The Oscar Season Begins With The Gotham Nominations!

Posted on October 24, 2013 by Lisa Marie Bowman

Can you guess what my favorite time of year is?

If you guessed November, you’re right! My birthday is on November 9th, our own Dazzling Erin’s birthday is on November 24th, and then Arleigh’s birthday is on November 27th! November is a big month here at the Shattered Lens.

My second favorite time of year? October, of course! How can you go wrong with so much horror?

And then, of course, my third favorite time of year is December because that’s when I get most of my presents.

Along with being my favorite three months of the year, another thing that all three of those months have in common is that they comprise what is known as Oscar Season. Oscar Season is the period of time when the majority of the Best Picture contenders are released and all of the critic groups give out their awards in the hope of influencing the Academy’s nominations. I love movies and I love awards so how can I not love Oscar Season?

Well, I’m happy to say that Oscar Season officially began earlier today when the nominations for the 23rd annual Gotham Independent Film Awards were announced. The Gotham nominations aren’t exactly the best precursor of what’s going to be nominated in January but, nonetheless, they usually manage to include at least a few legitimate contenders.

This year, for example, Oscar front-runner 12 Years A Slave managed to collect the most Gotham nominations. Personally, I’m just happy to see that my favorite film of 2013, Upstream Color, collected two nominations.

The Gothams will be awarded on December 2nd.

Here are the nominations:

Best Feature

12 Years a Slave

Steve McQueen, director; Brad Pitt, Dede Gardner, Jeremy Kleiner, Bill Pohlad, Steve McQueen, Arnon Milchan, Anthony Katagas, producers. (Fox Searchlight Pictures)

Ain’t Them Bodies Saints

David Lowery, director; Tony Halbrooks, James M. Johnston, Jay Van Hoy, Lars Knudsen, Amy Kaufman, Cassian Elwes, producers (IFC Films)

Before Midnight

Richard Linklater, director; Richard Linklater, Christos V. Konstantakopoulos, Sara Woodhatch, producers (Sony Pictures Classics)

Inside Llewyn Davis

Joel Coen and Ethan Coen, directors; Scott Rudin, Joel Coen, Ethan Coen, producers (CBS Films)

Upstream Color

Shane Carruth, director; Shane Carruth, Casey Gooden, Ben LeClair, producers. (erbp)

Best Documentary

The Act of Killing

Joshua Oppenheimer, director; Signe Byrge, Joshua Oppenheimer, producers (Drafthouse Films)

The Crash Reel

Lucy Walker, director; Julian Cautherly, Lucy Walker, producers (HBO Documentary Films)

First Cousin Once Removed

Alan Berliner, director and producer (HBO Documentary Films)

Let the Fire Burn

Jason Osder, director and producer (Zeitgeist Films)

Our Nixon

Penny Lane, director; Brian L. Frye, Penny Lane, producers (Cinedigm and CNN Films)

Bingham Ray Breakthrough Director Award

Ryan Coogler for Fruitvale Station (The Weinstein Company)

Adam Leon for Gimme the Loot (Sundance Selects)

Alexandre Moors for Blue Caprice (Sundance Selects)

Stacie Passon for Concussion (RADiUS-TWC)

Amy Seimetz for Sun Don’t Shine (Factory 25)

Best Actor

Chiwetel Ejiofor in 12 Years a Slave (Fox Searchlight Pictures)

Oscar Isaac in Inside Llewyn Davis (CBS Films)

Matthew McConaughey in Dallas Buyers Club (Focus Features)

Robert Redford in All Is Lost (Lionsgate and Roadside Attractions)

Isaiah Washington in Blue Caprice (Sundance Selects)

Best Actress

Cate Blanchett in Blue Jasmine (Sony Pictures Classics)

Scarlett Johansson in Don Jon (Relativity Media)

Brie Larson in Short Term 12 (Cinedigm)

Amy Seimetz in Upstream Color (erbp)

Shailene Woodley in The Spectacular Now (A24)

Breakthrough Actor

Dane DeHaan in Kill Your Darlings (Sony Pictures Classics)

Kathryn Hahn in Afternoon Delight (The Film Arcade and Cinedigm)

Michael B. Jordan in Fruitvale Station (The Weinstein Company)

Lupita Nyong’o in 12 Years a Slave (Fox Searchlight Pictures)

