Retro Television Review: Fantasy Island 7.17 “Awakening of Love/The Imposter”

Posted on November 4, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. The show is once again on Tubi!

It’s time for a trip to 1984.

Episode 7.17 “Awakening of Love/The Imposter”

(Dir by Bob Sweeney, originally aired on March 17th, 1984)

Wendy Collins (Robin Mattson) is a beautiful model who cannot overcome her trust issues. She fears that she might be frigid and she even resists Roarke’s attempts to make her fantasy of finding true love come true by setting her up with photographer (Rod McCrary). Wendy finally reveals the truth to Roarke. She grew up in a troubled home and, as a result, she has a hard time trusting people. She’s only had one lover and the lover was….

“An older man?” Roarke asks.

“A woman,” Wendy reveals.

The camera zooms in on Roarke looking shocked.

Welcome to 1984! Now, today, it’s pretty obvious what would happen. Wendy would fall in love with the photographer’s assistant, Carla (Renee Lippin), and she would realize that there was nothing wrong with that. But this episode aired in 1984, which means that Wendy has to find the courage to tell the photographer that her previous lover was a woman and that the photographer will then have to be willing to say that it doesn’t matter. Basically, Wendy’s fantasy is to be reassured that she’s straight despite having had one same-sex relationship.

Yes, well, hmmm …. hey, what’s going on in the other fantasy?

Arthur Crane (John Davidson) has a compulsive disorder that leads to him assuming other people’s identities. That’s quite a serious problem and Fantasy Island plays it for laughs. Roarke tells Lawrence to follow Arthur around the Island and to keep Arthur from taking on anyone else’s identity. Lawrence is terrible at his job. (Tattoo could have done it!) Arthur pretends to be a movie producer. Arthur pretends to be Mr. Roarke. (Okay, that did make me laugh.) Arthur pretends to be a doctor so Mr. Roarke zaps Arthur into an alternate universe where he is a doctor and he’s going to have to perform surgery on someone who has had a cerebral hemorrhage. Arthur points out that he doesn’t really have any medical skills or training.. Then he looks at the comatose patient and discovers that it’s ….. HIMSELF!

This storyline had potential but it was done in by some seriously bad acting and the fact that the fantasy was comedic so the viewer knows from the start that Arthur is not going to accidentally kill himself on the operating table.

This was a rather dated trip to the Island. The main theme seemed to be that Lawrence was thoroughly incompetent.

Late Night Retro Television Review: 1st & Ten 1.11 “Rona’s Fling”

Posted on September 24, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, the Bulls try to keep their season alive.

Episode 1.11 “Rona’s Fling”

(Dir by Bruce Seth Green, originally aired on February 3rd, 1985)

Rona (Ruta Lee) has been Diane’s best friend and biggest supporter since she first appeared during 1st & Ten’s pilot. And yet I don’t think I’ve ever mentioned her in any of my review because her character just wasn’t that interesting. She was a sarcastic society maven who was always drinking. She was a bit of a sitcom cliche and I didn’t really see any need to waste a lot time on her character.

This episode, however, opens with Rona getting out of rehab. She’s stopped drinking! And she’s also met a guy, a fellow alcoholic. Tim (Will Bledsoe) is a young and handsome and he and Rona have great sex. Tim is also the Bulls’s new punter! With Tim on the team, the Bulls are guaranteed to make it to the playoffs! (I never knew punters were so important.)

Meanwhile, the Arcola Brothers are also determined to make sure the Bulls make it to the playoffs. They bribe a referee.

The referee, however, is knocked out early in the game when two plays collide with him. However, the Bulls win the game on their own, no doubt thanks to Tim and his amazing punting abilities! Rona would be happy except she’s recently learned that Tim is married. Tim was separated when he went into rehab but, once he got out, his wife fell in love with him all over again.

And that’s pretty much the episode. It wasn’t a bad episode, even if the whole thing with the referee felt a bit anti-climatic. Ruta Lee gave a good performance as Rona and I appreciated the fact that she was still sober at the end of the episode. And, hey ….. The Bulls are going to the playoffs!

Thank God for the kicking team, I guess.

