Truman Gates (Patrick Swayze) may have been raised in Appalachia but, now that he lives in Chicago, he’s left the old ways behind. He has a job working as a cop and his wife (Helen Hunt) is pregnant with their first child. When Truman’s younger brother, Gerald (Bill Paxton), shows up in town and asks for Truman’s help, Truman gets him a job as a truck driver. But, on his first night on the job, Gerald’s truck is hijacked by a Sicilian mobster named Joey Rosellini (Adam Baldwin) and Gerald is killed. Truman’s older brother, Briar (Liam Neeson), soon comes to Chicago and declares a blood feud on the mob.
Of the many action films that Patrick Swayze made between Dirty Dancing and Ghost, Roadhouse may be the best known but Next of Kin is the best. Next of Kin spends as much examining the family dynamics of Rosellini’s family as it does with Truman’s, suggesting that there is not much of a difference between the two groups. There’s even a scene where Joey’s uncle (played by Andreas Katsulas) tells Joey that the Sicily was the Appalachia of Italty. Next of Kin also has a better supporting cast than most of the films that Swayze made during this period. Along with Paxton and Neeson, the hillbillies are represented by actors like Ted Levine and Michael J. Pollard while Ben Stiller has an early role as Joey’s cousin. Patrick Swayze gives one of his better performances as Truman but the entire movie is stolen by Liam Neeson, who is a surprisingly believable hillbilly.
Rebel opens the same way as First Blood, with Sylvester Stallone hitchhiking on a country road. Other than that, the two films have nothing in common. For one thing, in Rebel, Sly is wearing a big floppy hat and stops to feed some horses with a big, goofy grin on his face. He also doesn’t get hassled by the man. Instead, he gets picked up by a bunch of hippies in VW microbus.
This was Stallone’s second film, after A Party At Kitty and Stud’s. He was twenty-four years old. The film was originally released under the title No Place To Hide and it vanished until 
In rural Colorado, the three wives and all the children of Orville Beecham (Charlie Dierkop) have been murdered. Veteran journalist Garret Smith (Charles Bronson) discovers that Orville is the son of an excommunicated Mormon fundamentalist named Willis Beecham (Jeff Corey). Willis, who lives on a heavily armed compound, practices polygamy and wants nothing to do with the outside world. However, Willis’s brother, Zenas (John Ireland), long ago split with Willis and set up a compound of his own. At first, Garret suspects that Orville’s family was killed by Zenas. As Zenas and Willis go to war, Garret discovers that there’s actually a bigger conspiracy at work, one dealing with corporate greed and water rights. (Forget it, Bronson, it’s Chinatown.)
In the 1950s, at the height of the McCarthy era, no one is more feared than Boyd Bendix (Daniel J. Travanti), an acerbic, right-wing gossip columnist. Anyone who crosses Bendix the wrong way runs the risk of being accused of everything from sexual deviancy to communism. Bendix’s latest victim is prominent journalist named Dennis Corcoran (Gordon Pinset). Unlike everyone else who has been bullied by Bendix, Corcoran refuses to quietly submit. Working with a gruff but brilliant attorney, Robert Sloane (Ed Asner), Corcoran takes Bendix to court.
Like any newly inaugurated President, Manfred Link (Bob Newhart) faces many new challenges. The biggest challenge, though, is keeping control of his family and his White House staff. His wife (Madeline Kahn) is an alcoholic. His 28 year-old daughter (Gilda Radner) is so desperate to finally lose her virginity that she is constantly trying to sneak out of the White House. General Dumpson (Rip Torn) wants to start a war. Press Secretary Bunthorne (Richard Benjamin), Ambassador Spender (Harvey Korman), and Presidential Assistant Feebleman (Fred Willard) struggle and often fail to convince everyone that all is well.
Fay Forrest (Joanne Whalley) and her boyfriend, Vince Miller (Michael Madsen), make their living stealing from the mob. After their latest job results in the death of a made man, Fay decides that she needs to escape from the abusive Vince. She runs away to Las Vegas, where she looks up a small-time, financially strapped P.I., Jack Andrews (Val Kilmer). She hires Jack to help her fake her death, offering to pay him $5,000 upfront and $5,000 after she’s dead. Jack is reluctant to get involved but he also has a loan shark threatening to break every bone in his body. Jack helps Fay fake her death but then Fay leaves town without paying him the second $5,000. Even worse, both Vince and the mob quickly figure out that Fay is not actually dead and join Jack in trying to track her down.