Robin Weigert in Concussion (RADiUS-TWC)

Blue Is The Warmest Colour and Bruce Dern Win At Cannes

Posted on May 26, 2013 by Lisa Marie Bowman

Bruce Dern in Nebraksa

Here are the official winners at the 2013 Cannes Film Festival:

Palme d’Or – Blue Is the Warmest Colour by Abdellatif Kechiche
Honorary Palme d’Or – Adèle Exarchopoulos and Léa Seydoux for Blue Is the Warmest Colour
Grand Prix – Inside Llewyn Davis by Joel & Ethan Coen
Best Director – Amat Escalante for Heli
Best Screenplay – Jia Zhangke for A Touch of Sin
Best Actress – Bérénice Bejo for The Past
Best Actor – Bruce Dern for Nebraska
Jury Prize – Like Father, Like Son by Hirokazu Koreeda

Both The Tree of Life and Amour were nominated for best picture after winning the Palme d’Or and, in fact, it could be argued that neither one of those films would have had the momentum necessary to score an Oscar nod if they hadn’t first won at Cannes. It’ll be interesting to see if this trend will continue with Blue Is The Warmest Colour.

As for Bruce Dern — a Hollywood veteran who has appeared in a lot of iconic films but who has never won an Oscar — I have a feeling that he’ll be winning a lot of other awards before the Oscar season has ended.

Here Are The Oscar Winners

Posted on February 24, 2013 by Lisa Marie Bowman

Best Picture — Argo

Best Director — Ang Lee for Life of Pi

Best Actor — Daniel Day-Lewis in Lincoln

Best Actress — Jennifer Lawrence in Silver Linings Playbook

Best Supporting Actor — Christoph Waltz in Django Unchained

Best Supporting Actress — Anne Hathaway in Les Miserables

Best Adapted Screenplay — Argo

Best Original Screenplay — Django Unchained

Best Animated Feature Film — Brave

Best Documentary Feature — Searching For Sugar Man.

Best Foreign Language Film — Amour

Best Cinematography — Life of Pi

Best Costuming — Anna Karenina

Best Editing — Argo

Best Makeup and Hair-Styling — Les Miserables

Best Original Score — Life of Pi

Best Original Song — “Skyfall” in Skyfall

Best Production Design — Lincoln

Best Sound Editing — Zero Dark Thirty and Skyfall

Best Sound Mixing — Les Miserables

Best Visual Effects — Life of Pi

Best Live-Action Short Film — Curfew

Best Animated Short Film — Paperman

Best Documentary Short Film — Innocente

By the numbers:

Life of Pi — 4

Argo — 3

Les Miserables — 3

Django Unchained — 2

Lincoln — 2

Skyfall — 2

Amour — 1

Anna Karenina — 1

Brave — 1

Curfew — 1

Innocente — 1

Paperman — 1

Searching for Sugar Man — 1

Silver Linings Playbook — 1

Zero Dark Thirty — 1

Here Are The Winners Of The Independent Spirit Awards

Posted on February 23, 2013 by Lisa Marie Bowman

It was a good day for Silver Linings Playbook.

BEST FEATURE
“Beasts of the Southern Wild”
“Bernie”
“Keep the Lights On”
“Moonrise Kingdom”
X – “Silver Linings Playbook”

BEST DIRECTOR
Wes Anderson, “Moonrise Kingdom”
Julia Loktev, “The Loneliest Planet”
X – David O. Russell, “Silver Linings Playbook”
Ira Sachs, “Keep the LIghts On”
Martin McDonagh, “Seven Psychopaths”

BEST FEMALE LEAD
Linda Cardellini, “Return”
Emayatzy Corinealdi, “Middle of Nowhere”
X – Jennifer Lawrence, “Silver Linings Playbook”
Quvenzhane Wallis, “Beasts of the Southern Wild”
Mary Elizabeth Winstead, “Smashed”

BEST MALE LEAD
Jack Black, “Bernie”
Bradley Cooper, “Silver Linings Playbook”
X – John Hawkes, “The Sessions”
Thur Lindhardt, “Keep the Lights On”
Matthew McConaughey, “Killer Joe”
Wendell Pierce, “Four”

