Brad revisits the Hong Kong tearjerker ALL ABOUT AH LONG (1989), starring Chow Yun-Fat!


I have about a 30-minute commute to my office every day, so I love to listen to podcasts about my favorite actors and movies. About a year or so ago, I discovered the “Podcast on Fire,” which mostly focuses on Hong Kong movies, but will veer into other Asian related cinema as well. Kenny B and his various co-hosts may do a series on a prominent Hong Kong director one week and a sleazy category III soft porno the next, so the wide variety is especially enjoyable, and I’ve learned so much by going through their back catalog of episodes. I recently came across their series dedicated to popular Hong Kong melodramas. The first episode in the series included a lengthy discussion of ALL ABOUT AH LONG, an award-winning tearjerker starring Chow Yun-Fat. I haven’t watched it in over 20 years, so it was time for a revisit.

Ah Long (Chow Yun-Fat) is a former motorcycle racer who lives in Hong Kong and works as a truck driver while raising his son Porky on his own. The two seem to have a great relationship, even if their situation can only be described as modest at best. Things get interesting when Ah Long’s former girlfriend Por Por (Sylvia Chang), who also happens to be Porky’s mother, enters their life after being away in America for 10 years. In a cruel twist that was brought on because her family did not want her to be with Ah Long, she had been led to believe that Porky had died and her escape to America was her way of dealing with that pain. Now wealthy and successful, she discovers that Porky is indeed alive, and Ah Long has been raising their son alone all these years. Naturally, she wants to be involved in her son’s life. As a matter of fact, she wants to give Porky a life that his father never could.

My favorite living actor, Chow Yun-Fat, gives one of the best performances of his career in this film. It’s especially impressive because it asks him to behave almost completely the opposite of the cool heroes that made him famous around the globe in his Hong Kong action hits like THE KILLER and HARD BOILED. His Ah Long can be funny and charismatic, but he can also be immature and downright mean. There are times he’s so sweet and likable, and then there are times, especially seen in flashback, where he’s not likable at all. Chow doesn’t try to smooth away the rough edges of the character, either. Ah Long is flawed, but he’s also a great dad, and his chemistry with his son Porky (Huang Kun-Hsuan) feels very natural. I also like Chow’s chemistry with Sylvia Chang as Por Por. Even though she wants to take Porky back to America with her, she’s never portrayed as this evil villain, and she and Chow actually end up working together to do what’s best for their son. Chow would win his 3rd Hong Kong Film Award for Best Actor for his performance here.

The film is very melodramatic, but director Johnnie To goes out of his way to ground the film in some level of reality. Long before To was transforming the Hong Kong film industry in the late ‘90’s through his Milky Way Images production company, he was a working director just making successful movies. With this film’s cramped apartments, simple meals, awkward dinner conversations, and past romantic regrets, the movie gives all of us something we can latch ahold of. When tragedy enters near the end, it’s especially affecting since we’ve grown to understand and care about the characters. If ALL ABOUT AH LONG doesn’t make you reach for the tissues, you’ve got a heart of stone, my friend!

In my opinion, ALL ABOUT AH LONG is also the kind of movie that determines if you’re a Chow Yun-Fat fan or just a John Woo action movie fan. Chow is about as far away from the charismatic hero of A BETTER TOMORROW as he can possibly get. This is Chow at his most human and relatable, and I’ll admit I loved every moment of his performance. I watched it again on the DVD that I purchased about 25 years ago, and there’s just nobody any better out there.

Retro Television Review: Decoy 1.33 “The Lieutenant Had A Son”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958.  The show can be viewed on Tubi!

Episode 1.33 “The Lieutenant Had A Son”

(Dir by David Alexander, originally aired on May 26th, 1958)

After spending five years overseas, career soldier Lt. Larry Hayes (Leo Penn) returns to New York City.  He wants to see the son that he’s never met and he’s not happy when he discovers that, in his absence, his wife (Loretta Leversee) has married another man (Will Kuluva).  His wife goes to the police for protection but, once it becomes obvious that she committed bigamy, Casey has to try to sort out who is married to who and who Larry, Jr. (Robie Grant) belongs with.

This was an odd episode.  Absolutely no one was sympathetic.  I even got annoyed with Casey for getting involved with these people.  Lt. Hayes was a self-righteous martinet.  His wife was a flake who simply didn’t seem to understand why she wasn’t being given a pass on the whole bigamy thing.  Five year-old Larry, Jr. was played by a child named Robie Grant.  I was not surprised to discover that this was Grant’s only credit because he was beyond lousy in the role.  I have never been more annoyed by a five year-old.

