Retro Television Review: Decoy 1.37 “The Comeback”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958.  The show can be viewed on Tubi!

This week, Peter Falk guest stars!

Episode 1.37  “The Comeback”

(Dir by David Alexander, originally aired on June 23rd, 1958)

When a fire breaks out at the race track, someone steals two rolls of blank tickets.  The police think that the syndicate is planning on printing up counterfeit tickets that they can use to make a killing at the track.  Casey quickly figures out that track clerk Fred Dana (Peter Falk) was in the perfect position to steal the tickets during the fire.

Because Fred already saw (and flirted with) Casey at the police station, Casey can’t do her usual undercover shtick.  Instead, when she later approaches Fred, she tells him that she’s looking to make some extra money and she’s willing to help Fred and his bosses get away with their crime.  Fred introduces Casey to his boss and then that boss introduces Casey to another boss and soon, Casey is working her way to the top.

However, Fred is worried that Casey is getting in over her head and starts warning her that she shouldn’t get involved.  When Fred figures out that Casey is just pretending to be crooked, he doesn’t betray her.  Instead, he betrays the Syndicate and helps to save Casey’s life.

Why?

Fred says that Casey has “class.”

Casey looks at the camera and tells the viewers that Fred is the one with class.

Awwww!

So, this was a typical Casey-Gets-In-Over-Head storyline.  We’re only two episodes away from Decoy’s finale and it’s hard not to feel that, as the series progressed, the writers made Casey less-and-less competent.  She’s gone from being a smart, streetwise cop to someone whose cover is continually getting blown.  This time, it’s Peter Falk who steps up to save not only Casey but also this entire episode.  Falk was 30 when he appeared on Decoy but he already looked several years older.  He gives an intelligent and sensitive performance here, one that almost feels like it could come from an alternative universe where Columbo became a low-level mob associate instead of a detective.  His scenes with Garland are especially interesting to watch.  It wasn’t unusual for Decoy to feature men hitting on Casey.  But this is the only episode (at least so far) where there was a genuine romantic chemistry.

Indeed, Fred had class.

Reblog: Big Brother 28 — The Big Question


Don’t worry. The TSL is not turning into a Big Brother Blog. This is just my way of letting you know what I’ll be doing this summer when I’m not reviewing films over here! And if you happen to be a fan of the show, I’d love to hear from you over at RealityTVChatBlog. Thanks! — Lisa Marie

Join #TubiThursday For Over The Top!


Hi, everyone!  Tonight, on Mastodon, I will be hosting the #TubiThursday watch party!  Join us for 1987’s Over the Top!

You can find the movie on Tubi or YouTube and you can join us on Mastodon at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  We will be using #TubiThursday hashtag!  See you then!

Scenes I Love: Shaft


Today would have been the birthday of Richard Roundtree so, of course, today’s scene that I love could only be the classic opening of 1971’s Shaft.

By doing something as simple as walking down a street in New York, Roundtree showed us exactly who Shaft was and why Shaft did what he did.  This is one of those scenes that’s been parodied so many times that it’s actually surprising to rewatch and see how just defiant and sexy Richard Roundtree’s confident strut actually was.

On another note, I enjoy seeing all of the names of the movies that were playing on 42nd Street when this scene was filmed.

4 Shots From 4 Films: Special Tom Hanks Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to Tom Hanks!  It’s time for….

4 Shots From 4 Tom Hanks Films

Big (1988, dir by Tom Hanks, DP: Barry Sonnenfeld)

Apollo 13 (1995, dir by Ron Howard, DP: Dean Cundey)

Cast Away (2000, dir by Robert Zemeckis, DP: Don Burgess)

Captain Phillips (2013, dir by Paul Greengrass, DP: Barry Ackroyd)

 

 

Thoughts On The Culture — 7/9/26


F*ck Off, Graham

Last night, Graham Platner announced that he is “suspending” his campaign for the U.S. Senate.

I don’t live in Maine, and I absolutely hate it when out-of-staters start talking about Texas politics. So I’ve kept my feelings to myself, but what the hell — I might as well say it now. None of the stuff that has come out about Graham Platner has taken me by surprise. I felt like I pretty much knew who he was as soon as I saw him in his underwear, drunk and making someone else’s wedding reception all about him. Every woman has known a Graham Platner. He’s the guy who has a big personality, who says all the right stuff, and who seems to be just troubled enough to fool you into thinking you can save him. He’s the guy who always has to be the center of attention, the guy who always thinks he’s right, and the guy who has a thousand sob stories to make you feel guilty for ever doubting him. No one has any right to claim to have been shocked to discover who Graham Platner actually was.

He’s a forgotten figure today, but this whole Platner thing reminds me of Aaron Coleman, the 20-year-old DSA kid who, in 2020, narrowly defeated an incumbent in a primary for the Kansas House. The Intercept promoted him as a future leader of America.

