Let’s start things out with this film from 1988. I haven’t seen this film but the trailer has a certain silly charm to it and how can’t you enjoy the use of the fake lightning special effect? Plus, those finger nails screeching across the car — Agck! Freaky.
This is one of my favorite movies. Basically, a bunch of hippies take some really powerful acid in 1968 and then, eight years later, they end up having the worst flashback ever! To say that Zalman King gives an “interesting” performance as the film’s hero is a bit of an understatement.
“Jamie Lee Curtis is…Hitch.” Well, that would probably explain why she was destined to end up hitchhiking. Seriously, parents — give it some thought before you give your child any old name. Anyway, Road Games was director Richard Franklin’s follow-up to Patrick and it’s one of the better slasher films of the early 80s.
Oh my God, this looks like a bad movie. The trailer, however, is just so silly and kinda endearing in the way that it seems to desperately be saying, “No, it’s not as bad as it looks! Look — we have ice people!”
Speaking of the evil that men do, this sexploitation film from Michael and Roberta Findlay is pretty rough even by today’s standards. Don’t watch this if you’re easily offended. If you are easily offended, just remember that ten years after making this film, Michael Findlay was decapitated by a rotating helicopter blade.
On a slightly less disturbing note, here’s the trailer for Moving Violation. The film is actually a bit more odd than you might guess from just the trailer.
This is one of the most financially succesful films of all time and apparently, it extended the life of the Southern drive-in by a good decade or so. It’s actually a pretty good movie.
Let’s start out with this celebration of the fact that Americans always do it better. Yes, the film was originally titled American Warrior. Apparently, ninjas are more appealing than just plain old warriors.
What could possibly be more American than Peter Fonda getting mad and killing people? This was an early film from future “mainstream” director Jonathan Demme.
Well, there might be one thing more American than Peter Fonda killing people and that would have to be Nascar. I’m not sure if they called Nascar Nascar back in 1967 but the idea appears to be the same.
This weekend, I’m busy getting ready to go on a road trip with Jeff. I’ll be away from home for two whole weeks! However, fear not! With the help of WordPress and my wonderful, beautiful older sister Erin, I will still be updating and posting even while we’re on the road. I might even be able to convince my fellow Shattered Lens writer to spend the next two weeks watching the Lifetime Movie Channel and posting “What Lisa Would Have Watched Last Night.” How about it, guys? *wink wink*
(And by the way, just because I’m going to be out of town next weekend won’t stop me from posting six more trailers next Saturday. Why? Because I love you, silly!)
In this infamous little film from the 1970s, Richard Burton, Lee Marvin, and O.J. Simpson fight the Ku Klux Klan in Alabama. Believe it or not, I’ve actually seen this movie though the copy I saw was one of those public domain DVDs that I think was actually a copy of the edited-for-TV version of this movie. (I say that because every time someone cursed, there was an awkward silence on the soundtrack.) Even more odd is the fact that I’ve actually read the old novel that this movie is based on. Anyway, this movie is pretty bad but the book is okay. The film was directed by the same guy who directed the first James Bond films.
Okay, so this is pretty obviously an Exorcist rip-off but wow, this trailer freaks me out. Needless to say this is an Italian film. My favorite part of the trailer, to be honest, is the use of the Ryder truck. It’s a moment that epitomizes Italian exploitation in that you can tell that the filmmakers really thought that displaying the one word — “Ryder” — would convince viewers that they were watching an American-made film.
Speaking of Italian exploitation cinema, here we have another example. I pretty much had to include this trailer because I live in Dallas and 2020 is just 9 years away. That said, I’m not sure what part of Texas this film is supposed to be taking place in. I’m guessing by all the shots of boots marching through grass that this is supposed to be up in North Texas but if you can find mountains like that around here then you’ve got far better eyesight than I do. Add to that, the sudden indian attack seems more like an Oklahoma thing. Not surprisingly, according to Amazon, this film was not only directed by Joe D’Amato but features both George Eastman and Al Cliver.
Apparently, it didn’t start in Texas. This is also an Italian film. It was directed by Enzo Castellari and, not surprisingly, George Eastman is in this one as well.