BEST SUPPORTING FEMALE
Rosemarie Dewitt, “Your Sister’s Sister”
Ann Dowd, “Compliance”
X – Helen Hunt, “The Sessions”
Brit Marling, “The Sound of My Voice”
Lorraine Toussaint, “The Middle of Nowhere”

BEST SUPPORTING MALE
X – Matthew McConaughey, “Magic Mike”
David Oyelowo, “Middle of Nowhere”
Sam Rockwell, “Seven Psychopaths”
Bruce Willis, “Moonrise Kingdom”
Michael Pena, “End of Watch”

BEST SCREENPLAY
Wes Anderson, Roman Coppola, “Moonrise Kingdom”
Zoe Kazan, “Ruby Sparks”
Martin McDonagh, “Seven Psychopaths”
X – David O. Russell, “Silver Linings Playbook”
Ira Sachs, Mauricio Zacharias, “Keep the Lights On”

BEST CINEMATOGRAPHY
Yoni Brook, “Valley of Saints”
Lol Crowley, “Here”
X – Ben Richardson, “Beasts of the Southern Wild”
Roman Vasyanov, “End of Watch”
Robert Yeoman, “Moonrise Kingdom”

BEST FIRST FEATURE
“Fill the Void”
“Gimme the Loot”
“Safety Not Guaranteed”
“Sound of My Voice”
X – “The Perks of Being a Wallflower”

BEST FIRST SCREENPLAY
Rama Burshtein, “Fill the Void”
X – Derek Connolly, “Safety Not Guaranteed”
Christopher Ford, “Robot & Frank”
Rashida Jones, Will McCormack, “Celeste and Jesse Forever”
Jonathan Lisecki, “Gayby”

JOHN CASSAVETES AWARD (best feature under $500,000)
“Breakfast with Curtis”
X – “Middle of Nowhere”
“Mosquita y Mari”
“Starlet”
“The Color Wheel”

BEST DOCUMENTARY
“How to Survive a Plague”
“Marina Abramovic: The Artist is Present”
“The Central Park Five”
X – “The Invisible War”
“The Waiting Room”

BEST INTERNATIONAL FILM
X – “Amour”
“Once Upon a Time in Anatolia”
“Rust and Bone”
“Sister”
“War Witch”

The 19th Annual SAG Awards

Posted on January 27, 2013 by Lisa Marie Bowman

I’m sick so I ended up sleeping through most of the SAG awards and I missed Argo beating Lincoln for best ensemble. Does this victory mean that Argo is the new front-runner for Best Picture or did the SAG just want to reward a film directed by one of their own? I’m not sure but what I do know for sure is that the Actors’ Branch (made up, of course, by members of the same SAG that embraced Argo) is the biggest voting bloc in the Academy.

Lincoln, by the way, is a pretty good film but it’s also a rather conventional and stately film. For a lot of people, Argo, which I think is good but not great, connects emotionally in a way that Lincoln doesn’t.

That said, I still think Life of Pi is the best of the all the nominated films and my two favorite films of the year — Anna Karenina and The Cabin In The Woods — weren’t even nominated.

Here are the winners of the 19th Annual SAG Awards.

Winners in Bold

Actor in a Leading Role: Film

Bradley Cooper, “Silver Linings Playbook”
Daniel Day-Lewis, “Lincoln”
John Hawkes, “The Sessions”
Hugh Jackman, “Les Miserables”
Denzel Washington, “Flight”

Actress in a Leading Role: Film

Jessica Chastain, “Zero Dark Thirty”
Marion Cotillard, “Rust and Bone”
Jennifer Lawrence, “Silver Linings Playbook”
Helen Mirren, “Hitchcock”
Naomi Watts, “Maria”

Actor in a Supporting Role: Film

Alan Arkin, “Argo”
Javier Bardem, “Skyfall”
Robert De Niro, “Silver Linings Playbook”
Philip Seymour Hoffman, “The Master”
Tommy Lee Jones, “Lincoln”

Actress in a Supporting Role: Film

Sally Field, “Lincoln”
Anne Hathaway, “Les Miserables”
Helen Hunt, “The Sessions”
Nicole Kidman, “The Paperboy”
Maggie Smith, “The Best Exotic Marigold Hotel”

Cast in a Motion Picture

“Argo”
“The Best Exotic Marigold Hotel”
“Les Miserables”
“Lincoln”
“Silver Linings Playbook”

