Here Are The Golden Globe Nominations And Did You Know The Martian’s A Comedy?


The_Martian_film_poster

Did you know that The Martian was a comedy?

Well, no, actually it’s not.  It’s a very serious film that has a few comedic moments.  Matt Damon makes a few jokes but that’s largely because he’s trying not to lose his mind and commit suicide.  However, The Martian was submitted to the Golden Globes as a comedy.  Why?  Probably because the producers realized that it would be easier for them to win if their film was the only big-budget drama nominated in the comedy category.  It’s dishonest, it’s unethical, and it totally worked.  This morning, when the Golden Globe nominations were announced, The Martian was nominated for Best Picture, Comedy or Musical.

I was not a particularly huge fan of The Martian to begin with.  The fact that it has now been nominated for Best Comedy while Inside Out was not does not help matters.

Anyway, as for the rest of the Golden Globe nominations … actually, I like a lot of them.  Mad Max: Fury Road was nominated for Best Picture, Drama and that should help it regain whatever momentum it may have lost after not being nominated by the SAG.  The Big Short was also nominated for Best Picture, Comedy so I guess I really will have to see it, despite having no desire to do so.  Trumbo was not nominated for Best Picture but it did pick up nominations for Bryan Cranston and Helen Mirren.  Spotlight was naturally nominated for best picture but received no acting nominations, which means that either all the actors are splitting the votes among themselves or maybe Spotlight, while remaining the front-runner, is not as universally loved as some are thinking.  It’s impossible for me to say because I haven’t seen Spotlight yet but I have noticed that a lot of critics seem to be more respectful than enthusiastic about it.

(At the same time, my friend, the sportswriter Jason Tarwater, was quite enthusiastic after seeing Spotlight and I usually trust his opinion on these things.)

Anyway, here are the Golden Globe Film nominations!

Best Picture (Drama)

Best Picture (Musical or Comedy)

Best Director – Motion Picture

Best Actor (Drama)

  • Bryan Cranston – Trumbo
  • Leonardo DiCaprio – The Revenant
  • Michael Fassbender – Steve Jobs
  • Eddie Redmayne – The Danish Girl
  • Will Smith – Concussion

Best Actress (Drama)

  • Cate Blanchett – Carol
  • Brie Larson – Room
  • Rooney Mara – Carol
  • Saoirse Ronan – Brooklyn
  • Alicia Vikander – The Danish Girl

Best Actor (Musical or Comedy)

Best Actress (Musical or Comedy)

  • Jennifer Lawrence – Joy
  • Amy Schumer – Trainwreck
  • Melissa McCarthy – Spy
  • Maggie Smith – The Lady in the Van
  • Lily Tomlin – Grandma

Best Supporting Actor in a Motion Picture

Best Supporting Actress in a Motion Picture

Best Screenplay

Best Original Score

 

Best Original Song

Best Foreign Language Film

  • The Brand New Testament (Belgium)
  • The Club (Chile)
  • The Fencer (Finland)
  • Mustang (France)
  • Son of Saul (Hungary)

Best Animated Feature

The Washington Area Film Critics Honor Spotlight!


Spotlight
The Washington D.C. Area Film Critics announced their picks for the best of 2015 today.  In a move that many are predicting may be imitated by the Academy, they named Spotlight best film while giving director to Mad Max Fury Road‘s George Miller.
Best Film:
Spotlight
Best Director:
George Miller (Mad Max: Fury Road)
Best Actor:
Leonardo DiCaprio (The Revenant)
Best Actress:
Saoirse Ronan (Brooklyn)

 

Best Supporting Actor:
Idris Elba (Beasts of No Nation)

Best Supporting Actress:
Alicia Vikander (Ex Machina)

Best Acting Ensemble:
Spotlight

Best Youth Performance:
Jacob Tremblay (Room)

Best Adapted Screenplay:
Emma Donoghue (Room)

Best Original Screenplay:
Pete Docter, Meg LeFauve and Josh Cooley (Original Story by Pete Docter and Ronnie Del Carmen) (Inside Out)

Best Animated Feature:
Inside Out

Best Documentary:
Amy

Best Foreign Language Film:
Son of Saul

Best Production Design:
Production Designer: Colin Gibson, Set Decorator: Lisa Thompson (Mad Max: Fury Road)

Best Cinematography:
Emmanuel Lubezki, ASC, AMC (The Revenant)

Best Editing:
Margaret Sixel (Mad Max: Fury Road)

Best Original Score:
Jóhann Jóhannsson (Sicario)

Here Are The Online Film Critics Society Nominations and They’re Great!


