Seeing as how today is Robert De Niro’s birthday, this 1984 tune seems like an obvious pick for song of the day!
Tag Archives: review
Retro Television Review: Homicide: Life On The Street 5.21 “Partners And Other Strangers”
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.
This week, we discover that Daniel Baldwin will not be returning to Homicide.
Episode 5.21 “Partners and Other Strangers”
(Dir by Leslie Libman and Larry Williams, originally aired on May 9th, 1997)
A call to investigate what appears to be a suicide leads Pembleton and Brodie to an isolated house in Baltimore. The dead man has been found with a shotgun in his hands and his face blown apart. It’s not until Pembleton looks at the dead man’s ID that he discovers that the man is former Detective Beau Felton.
Played by Daniel Baldwin, Felton was originally a major character on Homicide. He was the cynical, sweaty detective who had an affair with Megan Russert, a partnership with Kay Howard, and a marriage with a crazy woman who wouldn’t let him see his kids. Felton is the one who Robin Williams yelled at for being an insensitive ass in the Bop Gun episode. As the series progressed and the focus shifted from characters like Felton and Bolander to Pembleton and Bayliss, Felton was given less and less too. Daniel Baldwin was fired from the series at the end of season 3. Felton was said to have been suspended for his rowdy behavior at a convention.
The episode fills us in on what happened to Felton after his suspension. He apparently retired from the force and then stopped returning phone calls. He disappeared and everyone else moved on. At first, the squad room wonders if they could have done anything to prevent Felton’s suicide. Howard and Lewis (who lost his previous partner to suicide and who nearly lost Kellerman to the same thing) are especially hit hard. We get several flashbacks to the episodes that featured Felton and we’re reminded of just how much Daniel Baldwin used to sweat when he was on the show.
Dr. Cox takes a look at the skull fragments and the blood splatter and she realizes that Felton didn’t kill himself. He was shot in the back of the head and then someone tried to make it look like he committed suicide. Pembleton, Howard, and Bayliss are now investigating the murder of Beau Felton and they’re getting some help.
Megan Russert flies in from France to offer up her skills as an investigator. If I remember correctly, Russert was never that good of a detective but it’s nice that she showed up.
Detective Paul Falsone (Jon Seda), from the auto theft squad, says that Felton was working with a notorious group of car thieves. Falsone wants to help the investigation for …. reasons, I guess.
Finally, Detective Stuart Gharty (Peter Gerety) shows up. When we last saw Gharty, he was a decorated cop who was too scared to enter an apartment building to help out one of his fellow officers. Now, Gharty is working for Internal Affairs. He reveals to Giardello that Felton was working undercover and he was helping to uncover a crooked cop in the department. Colonel Barnfather announces that Gharty is going to work with Homicide on the Felton case.
Even if I didn’t already know that Falsone and Gharty are going to become regular characters during season six, it would be obvious from the introductions they’re given in this episode. Peter Gerety, who later played a sympathetic judge on The Wire, is fine in the role of Gharty. But I can already tell that Falsone is going to annoy me. Some of it is because his character is the type of cliche that Homicide has, to this point, avoided. He’s a young rebel who gets results …. HIS WAY! From the minute he shows up, he’s telling Howard and Pembleton how they should conduct their investigation and it’s kind of annoying. I mean, who the Hell is this jerk? As played by Jon Seda, Falsone mumbles the majority of his dialogue and he just doesn’t seem like he belongs on Homicide.
This is a two-parter so we’ll see how the investigation wraps up (or doesn’t) next week. Oddly, I have to admit that Felton’s death didn’t really have the type of emotional impact that the show seemed to think that it would. Unlike the lovably eccentric Crosetti, Felton was never really that interesting of a character. Far more impactful than the squadroom thinking about all of the times Felton acted like a jerk was the scene where Pembleton followed Bayliss to his uncle’s home. Later, Pembleton told Bayliss that he now understood why Bayliss has been missing work. In the past, this would have led to a fight between the two of them but both Bayliss and Pembleton have grown over the season. Pembleton apologizes for following Bayliss. (“I’m a detective. It’s what I do.”) Bayliss opens up about how he’s struggling with the concept of forgiveness. As always, the show’s heart is with Bayliss and Pembleton.
