hopes on the Sophia subject will affect him moving forward.
  • I like how Daryl also hides behind aggressive reactions to hide his discomfort at others caring about his well-being and his safety. Will Daryl succumb to his inner-Merle and revert to how we first saw him in the beginning of the series as the violent, angry redneck? Or will he finally realize that the group does care and appreciate what he has done and continue on his journey into becoming a part of this post-apocalyptic family unit.
  • T-Dog has been pretty much useless and invisible this first-half of the season. I think I’ll echo what others have been saying about this character. Either give him something to do other than stand in the background or kill him off, but hopefully in spectacular and heroic fashion.
  • Even though Robert Kirkman gave an explanation about Sophia, the barn and Hershel during the after-show Talking Dead live segment I still think the second half needs to fully explain whether Hershel already knew that the girl the group had been searching for and putting themselves in danger during these searches.
  • There still some awkwardness in how child actor Chandler Riggs has been handling the role of Carl, but he’s getting better. I hope this improvement continues because Carl, whether the show follows the comic books or not, will become a major player in this show’s overall narrative sooner or later.
  • Once again, great make-up effects work by Greg Nicotero and his make-up effects wizards at KNB EFX. Their work tonight wasn’t as gruesome as the previous couple of episodes, but their work to give a semblance of humanity to these zombies helped make tonight’s episode one of the better ones, if not the best, of the show.
  • Finally, Andrew Lincoln does his best performance as Rick Grimes. Love how he lets his expression speak for themselves throughout most of the final 5 minutes of the episode. From the helpless look as he fails to stop Shane to finally showing everyone that only he can truly make the hard decision as he finally puts down Sophia while Shane watches helplessly this time around.

So, what did people think of tonight’s episode and the whole first-half of this second season. Did you like it? Does the show still have problems to work out with how these characters are written? Will Darabont’s removal and absence in these last few episodes and moving forward make the second half of season two something to look forward to?

All comments welcome and will be discussed in healthy, civilized, if heated discussions.

AMV of the Day: Imagica


The latest AMV of the Day comes courtesy of AMV creator “Chiikaboom” whose works I’ve chosen many times for this feature. This one was just completed and released by Chiikaboom less than a month ago and, like her other AMV’s, this one truly impresses.

This latest AMV from Chiikaboom is simply called “Imagica”. She’s taken on the theme of the mahou shoujo (magical girl) genre which continues to be one of the more popular ones in anime and manga both in Japan and overseas. Casual viewers and readers of the “magical girl” genre tend to view them as just cute and peppy, but for those who have actually watched these series from start to finish know that they’re more than colorful, happy characters.

Chiikaboom latches onto the darker aspects of the mahou shoujo genre and runs with it headlong towards one of the songs which made the Sucker Punch soundtrack one of the best of 2011. The song she picks to shine a light on the darker side of the magical girls is the Emily Browning cover of the Eurythmics classic song, “Sweet Dreams (Are Made of This)”. The haunting rendition of this song by Emily Browning matches up well with the darker scenes of these magical girls. Scenes which goes beyond young girls and teens with powers, but how such powers weigh heavily on them.

“Imagica” is one of the better AMV’s to arrive on the scene in the last couple months. Once again it’s the one person who seems to have the flair for the dramatic and just the right touches which makes these AMV from Chiikaboom the best.

Anime: Sailor Moon, Houkago No Pleaides, Magical Girl Lyrical Nanoha Movie (1st), Cardcaptor Sakura, Pretear, Mermaid Melody Pitchi Pitchi Pitch, Kamikaze Kaitou Jeanne, Uta Kata, Princess Tutu, Puella Magi Madoka Magica, Revolutionary Girl Utena, Magic Knight Rayearth

Song: “Sweet Dreams (Are Made Of This)” by Emily Browning

Creator: Chiikaboom

500K Milestone!!


Just a couple months ago the site reached it’s first major milestone of 1000 posts. It’s taken almost two years but we’ve finally reached another major milestone in the site’s brief history.

While we don’t get the tens to hundreds of thousands of page views per day the more established and much bigger blogs get on a day-to-day basis I’m still proud to say that our motley band of writers have been able to attract at least a thousand or more views a day. With that in mind we’ve finally reach 500K in page views since the site’s inception a little under 2 years ago and I think we’re on our way to making it a million in less time.