Actor in a Television Movie

Kevin Costner, “Hatfields & McCoys”
Woody Harrelson, “Game Change”
Ed Harris, “Game Change”
Clive Owen, “Hemingway & Gellhorn”
Bill Paxton, “Hatfields & McCoys”

Actress in a Television Movie

Nicole Kidman, “Hemingway & Gelhorn”
Julianne Moore, “Game Change”
Charlotte Rampling, “Restless”
Sigourney Weaver, “Political Animals”
Alfre Woodard, “Steel Magnolias”

Actor in a Drama Series

Steve Buscemi, “Boardwalk Empire”
Bryan Cranston, “Breaking Bad”
Jeff Daniels, “The Newsroom”
Jon Hamm, “Mad Men”
Damian Lewis, “Homeland”

Actress in a Drama Series

Claire Danes, “Homeland”
Michelle Dockery, “Downton Abbey”
Jessica Lange, “American Horror Story: Asylum”
Julianna Margulies, “The Good Wife”
Maggie Smith, “Downton Abbey”

Actor in a Comedy Series

Alec Baldwin, “30 Rock”
Ty Burrell, “Modern Family”
Louis C.K., “Louie”
Jim Parsons, “The Big Bang Theory”
Eric Stonestreet, “Modern Family”

Actress in a Comedy Series

Edie Falco, “Nurse Jackie”
Tina Fey, “30 Rock”
Amy Poehler, “Parks and Recreation”
Sofia Vergara, “Modern Family”
Betty White, “Hot in Cleveland”

Cast in a Drama Series

“Boardwalk Empire”
“Breaking Bad”
“Downton Abbey”
“Homeland”
“Mad Men”

Cast in a Comedy Series

“30 Rock”
“The Big Bang Theory”
“Glee”
“Modern Family”
“Nurse Jackie”
“The Office”

Stunt Ensemble: Film

“The Amazing Spider-Man”
“The Bourne Legacy”
“The Dark Knight Rises”
“Les Miserables”
“Skyfall”

Stunt Ensemble: Television

“Boardwalk Empire”
“Breaking Bad”
“Game of Thrones”
“Sons of Anarchy”
“The Walking Dead”

What Lisa Marie Watched Last Night #64: The 70th Annual Golden Globes

Posted on January 14, 2013 by Lisa Marie Bowman

Last night, I watched the 70th Annual Golden Globe awards. Judging from twitter, so did a lot of other people. All I can say is that I hope my golden globes are as popular as this show when they’re 70 years old.

Why Was I Watching It?

I have to admit that I nearly didn’t watch it because I was in kind of a crappy mood on Sunday night. Seriously,that night, my twitter timeline was a testament to just how annoyed this little redheaded Irish girl can get. But, in the end, I decided that I had to watch the Golden Globes because, even though I don’t care much for rich celebrities, I do love movies, I love TV, and I love award shows. Add to that, I knew that if I didn’t watch the Golden Globes that would mean missing out on a chance to make countless references to my boobs and I just couldn’t do that to my followers on twitter.

What Was It About?

It was about celebrities getting drunk and winning awards and getting bleeped while delivering their acceptance speeches. It was about the fact that the members of the Hollywood Foreign Press Association will do anything to get George Clooney to come hang out with them. It was about Tommy Lee Jones glaring, Jodie Foster rambling, and Quentin Tarantino using the n-word backstage. It was about Ben Affleck winning Best Director and Argo beating Lincoln for best film. It was about star fucking and star mocking. It was the best of award shows and it was the worst of award shows. In short, it was the Golden Globes.

What Worked?

To be honest, the 70th annual Golden Globes were a lot of fun. The show moved quickly and most of the jokes were actually funny. The assembled stars started drinking early and I think that helped out a lot.

Among those who won Golden Globes, the best acceptance speeches were given by Lena Dunham, Christoph Waltz, Ben Affleck, and Daniel Day-Lewis. A lot of people were critical of Anne Hathaway’s acceptance speech but I thought it was sweet and genuine.

My favorite winner was Jennifer Lawrence, mostly because she specifically started her speech by mentioning that she had beaten “Meryl.” Some people on twitter felt that was a bit rude but, quite frankly, I’ve grown tired of Meryl Streep showing up at every awards ceremony looking like grandma in a prom dress.