The is the trailer that dares to ask — who are you going to listen to? Common sense or H.G. Wells? I’ll tell you, nothing freaks me out more than when I see one of those ant lines carrying a dead cricket back to the anthill. Ants are one thing that I will not allow in the house. However, I kinda admire them. They’re so neat and organized. Plus, males in ant society know their place.
“20th Century Fox presents Mr. Billion …. starring Terence Hill, the 5th biggest star in the world…” I haven’t seen very many Terence Hill films but I always enjoy seeing him in trailers. I can’t really say whether he’s a good actor or not because every time I’ve seen him, he’s been dubbed. But he definitely had a very likable presence. You wanted him to be a good actor whether he was or wasn’t. That said, even if I had been alive at the height of Mr. Hill’s fame, it never would have worked out for us as I’m Southern Italian and Hill is quite clearly from the north. That’s just the way it is. Anyway, back to Mr. Billion — I’m including two trailers for this one. The first is the “Prestige” trailer. The second one is much shorter and features one of those odd little songs that gets stuck in your head.
Oh my God, I cannot begin to put into words how much I love this trailer. It is just so shameless and obvious in its intentions and it typifies everything I love about grindhouse advertising. I’ve never seen Liz or, to be honest, even heard of it before I came across this trailer. However, just from watching the trailer, I get the feeling about a woman named Liz who has sex.
(By the way, did you know that the name Lisa originally started as a shortened version of the name Elizabeth? So, this is yet another film that appears to be named after me. I’m not saying that’s necessarily a good thing since it appears to be about a self-destructive nymphomaniac — yes, yes, I know — but I’m just saying.)
Directed by Larry Cohen, God Told Me To is one of the best sci-fi/horror/urban thriller hybrids of all time. Unfortunately, I don’t think this trailer quite does it justice but I’m including it here because this is a rare case where I love the movie more than the trailer.
“They were hired to clean up the town … instead, they cleaned it out!” Actually, I take that back, my favorite line from this trailer is the one about “loving not wisely…but very well indeed.”
This is yet another 1970s Fred Williamson blaxploitation film. This one not only features Williamson killing a lot of people but Roddy McDowall and Elliot Gould as well!
I think by now both fellow writers for the site and those who frequent said site know of my love for all and everything John Carpenter. I consider him one of the most underappreciated American filmmakers. All his films contribute something even those where one wonders if he has lost his mojo (I’m looking at you Ghosts of Mars). One of his very first films and one that still resonate with many of his fans is the low-budget and modern remake of Howard Hawk’s Rio Bravo. The latest “Scenes I Love” come from this remake which was called Assault on Precinct 13.
This was a film made for just $100,000 and while the low-budget shows it doesn’t stop Carpenter from creating a grindhouse classic. One of my favorite scenes in this film is the scene chosen. It’s very close to the beginning of the film as a violent street gang called the Street Thunder has vowed a blood vendetta against the LAPD and the citizens of LA. The scene in question show just how far these gangbangers were willing to go with their vendetta.
There’s always been several cardinal rules of grindhouse filmmaker and this scene definitely stays true to the notion that nothing is off-llimits. Carpenter shows just how much he understands this rule. In mainstream films children are oft put in danger but never to the point that they actually die on-screen. There’s always some adult to save them in the end and give the film a happy Hollywood ending. Carpenter doesn’t care for that and this scene proves just how much he doesn’t.
The first time I saw this scene I was surprised, shocked and left speechless. Carpenter had the stones to kill that young girl (and a blond in pigtails at that) with her ice cream cone right on the screen. From that moment on I knew I was in for a ride and I wouldn’t know whether Carpenter would take it easy on his audience or just continue to mess with them. This scene begins a chain reaction of why I love Carpenter films and will continue to love his past, present and future work.
Okay, so after months and months of it being strangely cold and pleasant down here in Texas, this week the temperature suddenly shot up to 100 degrees and everyone’s going outside and mowing their freaking lawns. Which means that it smells like freshly cut grass outside (BLEH!) and every time I step through the front door, my allergies go insane and I end up getting sick! Seriously, I was so sick last night that I ended up staying in for the night and resting, which for some reason my evil sister took as an invitation to attempt to “braid” my hair. Anyway, as I sit here trying to get the tangles out of my hair (ouch!), why not check out the latest edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers?
