Brad reviews AN UNFINISHED LIFE (2005), starring Robert Redford! 


Recently, I was sitting on the back deck of my parents’ house visiting with my family. Of course, when I’m around movies are always a topic of conversation, and my sister brought up the fact that she had just watched AN UNFINISHED LIFE and really liked it. My sister has always loved Robert Redford, and when she brought him up, it was fun hearing my mom get on her case about her long-ago recommendation of UP CLOSE AND PERSONAL, that came without the appropriate warning of the movie’s tearjerker of an ending. That’s a no-no with my mom, and we all had a good laugh. When my wife and I got home, we were browsing the Paramount Plus streaming service, and lo and behold, there was AN UNFINISHED LIFE, so it just seemed like the right time to watch it! 

The movie centers in on Einar Gilkyson (Redford), a Wyoming rancher who still hasn’t properly dealt with the death of his son about a decade earlier. He blames his daughter-in-law Jean (Jennifer Lopez) for the accident that killed him. When Jean shows up at his ranch, because she’s on the run from her abusive boyfriend Gary (Damian Lewis), Einar tells her that he doesn’t want her there. His heart softens though as she introduces him to Griff (Becca Gardner), the granddaughter that he never knew he had. This sounds like a setup for big-time melodrama, but director Lasse Hallstrom is able to keep things somewhat grounded as we watch this broken family attempt to reconnect. 

It’s time for a confession… I’ve never been the biggest fan of Robert Redford. Now don’t get me wrong, that doesn’t mean that I don’t like him. It’s just that he’s so perfect, maybe too perfect?! My favorite actors are not perfect looking human beings, but they do have an undeniable charisma and screen presence. Actors like Charles Bronson, Roy Scheider, and James Woods immediately come to mind. As such, I’ve never made it a priority to watch all of Redford’s movies, although I’ve watched most of his best at some point in my life. I will say that I think he’s excellent in AN UNFINISHED LIFE. He’s still undeniably “Redford,” but age has a way of evening up the playing field, and this performance relies on his ability to embody a character slowly opening his heart after years of shutting himself off. His scenes with his granddaughter are especially strong, without seeming excessively manipulative. I may look more closely into his later career based on his work here. 

I’m also not the biggest fan of Jennifer Lopez. I loved her in SELENA, the film that kickstarted her career, but other than OUT OF SIGHT and ANACONDA, I haven’t enjoyed much else in her filmography. With that said, I think she’s good here. Her character has made one bad decision after another since her husband died, but I can’t help but root for her to find some happiness. In real life, it would have taken a lot of courage to ask someone like Einar for help, and I do appreciate that she’s willing to humble herself for her daughter’s sake.

Have I mentioned that Morgan Freeman is also in the film in the role of Mitch Bradley, Einar’s injured ranch hand and closest friend? He brings his warmth and wisdom to the proceedings even though his character’s unique storyline, which revolves around being mauled by a bear, doesn’t always work. The characters played by Damian Lewis and Josh Lucas also don’t land that strongly. Lewis is Lopez’s abusive boyfriend, but his awful behavior is ultimately dealt with in a way that’s more cartoonish than you might expect in a serious drama. Lucas, who was born in my home state of Arkansas, is fine here as “Crane” Curtis, but he doesn’t have that much to do. 

The Wyoming setting for our story is beautiful, but it was actually filmed in British Columbia. My wife spent 18 years of her life in Wyoming, and it’s generally not as green as the “Wyoming” presented here. That’s just a minor nitpick, because for the uninitiated, the setting is beautiful and makes you feel like you’re part of a modern day western. There’s just something romantic and comforting about that, and the wide-open spaces seem to offer endless chances for a new beginning.

Overall, while I don’t think AN UNFINISHED LIFE is a great movie, I enjoyed watching it. It’s a movie that understands the importance of forgiveness by showing us wounded characters who are willing to open themselves up to imperfect people who are just trying to be better. At the end of the day, if any of us want meaningful connections to the people in our lives, we’d better be willing to do the same. 

