Horror On The Lens: The Phantom of the Opera (dir by Rupert Julian)


Today’s horror movie on the Shattered Lens is both a classic of silent era and one of the most influential horror films ever made.  It’s one that I previously shared in 2013, 2015, 2016, 2108, 2019, and 2020 but it’s such a classic that I feel that it is worth sharing a second (or fifth or even a sixth or perhaps a seventh) time.

First released in 1925, The Phantom of the Opera is today best known for both Lon Chaney’s theatrical but empathetic performance as the Phantom and the iconic scene where Mary Philbin unmasks him. However, the film is also a perfect example of early screen spectacle. The Phantom of the Opera was released during that period of time, between Birth of the Nation and the introduction of sound, when audiences expected films to provide a visual feast and Phantom of the Opera certainly accomplishes that. Indeed, after watching this film and reading Gaston Leroux’s original novel, it’s obvious that the musical was inspired more by the opulence of this film than by the book.

This film is also historically significant in that it was one of the first films to be massively reworked as the result of a poor test screening. The film’s ending was originally faithful to the end of the novel. However, audiences demanded something a little more dramatic and that’s what they got.

 

4 Shots From 4 Silent Horror Films


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

The horror genre has been around ever since people struggled to explain their fears and horror films were a feature of cinema from the time of the earliest movies.  Today, we pay tribute to some of the early entries in the horror genre with….

4 Shots From 4 Horror Films

The Cabinet of Dr. Caligari (1920, dir by Robert Wiene, DP: Willy Hameister)

Nosferatu (1922, dir by F.W. Murnau, DP: Fritz Arno Wagner and Günther Krampf)

Haxan (1922, dir by Benjamin Christesen, DP: Johan Ankerstjerne)

The Phantom of the Oepra (1925, dir by Rupert Julian, DP: Milton Bridenbecker, Virgil Miller, Charles Van Enger)

Horror On The Lens: The Phantom of the Opera (dir by Rupert Julian)


Today’s horror movie on the Shattered Lens is both a classic of silent era and one of the most influential horror films ever made.  It’s one that I previously shared in 2013, 2015, 2016, 2108, and 2019 but it’s such a classic that I feel that it is worth sharing a second (or fifth or even a sixth) time.

First released in 1925, The Phantom of the Opera is today best known for both Lon Chaney’s theatrical but empathetic performance as the Phantom and the iconic scene where Mary Philbin unmasks him. However, the film is also a perfect example of early screen spectacle. The Phantom of the Opera was released during that period of time, between Birth of the Nation and the introduction of sound, when audiences expected films to provide a visual feast and Phantom of the Opera certainly accomplishes that. Indeed, after watching this film and reading Gaston Leroux’s original novel, it’s obvious that the musical was inspired more by the opulence of this film than by the book.

This film is also historically significant in that it was one of the first films to be massively reworked as the result of a poor test screening. The film’s ending was originally faithful to the end of the novel. However, audiences demanded something a little more dramatic and that’s what they got.

Horror On The Lens: The Phantom of the Opera (dir by Rupert Julian)


Today’s horror movie on the Shattered Lens is both a classic of silent era and one of the most influential horror films ever made.  It’s one that I previously shared in 2013, 2015, 2016, and 2108 but it’s such a classic that I feel that it is worth sharing a second (or fifth) time.

First released in 1925, The Phantom of the Opera is today best known for both Lon Chaney’s theatrical but empathetic performance as the Phantom and the iconic scene where Mary Philbin unmasks him. However, the film is also a perfect example of early screen spectacle. The Phantom of the Opera was released during that period of time, between Birth of the Nation and the introduction of sound, when audiences expected films to provide a visual feast and Phantom of the Opera certainly accomplishes that. Indeed, after watching this film and reading Gaston Leroux’s original novel, it’s obvious that the musical was inspired more by the opulence of this film than by the book.

This film is also historically significant in that it was one of the first films to be massively reworked as the result of a poor test screening. The film’s ending was originally faithful to the end of the novel. However, audiences demanded something a little more dramatic and that’s what they got.

Horror on the Lens: The Phantom of the Opera (dir by Rupert Julian)


Today’s horror movie on the Shattered Lens is both a classic of silent era and one of the most influential horror films ever made.  It’s one that I previously shared in 2013, 2015, and 2106 but it’s such a classic that I feel that it is worth sharing a second (or fourth) time.

First released in 1925, The Phantom of the Opera is today best known for both Lon Chaney’s theatrical but empathetic performance as the Phantom and the iconic scene where Mary Philbin unmasks him. However, the film is also a perfect example of early screen spectacle. The Phantom of the Opera was released during that period of time, between Birth of the Nation and the introduction of sound, when audiences expected films to provide a visual feast and Phantom of the Opera certainly accomplishes that. Indeed, after watching this film and reading Gaston Leroux’s original novel, it’s obvious that the musical was inspired more by the opulence of this film than by the book.