The title of this weekend’s edition, by the way, is a really obvious homage to a film directed by Otto Preminger. And no, it’s not Skidoo.
For some reason, this anthology seems to pop up on TBS, TNT, USA,, and WGN a lot. Actually, is WGN actually a cable station? It sounds made up. Anyway, I hate anthology films. Seriously, they always suck so bad and the people who make them are always so freaking proud of themselves. I mean, seriously — what’s going on with that? Anyway, it seems like every time I come across it, I end up seeing the part where Emilio Estevez gets attacked by the Bishop of Battle.
Yes, I’ve done some research and guess what? This film is Italian! Yay! Anyway, this trailer informs us that somebody has given all the animals at the zoo a “deadly” dose of PCP. Okay, so if it’s a deadly dose, then why do they apparently end up going crazy and attacking humans? I mean, seriously, shouldn’t they be dead?
Okay, I first came across the trailer on YouTube many months ago while I was searching for film clips for an abandoned post about teaching-centric grindhouse films. This trailer has, for some reason, become something of an obsession of mine and it’s because I still have some doubts as to whether or not this film actually exists. Because, seriously, the trailer is just like a check list of every cliché that we associate with an out-of-control school thriller. And then it stars Jim Belushi? Seriously, this can’t be a real movie. Except I did some research and apparently, there’s a lot of people who think it is real. And you can order it off of Amazon. Not that I’m planning on doing so because Jim Belushi is just like bleh to me.
Judging from this trailer, an equally appropriate title for this film would have been The Countryass Girls Who Run Around In Their Underwear Invasion. While that may sound like stereotyping, it’s okay because I actually am a countryass girl who runs around in her underwear. Seeing as how we’re always getting victimized in movies like this, I’ve started a support group for us, called Hicks In Panties or HIP for short.
Anyway, I actually have some trouble watching this trailer because — Oh. My. God. — I hate spiders! Like I was talking to a friend of mine once and she told me about this time she was on a horse and she ended up riding right through a spider’s web and I was just like, “Girl, how are you still alive? I’d have to kill myself I’d be so worried about having little spider eggs hatching in my nasal cavities after something like that.” Anyway, she said that didn’t make any sense at all so I think she’s kinda fooling herself.
Disco Godfather! This was Rudy Ray Moore’s follow-up to Dolemite. I haven’t seen either one of them but this trailer features two of my favorite things: poetry and dancing!
To me, this first offering actually feels more like a parody trailer (like Machete or Hobo With A Shotgun) than an actual trailer. But no, Sweet Jesus Preacherman appears to be an actual film.
This was directed by James Glickenhaus, who directed The Exterminator. According to the commentary track on one of the 42nd Street Forever DVDs, Glickenhaus felt that The Soldier would help him break into mainstream films and, though I’m not a huge fan of action movies, the trailer does look fairly exciting. Plus, if you watch the whole without blinking, you might catch a split-second appearance from Klaus Kinski. Supposedly, Kinski was offered a role in both this film and Raiders of the Lost Ark. Kinski chose to appear in The Soldier.
Speaking of Klaus Kinski, he’s also featured in our next trailer, The Great Silence. Directed by Sergio Corbucci, The Great Silence has been acclaimed as one of the greatest spaghetti westerns of all time. This film’s title refers to the fact that the nominal hero (played by Jean-Louis Trintignant) is a mute. The trailer also features Ennio Morricone’s excellent score.
There were actually two versions of this film — an explicit one and a slightly less explicit one. I’m guessing this trailer was used to advertise the slightly less explicit version.
In this film, William Shatner, Eddie Albert, Tom Skerritt, and Ida Lupino battle Satanists (and Ernest Borgnine) in New Mexico. Though he’s not mentioned in the trailer, John Travolta made his film debut here. He plays a member of Borgnine’s cult. This trailer — with its promise of the greatest ending of all time — is a drive-in classic.
