Horror On The Lens: Silent Night, Bloody Night (dir by Theodore Gershuny)

Posted on October 29, 2023 by Lisa Marie Bowman

The 1974 film Silent Night, Bloody Night is an oddity.

On the one hand, it’s pretty much a standard slasher film, complete with a menacing mansion, a horrible secret, a twist ending, and John Carradine playing a mute newspaper editor.

On the other hand, director Ted Gershuny directs like he’s making an underground art film and several of the supporting roles are played by actors who were best known for their association with Andy Warhol.

Personally, I like Silent Night, Bloody Night. It has a terrible reputation and the film’s star, Mary Woronov, has gone on record calling it a “terrible movie” but I like the surreal touches the Gershuny brought to the material and the sepia-toned flashbacks have a nightmarish intensity to them. The film makes no logical sense, which actually makes it all the more appealing to me. As the saying goes, your mileage may vary.

Watch and decide for yourself!

Horrific Insomnia File #63: Hillbillys in a Haunted House (dir by Jean Yarbrough)

Posted on October 29, 2023 by Lisa Marie Bowman

What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable or streaming? This feature is all about those insomnia-inspired discoveries!

If you were having trouble getting to sleep last night, you could have jumped on Tubi and watched a film from 1967 called Hillbillys In A Haunted House and it would have put you right to sleep.

Hillbillys In A Haunted House has some big names in the cast but, unfortunately, none of them get to do much. Instead, the main characters are country singer Woody Wetherby (Ferlin Husky), his partner Boots Malone (a very pointy Joi Lansing), and their road manager, Jeepers (Don Bowman). When we first see them, they’re driving to Nashville and even worse, they’re singing about the fact that they’re driving to Nashville. They’re scheduled to perform in “the Jamboree.” However, after they’re delayed by a bunch of cops having a shoot out with two spies, Boots announces that Jeepers is a nervous wreck and that they really need to stop and rest for the night.

Unfortunately, they’re in the town of Sleepy Junction and there’s not much to Sleepy Junction because everyone in town recently moved to Acme City. As a result, there are no hotels or motels in Sleepy Junction. But there is a big, deserted mansion that is rumored to be haunted. With a storm approaching and Jeepers’s nerves even more on edge then before, they head to the mansion. At the mansion Woody sings a song and then some neighbors stop by and they all sing another song. Are you getting the feeling that there’s a lot of singing in this movie? You’re right, there is. It’s all studio-perfect singing too. Woody lip-syncs like a pro.

Anyway, the mansion is also being used by four spies, played by Basil Rathbone, John Carradine, a hulking Lon Chaney, Jr., and Linda Ho. The four of them live in the surprisingly clean basement of the mansion. Living with them is a gorilla. The spies planning on stealing a formula for rocket fuel from Acme City but first they need to do something about the hillbillys that are currently in the haunted house. Carradine and Rathbone try to scare them out with some remote control ghost action. Jeepers may be a coward and Woody may be a redneck and Boots may have atrocious taste in clothes but all three of them are Americans and they’re not going to stand for any spy nonsense!

If you think it sounds like this was stupid, you’re right. Carradine and Rathbone both struggle to maintain a straight face. Poor Lon Chaney Jr. often appears to be out of breath. There’s way too much singing. Seriously, couldn’t the hillbillies have just driven another few miles to Acme City and found a hotel?

The film will put you to sleep, though. It has its uses.

Previous Insomnia Files:

Story of Mankind
Stag
Love Is A Gun
Nina Takes A Lover
Black Ice
Frogs For Snakes
Fair Game
From The Hip
Born Killers
Eye For An Eye
Summer Catch
Beyond the Law
Spring Broke
Promise
George Wallace
Kill The Messenger
The Suburbans
Only The Strong
Great Expectations
Casual Sex?
Truth
Insomina
Death Do Us Part
A Star is Born
The Winning Season
Rabbit Run
Remember My Name
The Arrangement
Day of the Animals
Still of The Night
Arsenal
Smooth Talk
The Comedian
The Minus Man
Donnie Brasco
Punchline
Evita
Six: The Mark Unleashed
Disclosure
The Spanish Prisoner
Elektra
Revenge
Legend
Cat Run
The Pyramid
Enter the Ninja
Downhill
Malice
Mystery Date
Zola
Ira & Abby
The Next Karate Kid
A Nightmare on Drug Street
Jud
FTA
Exterminators of the Year 3000
Boris Karloff: The Man Behind The Monster
The Haunting of Helen Walker
True Spirit
Project Kill
Replica
Rollergator

6 Trailers For October 29, 2023

Posted on October 29, 2023 by Lisa Marie Bowman

As we reach the conclusion of our annual Horrorthon, how about another edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film trailers? Today, we pay tribute to the godfather of Halloween, Mr. John Carpenter!