This film is also historically significant in that it was one of the first films to be massively reworked as the result of a poor test screening. The film’s ending was originally faithful to the end of the novel. However, audiences demanded something a little more dramatic and that’s what they got.

Horror Scenes That I Love: Mary Philbin unmasks Lon Chaney in The Phantom of the Opera!


Today’s horror scene that I love comes from the 1925 version of The Phantom of the Opera.

In this famous scene, which was directed by Rupert Julian, Mary Philbin unmasks the Phantom (played, of course, by Lon Chaney).  Both of their reactions are justifiably famous.

I have read that Philbin was apparently not told what Chaney would look like when she removed the mask, which contributed to her state of shock.  I don’t know if that’s true but I hope it is.  It’s certainly a good story.

Was this horror cinema’s first “jump scare?”

Horror on the Lens: The Phantom of the Opera (dir by Rupert Julian)


The_Phantom_of_the_Opera_(1925_film)

Today’s horror movie on the Shattered Lens is both a classic of silent era and one of the most influential horror films ever made.  It’s one that I previously shared in 2013 and 2o15 but it’s such a classic that I feel that it is worth sharing a second time.  Add to that, the original video that I embedded has been taken off of YouTube.

First released in 1925, The Phantom of the Opera is today best known for both Lon Chaney’s theatrical but empathetic performance as the Phantom and the iconic scene where Mary Philbin unmasks him. However, the film is also a perfect example of early screen spectacle. The Phantom of the Opera was released during that period of time, between Birth of the Nation and the introduction of sound, when audiences expected films to provide a visual feast and Phantom of the Opera certainly accomplishes that. Indeed, after watching this film and reading Gaston Leroux’s original novel, it’s obvious that the musical was inspired more by the opulence of this film than by the book.

This film is also historically significant in that it was one of the first films to be massively reworked as the result of a poor test screening. The film’s ending was originally faithful to the end of the novel. However, audiences demanded something a little more dramatic and that’s what they got.

4 Shots From Horror History: The Phantom of the Opera, Faust, London After Midnight, The Fall of the House of Usher


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at the latter half of the 1920s.

4 Shots From 4 Films

The Phantom of the Opera (1925, dir by Rupert Julian)

The Phantom of the Opera (1925, dir by Rupert Julian)

Faust (1926, dir by F.W. Murnau)

Faust (1926, dir by F.W. Murnau)

London After Midnight (1927, dir by Tod Browning)

London After Midnight (1927, dir by Tod Browning)

The Fall of the House of Usher (1928, dir by Jean Epstein)

The Fall of the House of Usher (1928, dir by Jean Epstein)

Horror on the Lens: The Phantom of the Opera (dir by Rupert Julian)


The_Phantom_of_the_Opera_(1925_film)

Today’s horror movie on the Shattered Lens is both a classic of silent era and one of the most influential horror films ever made.  It’s one that I previously shared in 2013 but it’s such a classic that I feel that it is worth sharing a second time.  Add to that, the original video that I embedded has been taken off of YouTube.

First released in 1925, The Phantom of the Opera is today best known for both Lon Chaney’s theatrical but empathetic performance as the Phantom and the iconic scene where Mary Philbin unmasks him. However, the film is also a perfect example of early screen spectacle. The Phantom of the Opera was released during that period of time, between Birth of the Nation and the introduction of sound, when audiences expected films to provide a visual feast and Phantom of the Opera certainly accomplishes that. Indeed, after watching this film and reading Gaston Leroux’s original novel, it’s obvious that the musical was inspired more by the opulence of this film than by the book.

This film is also historically significant in that it was one of the first films to be massively reworked as the result of a poor test screening. The film’s ending was originally faithful to the end of the novel. However, audiences demanded something a little more dramatic and that’s what they got.

Horror On The Lens: The Phantom of the Opera (dir by Rupert Julian)


The_Phantom_of_the_Opera_(1925_film)Today’s horror movie on the Shattered Lens is both a classic of silent era and one of the most influential horror films ever made.

First released in 1925, The Phantom of the Opera is today best known for both Lon Chaney’s theatrical but empathetic performance as the Phantom and the iconic scene where Mary Philbin unmasks him.  However, the film is also a perfect example of early screen spectacle.  The Phantom of the Opera was released during that period of time, between Birth of the Nation and the introduction of sound, when audiences expected films to provide a visual feast and Phantom of the Opera certainly accomplishes that.  Indeed, after watching this film and reading Gaston Leroux’s original novel, it’s obvious that the musical was inspired more by the opulence of this film than by the book.

This film is also historically significant in that it was one of the first films to be massively reworked as the result of a poor test screening.  The film’s ending was originally faithful to the end of the novel.  However, audiences demanded something a little more dramatic and that’s what they got.