Once again, I must thank my co-founder of the site in @LisaMarieBowman for keeping things fresh and fun for people to visit. Other writers like necmoonyeti, pantsukudasai56 and Semtex Skittle (@Cindaer) have done their best to add their unique voices to the site whether it be reviews and/or thoughts on music (mainly metal), anime and manga to gaming titles. Writer Leonard Wilson (@Cavatica) has become another of the unique voices this year and has established his own brand of reviews of films to the many on this site. The rest of the gang like Senor Geekus (@SenorGeekus), danceonavolcano (@nyneshaydee), zackthewicked1, leonth3duke (@DukeD1989) and Dazzling Erin (@TakeSumE) are not as prolific as the other but their contributions still is what makes this site run.

Here’s to another year to look forward to and better things to come for the crew of Through the Shattered Lens.

Note: yes, every milestone will be celebrated with a choice anime/manga based artwork. >_<

Review: The Walking Dead S2E6 “Secrets”


“Everything is food for something else.” – Carl Grimes

[spoilers within]

“Secrets” is the title for the sixth episode of the new season of The Walking Dead. It’s an episode that really should please not just fans of the gore and action, but also those who like some character and story development in their shows. The first five episodes of this second season has been hit or miss. Those episodes have reinforced some viewer complaints about how the show seems to go nowhere at times. Except for a couple moments of well-done script work involving Daryl Dixon (who happens to be the one character created for the show and absent from the comic book) the writing for this season continues last season’s uneven quality.

The last couple episodes were light on the zombie mayhem, but they were rife with character development and some forward momentum in the story (though Sophia still remains missing) with the discovery made by Glenn the big cliffhanger leading up to tonight’s episode. An episode which more than lives up to it’s title as secrets become known as others remain hidden.

With Glenn’s discovery one would think that the title of tonight’s episode meant Glenn and Maggie trying to keep the secret of the zombies in the barn kept from Rick and the rest of the group. The predicament Glenn finds himself in with Maggie begging him not to tell anyone about the barn then on another side Lori also begging him not to tell anyone that she’s pregnant. Glenn would be the first to tell both women how much he sucks at keeping secrets and the episode wasn’t even past the first ten minute mark when his resolve breaks under Dale’s epic eyebrows and fisherman’s hat.

The secrets which this episode focuses on doesn’t just include the barn and Lori’s pregnancy, but the secrets Shane has been trying to keep from everyone in camp. It’s during the aftermath of a very thrilling and eventful foray into the nearby housing association by Shane and his shooting apprentice in Andrea that Shane’s recent turn to the dark side comes to light with none other than the show’s elder busybody. Everyone in the show seems to tip-toe around the topic of Shane and his behavior, but not Dale who sees danger in Andrea learning from the one person who’s agenda may not lie in the group’s overall safety.

Like the show’s own troubled off-season, the show seems to have made a turn with the last couple episodes into something that seemed to balance well zombie action with the show’s more expositional side. This may not be too much of a surprise since Darabont as show-runner was supposed to have been fired around the filming of episode 4. Could his departure from the show and the promotion of a veteran tv writer and show-runner in Glen Mazzara finally put the show on a much more focused path. It’s a possibility and it could also have been part of Darabont’s plan for the season to have such a long slow-burn. I hate to admit it but as much as I love Darabont as a horror and genre fan I think his departure finally putting the show on the path to consistency on all creative fronts.

The secret about the barn and Lori’s pregnancy, not to mention Shane’s character becoming more and more dark, could’ve been strung along for the length of this season’s 13-episodes, but the last 2-3 episodes seem to dispute that. The show has begun to reveal it’s secrets into the open quite quickly and letting the characters deal with the ramifications and fall out. Already we see a much more spirited Rick react to Lori telling him of her pregnancy and what occurred between her and Shane. We get to see why in the end he’s the leader the group needs now and not Shane or Daryl or even Glenn (as Maggie suggested). He’s thinking of the group and trying to keep them sane in a new world hell-bent on driving all of them beyond the brink and past the breaking point. All that he has suspected since reuniting with his finally are now out in the open and while he’s angry he also looks to trying to work things out. How the knowledge that Shane and Lori got together bears out in future episode will make for some interesting thing times ahead especially for Rick.

