Wild Thing (1987, directed by Max Reid)


After his hippie parents are murdered by a drug dealer named Cutter (Robert Davi!), a young boy is taken in and raised by a homeless woman (Betty Buckley).  The boy eventually grows up to be Wild Thing (Robert Knepper), an urban Tarzan who jumps from rooftop to rooftop at night and who protects the neighborhood for evil doers (like Cutter).  A social worker (Kathleen Quinlan) hears the legend of Wild Thing and eventually finds him.  She continues his education, explaining to him why people do the “body bump.”  Carrying a bow and arrow and accompanied by a surprisingly loyal cat, Wild Thing fights the bad guys and seeks revenge for his parents.

Wild Thing is one of those movies that should be incredibly bad but somehow it isn’t.  John Sayles was one of three writers to work on the script (Sayles was the only one to get credit) and the film has a self-aware sense of humor similar to the scripts that Sayles wrote for films like Alligator, Battle Beyond The Stars, and Piranha.  A young Robert Knepper is probably about as convincing as anyone could be as an urban Tarzan who speaks broken English and who carries a bow and arrow as he makes his way across the rooftops of his neighborhood.  As always, Robert Davi is a good villain.  Davi knows that he’s appearing in a live action comic book and he gives an appropriate performance.

Wild Thing is a surprisingly enjoyable movie and yes, the song Wild Thing is heard in the movie but not as much as you might think.  There’s a few scenes where the song starts to play and is then cut off, as if the movie is teasing our expectations.  I just wish Sam Kinison had been invited to perform his version.

 

Retro Television Review: Malibu CA 2.25 “Big Daddy”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999.  Almost the entire show is currently streaming on YouTube!

Yes, this is from the first season. I don’t care. I refuse to waste my time looking for a second season advertisement.

This week sounds pretty bad.  On the plus side, I’m nearly done with this show.

Episode 2.25 “Big Daddy”

(Dir by Gary Shimokawa, originally aired on May 13th, 2000)

This episode of Malibu CA is the last episode to not be available on YouTube.  Here’s the plot summary from the imdb:

Lisa tells Jason and Traycee about the good feeling she gets from volunteering at the local Community Center and encourages them to do likewise. Traycee is ready to volunteer but Jason isn’t interested until he sees some of the pretty girls from the center, especially Diana. Jason hopes to get some one-on-one time with Diana at the Center but she assigns him to be a “Big Buddy” for a local boy, Kenny. At first the two don’t get along very well, with Kenny insulting Jason every chance he gets. But eventually they warm up to each other and Jason lets Kenny borrow his old guitar, on which he plans to teach the youngster to play.

According to Wikipedia, Scott Whyte (of City Guys “fame”) appears in this episode as Alex’s new boyfriend, who Scott suspects is a thief.

Both plotlines sound pretty dire.  It’s interesting that the second season featured guest appearances from people who previously appeared on Hang Time and City Guys.  I guess the thinking was that it would help the show’s rating.  It must not have worked because there was never a third season.

Next week, we have the series finale and that episode has been uploaded to YouTube so I’ll get to see how this all ended.  Even better, I’ll be done with Malibu CA and not a minute to soon, to be honest.

Scenes I Love: A Visit to the Planetarium from Rebel Without A Cause


Since today is Nicholas Ray’s birthday, it seems appropriate to share a scene from Ray’s best-known film, 1955’s Rebel Without A Cause.  In this scene, a group of teens who can barely find happiness or peace on their own planet are asked to consider the wonders of the universe.

4 Shots From 4 Films: Special Nicholas Ray Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Director and screenwriter Nicholas Ray was born 114 years ago today, in Galesville, Wisconsin.  He would go on to become one of the most influential American directors of all time, making independently-minded films that celebrated rebels and iconoclasts.  The directors of the French New Wave loved him and for good reason.

Today, we celebrate the life and legacy of Nicholas Ray with….

4 Shots From 4 Nicholas Ray Films

They Live By Night (1948, dir by Nicholas Ray, DP: George E. Diskant)

In A Lonely Place (1950, dir by Nicholas Ray, DP: Burnett Guffey)

Rebel Without A Cause (1955, dir by Nicholas Ray, DP: Ernest Haller)

Bigger Than Life (1956, dir by Nicholas Ray, DP: Joseph MacDonald)

Music Video Of The Day: My Own Summer by Deftones (1997, dir by Dean Karr)


In this video, the Deftones perform while standing on shark cages.  Which … I don’t know.  That, honestly, is something that I would never do.  It just seems like you’re inviting trouble and, to prove my point, Chino Moreno does fall into the water while performing.  Apparently, Chino survived being attacked by the shark because he’s still around.  Maybe he’s like Felix Leiter in the original James Bond novels and he’s bionic now.

Enjoy!