Halloween (1978)

Obviously, I was going to have to share the trailer for the original Halloween eventually. This is still the best of the franchise. In fact, all of the attempts by other directors to “improve” on it just serves to remind us of the fact that John Carpenter said everything that needed to be said in the first film.

2. Assault on Precinct 13 (1976)

How did Carpenter get the chance to direct Halloween? Well, the producers were impressed with his previous film, Assault on Precinct 13. Also impressed by this film was Angela Pleasence, who subsequently convinced her father, Donald, to read Carpenter’s script for Halloween.

3. The Fog (1980)

Carpenter followed up Halloween with The Fog, which featured several cast members of both Halloween and Carpenter’s next film, Escape From New York.

4. The Thing (1982)

Incredibly underappreciated when it was first released, Carpenter’s remake of The Thing has gone on to become one of his most popular and influential films.

5. Prince of Darkness (1987)

Speaking of underappreciated, it would also be several years before Carpenter’s Prince of Darkness started to receive the attention that it really deserved.

6. John Carpenter’s Vampires (1998)

Finally, with Vampires, Carpenter mixed the horror genre with the western genre and came up with a hybrid that continues to be influential to this day.

Cleaning Out The DVR: The Neighbors Are Watching (dir by Haylie Duff)

Posted on October 29, 2023 by Lisa Marie Bowman

“Your neighbors will always have your back,” Betsy (Elena Kent) tells Amy (Kabby Borders) while welcoming her to the neighborhood.

But will they?

That’s the question posed by the Lifetime film, The Neighbors Are Watching. At first, it certainly seems like the neighbors are supportive of Amy as she starts her new job as a teacher and she tries to restart her life after ending a bad marriage. And it certainly seems like a wonderful neighborhood. Amy’s even got a surprisingly big house, considering that she’s a teacher. I guess she lives in one of those states where teachers get paid a decent salary and don’t have to hand over half of it in union dues. Either that or this is just another example of Lifetime understanding that it’s more fun to watch people in big houses than to watch people in small houses.

With the support of the neighborhood, Amy starts to date Henry (Will Holland), the guy who has just moved in across the street from her. And, with the exception of one skeevy moment where he glances up at Amy’s bedroom window while she’s getting dressed, Henry seems like a great guy. He says that he owns a home repair business and he even volunteers to fix her back door for her.

But strange things are happening and soon, the neighbors will turn against Amy. It starts when someone leaves Amy strange messages and newspaper clippings about how her previous marriage ended because she killed her abusive husband in self-defense. Then Henry starts to act strangely and Amy even thinks that she sees him at his house with another woman. When Amy confronts him, Henry gaslights her and claims that she’s obviously seeing things. All of the neighbors come outside to watch as Amy and Henry argue. And when Amy thinks that she sees Henry putting a dead body in the trunk of his car, the police react as if Amy is the one who did something wrong by calling them. Is Amy truly losing it, as Henry suggests, or is someone trying to frame Amy and make her look bad? And will Amy’s neighbors, including Betsy, have her back?

The Neighbors Are Watching was one of those Lifetime movies that got better as it went along. The first half, which featured Amy and Henry as a couple, featured a bit too much overwritten, cutesy flirting and a few too many scenes of Betsy trying to convince everyone to drink wine. But, once it became apparent that Henry was a bad guy who was trying to make everybody think that Amy was going insane, the film became much more entertaining. In fact, all of the cutesy dialogue made sense once you understood that Henry was trying to create the impression of a movie-perfect romance. There’s a good twist towards the end and Lifetime regular Kabby Borders is likable and sympathetic as Amy. This is the third film that Haylie Duff has directed for Lifetime and she definitely understands the importance of embracing the melodrama. Despite the rough start, I enjoyed watching The Neighbors Are Watching.

October Positivity: The Mark: Redemption (dir by James Chankin)

Posted on October 28, 2023 by Lisa Marie Bowman

2013’s The Mark: Redemption picks up almost immediately where The Mark left off.

The world is in chaos as millions of people have mysteriously vanished. The economy is collapsing. Crime is out of control. Cities are burning. The G20 Economic Summit is meeting in a surprisingly small conference room in Berlin. The world looks to a mysterious investor named Phillyp Turk (Ivan Kamaras) for leadership. It does this despite the fact that everything about Phillyp — from the way he speaks to the way he looks to the way that he spells his name — would seem to indicate that he’s a crazy supervillain. Was the world not paying attention to all of those comic book movies? Do they not know a cartoonishly evil businessman when they see one?