Next week, season 5 comes to an end!
Brad reviews STRAW DOGS (2011), starring James Marsden, Kate Bosworth, Alexander Skarsgard and James Woods!
After reading a lot of negative reviews, I went into this 2011 remake of Sam Peckinpah’s STRAW DOGS expecting to not like it. I only bought the DVD because I’m a James Woods super-fan and completist. The good thing about that lowering of expectations, though, is that in my first viewing (in 2026) I was able to focus on the movie itself rather than in comparison to the original. After watching it, I would never argue that this version is a great movie, but I did find myself enjoying it more than I thought I would.
David and Amy Sumner (James Marsden and Kate Bosworth) arrive in her childhood hometown of Blackwater, Mississippi, where David plans to work on a screenplay while they fix up her old family home. David’s a successful Hollywood screenwriter, but he’s not tough at all, which is at odds with the small town football and southern deer-hunting culture he now finds himself in. Amy, who’s had some success as an actress, has a history with many of the people in town, especially her old boyfriend Charlie (Alexander Skarsgard). Eventually that history turns into something much more dangerous than you would ever imagine (if you hadn’t seen the original).
Because I’ve only seen the original film once or twice in my currently 52-year-old life, I don’t necessarily hold it as some sort of untouchable masterpiece of cinema, and I can like how this version of STRAW DOGS builds its tension. There are definitely some moments where I found myself wondering what the hell David and Amy were thinking. David seems intent on giving the local yokels every possible opportunity to walk all over him. Then again, as a person who always tries to be nice and avoid a fight, I don’t know how much different I would have been. I would hope that if my wife and entire livelihood was being threatened, however, I’d find the intestinal fortitude to do whatever it takes to protect them and myself. David eventually does find that nature within himself.
Amy’s unexplained behavior is even worse. After being offended that the locals ogle her when she’s exercising, she decides the appropriate response is taking her top off purposely in front of an open window so those same locals can see. While I can unequivocally state that there’s never any excuse for violence against women among rational people, the problem is that these are irrational people who don’t play by the rules of society. This is one of those cases where the only possible explanation for Amy’s behavior is because the screenplay needed her to do it. Even when the worst case scenario eventually plays out, the despicable behavior taps into our basic instincts and we want to see vengeance served.
James Marsden and Kate Bosworth are okay as David and Amy. Their characters aren’t particularly engaging, but you can’t help but pull for them in comparison to those around them. Alexander Skarsgard is awkward and creepy as Charlie, Amy’s old boyfriend. I loved him as the powerful vampire in the HBO series TRUE BLOOD. He’s something totally different here, and he eventually goes so far off the reservation you can’t help but want him to get his comeuppance. Of course, I wanted to watch the movie because of James Woods, who plays Tom Heddon, a former local high school football coach who seems to be just a drunk at the bar these days. It turns out that he’s loud, mean and incredibly nasty. In a history of playing vicious bastards, this character plays out as one of his worst. It’s an incredible performance just a couple of years before, as Woods has said, his unapologetically conservative political views would essentially get him blackballed from Hollywood.
The final scenes are extremely violent, and based on what we’ve seen, it’s hard not to feel that the violence is justified. It’s ugly, but I won’t deny that I wasn’t emotionally moved to see it. Legendary film critic Roger Ebert would say that he preferred this remake to the original. I won’t go that far, but that’s a pretty strong indicator that this film shouldn’t be dismissed just because most won’t find it to be as good as the original. What it is is a mean, violent thriller with some strong performances, especially from Skarsgard and Woods. If you’re willing to forget that it’s a remake of a superior film from 40 years earlier, you just may enjoy it!
Song of the Day: Chernobyl by Blanck Mass
For today’s song of the day, we have Chernobyl by Blanck Mass. This piece of music was used to haunting effect in 2014’s A Field In England.