The most interesting thing about this episode is that Larry Hayes is played by Leo Penn, the father of Sean, Chris, and Michael Penn.  Leo Penn gives a believable performance as Larry.  It wasn’t his fault that the character wasn’t particularly likable.

Late Night Retro Television Review: 1st & Ten 4.3 “Caught In The Draft”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, it’s for the draft.

Episode 4.3 “Caught In The Draft”

(Dir by Stan Lathan, originally aired on October 19th, 1988)

The Bulls attend the draft and screw everything up.  It turns out that allowing the players to own the team was a really bad idea.  In fact, it goes so badly that TD Parker (OJ Simpson) really deserves to be fired for suggesting it in the first place.  But, nobody wants to get on TD’s bad side, for some reason.

How badly does it go?

The Bulls need a linebacker.  Sonny Cowers, the phenom out of Louisiana, is available in the first round.  Unfortunately, Mad Dog worries that, if he drafts Sonny, the Bulls will then either release or trade him.  Seeing as how Mad Dog owns the team, I’m not really sure how he could be traded or released but whatever.  Mad Dog picks a player that the team doesn’t need and Sonny is picked by another team.

Meanwhile, Jethro and Bubba insist on drafting an unheralded running back because they’re convinced the man is in their hotel room and threatening to commit suicide if he’s not drafted.  It turns out that the man in the hotel room was just an actor and that the Bulls just got conned into drafting some fat guy from Tennessee.

The Bulls do get a new head coach when TD trades a sixth round draft pick for the new coach of Houston’s term, Ernie Denardo.  That’s right, Denardo’s back!

The draft is such a disaster that the bank cancels their loan and the players are forced to sell the team to the fast food company that they were trying to avoid being purchased by in the first place.

I actually liked this episode.  I enjoyed the chaos of the draft and it was hard not to laugh at the earnest stupidity of the players.  Shouldn’t you guys be trying to draft a quarterback? I thought at one point and, for a second, I felt like a sports expert.

Seriously, they need do need to get a quarterback.

Retro Television Review: The Love Boat 7.22 “The Lady and the Maid/Love Is Blind/The Babymakers”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, it’s all about maids and bartenders!

Episode 7.22 “The Lady and the Maid/Love Is Blind/The Babymakers”

(Dir by Richard Kinon, originally aired on March 3rd, 1984)

This week, it’s a busy cruise!

Dorothy Fielding (Luise Rainer) boards the boat and immediately runs into her twin sister, Maggie (also played by Rainer).  Maggie is working as a maid and she resents her sister.  But when Dorothy agrees to switch places with Maggie, Maggie gets to date the charming and rich Stewart Coolidge (Don Ameche).  This storyline features not one but two Oscar winners.  Ameche won an Oscar for his role in Cocoon, albeit after this show aired.  Rainer won two Oscars, back-to-back, in the 30s and then seemingly vanished from film screens.  Unfortunately, while Ameche is charming, Rainer comes across as if she would rather be anywhere than playing twins on an episode of The Love Boat.  There were several scenes in which Rainer spoke with Rainer.  They were obviously included to show off the show’s split-screen approach but, unfortunately, Rainer never seemed to be sure which direction either twin should be looking while interacting with the other.

Sheila (Jennilee Harrison) is desperately trying to get pregnant.  Doc mentions to her husband (Kim Shriner) that most babies are conceived during makeup sex.  Guess who starts a totally random argument with his wife?  This was a silly story but, to be honest, the main appeal of this show has always been its silliness.  Harrison and Shriner were beyond adorable.

Finally, Isaac’s blind friend, Darnell Hall (LeVar Burton), boards the ship and takes part in Isaac’s bartending school.  Darnell and Isaac also compete for the attention of Terry Cook (Shari Belafonte).  And before anyone says anything — yes, I know Burton played a blind guy on Star Trek: The Next Generation.  I don’t care.  As for who Terry picks …. well, Isaac is a regular character and Terry isn’t.  It’s not that hard to guess how things are going to turn out.

That said, I know what you really want to know.

Julie doesn’t do much in this episode but she does sound rather excited about wishing everyone a happy day in Mexico.  I’m going to say seven out of ten.

Brad reviews AN UNFINISHED LIFE (2005), starring Robert Redford! 