(Meryl, incidentally, was not at the Golden Globes last night because she had the flu.)

I thought Will Ferrell and Kristen Wiig were funny when they did their little introduction for the Best Actress (Comedy/Musical) award but I thought Tommy Lee Jones’ annoyed glare was even funnier.

Tina Fey (who looked great) and Amy Poehler (who did not) were both great hosts and I loved Poelher’s joke about how torturous it must have been for Kathryn Bigelow to be married to James Cameron. That’s one of the great things about the Golden Globes. Unlike at the Oscars, people are willing to make jokes about James Cameron.

Unlike a lot of people, I found Jodie Foster’s “coming out” speech to be funny and wonderfully human. That said, I wasn’t aware that Jodie Foster was ever in the closet. Seriously, worst kept secret ever.

It was a genuinely exciting and nice moment when Argo was announced as the winner for Best Motion Picture (Drama), defeating the heavily favored Lincoln. While I liked both of those films, there is a definite backlash brewing against the seeming inevitability of Lincoln’s victory.

Finally, Sacha Baron Cohen was pretty annoying but, on the plus side, he did take the time to insult Russell Crowe’s singing. As anyone who has ever watched South Park knows, this means that Crowe is going to jump in his tug boat and head off on a quest for vengeance.

And that’s the way things should be.

What Did Not Work?

A lot of people on twitter were really excited when Bill Clinton came out on stage to introduce the clip for Lincoln. Myself, I hit mute as soon as I saw him. I don’t watch awards shows to see redneck politicians. Add to that, having Bill Clinton introduce Lincoln was yet another example of the nonstop hype that has led to people resenting both Steven Spielberg and his latest film.

The Golden Globes used to be a fun precursor to the actual Oscar nominations so it was hard not to be disappointed that, under this new schedule, the Golden Globes were awarded after the Oscar nominations had been announced.

“OMG! Just like me!” Moment

“I’ll show you some Golden Globes!”

Lessons Learned

None. I was too stubborn last night to learn any lessons.

The Oscar Nominations: The Complete List

Posted on January 10, 2013 by Lisa Marie Bowman

Films listed in bold also appeared on my list of my personal picks for what I felt should have been nominated.

BEST PICTURE
“Amour”
“Argo”
“Beasts of the Southern Wild”
“Django Unchained”
“Les Miserables”
“Life of Pi”
“Lincoln”
“Silver Linings Playbook”
“Zero Dark Thirty”

BEST DIRECTOR
Michael Haneke, “Amour”
Ang Lee, “Life of Pi”
Steven Spielberg, “Lincoln”
David. O. Russell, “Silver Linings Playbook”
Benh Zeitlin, “Beasts of the Southern Wild”

BEST ACTOR
Bradley Cooper, “Silver Linings Playbook”
Daniel Day-Lewis, “Lincoln”
Hugh Jackman, “Les Miserables”
Joaquin Phoenix, “The Master”
Denzel Washington, “Flight”

BEST ACTRESS
Jessica Chastain, “Zero Dark Thirty”
Jennifer Lawrence, “Silver Linings Playbook”
Emmanuelle Riva, “Amour”
Quvenzhane Wallis, “Beasts of the Southern Wild”
Naomi Watts, “The Impossible”

BEST SUPPORTING ACTOR
Alan Arkin, “Argo”
Robert De Niro, “Silver Linings Playbook”
Philip Seymour Hoffman, “The Master”
Tommy Lee Jones, “Lincoln”
Christoph Waltz, “Django Unchained”

BEST SUPPORTING ACTRESS
Amy Adams, “The Master”
Sally Field, “Lincoln”
Anne Hathaway, “Les Miserables”
Helen Hunt, “The Sessions”
Jacki Weaver, “Silver Linings Playbook”

BEST ADAPTED SCREENPLAY
“Argo”
“Beasts of the Southern Wild”
“Life of Pi”
“Lincoln”
“Silver Linings Playbook”

BEST ORIGINAL SCREENPLAY
“Amour”
“Django Unchained”
“Flight”
“Moonrise Kingdom”
“Zero Dark Thirty”

BEST FOREIGN LANGUAGE FILM
“Amour”
“Kon-Tiki”
“No”
“A Royal Affair”
“War Witch”