Late Night Retro Television Review: Saved By The Bell 3.1 “The Fabolous Belding Boys”
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Saved By The Bell, which ran on NBC from 1989 to 1993. The entire show is currently streaming on Tubi!
This week, Rod Belding comes to Bayside.
Episode 3.1 “The Fabolous Belding Boys”
(Dir by Don Barnhart, originally aired on December 9th, 1990)
“You’re jealous of your own brother!” Zack snaps at Mr. Belding in this episode and you really do have to wonder how Zack was always able to get away with using that tone of voice with his principal. Most students would end up getting expelled if they talked to any adult that way.
Mr. Belding really goes through the ringer this episode. After the authoritarian history teacher has a nervous breakdown, Belding reluctantly allows his younger brother, long-haired Rod (Edward Blatchford), to teach the class. Soon, Rod is throwing away the midterm exam and allowing the students to pick their own grades. (Screech gives himself a B-.) Rod also convinces the students — well, a small handful of them — that the next class trip should involve white water rafting instead of going to Yosemite like his brother suggested.
That Rod is one cool guy until he decides, at literally the last minute, to blow off the rafting trip so he can hang out with a stewardess. “Cover f0r me!” Rod tells Mr. Belding. “Get out of my school, Rod,” Belding says, not knowing that Zack has overheard the entire converastation.
Mr. Belding does cover for his brother by claiming that Rod has the flu but he also volunteers to take his brother’s place on the rafting trip. Now, it’s already been established that Mr. Belding has no experience with white water rafting and apparently, he can’t even swim. So, there’s a good chance that the senior class is going to lose a few members over the weekend. But for now, all that matters is that the school trip is back on.
Zack apologizes to Mr. Belding.
“Rod is the more exciting Belding,” Mr. Belding admits.
“We got the better Belding,” Zack replies.
Awwwww!
This is definitely one of the best episodes of Saved By The Bell. For once, Belding gets to be something other than a fool and Zack is forced to admit that he was wrong wrong. Dennis Haskins shines in this episode and, for that matter, so does Edward Blatchford as Rod.
As I watched this episode, I was reminded of that episode of Good Morning Miss Bliss in which Bliss’s mentor was hired as a substitute and did a lot of the same crap that Rod did. On Good Morning Miss Bliss, the substitute was portrayed as being a hero. On Saved By The Bell, he’s a self-absorbed creep. The Saved By The Bell version is the better version.
It’s the better Belding.
Retro Television Review: Baywatch 2.15 “Big Monday”
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001. The entire show can be viewed on Tubi.
This week, Mitch and Hobie are scared!
Episode 2.15 “Big Monday”
(Dir by Gregory J. Bonnan, originally aired on February 10th, 1992)
Hobie has a problem. A huge tropical wave is scheduled to hit the beach on Monday and all of his friends are looking forward to surfing it. His friends all say that Hobie is “chicken” because he won’t take the big waves. Hobie goes to Shauni for advice. Shauni offers to help him learn how to be a better surfer. Hobie wonders why he can’t be more like his dad. Mitch isn’t scared of anything.
Actually, Mitch is terrified of that big wave. Every time that someone mentions it, Mitch flashes back to watching a friend get washed away by a giant wave in 1961. With a new wave approaching, Mitch is scared that the same thing will happen again. Luckily, a visiting Hawaiian surfer just happens to be around to give Mitch an enchanted necklace.
Kaye, Mitch’s little-seen girlfriend, befriends a deaf girl on the beach. She tries to convince the girl’s mother to allow her to enroll Kaye in a sign language class. The girl’s mother is scared that her daughter will always be an outsider unless she learns how to read lips. (One of the teachers at the school is played by future Oscar nominee Paul Raci.)
Will Hobie prove that he can handle the waves?
Will Mitch overcome his guilt over his friend’s death?
Will Kaye convince the mother to enroll her daughter in sign language class?
Yes, yes, and yes. This is Baywatch. Other than that lifeguard getting killed by a shark, there are no unhappy endings.