Insomnia Files #71 and #72: Dallas Cowboys Cheerleaders (dir by Bruce Bilson) and Dallas Cowboys Cheerleaders II (dir by Michael O’Herlihy)

Posted on May 1, 2025 by Lisa Marie Bowman

What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable or streaming? This feature is all about those insomnia-inspired discoveries!

If you were having trouble getting to sleep last night, you could have gone over to YouTube and watched 1979’s Dallas Cowboys Cheerleaders! And then, if you were still having trouble getting to sleep, you could have followed it up with 1980’s Dallas Cowboys Cheerleaders II! And then if you were somehow still not able to get any rest …. well, sorry. There’s only two of them. I guess you could watch that Making the Team show. I don’t know.

Anyway, back to the movies!

The first Dallas Cowboys Cheerleaders stars Jane Seymour as a serious journalist who at first scoffs at the idea of going undercover as a Dallas Cowboys Cheerleader. But her ex-boyfriend and editor (Bert Convy) insists that she take the assignment. Jane goes undercover and even makes the squad! (It’s never mentioned whether she has any sort of dance or cheerleading experience so I find it a bit odd that she actually made it onto a professional cheerleading squad but whatever….) Seymour gets to know the other members of the Squad, including the Love Boat’s Lauren Tewes. She comes to realize that she doesn’t want to write up a tabloid story about the cheerleaders. These are “good, down home girls,” she tells Convy. Convy doesn’t care. He wants scandal!

He’s not going to get it, though. The main message of this film is that the Dallas Cowboys Cheerleaders are basically saints with pom poms. Sure, one of them has a loser ex-boyfriend. And another one of them struggles a bit with the routines. It’s not an easy job but, in the end, everyone does their bit to support the team!

It’s all pretty silly but I’m from Dallas and I’m surrounded by Cowboy fans who have been complaining nonstop about the team for as long as I can remember so I enjoyed watching a movie that portrayed the Cowboys organization as being the greatest group of people on the planet. (No drug or gun problems here!) It’s very much a film of the 70s, made for television and straddling the line between being exploitive and being wholesome. Yes, the costumes are skimpy but no one smokes, drinks, or curses. The film features soapy drama, actual Dallas locations, 70s fashion, a great disco soundtrack, and dorky Bert Convy as a womanizer. Plus, like me, Jane Seymour has mismatched eyes. How can you not love this film!?

As for the sequel, it ditches almost everyone from the first film. Only Laraine Stephens, as the squad’s no-nonsense coach, returns. She’s got a whole new squad to deal with and only a limited amount of time to perfect the cheer that will win the Cowboys the Super….sorry, I mean to say the playoff game. Whenever anyone in the film says, “playoff game,” their lips read “Super Bowl,” so I guess there was some last-minute tinkering after shooting was completed. The squad also has to get ready to tour with the USO and to perform at a children’s hospital. (Ray Wise appears as a doctor at the children’s hospital.) The Cheerleaders are not only going to bring peace to the world but they’re also going to give those children the inspiration they need to get better. Yay!

This one isn’t as much fun, largely because Laraine Stephens’s character isn’t that much fun. The first film featured the very British Jane Seymour in Texas, somehow becoming a member of an all-American football team’s cheerleading squad and it was impossible not to enjoy the implausibility of it all. The second film is just Laraine Stephens getting mad at people for not having the routine down to perfection. No thanks, movie, I’m done with dealing with demanding choreographers. There’s a reason why I turned down all of those offers to join the cheer squad in high school. (For the record, my sister was the greatest cheerleader our high school ever had or ever will have! Erin watched the first movie with me a few weeks ago. She said it was okay but she didn’t think Jane Seymour was a convincing cheerleader.)

According to what I’ve read online, the first Dallas Cowboy Cheerleaders film was a huge rating success. The second film was less so, which I guess is why there was never a third.