This episode definitely put character conflict and drama into the forefront with very little wince-worthy moments. Everyone reacted in an organic way to everything suddenly coming out into the open. Even Andrea has begun to make the turn from helpless, suicidal to someone who may become the group’s most important protector. While the episode continues on last week’s high points it still had the Sophia issue which continues to plague the show. The writers will need to reward it’s viewers’ patience (and growing lack of in regards to the missing girl) and make sure the Sophia question gets an answer and soon.

There’s just one more episode left before the show goes on it’s mid-season break. From the look of things the show looks to be heading towards this break on a high note. It would be interesting to see how the Mazzara-led writing group deals with the ramifications of tonight’s episode with the mid-season finale.

Notes

  • For a kid who has been shot then operated on just days before (unless the show has skipped showing some days pass by) Carl looks to have recovered quite well.
  • Great to see Carl wearing Rick’s sheriff’s deputy hat. That look on Carl remains one of the comic book series’ most iconic image.
  • Seeing Carl learn how to shoot and do it well could be a sign that the show may soon start dealing with putting this show back on track in regards to the Rick-Lori-Shane triangle.
  • Steven Yeun’s role as Glenn continues to grow and he’s definitely got the awkward moments of the character done to a T.
  • I think T-Dog as a character either needs to grow or he needs to go. He’s been mostly absent from this season outside his fever-induced ranting to Dale a couple episodes back.
  • We finally get to see more and more how the Greene family sees the zombies and why they keep them cooped up in the barn. Some people will say what they’re doing is stupid. I think it’s a nice shout-out to the tenement scene in the beginning of Romero’s Dawn of the Dead where people kept their dead locked up because they still thought of them as loved ones who might still get cured or whose culture teaches them to respect the deceased.
  • Lauren Cohan as Maggie continues to be one of this season’s highlight. Her reaction once back on the farm toward’s Lori after her and Glenn have themselves a zombie encounter was very nice. Lori’s horrified reaction was great.
  • For those wondering what that piece of badass metal Glenn used to go aggro on the pharmacy zombie. It’s a Gerber Gator Machete Pro  and retails on Amazon for $41.63 with nylon sheath.
  • If Glenn wasn’t confused about how Maggie feels about him then tonight’s episode will drive him crazy. Still great to see that the show has one relationship born out of genuine interest and not out of necessity (though for Maggie it may have started as one it sure doesn’t seem to be that now).
  • I know there are people out there calling for support of Team Shane, but I think everyone should get behind Team Glenn. He seems to be the one out of everyone in the group to be the most level-headed one notwithstanding the awkward with girls and not being able to keep a secret routine.
  • I know that there are many out there who hate Andrea because of the past 4-5 episodes going back to last season’s finale, but tonight definitely saw her go from victim to survivor and do so with a bang. Love the moment out in the middle of that suburban street as a calmness washes over her face and every shot begins to land true.
  • Dale gets to use those epic eyebrows of his and say how it really is when it comes to Shane.
  • Finally, the show’s cold opening of Patricia breaking the chickens’ legs before dumping them into the group of zombies in the barn should not be pleasing PETA and this show probably not in PETA’s must-see list since the pilot episode.

Trailer: Mass Effect 3 – N7 Collector’s Edition Details


BioWare’s Mass Effect scifi rpg series has been a hit right from the start. The first two titles in the planned trilogy for the series (some have been calling it the Cmdr. Shepard Trilogy) have been received with a near universal acclaim for gameplay and it’s unique way of storytelling. In my opinion, this series has been one of the few which has begun to bridge the gap between gaming and storytelling where both have become integral part in making the series a success.

The third game has been one of the most-anticipated titles by gaming fans everywhere and just months away from release. The trailer above shows all the cool extras for those who pre-order the very limited N7 Collector’s Edition which will ship with the regular version of Mass Effect 3. Some of the extras mentioned seem more like fun fluff, but the classified extra character and the mission attached to them will be one of the highlights not to mention the robotic Geth-looking dog and the extra exclusive weapons.

Mass Effect 3: N7 Collector’s Edition is set for a March 9, 2012 release date with a price of $80.00.

You can be damned skippy sure that I’ve gotten my pre-order all confirmed and paid off.