As for this episode, I’ll give it some credit for having one unifying theme. All of the stories are connected by the theme of conquering your fears. Actually having a narrative theme is definitely a step forward for this show. That said, it’s still Baywatch. Everything happens a bit too easily in this episode. Yes, this episode says, fear is real. But, if you stick around for 40 minute, your fears will magically disappear in time for the end credits to roll.
This was a silly episode but at least its heart was in the right place.
Song of the Day: John’s Theme From Don’t Look Now by Pino Donaggio
Late Night Retro Television Review: Sledge Hammer! 1.1 “Under the Gun”
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing SLEDGE HAMMER!, a cop comedy which ran on ABC from 1986 to 1988. The entire series can be found on Prime!
My friend Pat McCurry introduced me to Sledge Hammer earlier this year. Starring David Rasche as Detective Sledge Hammer, this show was a parody of Dirty Harry and Hunter. Since I’m currently reviewing Hunter on Thursday night, it seems only appropriate to review Sledge Hammer on Friday night!
Episode 1.1 “Under the Gun
(Dir by Martha Coolidge, originally aired on September 23rd, 1986)
“HAMMER!” shouts police Captain Trunk (Harrison Page), “YOU COULDN’T RESIST BLOWING UP A BUILDING ON YOUR WAY TO WORK THIS MORNING, COULD YOU!?”
Captain Trunk yells a lot but that’s just because he’s been put in charge of managing Detective Sledge Hammer (David Rasche), a San Francisco cop who talks to his gun and who is currently on suspension for shooting a robber at a grocery store before then buying some eggs and “those little cocktail weenies.” When asked by a reporter if his response was too violent, Hammer replied that he really needed his groceries.
For the record, Trunk is correct. Hammer did blow up a building on his way to work. There was a sniper on the roof so Hammer pulled a rocket launcher out of the back of his car and took care of the problem.
Despite all of that, the mayor (John Vernon, who previously played San Francisco’s mayor in Dirty Harry) orders that Sledge Hammer be taken off suspension. The Mayor’s daughter, Francie (Judie Aronson), has disappeared. (“She was either kidnapped or she is just very good at hiding.”) The police think that she was taken by the Allied Violent Offence Network (AVON), a terrorist group led by Weird Willy Luxley (D.W. Brown). Weird Willy is so evil that his own parents gave him up for adoption three years before he was born. The Mayor thinks that Sledge Hammer’s unapologetic embrace of violence is the way to go.
Hammer is assigned a partner, Dori Doreau (Anne-Marie Martin), an expert in negotiation and criminal psychology. At first, Hammer is uneasy about working with a woman. But, when he sees her beat up a man with a shotgun, he’s impressed. “That was excessively violent and totally unnecessary. I loved it.” Doreau mentions she was at the top of her class in hand-to-hand combat. “I’d like to fight you sometimes, Doreau,” Hammer replies.
Hammer promises to bring back “the mayor’s daughter, dead or alive.” Reasoning that it’s usually a member of the family who is to blame in cases like this, Hammer arrests and interrogates the Mayor’s wife. That gets Hammer suspended again but it turns out that Hammer was half-right. It wasn’t the Mayor’s wife. Instead, in true Patty Hearst manner, it turns out that Francie Flambo is a member of AVON and she arranged her own kidnapping!
It all leads to a shootout in a warehouse, as these things often do. When AVON makes their ransom demand, Doreau is sent to deliver the money. (She’s actually given a suitcase full of shredded paper.) Sledge Hammer crashes through a skylight and lands on a box, grinning.
“Why are you smiling!?” Weird Willie Luxley demands.
“I’m trigger happy, that’s why!” Hammer replies.
Soon, all of the members of AVON have been subdued and Francie has been arrested. The Mayor offers Doreau a promotion but Doreau refuses to accept it because she feels that Hammer is not being given the recognition that he deserves.
This seems like the start of a beautiful friendship.