BEST ANIMATED FEATURE
“Brave”
“Frankenweenie”
“Paranorman”
“The Pirates”
“Wreck-It Ralph”

BEST DOCUMENTARY FEATURE
“5 Broken Cameras”
“The Gatekeepers”
“How to Survive a Plague”
“The Invisible War”
“Searching for Sugar Man”

BEST PRODUCTION DESIGN
“Anna Karenina”
“The Hobbit: An Unexpected Journey”
“Les Miserables”
“Life of Pi”
“Lincoln”

BEST CINEMATOGRAPHY
“Anna Karenina”
“Django Unchained”
“Life of Pi”
“Lincoln”
“Skyfall”

BEST COSTUME DESIGN
“Anna Karenina”
“Les Miserables”
“Lincoln”
“Mirror Mirror”
“Snow White and the Huntsman”

BEST EDITING
“Argo”
“Life of Pi”
“Lincoln”
“Silver Linings Playbook”
“Zero Dark Thirty”

BEST MAKEUP
“Hitchcock”
“The Hobbit: An Unexpected Journey”
“Les Miserables”

BEST SCORE
“Anna Karenina”
“Argo”
“Life of Pi”
“Lincoln”
“Skyfall”

BEST SONG
“Before My Time” (“Chasing Ice”)
“Suddenly” (“Les Miserables”)
“Pi’s Lullaby” (“Life of Pi”
“Skyfall” (“Skyfall”)
“Everybody Needs a Best Friend” (“Ted”)

BEST SOUND EDITING
“Argo”
“Django Unchained”
“Life of Pi”
“Skyfall”
“Zero Dark Thirty”

BEST SOUND MIXING
“Argo”
“Les Miserables”
“Life of Pi”
“Lincoln”
“Skyfall”

BEST VISUAL EFFECTS
“The Avengers”
“The Hobbit: An Unexpected Journey”
“Life of Pi”
“Prometheus”
“Snow White and the Huntsman”

BEST ANIMATED SHORT
“Adam and Dog”
“Fresh Guacamole”
“Head Over Heels”
“Maggie Simpson in The Longest Daycare”
“Paperman”

BEST DOCUMENTARY SHORT
“Inocente”
“Kings Point”
“Mondays at Racine”
“Open Heart”
“Redemption”

BEST LIVE ACTION SHORT
“Asad”
“Buzkasi Boys”
“Curfew”
“Death of a Shadow”
“Henry”

Finally! DFW Weighs In On The Oscar Race

Posted on December 18, 2012 by Lisa Marie Bowman

It’s Oscar season and we’ve finally reached the moment that you all know you’ve been waiting for. That’s right — my hometown has finally made its voice heard!

The DFW Film Critics Association is made up of film critics who work for media outlets in the Dallas/Ft. Worth metroplex and throughout North Texas. Every December, they announce their picks for the best in cinema.

Here are their picks for 2012. There’s a few pleasant surprises (like the fact that Life of Pi, Skyfall, and the Master all made their top ten) and a few annoying shocks (because seriously, if Texas critics can’t appreciate Bernie, who can?) but, for the most part, the winners are pretty much what you would expect. I think some of this might be because I’m not a member of the DFW Critics Association. Fortunately, I’ll be announcing my own picks for the best in 2012 during the first week of January.

Best Picture:

1) Lincoln

2) Argo

3) Zero Dark Thirty

4) Life of Pi

5) Les Miserables

6) Moonrise Kingdom

7) Silver Linings Playbook

8) Skyfall

9) The Master

10) Beasts of the Southern Wild

Best Actor:

1) Daniel Day-Lewis in Lincoln

2) Joaquin Phoenix in The Master

3) John Hawkes in The Sessions

4) Hugh Jackman in Les Miserables

5) Denzel Washington in Flight

Best Actress:

1) Jessica Chastain in Zero Dark Thirty

2) Jennifer Lawrence in Silver Linings Playbook

3) Helen Mirren in Hitchock

4) Emmanuelle Riva in Amour

5) (tie) Quvenzhane Wallis in Beasts of the Southern Wild and Naomi Watts in The Impossible