In Bangkok, Mr. Pike (Gary Daniels) and his men are still searching for Chad (Craig Sheffer) and Dao (Sonia Couling). Chad still has the biometric chip — the Mark of the Beast, as it were — in his bloodstream and Pike is determined to capture Chad and somehow get the chip out. In between thinking about all of their friends and family who have vanished, Chad and Dao try to find the inventor of the chip so that he can hopefully remove it. Along the way, Dao talks about her younger sister, who has disappeared into Bangkok’s underworld but who, in one of those coincidental twists that boggles the imagination, also happens to have been an early test subject for the chip that is currently in Chad’s blood stream!

As for Cooper (Eric Roberts), he’s being held captive by Turner’s men. Just as in the first film, Cooper proves himself to be a clever manipulator. The only difference is that, in the sequel, Cooper finally understands that he was one of the bad guys and he doesn’t feel quite right about that. Cooper finds an ally in Warren (Johann Helf), one of Mr. Pike’s less bloodthirsty associates.

The Mark: Redemption is quite an improvement on the original film. It helps that, in the sequel, the action is opened up as opposed to solely taking place in one claustrophobic location. Mr. Pike and his men chase Chad and Dao all over Bangkok while Turk flies from New York to Berlin and back again. If the first film felt confined, the second film truly does capture the feel of a global catastrophe. As well, Craig Sheffer’s performance here is far more lively than in the first film. In the first film, he seemed as if he had mentally checked out. In the second film, he actually makes some sort of effort to portray the character. Of course, the film is ultimately stolen by Eric Roberts, who seems to be having a blast playing the sardonic Cooper. Roberts keeps the film lively and things are all the better for it.

The Mark: Redemption ends with the promise of a third film but, as far as I know, it was never made.

Previous Eric Roberts Films That We Have Reviewed:

Horror Scenes I Love: Giovanni Lombardo Radice in The House At The Edge of the Park

Posted on October 28, 2023 by Lisa Marie Bowman

I miss Giovanni Lombardo Radice.

The Italian writer/actor passed away earlier this year, on April 23rd. He is missed, both for his wit and charm and for his talent. He was great storyteller and always had the best anecdotes to share about the films in which he appeared, even though he himself often expressed amazement that people were still watching his movies. Giovanni Lombardo Radice was an artist and a gentleman.

I’ve shared this scene before but I’m going to share it again because it’s Giovanni at his best. Giovanni, incidentally, is dancing with his frequent co-star and friend, Lorraine de Selle.

From 1981’s The House On The Edge of the Park:

October True Crime: The Hillside Strangler (dir by Chuck Parello)

Posted on October 28, 2023 by Lisa Marie Bowman

2004’s The Hillside Strangler opens with a woman stepping into a dressing room with several tops. She removes all of the tags. Then she puts all of them on and finally covers them with the sweater that she was wearing when she first stepped into the dressing room.

What she doesn’t realize is that she’s being watched by a security guard named Kenneth Bianchi (played by C. Thomas Howell, with a thin mustache). Bianchi isn’t the type of security guard who relies on cameras. Instead, he sneaks around in the store’s heating ducts and stares down into the dressing room. Bianchi manages to get out of the duct quickly enough to stop the woman as she walks out of the store. He takes her back to his office and orders her to remove each layer of stolen clothing while he watches.

Agck! Seriously, as a former teen shoplifter, this scene totally freaked me out. Beyond the creepiness of seeing Bianchi in the air ducts, this scene also captures the authoritarian mindset. As soon as we see Bianchi, we know that his job is about more than just a paycheck to him. His job is about wielding power and giving orders. Wearing his uniform, Bianchi feels that he’s untouchable.

Bianchi dreams of being a real cop but the Rochester Police Department rejects his application to join because his test scores were too low. Sick of having to listen to him whine, Bianchi’s mother sends him to Los Angeles so that he can stay with his cousin, Angelo Buono (Nicholas Turturro). Maybe Angelo can knock some sense into him. Maybe Angelo can teach him about being a man.

Instead, Angelo soon gets as tried of Bianchi as everyone else. Still, he is impressed when Bianchi orders a fake diploma from Colombia University and sets up a practice as a sex therapist. When Angelo attempts to set himself up as a pimp, he makes Bianchi is partner. When Angelo and Bianchi fail at being pimps, they start picking up women and strangling them. Angelo and Bianchi start out by stalking sex workers but soon, they’re using a fake LAPD badge to prey on anyone that catches their interest.

