Retro Television Review: St. Elsewhere 3.22 “Tears of a Clown”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

Send in the clowns….

Episode 3.22 “Tears of a Clown”

(Dir by Janet Greek, originally aired on March 13th, 1985)

Do you like clowns?

Then this episode is for you because there are clowns all over the hospital!  When Dr. Chandler tells circus clown Bonko (Gina Hecht) that she should quit the circus because she has MS, her fellow clowns all show up at the hospital to support her.  And yes, they wear their clown makeup!  Bonko’s partner, Corky (Dennis Dugan), understands that Bonko is a born performer.  As the episode ends, Bonko and Crky perform in an elevator and cheer up Andrea Fordham (Ann Hearn), Dr. Caldwell’s plastic surgery patient.  Having had her declaration of love rejected by Bobby, Andrea could definitely use the cheering up.

Dr. Morrison needs some cheering up to.  Working as a resident, a medical student, and a single father is a lot of pressure and his relationship with Clancy (played by Helen Hunt) isn’t bring him much relief.  Morrison is suffering from insomnia and headaches and popping pills.  He’s late to a timed exam and flunks.  I swear, Morrison can never get a break.  The only thing keeping him from being the most depressing character on the show is that Westphall somehow always seem to be even more afflicted with melancholy.

This episode features Westphall finally finding a condo that he can move into.  He’s accompanied by Dr. Craig and they are mistaken for a couple by the realtor.  Craig looks annoyed.  Westphall looks glum.  Westphall always looks glum!

Finally, Elliot discovers that Mrs. Hufnagle left him her entire meager estate.  It’s also now his responsibility to spread her ashes.

After last week’s dramatic and emotional episode, this week felt rather lowkey.  How you react to this episode will probably depend on how much tolerance you have for clowns.

It was an okay episode, even if it did ultimately feel like filler.  After last week’s emotion-packed installment, this episode served to remind us that life goes on, even after Hufnagle dies and Shirley Daniels pulls a gun on everyone.  That’s just the way things are in the city of Boston.

The Risque Covers of Paris Nights


Paris Nights was a pulp magazine for adults.  It ran from 1925 to 1938 and gave readers a chance to experience a romanticized Parisian experience.

Here is a small sampling of the risque covers of Paris Nights!

Artist Unknown

by H.S. Moskowitz

by Wynne W. Davies

by Earle Bergey

by H.W. Moskowitz

Artist Unknown

by Zoe Mozert

by H.S. Moskowtiz

Unknown Artist

Live Tweet Alert: Join #FridayNightFlix for The Jerk!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  1979’s The Jerk!

If you want to join us this Friday, just hop onto twitter, find The Jerk on Prime, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

See you there!

 

 

Scenes That I Love: Revenge of the Creature


Everyone had to start somewhere and for Clint Eastwood, that somewhere was 1955’s Revenge of the Creature.  Here he is, making his uncredited film debut as a lab technician who has discovered something odd.  Even in his very first role, Eastwood’s physicality made him stand out.  And check out that gorgeous hair!

4 Shots From 4 Films: Special Josef von Sternberg Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today we celebrate the 132nd anniversary of the birth of cinematic pioneer, Josef von Sternberg!  That means that it’s time for….

4 Shots From 4 Films

An American Tragedy (1931, dir by Josef von Sternberg)

The Scarlet Empress (1934, dir by Josef von Sternberg)

The Devil is A Woman (1935, dir by Josef von Sternberg)

Jet Pilot (1957, dir by Josef von Sternberg)

Late Night Retro Television Review: Hunter 1.7 “Pen Pals”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991.  The entire show is currently streaming on Tubi and several other services!

This week, Hunter goes to jail!

Episode 1.7 “Pen Pals”

(Dir by Larry Stewart, originally aired on November 16th, 1984)

Rick Hunter, murderer!

Well, not quite.  It is true that someone used Hunter’s gun to assassinate a drug dealer but, at the time of the shooting, Hunter was helping a woman who came by his apartment and said that her car had broken down.  It’s a set up!  But, because Hunter  threatened to kill the drug dealer earlier and he’s killed around 20 0ther people since the pilot, everyone assumes that he’s guilty.  He’s sent to jail for 72 hours.  McCall, forced to partner up with the charming but incompetent Detective Glascow (Tim Thomerson),  attempts to prove that Hunter was framed.  Meanwhile, Hunter befriends one prisoner (Tracey Walter) and is targeted by another (Jack O’Halloran).