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I love the Online Film Critics Society, I really do.  Every year, when they announce the nominees for their end-of-the-year awards, they always seem to honor the films that truly deserve to be honored.  For instance, this year, they found room to not only nominate the Academy front runners — like Spotlight, The Martian, Carol, Brooklyn, and Mad Max — but they also gave nominations to Ex Machina, Sicario, and Inside Out.  Ex Machina, Sicario, and Inside Out all deserve to be in the Oscar conversation and hopefully, these nominations will help them stay there.

Here are the nominations from the Online Film Critics Society!

Best Picture:
Brooklyn
Carol
Ex Machina
Inside Out
Mad Max: Fury Road
The Martian
The Revenant

Room
Sicario
Spotlight

Best Animated Feature:
Anomalisa
The Good Dinosaur
Inside Out
The Peanuts Movie
Shaun the Sheep Movie

Best Film Not in the English Language:
The Assassin (Taiwan)
Goodnight Mommy (Austria)
Mustang (France)
Phoenix (Germany)
Son of Saul (Hungary)

Best Documentary:
Amy
Best of Enemies
Cartel Land
Going Clear: Scientology and the Prison of Belief
The Look of Silence

Best Director:
Todd Haynes (Carol)
Tom McCarthy (Spotlight)
George Miller (Mad Max: Fury Road)
Ridley Scott (The Martian)
Denis Villeneuve (Sicario)

Best Actor:
Matt Damon (The Martian)
Leonardo DiCaprio (The Revenant)
Michael Fassbender (Steve Jobs)
Michael B. Jordan (Creed)
Ian McKellen (Mr. Holmes)

Best Actress:
Cate Blanchett (Carol)
Brie Larson (Room)
Charlotte Rampling (45 Years)
Saoirse Ronan (Brooklyn)
Charlize Theron (Mad Max: Fury Road)

Best Supporting Actor:
Benicio Del Toro (Sicario)
Oscar Isaac (Ex Machina)
Mark Ruffalo (Spotlight)
Mark Rylance (Bridge of Spies)
Sylvester Stallone (Creed)

Best Supporting Actress:
Rooney Mara (Carol)
Cynthia Nixon (James White)
Kristen Stewart (Clouds of Sils Maria)
Alicia Vikander (The Danish Girl)
Kate Winslet (Steve Jobs)

Best Original Screenplay:
Ex Machina (Alex Garland)
Inside Out (Pete Docter, Ronnie Del Carmen, Meg LeFauve, Josh Cooley)
Mistress America (Greta Gerwig, Noah Baumbach)
Sicario (Taylor Sheridan)
Spotlight (Josh Singer, Tom McCarthy)

Best Adapted Screenplay:
Brooklyn (Nick Hornby)
Carol (Phyllis Nagy)
The Martian (Drew Goddard)
Room (Emma Donoghue)
Steve Jobs (Aaron Sorkin)

Best Editing:
Mad Max: Fury Road (Margaret Sixel)
The Martian (Pietro Scalia)
The Revenant (Stephen Mirrione)
Sicario (Joe Walker)
Steve Jobs (Elliot Graham)

Best Cinematography:
The Assassin (Ping Bin Lee)
Carol (Edward Lachman)
Mad Max: Fury Road (John Seale)
The Revenant (Emmanuel Lubezki)
Sicario (Roger Deakins)

The Los Angeles Film Critics Association Goes Mad For Max But Even Madder For Spotlight!


MadMaxFuryRoad

Boston and New York were not the only critics to vote today!  The Los Angeles Film Critics Association announced their picks for the best of 2015 as well!  Mad Max: Fury Road won best director but Spotlight won best picture with Fury Road as the runner-up.  In other words, the LAFCA liked Fury Road but decided to play it safe.  Let’s not forget that this is the same group of people who once named The Descendants best picture with The Tree of Life as the runner-up.

(Dear award-giving groups: Just so you know, playing it safe is really freaking boring.)