Previous Insomnia Files:

Story of Mankind
Stag
Love Is A Gun
Nina Takes A Lover
Black Ice
Frogs For Snakes
Fair Game
From The Hip
Born Killers
Eye For An Eye
Summer Catch
Beyond the Law
Spring Broke
Promise
George Wallace
Kill The Messenger
The Suburbans
Only The Strong
Great Expectations
Casual Sex?
Truth
Insomina
Death Do Us Part
A Star is Born
The Winning Season
Rabbit Run
Remember My Name
The Arrangement
Day of the Animals
Still of The Night
Arsenal
Smooth Talk
The Comedian
The Minus Man
Donnie Brasco
Punchline
Evita
Six: The Mark Unleashed
Disclosure
The Spanish Prisoner
Elektra
Revenge
Legend
Cat Run
The Pyramid
Enter the Ninja
Downhill
Malice
Mystery Date
Zola
Ira & Abby
The Next Karate Kid
A Nightmare on Drug Street
Jud
FTA
Exterminators of the Year 3000
Boris Karloff: The Man Behind The Monster
The Haunting of Helen Walker
True Spirit
Project Kill
Replica
Rollergator
Hillbillys In A Haunted House
Once Upon A Midnight Scary
Girl Lost
Ghosts Can’t Do It
Heist
Mind, Body & Soul
Candy
Shortcut to Happiness

The Eric Roberts Collection: Raptor (dir by Jim Wynorski)

Posted on April 9, 2025 by Lisa Marie Bowman

In 2001’s Raptor, Eric Roberts stars as Jim Tanner, the sheriff of a small desert town. When the locals start turning up all shredded to heck, Sheriff Tanner suspects that maybe it was an animal attack. When the sheriff’s daughter (Lorissa McComas) witnesses one of the attacks and goes into a coma as a result, Tanner is determined to get justice, even if it means working with his ex-girlfriend, Barbara (Melissa Brasselle).

It turns out that it’s neither coyotes nor bears that are attacking the folks in the desert. Instead, it’s a bunch of dinosaurs that have been brought back into existence by Dr. Hyde (Corbin Bernsen, wearing a beret), a mad scientist who has a laboratory in a secret government installation. When the army realizes that there’s a bunch of mini-dinosaurs roaming the desert, they send in a special taskforce to take care of the problem.

It’s a pretty simple movie and no one in the cast, Roberts included, really seems to be taking it all that seriously. There a few scenes where Corbin Bernsen looks like he’s about to break out laughing at some of his dialogue. Director Jim Wynorski keeps the action moving and tosses in plenty of blood and a little nudity. If you’ve ever seen any of the other films that Wynorski directed for producer Roger Corman, you’ll know what to expect from Raptor.

The dinosaurs are cute. They’re all obviously puppets and there’s a lot of scenes of them moving quickly through the desert with an intense look in their eyes. Apparently, almost all of the dinosaur footage was lifted from the first three Carnosaur films, which perhaps explains why the film suddenly goes from being about Sheriff Tanner trying to protect his town from the dinosaurs to being about a bunch of soldiers hunting for the dinosaurs in Dr. Hyde’s underground lab. It’s cheap but it’s kind of fun, a timewaster that no one should take seriously.

Previous Eric Roberts Films That We Have Reviewed:

Retro Television Review: Fantasy Island 6.5 “Everybody Goes to Gilley’s/Face of Fire”

Posted on February 11, 2025 by Lisa Marie Bowman

This week, Fantasy Island goes country.

Episode 6.5 “Everybody Goes to Gilley’s/Face of Fire”

(Dir by Jerome Courtland, originally aired on November 20th, 1982)

Mickey Gilley is a country-western singer who comes to Fantasy Island because he wants to finally become a star after years of struggling. Tattoo, who is a huge country music fan, puts on a cowboy hat and decides that he’ll be Gilley’s “exclusive manager.” Not so fast, Mr. Roarke says. Apparently, there’s a country-western bar on the other side of the Island and the owner, Mr. Sherwood (Dennis Cole), has a fantasy of finally having a successful bar. Roarke arranges for Gilley and Sherwood to become partners. Gilley is a star whenever he performs in Sherwood’s bar. In the end, Sherwood and Gilley leave the Island together with Sherwood as Gilley’s new manager.

I’m not a huge country music fan so I have to admit that, until I watched this episode, I had no idea who Mickey Gilley was. (In fact, in my first draft of this review, I repeatedly called him “Dennis Gilley,” so that tells you how much I know about county-western singers.) Gilley actually was a country music star, one who did spend several years toiling away in small clubs before he finally found success. This role was autobiographical for him. It’s a bit odd that he plays himself but maybe he was a big deal in 1982. As I said, country music is not my area of expertise and 1982 is a bit before my time. What I can say is that, on the show, Gilley was portrayed in a way that kind of made him seem like a jerk. I mean, the nonstop complaining and all the demands! “I’m not here for romance,” he tells Roarke at one point. Don’t tell Mr. Roarke how to do his job, Gilley!