The first episode of Sledge Hammer may be 40 years old but it’s still feels relevant and the laughs still feel earned. As played by David Rasche, Sledge Hammer is the perfect parody of every unapologetically violent action hero. Though there are hints of attraction between him and Doreau, the episode makes it pretty clear that Hammer’s true love is for his gun. At the same time, there’s something rather refreshing about Hammer’s total and complete lack of angst. As I watched this episode, it occurred to me that Hammer would probably get as annoyed with Daniel Craig’s self-pitying version of James Bond as I do.
This pilot was enjoyable and funny 26 minutes of pure entertainment. I look forward to reviewing the rest of the series!
Retro Television Review: St. Elsewhere 4.6 “Lost and Found In Space”
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Daily Motion.
This week, it’s not just the patients who need to be stitched up.
Episode 4.6 “Lost and Found In Space”
(Dir by Robert Becker, originally aired on November 13th, 1985)
Bobby Caldwell lives!
Things were looking pretty bad for Bobby last week. As you may remember, he picked up a waitress, took her to his Cape Cod home, and then ended up getting slashed across the face when she pulled a razor blade out from under her tongue. This week, Bobby is wandering around the hospital with a huge bandage on his face and telling everyone that he had an “accident.” It’s only to Dr. Turner that he confesses that he was attacked by the waitress. Bobby claims that he responded by punching her and that he then called the police.
Bobby spends this episode in a truly foul mood. Not only does he have a bandage on his face but he’s also been told that the Hospital Review Board doesn’t feel that he’s performing enough surgeries for the residents to really get the training that they need. (“We’re a teaching hospital,” Dr. Craig explains.) Bobby pressures an old man into getting a face lift that he really doesn’t need. Even Victor thinks that the surgery is unethical. I mean, when you’ve lost Victor Ehrlich….
Meanwhile, Dr. Westphall is finally released from the hospital after fainting due to the Malaria that he brought back from working abroad. Westphall is depressed about the whole thing. Westphall is always depressed. Even when his daughter comes home to help out, Westphall is depressed to see her. Cheer up, Westphall!
After weeks of trying to lose weight, Elliot discovers that he’s actually gained three pounds. What’s worse is that his girlfriend, Marcy (Jeannie Elias), lost weight at the same time that Elliot was gaining weight and, when she sees that he’s just as heavy as ever, she dumps him.
Amongst the patients, Pru Dowler (Amanda Wyss) and Buddy Askew (Mark Baker) are two developmentally challenged teenagers who end up “procreating” (as Luther puts it) in Pru’s hospital room. Dr. Craig takes it upon himself to discuss what happened when Pru and it’s just as awkward as you might expect.
Col. Chuck Cochrane (David Ackroyd) is an astronaut who collapses while giving a speech. In the hospital, he has nightmares about being trapped in space. The whole storyline brought to mind The Ninth Configuration, a film that perhaps not coincidentally starred the future Donald Westphall himself, Ed Flanders.
The highlight of this episode was undoubtedly William Daniels’s performance as Dr. Craig. With Dr. Westphall recovering his illness, the day-to-day tasks of running the hospital fell on Dr. Craig and he was not at all happy about it. On this show, William Daniels is always at his best when Dr. Craig is in a bad mood. Before going on rounds, Dr. Craig predicted that Dr. Morrison would show up late and have some overly complicated excuse. Morrison did just that and it was hard not to smile at Craig’s exasperation. At the same time, it is made clear that the main reason that Craig is upset is because his granddaughter has been taken away from him. It was hard not to feel bad for him, even when he was biting everyone’s heads off.
This was not a happy episode. No one in the hospital seems to be doing well. Bobby is bitter. Dr. Craig is angry. Elliott is feeling defeated. And Westphall …. well, he’s just Westphall. Fortunately, the strong cast and the smart writing made up for the fact that St. Eligius isn’t a happy place right now.
Seriously, I could watch William Daniels yell at people all day.
Bonus Song of the Day: So Familiar by Steve Martin and the Steep Canyon Rangers
For today’s song of the day, we have a banjo tune from musician Steve Martin.
