Brad recommends STRANGER ON HORSEBACK (1955)!


I’m a big fan of westerns made in the 1940’s and 1950’s. I’m also a big fan of the writings of author Louis L’Amour. STRANGER ON HORSEBACK, a 1955 western based on a story by L’Amour, is a good example of why I love both, and it’s currently playing on Amazon Prime, HBOMAX, and Tubi. 

STRANGER ON HORSEBACK opens on the traveling Circuit Judge Rick Thorne (Joel McCrea) as he rides his horse into a small western town that seems to be run by the Bannerman family. We hear his thoughts on western justice, and it goes something like this… “a judge needs three things to bring justice to this country; a law book, a horse and a gun. The further west he gets, the less he needs the book.” That’s a L’Amour line if I’ve ever heard one. As soon he gets into town, he finds out from Colonel Buck Streeter (John Carradine) that young Tom Bannerman (Kevin McCarthy) has gunned a local man down and Thorne is determined that the young man face trial for the killing. That doesn’t set too well with Tom’s dad Josiah Bannerman (John McIntire), who bluntly tells the judge that his son will not face trial for murder. After Thorne and the local Sheriff Nat Bell (Emile Meyer) arrest young Tom, it’s just a matter of time before Thorne has to take on the Bannerman clan and their hired guns. Meanwhile, Amy Lee Bannerman (Miroslava), Tom’s cousin, starts making some love moves on the judge. Is she truly falling for the righteous judge, or is she trying to save her cousin’s ass? 

Director Jacques Tourneur (CAT PEOPLE, OUT OF THE PAST, WICHITA) has crafted an extremely economical, classic western. Clocking in at just 65 minutes, the story can’t afford to waste any time and gets right to the action. Joel McCrea is perfect as the morally impeccable judge who will face off against impossible odds to make sure young Tom Bannerman goes to trial for murder. Kevin McCarthy is the exact opposite as the arrogant, amoral killer whose family name has protected him all of his life. John McIntire, as the patriarch of the Bannerman family, is as tough as they come and nobody is going to tell him what to do, or hang his son. He’s not necessarily against his son hanging, but as he implies at one point, if anyone’s going to hang my son, it’s going to be me! And Miroslava is awfully cute as the Bannerman who ends up putting her feelings for the judge over the family name. Sadly, the actress would take her own life just after filming this movie. 

STRANGER ON HORSEBACK was filmed in Sedona, AZ, which makes for a beautiful backdrop to this combination of western and legal thriller. The fact that McCrea is playing a judge rather than a sheriff is an interesting twist on the classic western story. His primary focus is to make sure Tom Bannerman gets his due process, but still faces a jury for his crimes, and he’ll do anything to make sure that happens. And it doesn’t take him very long to do it, because it felt like there should have been more movie when the words THE END flashed across the screen. I guess I was enjoying myself, because this 65 minute movie felt even shorter than you might expect! 

4 Shots From 4 Horror Films: The 1950s Part 3


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we reach the end of the 50s and the rise of British horror.

4 Shots From 4 Horror Films

Night of the Demon (1957, dir by Jacques Tourneur)

Night of the Demon (1957, dir by Jacques Tourneur)

The Curse of Frankenstein (1957, dir by Terence Fisher)

The Curse of Frankenstein (1957, dir by Terence Fisher)

 Horror of Dracula (1958, dir by Terence Fisher)

Horror of Dracula (1958, dir by Terence Fisher)

The Mummy (1959, dir by Terence Fisher)

The Mummy (1959, dir by Terence Fisher)

4 Shots From 4 Horror Films: 1940s Part One


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at the first few years of 1940s.

4 Shots From 4 Horror Films

Dr. Cyclops (1940, dir by Ernest B. Schoedsack)

Dr. Cyclops (1940, dir by Ernest B. Schoedsack)

The Wolf Man (1941, dir by George Waggner)

The Wolf Man (1941, dir by George Waggner)

Cat People (1943, dir by Jacques Tourneur)

Cat People (1942, dir by Jacques Tourneur)

I Walked With A Zombie (1943, dir by Jacques Tourneur)

I Walked With A Zombie (1943, dir by Jacques Tourneur)

4 Shots From 4 Films: Special Jacques Tourneur Edition!


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Today’s director: Jacques Tourneur!