After he won the primary, it turned out that Coleman had a history of abusing his girlfriends and was once arrested for threatening to shoot up his school. Like Platner, he blamed the whole thing on PTSD and basically had a dramatic sob story for every accusation. He was asked to withdraw, but unlike Platner, he refused.

Coleman won because he was running in a blue district and no Republican had bothered to file for the general election. He did a lot of bragging when he won the election, but he was such a toxic figure that no one was willing to work with him, and his district was basically left without effective representation for two years. He served one totally disastrous term and then received only 13% of the vote when he ran for reelection.

Platner has suspended his campaign, though he has yet to file the paperwork to make his withdrawal official. He released an 11-minute video last night. Sitting through the entire thing is not easy. Platner rants that the accusations against him are false and says he’s been set up by “the system” and “the political establishment.” If that’s the case, why drop out? If your entire movement is about fighting the system, why would you surrender the minute the system fights back?

Democrats are going to hold a convention to pick a new nominee. Here’s my unpopular opinion: I don’t think they should be allowed to pick a new nominee. 73% of the Democratic primary voters cast their ballots for a man who had a Nazi tattoo for several years and who was credibly accused of abuse even before the primary. My feeling is that if you’re dumb enough to vote for a Graham Platner or a Roy Moore, then you should deal with the consequences of your stupidity. You don’t get a do-over. Sorry.

Watching Platner’s video, I noticed how angry he was. If there’s any self-reflection going on, it wasn’t evident. Platner seems like one of those guys who is going to end up becoming a perennial third-party candidate. Everyone who made excuses for him in 2026 and who claimed that his scandals were actually evidence of his “authenticity” will pretend they never supported him.

Senator Patrick Dempsey?

One of the stranger moments during the whole Platner mess was when it was revealed that some Democrats were trying to recruit actor Patrick Dempsey to run for the now-open nomination. Dempsey declined, even though it’s not as if he’s got much else going on right now. (McDreamy died over 11 years ago.)

It’s not uncommon to see actors mentioned as political candidates. I’m always a little disappointed when they don’t take the plunge.

John Travolta also lives in Maine. Just saying.

Big Brother Is Back

Big Brother premieres tonight, and after a lot of thought, I’ve decided I’m going to try to watch this season. I don’t know if I’m going to write about it yet. If I do write about it, you’ll be able to find my thoughts at the Reality TV Chat Blog.

That’s It for Now

There’ll be less politics in my thoughts next week, I promise!

Late Night Retro Television Review: 1st & Ten 4.7 “Saturday, Bloody Saturday”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, Lawrence Taylor shows up!

Episode 4.7 “Saturday, Bloody Saturday”

(Dir by Stan Lathan, originally aired on November 16th, 1988)

Ever since I started reviewing this show, my friend Mark has been telling me to keep an eye out for Lawrence Taylor.  Taylor is an actual football player who has gone on to have a sporadic acting career.  (He also did Dancing With The Stars.)  This week, after months of searching, I finally spotted Lawrence Taylor’s name in the credits.

Taylor plays Tombstone Packer, an opposing player who goes on television and announces that he’s going to destroy the Bulls to get revenge on Dr. Death for crippling one of Tombstone’s teammates.  Usually, I joke about how the worst actors on shows like this are always the professional athletes.  But I have to admit that Lawrence Taylor is not that bad in this episode.  Of course, he spends most of the episode yelling at and threatening people and I imagine that would come naturally to most football players.  Still, that’s more than most of the basketball players who appeared on Hang Time were capable of pulling off.

There’s a lot of drama in this episode, even beyond Tombstone Packer’s search for vengeance.  For instance, Billy Cooper is shocked to discover that his newest girlfriend, Sybil (Samantha Eggar, seriously slumming), is the wife of Dodds Corporation executive Robert Nelson (Derek Patridge).  Making things even worse is that Sybil dies of a drug overdose and Billy is worried that he and the players might be blamed and even criminally charged.  Billy shouldn’t have worried, though.  It turns out that Sybil had a long history of sleeping with athletes and Robert was okay with it.  He’s not even that upset to hear that his wife has died.

Meanwhile, TD Parker (OJ Simpson) meets Gillian (Michael Michele).  The newly-divorced TD flirts with Gillian at a supermarket and learns that she’s a soccer player.  TD decides that it’s time for the Bulls to make history by signing Gillian as their backup field goal kicker!  Over the objections of Coach Denardo, Gillian becomes the first woman to play professional football.  Of course, Tombstone tackles her as soon as she makes her first kick and she’s carted off the field with a bruised leg.  The show ends with TD welcoming Gillian to the team but, according to imdb, this was Gillian’s only appearance on the show.  Hopefully, she didn’t make TD angry.