Recently, I was sitting on the back deck of my parents’ house visiting with my family. Of course, when I’m around movies are always a topic of conversation, and my sister brought up the fact that she had just watched AN UNFINISHED LIFE and really liked it. My sister has always loved Robert Redford, and when she brought him up, it was fun hearing my mom get on her case about her long-ago recommendation of UP CLOSE AND PERSONAL, that came without the appropriate warning of the movie’s tearjerker of an ending. That’s a no-no with my mom, and we all had a good laugh. When my wife and I got home, we were browsing the Paramount Plus streaming service, and lo and behold, there was AN UNFINISHED LIFE, so it just seemed like the right time to watch it! 

The movie centers in on Einar Gilkyson (Redford), a Wyoming rancher who still hasn’t properly dealt with the death of his son about a decade earlier. He blames his daughter-in-law Jean (Jennifer Lopez) for the accident that killed him. When Jean shows up at his ranch, because she’s on the run from her abusive boyfriend Gary (Damian Lewis), Einar tells her that he doesn’t want her there. His heart softens though as she introduces him to Griff (Becca Gardner), the granddaughter that he never knew he had. This sounds like a setup for big-time melodrama, but director Lasse Hallstrom is able to keep things somewhat grounded as we watch this broken family attempt to reconnect. 

It’s time for a confession… I’ve never been the biggest fan of Robert Redford. Now don’t get me wrong, that doesn’t mean that I don’t like him. It’s just that he’s so perfect, maybe too perfect?! My favorite actors are not perfect looking human beings, but they do have an undeniable charisma and screen presence. Actors like Charles Bronson, Roy Scheider, and James Woods immediately come to mind. As such, I’ve never made it a priority to watch all of Redford’s movies, although I’ve watched most of his best at some point in my life. I will say that I think he’s excellent in AN UNFINISHED LIFE. He’s still undeniably “Redford,” but age has a way of evening up the playing field, and this performance relies on his ability to embody a character slowly opening his heart after years of shutting himself off. His scenes with his granddaughter are especially strong, without seeming excessively manipulative. I may look more closely into his later career based on his work here. 

I’m also not the biggest fan of Jennifer Lopez. I loved her in SELENA, the film that kickstarted her career, but other than OUT OF SIGHT and ANACONDA, I haven’t enjoyed much else in her filmography. With that said, I think she’s good here. Her character has made one bad decision after another since her husband died, but I can’t help but root for her to find some happiness. In real life, it would have taken a lot of courage to ask someone like Einar for help, and I do appreciate that she’s willing to humble herself for her daughter’s sake.

Have I mentioned that Morgan Freeman is also in the film in the role of Mitch Bradley, Einar’s injured ranch hand and closest friend? He brings his warmth and wisdom to the proceedings even though his character’s unique storyline, which revolves around being mauled by a bear, doesn’t always work. The characters played by Damian Lewis and Josh Lucas also don’t land that strongly. Lewis is Lopez’s abusive boyfriend, but his awful behavior is ultimately dealt with in a way that’s more cartoonish than you might expect in a serious drama. Lucas, who was born in my home state of Arkansas, is fine here as “Crane” Curtis, but he doesn’t have that much to do. 

The Wyoming setting for our story is beautiful, but it was actually filmed in British Columbia. My wife spent 18 years of her life in Wyoming, and it’s generally not as green as the “Wyoming” presented here. That’s just a minor nitpick, because for the uninitiated, the setting is beautiful and makes you feel like you’re part of a modern day western. There’s just something romantic and comforting about that, and the wide-open spaces seem to offer endless chances for a new beginning.

Overall, while I don’t think AN UNFINISHED LIFE is a great movie, I enjoyed watching it. It’s a movie that understands the importance of forgiveness by showing us wounded characters who are willing to open themselves up to imperfect people who are just trying to be better. At the end of the day, if any of us want meaningful connections to the people in our lives, we’d better be willing to do the same. 

Song of the Day: My Way, performed by Christopher Lee


A lot of people have sung this song, from Paul Anka to Frank Sinatra to Sid Viscous and Jay-Z.

Christopher Lee’s version remains my favorite.