4 Shots From 4 Films

Cat People (1942, dir by Jacques Tourneur, DP: Nicholas Musuraca)

I Walked With A Zombie (1943, dir by Jacques Tourneur, DP: J. Roy Hunt)

The Leopard Man (1943, dir by Jacques Tourneur, DP: Robert De Grasse)

Night of the Demon (1957, dir by Jacques Tourneur, DP: Ted Scaife)

4 Shots From 4 Films: Special Jacques Tourneur Edition!


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order!  That’s right, we’re going from Argento to Zombie in one month!

Today’s director: Jacques Tourneur!

4 Shots From 4 Films

Cat People (1942, dir by Jacques Tourneur, DP: Nicholas Musuraca)

I Walked With A Zombie (1943, dir by Jacques Tourneur, DP: J. Roy Hunt)

The Leopard Man (1943, dir by Jacques Tourneur, DP: Robert De Grasse)

Night of the Demon (1957, dir by Jacques Tourneur, DP: Ted Scaife)

Horror Film Review: I Walked With A Zombie (dir by Jacques Tourneur)


The 1943 horror film I Walked With A Zombie tells a zombie story that would probably seem strange to modern zombie fans. There’s no cannibalism. There’s no feasting on brains. There’s no talk about how the only way to stop a zombie is to shoot them in the head. In fact, the zombies in I Walked With A Zombie may be referred to as being the “living dead” but they’re not actually dead. Instead, if anything, they’ve been cursed. Maybe they’re possessed. Maybe they’ve been brainwashed. Maybe they’re lobotomized. Who can say for sure?

Instead of being the type of zombies that were made famous by George Romero’s Night of the Living Dead, the zombies in I Walked With A Zombie hew closer to the zombies of Haitian legend. These zombies suffer from a sort of mental paralysis. Unable to think for themselves, they wander about in a sort of permanent limbo, trapped between life and death and under control of the voodoo priests who transformed them.

This moody and, at time, rather dream-like film deals with Besty Connell (Frances Dee), a Canadian nurse who has been hired by Paul Holland (Tom Conway), who owns a sugar plantation on a Caribbean island. Paul’s wife, Jessica (Christine Gordon) has apparently been taken ill and, as a result, is behaving strangely. Often, she wanders about with a glazed look in her eyes, almost as if she’s trapped in a sort of dream-state. Paul believes that it’s the result of the severe fever that Jessica previously suffered with. The locals, meanwhile, gossip that, right before Jessica was taken ill, she was having an affair with Paul’s alcoholic half-brother, Wesley (James Ellison). Betsy’s attempts to care for Jessica and understand her condition will lead to Betsy exploring not only the island’s voodoo culture but also …. walking with a zombie!

I Walked With A Zombie is a deliberately paced film, one that focuses more on creating and maintaining an ominous mood than on going for the type of jump scares that we’ve come to expect from most horror movies. I Walked With A Zombie is all about atmosphere and ambiguity. Indeed, it’s never determined for certain whether or not Jessica’s condition is due to a voodoo curse or if perhaps it really is just due to her earlier fever. It’s left to the audience to decide.

Directed by Jacques Tourneur and produced by Val Lewton (the same time team behind the original Cat People), I Walked With A Zombie is an effective and well-acted film, one that also features some gorgeous black-and-white cinematography and an interesting subtext about colonialism. (Upon arriving on the island, Betsy discovers that the Holland family made their fortune through the slave trade and that they still have the figurehead of an old slave ship displayed in their courtyard.) It may not be frightening by today’s standards but it is still a thought-provoking film and one that should be seen by anyone who is a serious zombie fan.

8 Shots From 8 Horror Films: The 1940s


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at the 1940s.

8 Shots From 8 Horror Films: The 1940s

The Devil Bat (1940, dir by Jean Yarbrough, DP: Arthur Martinelli)

The Wolf Man (1941, dir by George Waggner, DP: Joseph Valentine)

Cat People (1942, dir by Jacques Tourneur, DP: Nicholas Musuraca)

I Walked With A Zombie (1943, dir by Jacques Tourneur, DP: J. Roy Hunt)

The Leopard Man (1943, dir by Jacques Tourneur, DP: Robert De Grasse)

House of Frankenstein (1944, dir by Erle C. Kenton, DP: George Robinson)

Spellbound (1945, dir by Alfred Hitchcock, DP: George Barnes)

The Picture of Dorain Gray (1945, dir by Albert Lewin, DP: Harry Stradling)

6 Good Films That Were Not Nominated For Best Picture: The 1940s


Gary Cooper. Joan Fontaine, Mary Astor, and Donald Crisp at the 1942 Oscars.