Song of the Day: Song of the Dragonborn from Elder Scrolls V: Skyrim (by Jeremy Soule)


The latest “Song of the Day” comes from my latest obsession that should take up much free time I have when not blogging or working. It’s the main theme from the latest entry in the Elder Scrolls rpg franchise from Bethesda, Elder Scrolls V: Skyrim. The theme has been unofficially called “Song of the Dragonborn” and I’m more than fine with that unofficial title.

“Song of the Dragonborn” was written and composed by this franchise’s longtime music composer in Jeremy Soule. He has done the orchestral score in this series’ previous two titles and this latest one looks to continue the quality work he’s done in the past. The song is a combination of Wagnerian-style orchestral music with the martial chanting by the male chorus. The chorus itself is from the fictional language of the Nord (the Viking like race in the game) created just for this game.

All I can say is that this song has been on constant repeat since I started playing this game and it’s such a great backdrop to slaying people and things in the game with my Nord Warrior, Berek Thunderfist.

Song of the Dragonborn

(Chorus)

Dovahkiin, Dovahkiin, naal ok zin los vahriin,

Wah dein vokul mahfaeraak ahst vaal!

Ahrk fin norok paal graan fod nust hon zindro zaan,

Dovahkiin, fah hin kogaan mu draal!

Huzrah nu, kul do od, wah aan bok lingrah vod,

Ahrk fin tey, boziik fun, do fin gein!

Wo lost fron wah ney dov, ahrk fin reyliik do jul,

Voth aan suleyk wah ronit faal krein!

Ahrk fin zul, rok drey kod, nau tol morokei frod,

Rul lot Taazokaan motaad voth kein!

Sahrot Thu’um, med aan tuz, vey zeim hokoron pah,

Ol fin Dovahkiin komeyt ok rein!

(Chorus)

Dovahkiin, Dovahkiin, naal ok zin los vahriin,

Wah dein vokul mahfaeraak ahst vaal!

Ahrk fin norok paal graan fod nust hon zindro zaan,

Dovahkiin, fah hin kogaan mu draal!

Ahrk fin Kel lost prodah, do ved viing ko fin krah,

Tol fod zeymah win kein meyz fundein!

Alduin, feyn do jun, kruziik vokun staadnau,

Voth aan bahlok wah diivon fin lein!

Nuz aan sul, fent alok, fod fin vul dovah nok,

Fen kos nahlot mahfaeraak ahrk ruz!

Paaz Keizaal fen kos stin nol bein Alduin jot,

Dovahkiin kos fin saviik do muz!

(Chorus)

Dovahkiin, Dovahkiin, naal ok zin los vahriin,

Wah dein vokul mahfaeraak ahst vaal!

Ahrk fin norok paal graan fodnust vok zin dro zaan,

Dovahkiin, fah hin kogaan mu draal!

*     *     *     *     *

(Chorus)

Dragonborn, Dragonborn, by his honor is sworn,

To keep evil forever at bay!

And the fiercest foes rout when they hear triumph’s shout,

Dragonborn, for your blessing we pray!

Hearken now, sons of snow, to an age, long ago,

And the tale, boldly told, of the one!

Who was kin to both wyrm, and the races of man,

With a power to rival the sun!

And the voice, he did wield, on that glorious field,

When great Tamriel shuddered with war!

Mighty Thu’um, like a blade, cut through enemies all,

As the Dragonborn issued his roar!

(Chorus)

Dragonborn, Dragonborn, by his honor is sworn,

To keep evil forever at bay!

And the fiercest foes rout when they hear triumph’s shout,

Dragonborn, for your blessing we pray!

And the Scrolls have foretold, of black wings in the cold,

That when brothers wage war come unfurled!

Alduin, Bane of Kings, ancient shadow unbound,

With a hunger to swallow the world!

But a day, shall arise, when the dark dragon’s lies,

Will be silenced forever and then!

Fair Skyrim will be free from foul Alduin’s maw,

Dragonborn be the savior of men!

(Chorus)

Dragonborn, Dragonborn, by his honor is sworn,

To keep evil forever at bay!

And the fiercest foes rout when they hear triumph’s shout,

Dragonborn, for your blessing we pray!

Review: The Walking Dead S2E5 “Chupacabra”


“If I knew the world was ending I would’ve brought better books.” – Dale

[spoilers within]

There’s been a growing complaint from fans of the show that this second season of The Walking Dead has been meandering and walking in place instead of dynamically moving forward and killing lots and lots of zombies along the way. I will admit that the show has lingered on too much on the”Sophia is missing angle” for far too long. The writers seems to be using the search for her as the reasoning for Rick and his group to continue on staying on the Greene Farm. I will however disagree that the show hasn’t had enough zombie action to justify the show’s premise of a world experiencing the zombie apocalypse.