There were a few odd things about this episode.  First off, why wasn’t Hunter put in protective custody?  Everyone in the jail knew that he was a cop.  He hadn’t actually been convicted of anything.  So, what was he doing in general population?

Secondly, what happened to Hunter’s mob connections?  Previous episodes have hinted that Hunter’s father is one of the most powerful gangsters in California.  Wouldn’t that give him some sort of protection in prison?  Couldn’t the Hunter crime family have asked around and discovered who set Rick Hunter up?

Oh well, no matter.  This was a fun episode!  Tim Thomerson was wonderfully smarmy as McCall’s new partner.  Jack O’Halloran was properly psychotic as the scary prisoner looking to take down Hunter.  If any actor was born to be filmed beating up people in a prison cafeteria, it was Fred Dryer.

Luckily,  Hunter got out of jail at the end of the episode.  Now, he and McCall can get back to falling in love.

Brad revisits the Hong Kong tearjerker ALL ABOUT AH LONG (1989), starring Chow Yun-Fat!


I have about a 30-minute commute to my office every day, so I love to listen to podcasts about my favorite actors and movies. About a year or so ago, I discovered the “Podcast on Fire,” which mostly focuses on Hong Kong movies, but will veer into other Asian related cinema as well. Kenny B and his various co-hosts may do a series on a prominent Hong Kong director one week and a sleazy category III soft porno the next, so the wide variety is especially enjoyable, and I’ve learned so much by going through their back catalog of episodes. I recently came across their series dedicated to popular Hong Kong melodramas. The first episode in the series included a lengthy discussion of ALL ABOUT AH LONG, an award-winning tearjerker starring Chow Yun-Fat. I haven’t watched it in over 20 years, so it was time for a revisit.

Ah Long (Chow Yun-Fat) is a former motorcycle racer who lives in Hong Kong and works as a truck driver while raising his son Porky on his own. The two seem to have a great relationship, even if their situation can only be described as modest at best. Things get interesting when Ah Long’s former girlfriend Por Por (Sylvia Chang), who also happens to be Porky’s mother, enters their life after being away in America for 10 years. In a cruel twist that was brought on because her family did not want her to be with Ah Long, she had been led to believe that Porky had died and her escape to America was her way of dealing with that pain. Now wealthy and successful, she discovers that Porky is indeed alive, and Ah Long has been raising their son alone all these years. Naturally, she wants to be involved in her son’s life. As a matter of fact, she wants to give Porky a life that his father never could.

My favorite living actor, Chow Yun-Fat, gives one of the best performances of his career in this film. It’s especially impressive because it asks him to behave almost completely the opposite of the cool heroes that made him famous around the globe in his Hong Kong action hits like THE KILLER and HARD BOILED. His Ah Long can be funny and charismatic, but he can also be immature and downright mean. There are times he’s so sweet and likable, and then there are times, especially seen in flashback, where he’s not likable at all. Chow doesn’t try to smooth away the rough edges of the character, either. Ah Long is flawed, but he’s also a great dad, and his chemistry with his son Porky (Huang Kun-Hsuan) feels very natural. I also like Chow’s chemistry with Sylvia Chang as Por Por. Even though she wants to take Porky back to America with her, she’s never portrayed as this evil villain, and she and Chow actually end up working together to do what’s best for their son. Chow would win his 3rd Hong Kong Film Award for Best Actor for his performance here.

The film is very melodramatic, but director Johnnie To goes out of his way to ground the film in some level of reality. Long before To was transforming the Hong Kong film industry in the late ‘90’s through his Milky Way Images production company, he was a working director just making successful movies. With this film’s cramped apartments, simple meals, awkward dinner conversations, and past romantic regrets, the movie gives all of us something we can latch ahold of. When tragedy enters near the end, it’s especially affecting since we’ve grown to understand and care about the characters. If ALL ABOUT AH LONG doesn’t make you reach for the tissues, you’ve got a heart of stone, my friend!

In my opinion, ALL ABOUT AH LONG is also the kind of movie that determines if you’re a Chow Yun-Fat fan or just a John Woo action movie fan. Chow is about as far away from the charismatic hero of A BETTER TOMORROW as he can possibly get. This is Chow at his most human and relatable, and I’ll admit I loved every moment of his performance. I watched it again on the DVD that I purchased about 25 years ago, and there’s just nobody any better out there.