Here’s all that what won:

Best Picture
Winner: Spotlight
Runner-up: Mad Max: Fury Road

Best Director
Winner: George Miller, Mad Max: Fury Roard
Runner-up: Todd Haynes, Carol

Best Actor
Winner: Michael Fassbender, Steve Jobs
Runner-up: Geza Rohrig, Son of Saul

Best Actress
Winner: Charlotte Rampling, 45 Years
Runner-up: Saoirse Ronan, Brooklyn

Best Supporting Actor
Winner: Michael Shannon, 99 Homes
Runner-up: Mark Rylance, Bridge of Spies

Best Supporting Actress
Winner: Alicia Vikander, Ex Machina
Runner-up: Kristen Stewart, Clouds of Sils Maria

Best Screenplay
Winner: Tom McCarthy and Josh Singer, Spotlight
Runner-up: Charlie Kaufman, Anomalisa

Best Cinematography
Winner: John Seale, Mad Max: Fury Road
Runner-up: Ed Lachmann, Carol

Best Production Design
Winner: Colin Gibson, Mad Max: Fury Road
Runner-up: Judy Becker, Carol

Best Editing
Winner: Hank Corwin, The Big Short
Runner-up: Margaret Sixel, Mad Max: Fury Road

Best Music Score
Winner: Carter Burwell, Anomalisa and Carol
Runner-up: Ennio Morricone, The Hateful Eight

Best Foreign-Language Film
Winner: Son of Saul
Runner-up: The Tribe

Best Documentary/Non-Fiction Film
Winner: Amy
Runner-up: The Look of Silence

Best Animation
Winner: Anomalisa
Runner-up: Inside Out

New Generation Award: Ryan Coogler for Creed

The Washington D.C. Critics Are Mad About Max!


MadMaxFuryRoad

One good thing about Mad Max: Fury Road doing so well during award seasion is that it gives me an excuse to say that “So-and-so Is Mad About Max!”  Thank you, film critics, for making my job a lot easier.

Anyway, yesterday, the Washington D.C. Area Film Critics announced their nominees for the best of 2015!  And, once again, a lot of love was shown to Fury Road.  However, I am even happier to see that they also gave some attention to one of my favorite films of the year, Ex Machina.

Here are the nominees!

Best Film:
Brooklyn
Mad Max: Fury Road
The Revenant
Sicario
Spotlight

Best Director:
Alex Garland (Ex Machina)
Todd Haynes (Carol)
Alejandro G. Iñárritu (The Revenant)
George Miller (Mad Max: Fury Road)
Ridley Scott (The Martian)

Best Actor:
Matt Damon (The Martian)
Johnny Depp (Black Mass)
Leonardo DiCaprio (The Revenant)
Michael Fassbender (Steve Jobs)
Eddie Redmayne (The Danish Girl)

Best Actress:
Cate Blanchett (Carol)
Brie Larson (Room)
Saoirse Ronan (Brooklyn)
Sarah Silverman (I Smile Back)
Charlize Theron (Mad Max: Fury Road)

Best Supporting Actor:
Paul Dano (Love & Mercy)
Idris Elba (Beasts of No Nation)
Tom Hardy (The Revenant)
Mark Rylance (Bridge of Spies)
Sylvester Stallone (Creed)

Best Supporting Actress:
Jennifer Jason Leigh (The Hateful Eight)
Rooney Mara (Carol)
Alicia Vikander (The Danish Girl)
Alicia Vikander (Ex Machina)
Kate Winslet (Steve Jobs)

Best Acting Ensemble:
The Big Short
The Hateful Eight
Spotlight
Steve Jobs
Straight Outta Compton

Best Youth Performance:
Abraham Attah (Beasts of No Nation)
Raffey Cassidy (Tomorrowland)
Oona Laurence (Southpaw)
Güneş Şensoy (Mustang)
Jacob Tremblay (Room)

Best Adapted Screenplay:
Nick Hornby (Brooklyn)
Phyllis Nagy (Carol)
Drew Goddard (The Martian)
Emma Donoghue (Room)
Aaron Sorkin (Steve Jobs)

Best Original Screenplay:
Matt Charman and Ethan Coen & Joel Coen (Bridge of Spies)
Alex Garland (Ex Machina)
Pete Docter, Meg LeFauve and Josh Cooley (Original Story by Pete Docter and Ronnie Del Carmen) (Inside Out)
Tom McCarthy and Josh Singer (Spotlight)
Amy Schumer (Trainwreck)

 

The Boston Online Film Critics Are Mad for Max!!!!


The Boston Online Film Critics announced their picks for the best of 2015 earlier today and once again, my expectations have been defied!  I figured that since Spotlight is a Boston-story, it would be an easy pick for the Boston critics.

But no!  The Boston Online Critics went for … MAD MAX: FURY ROAD!  According to Awards Circuit, Creed was the runner-up.  (Though, to be clear, the Boston Online Critics definitely did like Spotlight, naming it the 5th best film of 2015 and giving it awards for screenplay and ensemble.)  Now again, that doesn’t mean that either Fury Road or Creed is going to be Oscar-nominated.  But, every bit helps.  With each victory, the idea of a Fury Road best picture nomination becomes just a little more plausible.