The Body-Obsessed Covers Of Physical Culture


by Clinton Brown

Physical Culture was a magazine that ran from 1899 to 1951.  It was founded by a man named Bernarr Macfadden, who used the magazine to promote body building and his theories on nutrition.  Macfadden was a big believer in and advocate for fasting or, as some of us call it today, anorexia.  Here’s a picture of him being visited by President Franklin D. Roosevelt:

And below is a small sampling of the body-obsessed covers of Physical Culture:

Artist Unknown

by John Drew

Artist Unknown

Artist Unknown

By Arthur Ray McCowen

by Clinton Brown

by Jay Weaver

by Jay Weaver

by Jay Weaver

by John Drew

Artist Unknown

Song of the Day: My Way, performed by Christopher Lee


A lot of people have sung this song, from Paul Anka to Frank Sinatra to Sid Viscous and Jay-Z.

Christopher Lee’s version remains my favorite.

… And now, the end is near
And so I face the final curtain
My friend, I’ll say it clear
I’ll state my case, of which I’m certain
I’ve lived a life that’s full
I traveled each and every highway
And more, much more than this
I did it my way

… Regrets, I’ve had a few
But then again, too few to mention
I did what I had to do
And saw it through without exemption
I planned each charted course
Each careful step along the byway
And more, much more than this
I did it my way

… Yes, there were times, I’m sure you knew
When I bit off more than I could chew
But through it all, when there was doubt
I ate it up and spit it out
I faced it all, and I stood tall
And did it my way

… I’ve loved, I’ve laughed and cried
I’ve had my fill, my share of losing
And now, as tears subside
I find it all so amusing
To think I did all that
And may I say, not in a shy way
Oh, no, oh, no, not me
I did it my way

… For what is a man, what has he got?
If not himself, then he has naught
To say the things he truly feels
And not the words of one who kneels
The record shows I took the blows
And did it my way

… Yes, it was my way

Songwriters: Paul Anka / Gilles Thibaut / Claude Francois / Jacques Revaux

Scene That I Love: Christopher Lee and Peter Cushing Play Pool In The Skull


104 years ago, on this date, Christopher Lee was born in London.  After serving in the secret service during World War II and reportedly inspiring his cousin, Ian Fleming, to create the character of James Bond, Christopher Lee went on to have a legendary acting career.  Though he was best known for playing Dracula, Lee appeared in almost every genre of film and he always gave a good performance.  Even when the film was bad, Lee was good.

Today, for Lee’s birthday, I’m sharing a scene between him and Peter Cushing in 1965’s The Skull.  Though The Skull isn’t one of the strongest films that the pair made for Amicus, it’s worth watching for the performances of Cushing and Lee.  Often cast as rivals on screen, the two were, in reality, the best of friends and Lee often said that he never really emotionally recovered from Cushing’s death.

In the scene below, Lee and Cushing are obviously having a ball trying to outact one another while playing simple game of pool and discussing slightly esoteric concerns.

4 Shots From 4 Films: Special Vincent Price Edition


4 Shots from 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots from 4 Films lets the visuals do the talking!

Today is Vincent Price’s birthday!  This edition of 4 Shots From 4 Films is dedicated to him, his memory, and his career!

4 Shots From 4 Vincent Price Films

The Last Man on Earth (1964, dir by Ubaldo Ragona)

The Masque of the Red Death (1964, dir by Roger Corman)

Dr. Goldfoot and the Girl Bombs (1966, dir by Mario Bava)

The Witchfinder General (1968, dir by Matthew Reeves)

Music Video of the Day: March of the Pigs by Nine Inch Nails (1994, directed by Peter Christopherson)


Reportedly, this video was eventually meant to be far more elaborate but, when those plans fell through, the band went for a more minimalist version that was directed by Peter Christopherson.  Take after take was filmed until Reznor was properly exhausted and punch-drunk.

Peter Christopherson has also directed videos for Filter, Soft Cell, Stabbing Westward, and the Ben Folds Five, amongst others.

Enjoy!

Late Night Retro Television Review: Pacific Blue 4.5 “Overkill”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

It’s time for another stupid trip to L.A.