The other storyline was a take on Jane Eyre. Jean Harrigan (Lynn Redgrave) is from Nevada, despite being totally English. She needs a million dollars. A mysterious rich guy (David Hedison) offers it to her if she can survive a weekend at his home. His crazy wife is locked away in a bedroom. She ends up catching on fire towards the end of the episode, freeing things up for Jean and the rich guy. What’s interesting is that the rich guy says that he originally met Jean when his car broke down in the Nevada desert and Jean gave him a ride. What’s interesting about this is that, when the legendary Howard Hughes died, a man named Melvin Dummar claimed that he had once given Hughes a ride after coming across him stranded in the Nevada desert and, in return, Hughes left him a good deal of his fortune. Dummar even produced a will in support of his claim. The courts ruled the will to have been a forgery and Dummar never received his money, though there still are people out there who defend “the Dummar will” and claims that he was telling the truth about meeting Hughes. Fortunately, Jean does get her money and a chance to spend some time with the totally charming and handsome David Hedison.

(Hedison was also the best Felix Leiter, appearing in Live and Let Die and License to Kill.)

Perhaps not surprisingly, I preferred the gothic story to the country music story. I appreciated that Tattoo got to do something this episode. The scene where he declares himself to be Gilley’s manager felt like a throwback to the show’s earlier seasons. This journey to the Island was a mixed bag for me, though overall it was a pleasant trip.

Late Night Retro Television Review: Highway to Heaven 2.4 “Cindy”

Posted on April 4, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Freevee and several other services!

This week, Jonathan and Mark travel to Hollywood …. again.

Episode 2.4 “Cindy”

(Dir by Michael Landon, originally aired on October 23rd, 1985)

Vincent DeGeralimo (Bill Macy) is a fast-talking, good-hearted talent agent who is still trying to sell acts that were out-of-style during Vaudeville. He wants to get a booking for a lion tamer but Jonathan appears to him and says that Vincent’s main concern should be helping out his daughter.

Cindy DeGeralimo (Hallie Todd) is an aspiring actress who is currently working as a waitress in a diner. Her evil boss (Alice Ghostley) has three untalented daughters who all want to be actresses as well. Cindy’s newest coworker, Mark Gordon, just wants to meet a movie star.

Pretending to work in the mailroom of a major Hollywood studio, Jonathan convinces producer Maxim Prince (Kip Gilman) that the best way to find a star for his new picture would be to hold a ball and invite every aspiring actress in town to attend.

Can you see where this is going? Yep, it’s a remake of Cinderella, except this time Cinderella has a pushy father who keeps trying to change her before she goes to the ball. Cindy finally gets fed up and says that she wants to be a star but she also doesn’t want to be some sort of Hollywood phony. Vincent accepts Cindy’s feelings and everything works out in the end.

Usually, I’m pretty lenient when it comes to reviewing this show but this episode just annoyed me. Even by the standards of Highway to Heaven, it was overly sentimental and heavy-handed. Bill Macy gave such a frantic performance as Vincent that it was hard to watch him. As well, Mark was so excited about being in Hollywood that I found myself wondering if he forgot about all the time he spent in Hollywood during the first season.

Indeed, this is not the first episode of Highway to Heaven to feature Jonathan dealing with the entertainment industry and I imagine it won’t be the last. Considering how much control Michael Landon had over this show, I always get the feeling that the Hollywood episodes were personal for him, especially as they always seemed to deal with parents regretting the fact that they put work ahead of their families. That said, the portrayal of Hollywood in this episode was so old-fashioned and idealized that I get the feeling that it was Landon’s way of showing what he wished Hollywood was like as opposed to what it actually was. Landon’s Hollywood is a town where anyone can be a star and anyone can find a happiness.

As for this episode, it was a bit too corny for its own good. Next week, though, Jonathan battles the Devil for Mark’s soul! That should be fun.