Here’s my question — one month ago, would you have believed that the early critics awards would be dominated by Mad Max, Sylvester Stallone, and Kristen Stewart?

Here are the winners!

BEST PICTURE:
MAD MAX: FURY ROAD

BEST DIRECTOR:
George Miller, MAD MAX: FURY ROAD

BEST ACTOR:
Michael B. Jordan, CREED

BEST ACTRESS:
Saoirse Ronan, BROOKLYN

BEST SUPPORTING ACTOR:
Sylvester Stallone, CREED

BEST SUPPORTING ACTRESS:
Kristen Stewart, CLOUDS OF SILS MARIA

BEST ENSEMBLE:
SPOTLIGHT

BEST SCREENPLAY:
Tom McCarthy & Josh Singer, SPOTLIGHT

BEST FOREIGN LANGUAGE FILM:
SON OF SAUL

BEST DOCUMENTARY:
AMY

BEST ANIMATED FILM:

INSIDE OUT

BEST CINEMATOGRAPHY:
John Seale, MAD MAX: FURY ROAD

BEST EDITING:
Margaret Sixel, MAD MAX: FURY ROAD

BEST ORIGINAL SCORE:
Junkie XL, MAD MAX: FURY ROAD

THE TEN BEST FILMS OF THE YEAR:

  1. MAD MAX: FURY ROAD
  2. CREED
  3. BROOKLYN
  4. CAROL
  5. SPOTLIGHT
  6. CLOUDS OF SILS MARIA
  7. BRIDGE OF SPIES
  8. THE MARTIAN
  9. ANOMALISA
  10. TANGERINE

In Praise of Mad Max: Fury Road’s Crazy Guitar Guy


Mad Max: Fury Road opened this weekend and, taking in 45 million at the box office and maintaining an amazing 98% rating at Rotten Tomatoes, it has thrilled both critics and audiences.  From George Miller’s breakneck direction to Charlize Theron’s performance as a one-armed warrior queen, there is much to praise about Mad Max: Fury Road.   For many, though, the best part of the film is the “crazy guitar guy.”

iotaIf you have seen Max Max: Fury Road, you know exactly who I am talking about.  He is the red jumpsuit-wearing, masked man who plays a mean guitar and wields a flamethrower at the same time.  When the War Boys chase Furiousa and Max across the desert, he is a passenger on a massive truck.  On the back of the truck, drummers pound away.  On the front of truck, he dangles above a stack of speakers and amplifiers while playing a double-neck guitar that is also a flame thrower.  Though he is known to many as simply being the crazy guitar guy, his character has a name.  He is Coma, the Doof Warrior.  In just one weekend, he has become a cult hero.

iOTA

iOTA

The Doof Warrior is played by Australian musician and theatrical actor, iOTA (born Sean Hape).  In an interview with Yahoo Movies, iOTA describes the Doof Warrior as being “a post-apocalyptic drummer boy.”  From the drummer boys who played and often died on Civil War battlegrounds to the modern-day soldiers who blasted Rock the Casbah during the Invasion of Iraq, music and war have always gone together.  The Doof Warrior’s heavy metal riffs are the perfect battle music for Mad Max‘s hyper-masculine War Boys.

Why, in a film full of crazy characters and exciting moments, has the Doof Warrior become so popular?  The most obvious answer is that he looks cool and he has a flamethrower.  However, another reason is that we know nothing about him.  For all the attention that he has received, the Doof Warrior is only onscreen for a handful of minutes and he has no dialogue.  Miller and iOTA worked out an elaborate backstory for the Doof Warrior but none of it is revealed in the movie.  Much like Boba Fett in The Empire Strikes Back (and before the character was ruined with Attack of the Clones), the Doof Warrior remains an enigma who can be whatever we want or need him to be.

Iota3Beyond that, the Doof Warrior is living the fantasy of everyone who has ever played air guitar or spent hours debating whether James Hetfield or Kirk Hammett is the better guitarist.  Anyone who has ever taken a guitar lesson has fantasized about watching an audience go mad while listening to his music.  The War Boys may be going to war but the Doof Warrior is playing the greatest concert of his life.  No wonder that, even when he is in the middle of a battle, the Doof Warrior never stops playing.

So, before his legacy is tarnished by bad fanfic and tumblr overexposure, let us take a minute to raise a glass to the coolest character in the coolest film of the year, the one and only Doof Warrior.

iota2

 

Scenes I Love: The Road Warrior


RoadWarriorHumongous

“…warrior of the wasteland, the Lord Humungus, [and] the ayatollah of rock-and-rollah.”