The Walking Dead the tv series was always going to be a show which focused on the characters and how they’re managing to adapt or not adapt to the new world around them. If there was ever a reason why fans of the books became fans it was that very thing. I try not to compare the show to the books, but if there was ever a similarity between the two it’s how the zombies remain on the background as a looming threat which would actively make their presence known not every issue but when readers least suspect them. The show has done a good job in trying to convey this aspect of the books and at the same time taken more effort to make the characters on the show more fully-realized.

This season has done more in expanding the characters than the truncated first season, but it also meant it had to sacrifice some of the more gruesome and zombie action some fans have been clamoring for. The previous episode, “Cherokee Rose”, typified the complaints some fans have been having with this season. It went too heavy on dialogue some of which were pretty good and some which didn’t seem to do anything but just expound on the main themes for the season.

“Chupacabra” makes the fifth episode into the second season and it manages to balance the zombie action and the character interaction. First off, we still haven’t found Sophia in one shape or another. Even one of the characters on the show second-guesses the need to continue searching for the missing girl if it meant constantly putting the group in danger. While the search for Sophia only amounts to finding a discarded doll by the creek during the search it does mark one of the stronger part of this episode. An episode which continues to make a character created for the show and not in the books one of the highlights of the series in it’s 11-episode history to date.

But before we move onto why Daryl Dixon remains the badass and fan favorite of the series I must point out that the series does another great cold opening. This time it’s a flashback to the chaotic days of Shane, Lori and Carl trying to make it to the refugee center in Atlanta. We see them stuck in the very same type of highway gridlock which began this new season. This scene shows Sophia still safe and playing with Carl as we see a bit more of the abusive relationship between Carol and her husband. The highlight of this scene is seeing the event of Atlanta being napalmed and dashing the hopes of Shane and Lori that a safe haven could be found there. Like the cold opening from season 1 where we see Shane back in the hospital with a comatose Rick, this episode’s opening does a great job of showing how things just fell apart while Rick was under.

This opening would be followed up with Daryl going off on his own to continue looking for Sophia and getting into more trouble than he anticipated. If anyone ever doubted how much of a badass Daryl Dixon has turned out to be then this episode should erase such doubts. Not only did he survive falling off a horse, down a steep incline into the river and get an arrow stuck to his side for his troubles, but he survives even worst things as the day wore on. We even see the return of Daryl’s brother, Merle Dixon, in this episode but in such a way that fans of the show probably didn’t expect.

When the episode wasn’t focusing on Daryl’s troubles it brought it back into the Greene Farm where we continue to see a growing rift between Hershel and Rick. Hershel is starting to turn from the kindly, country doctor and into a patriarchal autocrat who expects his orders to be obeyed or else. In the case of Rick and his group the or else would be them being told to leave the safety of the farm for the outside world. It doesn’t help that Shane’s growing pragmatism and survival at all cost mentality has turned to questioning Rick’s judgement as the group’s leader. Even their good-natured conversation about their respective love life during their high school days shows that the two really are quite polar opposites when it comes to their personalities and how they view things around them.

It’s these type of scenes which some fans have considered as too soap opera-ish and boring. How it detracts from the horror of a show about the zombie apocalypse. It’s these scenes which actually makes a point in showing just how much horror awaits those who have survived, so far. All the reminiscing of their past lives just reinforces the fact to these people that their lives have irrevocably changed and not for the better. It also shows how much the new world they live in now have begun to change all of them and not for the better. For some these changes have been easier to accept while some still try to cling to the ways of the old world in an attempt to not just survive but live.

Even the title of the episode just reinforces the premise of the show and how everyone in it must learn on the go to live and survive. In a world where the dead have come back to life to devour those still left alive then everything and anything is possible. Whether those still left will find a way to stay human in order to survive is the ultimate focus of this show. The zombies will always be waiting to greet these characters which makes these “peaceful” moments that much more bittersweet for everyone involved.