… And now, the end is near
And so I face the final curtain
My friend, I’ll say it clear
I’ll state my case, of which I’m certain
I’ve lived a life that’s full
I traveled each and every highway
And more, much more than this
I did it my way

… Regrets, I’ve had a few
But then again, too few to mention
I did what I had to do
And saw it through without exemption
I planned each charted course
Each careful step along the byway
And more, much more than this
I did it my way

… Yes, there were times, I’m sure you knew
When I bit off more than I could chew
But through it all, when there was doubt
I ate it up and spit it out
I faced it all, and I stood tall
And did it my way

… I’ve loved, I’ve laughed and cried
I’ve had my fill, my share of losing
And now, as tears subside
I find it all so amusing
To think I did all that
And may I say, not in a shy way
Oh, no, oh, no, not me
I did it my way

… For what is a man, what has he got?
If not himself, then he has naught
To say the things he truly feels
And not the words of one who kneels
The record shows I took the blows
And did it my way

… Yes, it was my way

Songwriters: Paul Anka / Gilles Thibaut / Claude Francois / Jacques Revaux

Late Night Retro Television Review: Pacific Blue 4.5 “Overkill”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

It’s time for another stupid trip to L.A.

Episode 4.5 “Overkill”

(Dir by Sara Rose, originally aired on August 23rd, 1998)

Jamie is learning martial arts from Master Soo Han (Yoshi Jenkins).  When she is saved from a group of muggers by a fellow classmate named Kyle (Matty Liu), she starts to fall in love with him.  Soon, he is teaching her how to be a better fighter.  For some reason, Jamie doesn’t tell Kyle that she’s a cop.  That makes things awkward when Kyle realizes that 1) the man who killed his mother is a student in the class and 2) Kyle is being groomed to be a government assassin.

I’ve always said that you can tell when a show has cast a professional athlete in a guest role because the athlete is always the worst actor in the episode.  That was certainly the case here.  At first, I was sure that Matty Liu was a professional martial artist.  It turns out that he’s actually a pro surfer but still, my point stands.  It doesn’t matter how many camera tricks or jump cuts the show uses to make Liu look like a badass, he’s still an amazingly stiff actor.  The scenes of him and Jamie falling in love don’t work because he’s not capable of showing any emotion, let alone love.

Speaking of love, Chris is still mad that her husband didn’t select her to be promoted to sergeant.  When she discovers a murder victim, she impresses Homicide Detective Thomas (Carl T. Evans) by figuring out that the victim died from a — wait for it — broken neck.  WOW!  Amazing deduction, Chris!  I mean, how difficult is it to spot a broken neck?  Even though Chris is neither a medical examiner nor a detective, Thomas invites her to fill in for a sick Homicide detective.  Chris accepts.

TC’s not happy about that!  Actually, TC’s never happy.  He’s been in charge of Pacific Blue for five episodes now and he hasn’t smiled once.  He has spent a lot of time glaring.  In fact, both he and Cory spend most of their time glaring at other people now.  I guess that’s what you do when you’re in charge,  management by glaring.

Finally, Bobby and Spazz compete over — wait a minute, I got a name wrong there.  What is Spazz’s real name?  Is it Granger?  Yeah, okay, sorry about that.  Bobby and Granger serve as body guards for a French actress (Lydie Denier), who claims that she’s being stalked.  Bobby has seen all of her films but she’s more attracted to Spazz, for some reason.  Sorry, Bobby!  I would have picked you.

Anyway, this was one of Pacific Blue’s dumbest episodes yet.  Chris is even more whiny than usual.  TC and Cory are useless.  Jamie and Kyle’s fight scenes are edited in such a way that one gets dizzy trying to follow them.  This episode featured bad acting and worst direction,  No wonder Chris wants to transfer to Homicide.

Retro Television Review: Saved By The Bell: The New Class 2.4 “Blood Money”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Saved By The Bell: The New Class, which ran on NBC from 1993 to 2o00.  The show is currently on Prime.

This week, it’s time to learn a lesson about giving blood.

Episode 2.4 “Blood Money”

(Dir by Don Barnhart, originally aired on September 17th, 1994)

Megan is running the school blood drive but no one wants to give blood.  Mr. Belding tries to teach everyone a lesson by volunteering but he’s informed by nurse Penny Brady (Emma Caulfield) that he has high cholesterol.  Not only does Belding need to start an exercise regimen but he’s apparently too fat to chaperone the school’s hiking trip.

Not wanting the school’s butch gym teacher to chaperone the trip, Brian decides that Screech should be the chaperone.  However, Screech is depressed because he has a crush on Penny but he can’t work up the courage to ask her out.  Brian tells Penny that he’ll get everyone in the school to donate blood if she agrees to go out with Screech….

Ugh.  This is another Screech-is-in-love episode.  Dustin Diamond was nowhere near as bad during season 2 as he would be in later seasons but still, watching the previously asexual Screech date someone is not a pleasant experience.  Penny discovers that she actually likes Screech (why?) but then Screech hears that she was bribed to go out with him and he gets his feelings hurt.