Episode 4.5 “Overkill”

(Dir by Sara Rose, originally aired on August 23rd, 1998)

Jamie is learning martial arts from Master Soo Han (Yoshi Jenkins).  When she is saved from a group of muggers by a fellow classmate named Kyle (Matty Liu), she starts to fall in love with him.  Soon, he is teaching her how to be a better fighter.  For some reason, Jamie doesn’t tell Kyle that she’s a cop.  That makes things awkward when Kyle realizes that 1) the man who killed his mother is a student in the class and 2) Kyle is being groomed to be a government assassin.

I’ve always said that you can tell when a show has cast a professional athlete in a guest role because the athlete is always the worst actor in the episode.  That was certainly the case here.  At first, I was sure that Matty Liu was a professional martial artist.  It turns out that he’s actually a pro surfer but still, my point stands.  It doesn’t matter how many camera tricks or jump cuts the show uses to make Liu look like a badass, he’s still an amazingly stiff actor.  The scenes of him and Jamie falling in love don’t work because he’s not capable of showing any emotion, let alone love.

Speaking of love, Chris is still mad that her husband didn’t select her to be promoted to sergeant.  When she discovers a murder victim, she impresses Homicide Detective Thomas (Carl T. Evans) by figuring out that the victim died from a — wait for it — broken neck.  WOW!  Amazing deduction, Chris!  I mean, how difficult is it to spot a broken neck?  Even though Chris is neither a medical examiner nor a detective, Thomas invites her to fill in for a sick Homicide detective.  Chris accepts.

TC’s not happy about that!  Actually, TC’s never happy.  He’s been in charge of Pacific Blue for five episodes now and he hasn’t smiled once.  He has spent a lot of time glaring.  In fact, both he and Cory spend most of their time glaring at other people now.  I guess that’s what you do when you’re in charge,  management by glaring.

Finally, Bobby and Spazz compete over — wait a minute, I got a name wrong there.  What is Spazz’s real name?  Is it Granger?  Yeah, okay, sorry about that.  Bobby and Granger serve as body guards for a French actress (Lydie Denier), who claims that she’s being stalked.  Bobby has seen all of her films but she’s more attracted to Spazz, for some reason.  Sorry, Bobby!  I would have picked you.

Anyway, this was one of Pacific Blue’s dumbest episodes yet.  Chris is even more whiny than usual.  TC and Cory are useless.  Jamie and Kyle’s fight scenes are edited in such a way that one gets dizzy trying to follow them.  This episode featured bad acting and worst direction,  No wonder Chris wants to transfer to Homicide.

I’m Cheering!


Last night, I was tying to not scream in frustration.  Tonight, I’m cheering!

After last night’s humiliating loss, I had to share our victory today.  It wasn’t necessarily a pretty victory.  The Astros never should have gotten within three runs of tying up the game.  But it’s a victory all the same.  It’s a win and I’m happy!

Go Rangers go!

Cinemax Memories: Mortal Passions (1990, directed by Andrew Lane)


Todd (Zach Galligan) is married to Emily (Krista Errickson), who was previously involved with Todd’s brother, Berke (Michael Bowen).  When Berke comes by for a visit, he discovers that Emily is cheating on Todd with Darcy (Luca Bercovici).  A confrontation between Emily, Berke, and Darcy ends with Darcy dead.  While covering up the murder, Emily is also plotting to take all of Todd’s money for herself.  David Warner appears as the therapist who struggles to keep straight who is double-crossing who.

In the 90s, where could you see the lead of Gremlins being betrayed by both his sexy wife and his no-good brother?  Where, in the 90s, could you see the star of Hello Larry try to reboot her career as a Kathleen Turner film fatale?  Where, in the 90s, could you see the man who would one day play Buck in Kill Bill playing Zach Galligan’s long-haired brother?  Only on Cinemax!

Mortal Passions was an attempt to do a modern noir and it has all of the expected tropes, from the clueless husband to the morally gray relative to the wife who is planning on betraying everyone.  Krista Errickson is sexy and dangerous as Emily, ruthlessly plotting Todd’s downfall while walking around in lingerie.  Errickson’s femme fatale is never as clever as she thinks she is but fortunately, for her, all the men around her are idiots.  Galligan and Bowen are both believable as two of the most easily manipulated people that you’ll ever meet.  And then there’s David Warner, phoning it in and getting away with it because he’s David Warner.

Mortal Passions is Late Night Cinemax at its trashiest best!