This past weekend saw George Miller release the fourth film in his classic Mad Max film series. Mad Max: Fury Road has been receiving critical-acclaim both from film critics and the general public. It’s a film that has shown the return of an action-film maestro to the forefront of a genre he helped create.

Leonard Wilson has made his thought’s known about Mad Max: Fury Road and all should check it out.

Yet, today I would like to share a favorite scene of mine from the second film in the series, Mad Max 2 aka The Road Warrior. This scene introduces the leader of the roving band of post-apocalyptic raiders who have besieged the small-community and it’s supply of precious oil and gasoline. Lord Humungus has become such an iconic figure in this series and in action-film lore.

The look of Humungus and his band of raiders would influence other post-apocalyptic films for years to come. It has even had a hand in creating the look for the Dr. Dre and Tupac music video “California Love.”

Song of the Day – “Brothers in Arms” by Tom Holkenborg (Junkie XL)


https://youtu.be/id2Fj14eIKc

As of this writing, Monday is upon us. As many of us are still riding the high from George Miller’s Mad Max Fury Road, I thought I’d share one of my favorite tracks from the film’s score.

“Brothers in Arms” has a mixture of both the madness that Max & Furiosa and the hope of escape. The song itself seems simple, using 3 beats as the background while layering other sounds on top. By the time the strings have joined in on the fun, the song is moving at full throttle. By the halfway point, it switches gears, becoming something orchestral that feels like it belongs on a Two Steps From Hell album. I love this piece.

Hope you enjoy this. For those of you facing rough Mondays, may it spur you towards greater success.

Quick Review: Mad Max – Fury Road (dir. by George Miller)


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When Mad Max: Fury Road was first announced, I was skeptical. We saw what happened when a director returns to a franchise they excelled at. Neither Ridley Scott’s Prometheus nor Lucas’ work on the Star Wars prequels were as amazing as the originals. Fury Road may be the exception to that rule, at least when compared to The Road Warrior and Mad Max: Beyond Thunderdome. The visuals are bright and colorful, with chase sequences that left me smiling through it all. The 3D adds a nice touch, particularly in the chases (without giving too much away), the movie feels as if it was built for a 3D showing. I’m not sure how it comes across in a regular format.

Without looking at those films, Fury Road hits the ground running (almost literally) and continues to do so for most of the film. While the title of the film belongs to Tom Hardy’s character, Max takes something of a back seat to Charlize Theron’s Furiosa, who is the true heroine here. Max is the character that introduces the audience to the Wasteland, a world left barren after war and where Gas, Water & Blood are the richest commodities around. While I liked Hardy in this, I had the feeling that they could have put anyone in the role of Max and it wouldn’t have made much of a difference.
Furiosa is the one that carries the bulk of the story.

Fury Road’s plot is simple & thin, but given that it all takes place in a Wasteland made mostly of desert, it worked out okay for me. I wasnt expecting a whole lot on the story front, but was happily surprised with it. Imperator Furiosa is sent out with a crew for a Gas run, but decides to follow her own agenda, putting into motion the pursuit from the Immortan Joe (Hugh Keays-Byrne) and one of gis up and comimg lackeys, Nux (Nicholas Hoult).

From a pacing standpoint, Fury Road shifts it’s gears often while managing to still keep the engine purring. Some of the chases are chaotic, with cars flipping through the air and wanton destruction all over the place. You even have cycles riding over dunes and speeding through salt flats. However, it never reaches a point where you can’t see what’s occurring. The film has just one moment that I thought was slower than it should be halfway in, but it also serves to set up the 2nd act. The movie is mostly one big truck chase, but it’s done incredibly well. If you’re looking for something incredibly deep, this might not be the film you’re looking for, though the movie does try it’s best to accommodate with the script.

Another standout is the music. I’m used to hearing Tom Holkenborg (a.k.a. Junkie XL) as the remix track maker for most of Hans Zimmer’s scores. With Fury Road, Holkenborg has a number of pulsing drum rhythms and guitar pieces that fuel the chases. While it may sound a little like his work on 300:Rise of an Empire, the music fits. Note that I if you’re looking to buy the score, there’s a deluxe version with extended tracks, perfect background music for motorcycle rides on your favorite highway.

Fury Road is rated R, though I’ll admit that it wasn’t as violent as I expected it to be. It can get bloody at times, but the film never becomes a gore fest or anything along those lines. As far as nudity is concerned, there are only two instances of this and both are related to the story. In my showing, we had full families, but there didn’t seem to be any kind of reaction (as far as I can tell).

So far, we’re on track for an interesting summer.