Notes

  • As a huge fan of apocalyptic fiction the cold opening of the highway gridlock was well-staged. From everyone seeming to have packed haphazardly to Carol’s husband acting like their quest for a refuge was a military operation.
  • The scene of Atlanta being napalmed as the horrified refugees looked on in the distance is really something we rarely see in zombie fiction. Zombie apocalypse stories usually occur with the world already gone to hell or the setting is more intimate and smaller scale. Rarely do we see just how epic in scope the event truly is (w/ exception to Max Brooks’ World War Z and, to a certain extent, 28 Weeks Later)
  • It was good to see Carol not moping around and feeling all useless. Her volunteering to cook for the group and the Greene family was a nice touch in trying to bring her back from the brink.
  • Leave it up to Glenn to figure out Lori’s secret and as we see later on in the episode it won’t be the only one he will have to try and keep to himself.
  • Speaking of Glenn, his growing relationship with Maggie was such fun and nice addition to a show that’s all about doom and gloom. The fact that they were acting like high school kids who were in lust with each other put a smile on my face.
  • The fact that the barn finally becomes a major component to the current story-arc wasn’t a surprise, but how the writers were able to finally show why Hershel wanted Rick and his group to stay away from the barn should make the next episode something to look forward to.
  • Maggie’s expression of glee at another rendezvous with Glenn suddenly turning into utter horror continues another strong performance from Lauren Cohan in the role. She has definitely made the Maggie Greene much more well-rounded this early on in the show when compared to the books.
  • I was surprised at how Merle’s return was treated and I must admit that it was done in away that made sense.
  • Always wear steel-toed boots when the zombie apocalypse hits.
  • Andrea is finally on her way back from being useless and constantly harping on Dale and everyone. Unfortunately, her first attempt to show just how useful she can be ends up turning into a friendly fire situation.
  • Daryl’s “encounter” with his big brother Merle may not be to Rick and the group’s benefit. Going to be interesting what the writers plan to do with this turn of events and whether fans of the character will like or hate it.
  • Two more very inventive zombie kills from the make-up wizards of KNB EFX.

Song of the Day: Lisa Says (by Lou Reed)


In honor of Lisa Day the latest “Song of the Day” definitely fits the Lisa-theme chosen for today.

“Lisa Says” was originally released in 1969 by the rock band Velvet Underground. The song got another release in 1972 as part of Lou Reed’s (who was part of Velvet Underground) solo debut album in 1972. The song definitely has a slow, bluesy sound which is barely above the level that would make it a ballad. Instead it ends up sounding like a Valentine card to all Lisa’s everywhere.

Without further ado…“Lisa Says”.

Lisa Says

Lisa says, on a night like this
it’d be so nice, if you gave me a great big kiss
And Lisa says, honey, for just one little smile
I’ll sing and play for you for the longest while

Lisa says
Lisa says
Lisa says, oh, no
Lisa says

Lisa says, honey, you must think –
– I’m some kind of California fool
the way you treat me just like some kind of tool
Lisa says, hey baby, if you stick your tongue in my ear
then the scene around here will become very clear

Lisa says, oh no
Lisa says, hey, don’t you be a little baby
Lisa says, oh, no
Lisa says

Hey, if you’re looking for a good time Charlie
well, that’s not really what I am
You know, some good time Charlie
always out, having his fun

But if you’re looking for some good, good lovin’
then sit yourself right over here
You know that those good, those good times
they just seem to pass me by, just like pie in the sky

And Lisa says, on a night like this
it’d be so nice if you gave me a great big kiss
And Lisa says, hey baby, for just one little smile
I’ll sing and play for you for the longest while
let me hear you now

Lisa says, oh, no, no
Lisa says, hey, don’t you be a little baby
Lisa says, oh, no
Lisa says

Why am I so shy
Why am I so shy, Gee, you know those
good good times, they just seem to pass me by
Why am I so shy

First time I saw you I was talking to myself
I said, hey, you got such pretty, pretty eyes
(that pretty eyes)

Now that you’re next to me I just get so upset
And Lisa, will you tell me, why am I so shy

Why am I so shy
Why am I so shy, well, you know that those
good, good times, they just seem to pass me by
Why am I so shy

And Lisa says, on a night like this
it’d be so nice if you gave me a great big kiss
And Lisa says, honey, for just one little smile
I’ll sing and play for you for the longest while

Lisa says, oh, no, now
Lisa says, hey don’t you be a little baby
Lisa says, oh, no
Lisa says