Late Night Retro Television Review: 1st & Ten 1.4 “The Slump”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, cocaine comes to the locker room.  Actually, cocaine was probably already there.  Now, there’s more cocaine.  Football, right?

Anyway….

Episode 1.4 “The Slump”

(Dir by Bruce Seth Green, originally aired on December 16th, 1984)

This week’s episode starts off with some full front nudity as wide receiver Mace Petty (Marshall R. Teague) takes a shower with a blonde woman.  Suddenly, a bearded man steps into the shower, accuses Mace of seducing his wife, and points a gun at him.  OH MY GOD, IS MACE GOING TO DIE!?  (And who is Mace, anyway?)

Oh wait, it’s a prop gun.  Ha ha, it’s practical joke.  Those crazy Bulls.

With the required HBO nudity out of the way, the plot kicks off.  The Bulls are in a slump.  They’ve lost their past two games!  In order to turn things around, Diane makes a trade for a talented wide receiver.  (Ha!  TAKE THAT, MACE!)  Butch Cassidy (Michael Toland) may be a good athlete but guess who has a cocaine addiction!?  Butch is soon snorting in the men’s room.  When he has to take a drug test, he uses a groupie’s urine instead.  When the results come back, it’s announced that Butch is pregnant.  Butch is kicked off the team.  Maybe the Sundance Kid can take his place….

The good news is that The Bulls still win their next game, breaking the slump.  And Bob Dorsey earns Diana’s trust by telling her that Butch has a drug problem.  And the Arcola Brothers attempt to keep the Bulls from serving beer at the stadium is thwarted when Diana has a bunch of helicopter fly in the beer.  (That way, no one has to cross the picket line that the Arcolas have set up outside the stadium.)  Finally, Carl Witherspoon gets a new contract and the rest of the team gets jealous because Carl is now a “millionaire” but then Carl points out that he’s a terrible negotiator and he actually got screwed over on the contract.  He then agrees to take the team to Hawaii.  No wonder they won that game!

This episode was actually better than the previous three.  That doesn’t mean it was particularly good but still it wasn’t terrible.  (And that’s what we mean by “damning by faint praise.”)  If nothing else, Michael Toland gave a good performance as the cocky but self-destructive Butch Cassidy.  I also kind of like the chemistry between Geoffrey Scott and Delta Burke.  They’re good together.  As far as episodes of bad shows go, this was a good one.

Brad’s “Scene of the Day” – Michelle Yeoh and Zhang Ziyi engage in an incredible fight scene in CROUCHING TIGER, HIDDEN DRAGON (2000)!


In celebration of the August 6th birthday of the beautiful and talented Michelle Yeoh, I thought I would share this specific fight scene between Yeoh and Zhang Ziyi in CROUCHING TIGER, HIDDEN DRAGON (2000). It’s incredible, featuring a variety of swords and other assorted weapons. It’s one of the true highlights of the film, and I’m always glad to have any excuse to watch it! The arrival of my favorite living actor (Chow Yun-Fat) at the end of the scene is just the icing on a delicious cake of action! Enjoy, my friends!

Sabotage (2014, directed by David Ayer)


Atlanta Homicide detective Caroline Brentwood (Olivia Williams) and her partner, Darius Jackson (Harold Perrineau), are the primaries on the murder of a former DEA agent.  Their investigation leads them to an elite special operations team led by “Breacher” Wharton (Arnold Schwarzenegger).  Wharton and his crew were previously suspended for six months while the FBI investigates their last raid and why there was a $10 million dollar discrepancy between the amount of money the team reporter and the amount of money the FBI was expecting to be recovered.  Someone is murdering the members of Breacher’s team one-by-one.  Breacher and Brentwood investigate the murder and what happened to the money but they both discover that they can’t trust anyone.

Sabotage has got a cast that is full of talent and familiar faces, including Sam Worthington, Mireille Enos, Terrence Howard, Joe Manganiello, Martin Donavon, and Josh Holloway.  It also has one truly great action scene, a violent chase down a busy Atlanta street that comes to sudden and very bloody conclusion.  The film’s final scene takes Sabotage into western territory, with Schwarzenegger dominating the screen like a larger-than-life Sergio Leone hero.  It’s just too bad that the rest of the movie isn’t as a good as its final shot or that one chase scene.  Unfortunately, most of the film feels repetitive and half-baked, with way too much time being wasted on supporting characters who tend to blend together.

Arnold Schwarzenegger gives one of his better performances.  When he made Sabotage, he was no longer a governor and he was also no longer an automatic box office draw and there’s a tired weariness to his performance.  Unfortunately, the rest of the cast is either miscast (Olivia Williams) or stuck playing one-dimensional characters (everyone else).  There’s enough good action sequences to keep Sabotage watchable and Schwarzenegger shows that he can actually be a very good actor but it’s also easy to see why this film didn’t reignite his his career.