Continuing our look at good films that were not nominated for best picture, here are 6 films from the 1940s.

Shadow of a Doubt (1943, dir by Alfred Hitchcock)

Amazing, Alfred Hitchcock never won the Best Directing Oscar.  In fact, it was rare that his films were even nominated.  (Though Rebecca did win Best Picture, it could be argued that film’s style was as much to due to David O. Selznick as it was to Hitchcock.)  One of the best of Hitchcock’s unnominated films was Shadow of a Doubt.  With its dark sense of humor and wonderful performances from Joseph Cotten and Teresa Wright, Shadow of a Doubt was Hitchcock at his best.  It was also, perhaps, a bit too darkly subversive for the Academy.

Detour (1945, dir by Edgar G. Ulmer)

The ultimate film noir nightmare, Detour was actually well-received when it was originally released, though it would take a while for the film to be recognized as a true classic.  Still, there was no way that the Academy was going to nominate a low-budget B-movie about a guy who hitchhikes across America and manages to accidentally kill two people.  Detour was far too nightmarish and surreal for the Academy but it’s remained one of the most influential films ever made.

Gilda (1946, dir by Charles Vidor)

Another classic film noir, Gilda is the film that, for many, will always define Rita Hayworth.  Through the film was a financial and critical success, it was ignored by the Academy.  The success of this film and the popularity of Hayworth’s performance led to the fourth atomic bomb to ever be detonated being named Gilda.  Rita Hayworth was reportedly not happy to hear it.

Black Narcissus (1947, dir by Michael Powell and Emeric Pressburger)

One of the most visually stunning films ever made, Black Narcissus won Oscars for Best Cinematography and for Art Design but it received no other nominations, not even for the outstanding performances of Deborah Kerr and Kathleen Byron, as two nuns who have very different reactions to the Himalayas.

Out of the Past (1947, dir by Jacques Tourneur)

A world-weary private investigator (Robert Michum) is hired by a slick and psychotic gangster (Kirk Douglas) and ordered to track down the gangster’s girlfriend (Jane Greer).  So beings this rather melancholy and introspective film noir, one that is distinguished by wonderfully shadowy photography and which features one of Mitchum’s best performances.  Sadly, the Academy recognized neither the film nor Mitchum’s performance.

Portrait of Jennie (1948, dir by William Dieterle)

This haunting and dream-like fantasy stars Joseph Cotten as a painter who meets, paints, and falls in love with a mysterious woman (Jennifer Jones) who may not be what she seems.  The film was apparently not a huge success when it was first released but, seen today, it’s hard not to get swept up in the film’s romantic sadness.  Though it received a nomination for Best Cinematography, it was otherwise ignored by the Academy.

Up next, in about an hour or so, the 1950s!

Halloween Havoc!: I WALKED WITH A ZOMBIE (RKO 1943)


gary loggins's avatarcracked rear viewer

Val Lewton’s  I WALKED WITH A ZOMBIE is, despite the exploitative title, one of the most moody and atmospheric horror films of the 40’s. This was Lewton’s follow up to the highly successful CAT PEOPLE (1942), with Jacques Tourneur again in the director’s chair. Though screenwriters Curt Siodmak and Ardel Wray based their script on a story by Inez Wallace, producer Lewton had them add elements of Charlotte Bronte’s JANE EYRE, making this a  Gothic zombie movie!

Nurse Betsy Connell (Frances Dee) is summoned to the West Indies isle of St. Sebastian to look after Paul Holland’s (Tom Conway ) catatonic wife Jessica. The cynical Holland has an air of melancholy about him (“There’s no beauty here”, he states on the sea trip to the island, “only decay and death”). Upon arrival, Betsy meets Holland’s stepbrother Wesley Reed (James Ellison), a jovial sort until he gets in the presence of…

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4 Shots From 4 Films: Special Jacques Tourneur Edition!


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order!  That’s right, we’re going from Argento to Zombie in one month!

Today’s director: Jacques Tourneur!

4 Shots From 4 Films

Cat People (1942, dir by Jacques Tourneur)

I Walked With A Zombie (1943, dir by Jacques Tourneur)

The Leopard Man (1943, dir by Jacques Tourneur)

Night of the Demon (1957, dir by Jacques Tourneur)