Best Supporting Actor

1) Tommy Lee Jones in Lincoln

2) Phillip Seymour Hoffman in The Master

3) Christoph Waltz in Django Unchained

4) Alan Arkin in Argo

5) Robert De Niro in Silver Linings Playbook

Best Supporting Actress

1) Sally Field in Lincoln

2) Anne Hathaway in Les Miserables

3) Amy Adams in The Master

4) Helen Hunt in The Sessions

5) Ann Dowd in Compliance

Best Director

1) Kathryn Bigelow for Zero Dark Thirty

2) Steven Spielberg for Lincoln

3) Ben Affleck for Argo

4) Ang Lee for Life of Pi

5) Wes Anderson for Moonrise Kingdom

Best Foreign-Language Film

1) Amour

2) A Royal Affair

3) The Intouchables

4) Holy Motors

5) The Kid With A Bike

Best Documentary

1) Searching For Sugar Man

2) Bully

3) How To Survive A Plague

4) West of Memphis

5) The Invisible War

Best Animates Film

1) Paranorman

2) Frankenweenie

3) Pirates: Band of Misfits

Best Screenplay

1) Zero Dark Thirty

2) Django Unchained

Best Cinematography

1) Life of Pi

2) Skyfall

Best Musical Score:

1) Lincoln

The Russell Smith Award:

Beasts of the Southern Wild

Here Are the 75 (yes, 75!) songs that are eligible for Best Original Song

Posted on December 11, 2012 by Lisa Marie Bowman

The Academy today announced the 75 songs that will be eligible to be nominated for best original song of 2012. That’s right — 75 songs! And here they are:

“For You” from “Act of Valor”
“Metaphorical Blanket” from “Any Day Now”
“Let It Rain” from “Being Flynn”
“Learn Me Right” from “Brave”
“Touch the Sky” from “Brave”
“Airport” from “Brooklyn Brothers Beat the Best”
“Come on Girl” from “Brooklyn Brothers Beat the Best”
“Someday” from “Brooklyn Brothers Beat the Best”
“Protect the King” from “Brooklyn Castle”
“California Solo” from “California Solo”
“Casa De Mi Padre” from “Casa De Mi Padre”
“Del Cielo” from “Casa De Mi Padre”
“Yo No Se” from “Casa De Mi Padre”
“No Other Plans” from “Celeste and Jesse Forever”
“Before My Time” from “Chasing Ice”
“By the Light of the Moon” from “Crossroad”
“The Sambola! International Dance Craze” from “Damsels in Distress”
“When You Comin’ Home” from “Darling Companion”
“Death by China” from “Death by China”
“Delhi Safari” from “Delhi Safari”
“Ancora Qui” from “Django Unchained”
“Freedom” from “Django Unchained”
“100 Black Coffins” from “Django Unchained”
“Who Did That to You?” from “Django Unchained”
“How Bad Can I Be?” from “Dr. Seuss’ The Lorax”
“Let It Grow” from “Dr. Seuss’ The Lorax”
“Thneedville” from “Dr. Seuss’ The Lorax”
“Ain’t No Train” from “Downtown Express”
“You Don’t Have to Be a Star” from “Fame High”
“Jose’s Martyrdom” from “For Greater Glory: The True Story of Cristiada”
“Strange Love” from “Frankenweenie”
“Voodoo” from “Halloween Party”
“Luna Nascosta” from “Hidden Moon”
“Song of the Lonely Mountain” from “The Hobbit: An Unexpected Journey”
“Abraham’s Daughter” from “The Hunger Games”
“Master of the Seas” from “Ice Age Continental Drift”
“We Are” from “Ice Age Continental Drift”
“Looking for a Sign” from “Jeff, Who Lives at Home”
“From Here to the Moon and Back” from “Joyful Noise”
“He’s Everything” from “Joyful Noise”
“I’m Yours” from “Joyful Noise”
“Wide Awake” from “Katy Perry: Part of Me”
“Cosmonaut” from “Lawless”
“Beaten Up and Broken Down” from “Least among Saints”
“Suddenly” from “Les Misérables”
“Pi’s Lullaby” from “Life of Pi”
“When I Grow Up” from “Losing Control”
“Love Always Comes as a Surprise” from “Madagascar 3: Europe’s Most Wanted”
“Ladies of Tampa” from “Magic Mike”
“The Baddest Man Alive” from “The Man with the Iron Fists”
“This Gift” from “The Odd Life of Timothy Green”
“Still Alive” from “Paul Williams Still Alive”
“Dotted Line” from “People Like Us”
“Snake Eyes” from “Promised Land”
“Razors.Out” from “The Raid: Redemption”
“I’m Not Leaving” from “Re:Generation”
“Still Dream” from “Rise of the Guardians”
“Undercover Love” from “Rock of Ages”
“Big Machine” from “Safety Not Guaranteed”
“I Be Here” from “Saint Dracula”
“I Have Secrets” from “Saint Dracula”
“Skyfall” from “Skyfall”
“Breath of Life” from “Snow White and the Huntsman”
“Gone” from “Snow White and the Huntsman”
“One Wing” from “Sparkle”
“Not Running Anymore” from “Stand Up Guys”
“Feel Love” from “Struck by Lightning”
“Everybody Needs a Best Friend” from “Ted”
“Never Had” from “10 Years”
“Dull Tool” from “This Is 40”
“She Won’t Let Go” from “Until They Are Home”
“Kiss Me Goodbye” from “Virginia”
“Anything Made of Paper” from “West of Memphis”
“Hashishet Albi” from “Where Do We Go Now?”
“When Can I See You Again?” from “Wreck-It Ralph”