BUT WHAT ABOUT THE HIKING TRIP?

Seriously, screw the hiking trip.  Why is this school always sponsoring a trip somewhere?  Just give people their diplomas and stay out of their lives….

Oh no, Tommy D’s previously unseen best friend was in a motorcycle accident!  And he has a very rare blood type!  Only Screech can save him!  Screech gives blood, everyone apologizes for setting him up, and Screech agrees to chaperone the trip and to continue dating Penny.  I’m going to guess that didn’t last since Screech ended up dating Allison while working at the country club over the summer.

Meanwhile, some poor biker has gallons of Screech inside of him.

What an episode.  The whole problem with the first season is that the students were not very likable.  Now, the show actually has likable students but all of the attention is on Screech.  It’s like this show just wanted to fail!

Hero Of The Day: Leo Kessler (Ten To Midnight)


“Jerry, I’m not a nice person. I’m a mean, selfish son-of-a-bitch. I know you want a story, but I want a killer and what I want comes first!”

— Detective Leo Kessler (Charles Bronson) in Ten To Midnight (1983)

At first, Detective Leo Kessler seems like exactly the type of cop that you would expect to find in a film about a serial killer who knows how to manipulate the system to his advantage.  Kessler is tough, plain-spoken, a blue collar warrior who is trying to keep the streets of Los Angeles safe for citizens of every age.

“I remember when the legal meant lawful,” Kessler says, “Now, it means loophole.”

Kessler isn’t thrilled that his new partner, Paul McAnn (Andrew Stevens), is a graduate of Berkley and that he’s got a degree in sociology.  Kessler’s doubts are actually justified.  One of the first things that McAnn does is drop a wad of chewing gum on the ground at a crime scene.  Kessler also knows that Warren Stacy (Gene Davis) is the psycho who has been targeting young women and making obscene phone calls to his daughter, Laurie (Lisa Eilbacher).  When McAnn discovers that Kessler has planted blood evidence on Warren’s clothes, McAnn is torn about what to do.  “Forget what’s legal,” Kessler says, “and do what’s right.”

But here’s the thing with Kessler.  He may say that he’s a mean son of a bitch but he’s not.  He’s actually a pretty nice guy.  He even discovers that he likes and becomes a mentor to McAnn.  Kessler just doesn’t think that someone like Warren Stacy should be wandering around, free to kill.  Charles Bronson never gets nearly enough credit for his acting.  Leo Kessler isn’t just a touch cop.  He’s an old-fashioned guy in a changing world.  He’s someone who doesn’t understand why the system is suddenly more worried about the Warrn Stacys of the world than the victims.

He’s also a father.

Leo: “I hate quiche.”

Laurie: “Why did you get it?”

Leo: “I thought it was pie.”

As violent and exploitive as From 10 To Midnight is, I have to admit that I have a sentimental attachment to the film.  The difficult-but-loving relationship between Leo and Laurie Kessler reminds me of my own relationship with my Dad.  I see a lot of my Dad in Leo and I also see a lot of myself in Laurie.  There’s a scene early on where McAnn mentions to Laurie that she’s a lot like her father.

“You think so?” Laurie replies, “I don’t.”

That scene gets me every time because I’ve had people say the same thing to me about my Dad and I used to have the same response.  Everyone else picked up on it long before I realized it.  For all of Laurie complaints about Leo having always been too busy for her, she’s there to comfort him after he gets kicked off the force.  “I’m getting drunk with my old man,” Laurie says.  Leo replies that she’s not.

It’s rare to see Charles Bronson cast as a family man.  Usually, he played loners, the type of solitary warriors who seemed to have nothing in their lives beyond doing accomplishing whatever their mission happened to be.  The Death Wish films did give Bronson a family but they were all dead by the end of the second film.  10 To Midnight features Bronson as not just a tough cop but also Bronson as a father with an independent and intelligent daughter.  I think that’s the main reason why 10 to Midnight is my favorite Bronson films.

“No, we won’t.”

— Detective Leo Kessler

Bronson only fires his gun once in 10 To Midnight but he definitely makes a statement with that shot.  And after spending 101 minutes watching Kessler trying to stop Warren Stacy, there’s definitely something very cathartic about the simple brutality of the film’s ending.  Trying to analyze or understand evil, the film tells us, is pointless.

Sometimes, you just need someone who is willing to say, “No, we won’t.”

Hero of the Day