Horror Film Review: One Body Too Many (dir by Frank MacDonald)


In 1944’s One Body Too Many, Jack Haley stars as Albert L. Tuttle. Tuttle is an insurance agent. He’s a rather mild-mannered one. In fact, people often have a hard time remembering his name. He’s called “Mr. Turtle.” He’s called “Mr. Title.” Patiently, he explains over and over again that his name is Tuttle. Looking to secure his job, Tuttle hopes to sell $200,000 in life insurance to an eccentric millionaire named Cyrus J. Rutherford.

What Tuttle doesn’t know is that Cyrus J. Rutherford has recently died. His entire greedy family and all of his servants have gathered at the Rutherford Mansion so that they can hear the reading of the will. In his will, Rutherford lays out all the reasons why he didn’t like his family or anyone who worked for him. He accuses the butler, Merkil (Bela Lugosi), of padding his expense account. He accuses his lawyer (Bernard Nedell) of always trying to take advantage of him. Rutherford writes that his last request is that his body be placed in a glass-domed vault so that the stars can forever shine down upon his face. He says that anyone who leaves the house before the glass vault is built will lose their inheritance. If the body is buried instead of in the vault, then Rutherford’s largest beneficiaries will instead become his smallest beneficiaries and vice versa. It’s a bit of an odd will, to be honest. I’m not particularly sure that it would stand up in court today, but in 1944, eccentric millionaires could pretty much do whatever they wanted. Myself, I have to applaud Rutherford for messing with everyone even after death. That takes determination.

When Tuttle shows up, the family mistakes him for a detective that has been sent to make sure that Rutherford’s body isn’t stolen before the glass dome is constructed. Tuttle, not picking up on how weird this all is, assumes that the family is just really excited about insurance. When Tuttle finds himself locked in with the dead body, he immediately demands to leave. However, since the real detective has failed to show up, Rutherford’s niece, Carol (Jean Parker), asks him to stay and guard the body. A good Tuttle appears on one of Tuttle’s shoulders while a bad Tuttle appears on the other. After listening to the debate, Tuttle decides to stay if only because Carol is attractive.

It’s going to be a long night, though. Not only does the body disappear, but it appears that there is a murderer in the house!

One Body Too Many is an amiable comedy, one that features a very 1940s mix of absurd dialogue and slapstick humor. Though Jack Haley, who is best-remembered for playing the Cowardly Lion in The Wizard of Oz, is the lead and a very likable one at that, the movie is pretty much stolen by Bela Lugosi. Lugosi’s later films tend to be a mixed bag, but One Body Too Many allows Lugosi to give a good and genuinely funny performance as a butler who is far more clever than anyone realizes. Lugosi’s snarky reactions make the film, and they’re a nice reminder that Lugosi was a far more talented actor than he’s often given credit for.

Bonus Horror on the Lens: Phantom Ship (dir by Denison Clift)


In December of 1872, a sailing ship called the Mary Celeste was found adrift and deserted in the Atlantic Ocean.  When the ship left New York in October, it had a captain and a full crew.  The captain’s wife was among the passengers sailing on the ship.  When the Mary Celeste was discovered, not only was no one on board but there was no evidence as to where everyone had gone or what caused them to abandon the ship in the first place.  The crew of the Mary Celeste appeared to have vanished into thin air and none of them were ever seen again.

As you might guess, this led to years of speculation about what happened.  Some people blamed pirates.  Some blamed food poisoning.  Some blamed ghosts and sea monsters.  More modern theorists have blamed UFOs.

First released in 1935 and originally entitled The Mystery of the Mary Celeste, Phantom Ship offers up a theory of its own.  It speculates about what happened during the final voyage of the Mary Celeste and why its crew vanished.  One of the members of the crew is played by Bela Lugosi.  Lugosi was still riding high from his starring role in Dracula when he starred in Phantom Ship and, playing a veteran sailor who appears to be a bit unstable, Lugosi gives an enjoyably over the top performance.  Admittedly, Phantom Ship has its slow spots and, at times, it threatens to get bogged down in a subplot about the love triangle involving the Captain, his wife, and the Captain’s best friend.  But Lugosi makes the film worth watching and, towards the end, there are some wonderfully atmospheric shots of the nearly deserted ship.