The LAFCA Rejects Zero Dark Thirty And Embraces Amour

Posted on December 9, 2012 by Lisa Marie Bowman

Oscar season continued today as the Los Angeles Film Critics Association named their picks for the best in 2012. The winners are listed below:

BEST PICTURE
“Amour”
Runner-up: “The Master”

BEST DIRECTOR
Paul Thomas Anderson (“The Master”)
Runner-up: Kathryn Bigelow (“Zero Dark Thirty”)

BEST ACTOR
Joaquin Phoenix (“The Master”)
Runner-up: Denis Lavant (“Holy Motors”)

BEST ACTRESS
Jennifer Lawrence (“Silver Linings Playbook”)
Emmanuelle Riva (“Amour”)

BEST SUPPORTING ACTOR
Dwight Henry (“Beasts of the Southern Wild”)
Runner-up: Christoph Waltz (“Django Unchained”)

BEST SUPPORTING ACTRESS
Amy Adams (“The Master”)
Runner-up: Anne Hathaway (“The Dark Knight Rises”; “Les Miserables”)

BEST SCREENPLAY
Chris Terrio (“Argo”)
Runner-up: David O. Russell (“Silver Linings Playbook”)

BEST EDITING
Dylan Tichenor and William Goldenberg (“Zero Dark Thirty”)
William Goldenberg (“Argo”)

BEST CINEMATOGRAPHY
Roger Deakins (“Skyfall”)
Runner-up: Mihai Malaimare Jr. (“The Master”)

BEST PRODUCTION DESIGN
“The Master”
Runner-up: “Moonrise Kingdom”

BEST MUSIC/SCORE
Dan Romer & Benh Zeitlin (“Beasts of the Southern Wild”)
Runner-up: Johnny Greenwood (“The Master”)

BEST FOREIGN-LANGUAGE FILM
“Holy Motors”
Runner-up: “Footnote”

BEST ANIMATED FEATURE
“Frankenweenie”
Runner-up: “It’s Such a Beautiful Day”

BEST DOCUMENTARY/NONFICTION FILM
“The Gatekeepers”
Runner-up: “Searching for Sugar Man

Over on Goldderby.com and AwardsDaily.com, all the usual suspects seem to be shocked that Zero Dark Thirty didn’t win best picture and happy that Beasts of the Southern Wild got some love. A lot of the people leaving comments are also upset that The Master got as many votes as it did. Over at Goldderby, one visitor found the time to comment, “Those votes for The Master should have been tossed in the trash, along with the film itself!” before going back to his usual routine of waiting to see if any celebs had responded to his twitter follow request.

As far as Amour winning best picture is concerned, I’m happy to see another film win a major critics’ award because seriously, Oscar season can get pretty boring when only one film is winning everything in sight.

As for Beasts of the Southern Wild, this is one of those times when I find myself respectfully disagreeing with just about every other reviewer out there (including our very own Leonth3Duke, whose excellent review can be read here). The film had its moments (and I do think that Dwight Henry was the best thing in the film) but, for the most part, it left me cold. Then again, I’ve never had much patience for the myth of the noble savage.

As for The Master, it’s one of the best of the year. Deal with it.