Let’s end how we began, with a blaxploitation trailer. I do have to say that, as a character, Dolemite looks a bit more interesting that Sweet Jesus Preacherman. Plus, the Dolemite trailer rhymes.
Remember that Monday is Memorial Day so, if nothing else, take a few minutes to remember the men and women who have fought to allow us to live in a country where we can watch movies like Dolemite, Flesh Gordon, and Sweet Jesus Preacherman.
Hi there! It’s Saturday morning — are you still with us? If you’re not, don’t worry. You have all day to get raptured. Until then, here’s the second part of this weekend’s edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers.
Seeing as this could very well be the last things that I ever post or that you ever read pre-Rapture, there’s no way I can’t start things out without including this trailer for Jean Rollin’s unique, twisted, and very French vampire fairy tale, Requiem for a Vampire. One thing to note here is that when this film was released in the U.S., the American distributor felt the need to emphasize that the two girls were virgins and even went so far as to retitle the film Caged Virgins. However, the original French print of this film makes no reference to whether or not the girls are virgins and, despite all that happens to them in the film, the girls themselves are never presented as being helpless. Whenever I feel the need to explain the difference between American culture and French culture, this is one of the examples I always cite.
8 ) Kenner (1969)
Jim Brown is Kenner! And that’s about all I really know about this film. Well, that and small bundles of heroin are worth millions…
9) The Three Dimensions of Greta (1973)
I was recently reading about 3-D Sex and Zen: Extreme Ecstasy, a movie from Hong Kong that is apparently setting box office records because it’s being advertised as the first 3-D pornographic film. And, as the linked article shows, a lot of people are reporting that claim as fact. And they’re wrong. 3-D Sex and Zen might be the first recent 3-D porn film but it’s hardly the first. There was a spate of 3-D porn films in the mid-70s and one of my favorite trailers (which I can’t post here because 1) it’s too explict and 2) I can’t remember the title of the film) features a stereotypical, curly-haired, guy with a mustache type of porno actor going, “Soon, my giant schlong with be hanging right over the head of that redhead in the 3rd seat in the backrow.” And of course, I was all like, “Oh my God, can he see me through the screen!?” Anyway, the 3 Dimensions of Greta was a part of this wave. This is another one of those trailers that will probably be yanked off YouTube in a few more days (assuming there isn’t a Rapture first).
(By the way, why were so many porno films made about girls named Greta? I mean, was that name a turn-on? Were the films of the 70s exclusively made by guys named Hansel? Seriously, boys are weird.)
They’re violent alright! Before the Italian exploitation industry devoted itself to cannibals and zombies, they devoted themselves to ripping off The French Connection and The Godfather. This film from Sergio Martino actually features Don Barzini himself, Richard Conte.
If I didn’t tell you this film was from 1968, you’d guess it just from watching the trailer. The soundtrack was done by George Harrison. Though this film was certainly not designed to be an exploitation film in the way most of the other films featured here were, it definitely is one.
Can you believe I went this long without featuring the trailer for Lucio Fulci’s best known (after Zombi 2) film? Well, I love Fulci, I love this film, and I was waiting for the right occasion to feature this trailer. And the end of the possible end of the world seemed like the right time. Anyway, this is one of those love it or hate it films (and I know that one of our regular readers is not a huge fan of this film but I love him anyway). At his best, director Lucio Fulci made some of the most visually stunning and dramatically incoherent films ever and never was that more apparent than with the Beyond. Out of the film’s cast, Catriona MacColl plays one of the few strong women to ever appear in a Fulci film while David Warbeck (a personal fave of mine) is the perfect hero. My favorite performance in the film (and a lot of this has to do with the fact that she co-starred in one of my favorite movies ever, Beyond the Darkness) is given by Cinzia Monreale, who plays the blind Emily.
And so there you go. If you do get raptured later today, thank you for reading. It’s been a pleasure telling you about the films I love and hopefully, someday, we’ll all meet in the beyond.
And if, as I suspect, there is no rapture today, I look forward to sharing even more.