(I should also say that, on Tubi, this episode’s sound was extremely muddy and the close captioning was running way behind so the show ended before the captions even reached TD’s postgame talk with Gillian.  Their conversation was not always easy to hear.  That said, Gillian looked really happy so I’m assuming that TD welcomed her to the team.)

As I watched this episode, I remembered that, a few years ago, a woman actually did try out to be a kicker in the NFL.  She received a lot of media hype in the days leading up to the try-out.  Everyone was really excited until she actually kicked the football and sent it skidding over to the sidelines.  I also thought about how Degrassi spent an entire season building up Jane as being a totally badass football player, just to abandon the idea after a few episodes.  I guess my point is that I guess it would be great if a woman played in the NFL and totally dominated all of the 300-pound men who play in that league but I just don’t think it’s going to happen in my lifetime.

Oh well!  At least I can now say that I’ve spotted Lawrence Taylor on 1st & Ten.

 

 

Retro Television Review: The Love Boat 7.27 “Best Ex-Friends/All the Congressman’s Women/Three Faces of Love”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, season 7 comes to an end,

Episode 7.27 “Best Ex-Friends/All the Congressman’s Women/Three Faces of Love”

(Dir by Ted Lange, originally aired on May 12th, 1984)

This week, on The Love Boat, Gopher fires Isaac!

You read that right.  Gopher told Isaac, “You’re fired,” and it was one of the most shocking things I’ve ever seen on The Love Boat.  Some of that was because Gopher and Isaac were best friends.  Most of it was because I had no idea that Gopher could fire people.

Why does Gopher fire Isaac?  Because Isaac refuses to fire Tina Burnell (Eugenia Wright), the new barmaid that Isaac is currently dating.  In Gopher’s defense, Tina is terrible at her job.  Also, in Gopher’s defense, it really doesn’t seem ethical for Isaac to hire someone just because he wants to sleep with her.  In fact, that seems kind of icky by today’s standards.  Then again, this episode aired in 1984.  Times were apparently different back then.

The next morning, Gopher rehires Isaac and the two of them forgive each other.  But then Gopher puts in for a transfer to another ship because he feels that he’s too close to everyone on the boat to do a good job.  (Gopher is probably correct about this.)  Isaac finally admits that Tina is not a good enough barmaid and he gently fires her.  He assures her that, with her looks and personality, she’ll be able to find a new boss who wants to sleep with her and she’ll get a new job in no time.  Isaac chooses friendship over meaningless sex.  Awwwww!

I’m being snarky but this story actually worked far better than it had any right to.  Ted Lange and Fred Grandy always made for a good team.  Their friendship always feels real and, all other issues aside, it’s hard not be happy that they’re still friends at the end of this episode.

As for the other stories, Sal Viscuso plays a movie makeup artist who fears that his girlfriend (Heidi Bohay) is going to cheat on him.  He disguises himself as both Burt Reynolds and Doc Bricker in order to test her loyalty.  Amazingly, she’s touched by his devotion.

And finally, 11 year-old Tori Spelling plays a sociopathic little brat who doesn’t want her Congressman father (Sam Goom) to run for governor or marry his campaign manager (Phyllis Davis).  So, Tori starts cutting up newspapers and magazines and using the headlines to create threatening letters.  Somehow, no one has figured out that Tori is the culprit and the Congressman is traveling with a bodyguard.  (Hopefully, the Congressman is paying for the bodyguard himself and not charging the taxpayers.)  Eventually, Tori comes clean but only after she’s caught with a scissors, glue, and cut up magazine.  Personally, I think Tori should have been tossed overboard but instead, she accepts her father’s ambition and her new stepmother’s love.

This was the final episode of Season 7 and it wasn’t a bad one to go out on.  Tori Spelling was a terrible actress even at the age of eleven but the Gopher/Isaac storyline was touching.  Sadly, this was Lauren Tewes’s final episode and she did not get a grand send-off.  Instead, she was fired after this season because, as Tewes has admitted in several interviews, she was struggling with a serious cocaine addiction.  Tewes didn’t get to do much during Season 7 and, when you consider how important Julie was during the early seasons of The Love Boat, that’s a shame.

Out of respect for Lauren’s final episode, we’re retiring the HOW COKED UP WAS JULIE scale.  What’s important is that Lauren herself got clean and went on to appear in Twin Peaks: The Return.  Good for her!

Song of the Day: Andy Warhol from David Bowie


Today’s song of the day comes from David Bowie and it’s about Bowie’s fascination with Andy Warhol.  Warhol himself apparently didn’t care for this song but Bowie meant it as a tribute.

This song came out in 1971.  25 years later, Bowie would play Andy Warhol in Basquiat.