Along with being one Lugosi’s non-Dracula horror films, Phantom Ship is also well-known for being one of the first films to be produced by the British film company that would eventually become known as Hammer Pictures.

Enjoy!

Horror On The Lens: The Devil Bat (dir by Jean Yarborough)


 

In the 1940 film, The Devil Bat, the owners of a company in the small town of Heathville are super-excited because they’re going to be given their head chemist, Dr. Paul Carruthers (Bela Lugosi), a bonus check of $5,000.  However, since Carruthers’s inventions have made millions for the company, he is offended by the small check and decides that the best way to handle this would be to sue in court and demand fair compensation …. just kidding!  Instead, Dr. Carruthers sends his army of giant bats to kill the families of his employers.

The Devil Bat was produced by Production Releasing Corporation, a poverty row studio that specialized in shooting quickly and cheaply.  Going from Universal to PRC was technically a step down for Lugosi but The Devil Bat is actually an excellent showcase for Lugosi and he gives one of his better non-Dracula performances as the embittered Dr. Carruthers.  Indeed, one can imagine that Lugosi, who played such a big role in putting Universal on the map, could relate to Carruthers and his bitterness over not being fairly rewarded for the work he did to make others wealthy.

Enjoy The Devil Bat, starring the great Bela Lugosi!

Horror Scenes That I Love: Bela Lugosi in Dracula


Dracula (1931, starring Bela Lugosi as the Count, Dir by Tod Browning, DP: Karl Freund)

On this day, 144 years ago, Bela Lugosi was born in what is now Romania.  Lugosi began his career in his native country, appearing on stage.  After serving as an infantryman in World War I, Lugosi moved into the movie industry and appeared in silent Hungarian films.  The young Lugosi was an activist, involved in labor issues and trying to unionize the Hungarian film industry.  When a new government came to power in Hungary in 1920, the politically-active Lugosi moved first to Germany and then eventually ended up in the United States.  After a period of working as a merchant seaman, Lugosi returned to acting.

He first played Dracula on stage in New York City.  In 1928, while touring in the role of Dracula, he moved out to California and quickly became a part of the Hollywood community.  When Universal produced a film adaptation of Dracula in 1931, Lugosi was the obvious choice for the lead role.  The film made Lugosi a star and it also typecast him.  Lugosi never stopped acting, though the films varied widely in quality.  By the end of his career, Lugosi was a member of the Ed Wood stock company.  Even appearing in something like Bride of the Monster, Lugosi still made an impression.

In the scene below, from 1931’s Dracula, Lugosi suggests that Edward van Sloan’s Van Helsing should perhaps leave the country.

4 Shots From 4 Bela Lugosi Films


 

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

144 years ago on this date, Bela Lugosi was born in Hungary.  Today, we honor his memory with….

4 Shots From 4 Bela Lugosi Films

Dracula (1931, dir by Tod Browning, DP; Karl Freund)

White Zombie (1932, dir by Vincent Halperin, DP: Arthur Martinelli)

Ninotchka (1939, dir by Ernst Lubitsch, DP: William H. Daniels)

Bride of The Monster (1955, dir by Ed Wood, DP: Ted Allan and William H. Thompson)

 

Horror On The Lens: Black Friday (dir by Arthur Lubin)


In today’s film, Boris Karloff plays a brain surgeon who makes the mistake of trying to save a friend’s life by performing an experimental procedure that involves combining bits of a gangster’s brain with the brain of an otherwise meek English professor.  Bela Lugosi plays a rival mobster.

First released in 1940, Black Friday is an entertaining combination of sci-fi horror and gangster action.  Originally, Lugosi was going to play the mad scientist and Karloff was going to play the mobster but Karloff, who felt he had been typecast as a villain, reportedly requested to be given the more sympathetic role.  This noir-tinged fright flick was the last of the movies that Karloff and Lugosi would make together,

Horror On The Lens: Plan 9 From Outer Space (dir by Edward D. Wood, Jr.)


 

Today, we pay respect to Edward D. Wood, Jr. on the date of his birth.  He was born 102 years ago today.

Some films need no introduction and that’s certainly the case with Wood’s 1957 masterpiece, Plan 9 From Outer Space.

Plan 9 is a film like no other, a film that mixes UFOs with zombies and which ends with a rather sincere plea for world peace.  When Eros the Alien explains that the Solarnite bomb could destroy the entire universe, the film’s hero, airline pilot Jeff, doesn’t point out that Eros’s logic doesn’t make sense.  Instead, he just says that he’s glad that America is the one that has the bomb.  “You’re stupid!  Stupid minds!” Eros shouts before Jeff flattens him with one punch.  Go Jeff!  Don’t take any backtalk from that judgmental alien!

From Criswell’s introduction to Tor Johnson’s rise from the dead to Lyle Talbot casually standing with his hands in his pockets while a UFO explodes above him, Plan 9 is a true classic of some sort.

Can you prove it didn’t happen?

Horror On The Lens: Bride of the Monster (dir by Edward D. Wood, Jr.)


 

Oh, how I love Bride of the Monster.

First released in 1955 and directed by the legendary Ed Wood, Bride of the Monster is a classic mix of a haunted house, a mad scientist, a lumbering assistant, and a giant octopus.  The plot may be impossible to follow but it doesn’t matter when you’ve got Tor Johnson grunting and Bela Lugosi giving a surprisingly good performance as the persecuted Dr. Vornoff, a man who “tampered in God’s domain.”

A lot of people consider this to be Wood’s best film.  Personally, I would go with Plan 9 From Outer Space but Bride of the Monster is still an entertaining look at monsters and madmen.

 

Scenes That I Love: Dracula Meets Van Helsing


146 years ago, on July 11th in Kentucky, director Tod Browning was born.  Though Browning was a director who was comfortable working in any genre, he is today best remembered for the horror films that he directed for Universal studios.  Today’s scene that I love comes from Tod Browning’s 1931 adaptation of Dracula.

In this scene, Count Dracula (Bela Lugosi) is introduced to Prof. Van Helsing (Edward Van Sloan).  Van Helsing notes something interesting about Dracula’s reflection, namely that he doesn’t have one.  Needless to say, the Count is not amused.

Horror Scenes That I Love: Bela Lugosi in Dracula


Dracula (1931, starring Bela Lugosi as the Count, Dir by Tod Browning, DP: Karl Freund)

On this day, 143 years ago Bela Lugosi was born in what is now Romania.  Lugosi began his career in his native country, appearing on stage.  After serving as an infantryman in World War I, Lugosi moved into the movie industry and appeared in silent Hungarian films.  The young Lugosi was an activist, involved in labor issues and trying to unionize the Hungarian film industry.  When a new government came to power in Hungary in 1920, the politically-active Lugosi moved first to Germany and then eventually ended up in the United States.  After a period of working as a merchant seaman, Lugosi returned to acting.

He first played Dracula on stage in New York City.  In 1928, while touring in the role of Dracula, he moved out to California and quickly became a part of the Hollywood community.  When Universal produced a film adaptation of Dracula in 1931, Lugosi was the obvious choice for the lead role.  The film made Lugosi a star and it also typecast him.  Lugosi never stopped acting, though the films varied widely in quality.  By the end of his career, Lugosi was a member of the Ed Wood stock company.  Even appearing in something like Bride of the Monster, Lugosi still made an impression.

In the scene below, from 1931’s Dracula, Lugosi suggests that Edward van Sloan’s Van Helsing should perhaps leave the country.