So, last night, I was selecting which trailer to feature in the upcoming weekend’s edition of Lisa Marie’s Favorite Grindhouse and Exploitation trailers when it was pointed out to me that the Rapture is apparently scheduled for Saturday. Now, I have to admit — this kind of annoys me because I really look forward to my Saturdays. So, if I get raptured, I miss out on my favorite day of the week and if I don’t get raptured …. well, it’s just a lose-lose situation for me.
It also annoys me because it means that, potentially, there won’t be anyone around to read my latest post. Well, I guess there will be a lot of atheists, agnostics, heathens, Unitarians, Canadians, and (if it turns out the Protestants are correct) Catholics around but I imagine they’ll be more upset about not being raptured. And since I’m a Catholic but not a very good one, I’ll be screwed twice and not in a fun, college sorta way either.
Anyway, with all that in mind, I’m going to do an early super-sized collection of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers. In order to keep things manageable, I’m going to divide this weekend’s (potentially final) edition into two posts of 6 trailers each.
Since I imagine everyone might be bummed out because either 1) the Rapture happened or 2) the Rapture did not happen, I’m going to start things out with a trailer for Sergio Corbucci’s 1980 comedy Super Fuzz. Now, to be honest, Super Fuzz doesn’t look that funny but maybe people had a different sense of humor back in 1980. The important thing is that the movie stars Terrence Hill and it’s “just for the fun of it!”
But, apparently, crime wasn’t all fun and games in the 80s. I guess when Super Fuzz couldn’t get the job done, they called in the Exterminator. No, not Dale Gribble! That’s King of the Hill, silly. No, the Exterminator appears to be an urban vigilante of some sort. I imagine will see a lot of his type post-Rapture.
3) College Girls (1968)
This trailer is for College Girls which appears to be some sort of late 60s softcore film. I’m not sure that there’s anything really that special about this trailer as much as it’s just always odd to me see these old school sex films and think to myself, “Oh my God, people in black-and-white movies actually do have sex!” Fair Warning: There’s a lot of nudity in this trailer (actually, it’s pretty much just 4 minutes of nudity) along with some out-dated social attitudes so if that offends you, don’t watch it. In fact, I’m kinda surprised that YouTube hasn’t taken it down yet.
(By the way, I checked on Amazon to see if this was available on DVD and oh my God, do you have any idea how many movies there with the words “College Girls” in the title!? Anyway, as far as I can tell, this movie is not available on DVD. Still, searching through all those countless Girls Gone Wild video releases reminded me why I let out a little cheer of delight when Jerry O’Connell got devoured in Piranha 3-D.)
Assuming that we’re all still on the planet after this weekend, I’m going to have to write a tribute to my fellow redhead Erika Blanc, one of the true icons of the European Grindhouse. Until then, here’s a trailer for one of her best films, The Devil’s Nightmare.
I’ve never seen Slaughterhouse Rock though, just judging from the trailer and the year it was made, I imagine that it’s probably not quite as good a film as The Devil’s Nightmare. Just a feeling I’ve got, mind you. However, this film apparently has a cult following because of the film’s new wave soundtrack. I just like the trailer because apparently, choreographer Toni Basil is playing a ghost who can raise the dead by dancing. I’ve actually tracked down the clip of the dance on YouTube and it’s actually pretty cool. I’ve mastered the moves but I haven’t managed to raise the dead yet. But give me time!
Finally, seeing as how the world might be ending tomorrow, let’s close out part one with a trailer for a film that can serve as a stand-in for every misguided decision ever made in Hollywood — 1978’s Convoy. This film, based on that annoying novelty song that some old guy always wants to sing during Kareoke Night, was directed by drug-addled genius Sam Peckinpah and it’s supposedly one of the most cocaine-fueled productions in the history of the movies. (It was also apparently co-directed by James Coburn.) Technically, it’s more of a drive-in movie than a grindhouse film but it’s definitely exploitation.
(By the way, I’ve also read that some people think that the truck in the opening of the trailer is supposed to literally be driving through mountains of cocaine.)
Well, that’s part one of this special edition of Lisa Marie’s favorite grindhouse and exploitation trailers. Part two will be posted early Saturday morning. Don’t let yourself be whisked off to another state of being without checking it out.