Based on the true crimes of Angelo Buono and Kenneth Bianchi, The Hillside Strangler is a grim and frequently trashy film, a portrait of two misogynists who can only feel confident when they’re hurting others. Bianchi is the type who wears a t-shirt that reads, “Official Local Sex Instructor.” Buono has a doormat that reads, “Italian Stallion” and a sign on his wall that announces, “Candy is Dandy But Sex Won’t Rot Their Teeth.” Turturro and Howell give two disturbing performances as two losers who feed on each other’s sadism and anger. Bianchi is desperate for Bouno’s approval. Buono finds Bianchi to be annoying but he still enjoys being the younger man’s idol. Would Bianchi and Buono have committed their crimes if they had never met? The film leaves you wondering. As a viewing experience, it’s effective and disturbing.

In real life, Angelo Buono died in prison in 2002. Kenneth Bianchi continues to serve his life sentence.

4 Shots From 4 Films: Special Jacques Tourneur Edition!

Posted on October 28, 2023 by Lisa Marie Bowman

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order! That’s right, we’re going from Argento to Zombie in one month!

Today’s director: Jacques Tourneur!

4 Shots From 4 Films

Cat People (1942, dir by Jacques Tourneur, DP: Nicholas Musuraca)

I Walked With A Zombie (1943, dir by Jacques Tourneur, DP: J. Roy Hunt)

The Leopard Man (1943, dir by Jacques Tourneur, DP: Robert De Grasse)

Night of the Demon (1957, dir by Jacques Tourneur, DP: Ted Scaife)

Live Tweet Alert: Join #ScarySocial For A Halloween Double Feature

Posted on October 28, 2023 by Lisa Marie Bowman

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.

Tonight, we’ve got a special Halloween double feature! First up, we’ve got 1932’s White Zombie, starring Bela Lugosi!

After White Zombie, we will watch 1940’s The Wolf Man, starring Claude Rains, Lon Chaney Jr, and …. Belua Lugosi!

Halloween is always fun at #ScarySocial!

If you want to join us on Saturday night, just hop onto twitter, start White Zombie at 9 pm et, and use the #ScarySocial hashtag! The films are available on Prime! I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.

October Positivity: The Mark (dir by James Chankin)

Posted on October 27, 2023 by Lisa Marie Bowman

The 2012 film, The Mark, opens with a covert attack by a group of mercenaries on a laboratory. The head scientist, wanting to make sure that his work is not destroyed, injects guard Chad Turner (Craig Sheffer) with a biometric chip. As Cooper (Eric Roberts), the head of security with Avanti Corporation, explains it, Chad is now the most important person in the world. He has been injected with the future, a chip that will replace the need for personal identification or currency. It’s a chip that Cooper claims will bring the world together under one big government.

Hmmm …. a Pureflix film about a biometric chip that will lead to one world government? Can we all guess where this is leading?

With the world economy collapsing and threats of war dominating the headlines, Cooper decides to personally escort Chad to the G20 economic summit in Berlin. Seeing as how everyone wants to get their hands on the chip, Cooper decides that the best plan is to fly to Berlin on a commercial flight. Cooper describes it as hiding in plain sight. I would describe it as being remarkably stupid.

Needless to say, the flight is an eventful one. Cooper enjoys talking to the other passengers. And Chad flirts with a woman who is convinced that the G20 summit is actually a conspiracy of some sort. The co-pilot asks a flight attendant to marry him and she says, “Yes.” Yay! One of the passengers mentions that he’s a minister and offers to marry them right there but the co-pilot explains that they’re not really into all of that religious stuff. Unfortunately, a mercenary named Mr. Pike (Gary Daniels) hijacks the plane and demands the chip, which is currently being absorbed into Chad’s bloodstream.

The film starts out as a Die Hard clone, with Chad sneaking around the plane and taking out the terrorists one-by-one. Cooper rallies the other passengers to fight back. But then there’s a bright flash of light and half of the passengers and one of the pilots vanishes. The clearly shaken minister says:

That’s right, it’s one of those films!

Can Chad and flight attendant Dao (Sonia Couling) figure out how to open up the locked cockpit so that the remaining agnostic pilot can land the plane? And will Chad be able to escape from the plane, despite the fact that Cooper is still intent on taking him to the summit?

Like a lot of PureFlix films, The Mark attempts to deliver its message in the guise of a genre film. Unfortunately, it’s a bit of a bore as an action film, with a slow-moving plot and fight scenes that feel as if they’ve been lifted from countless other films. Craig Sheffer is a bland hero and the terrorists are generic. Not surprisingly, it’s Eric Roberts who steals the film, playing Cooper as being someone who can be a valuable ally but who is also a bit too arrogant for his own good. If I was ever on a hijacked plane, I would definitely want Eric Roberts on my side.

Previous Eric Roberts Films That We Have Reviewed: