Lisa Marie’s Too Early Oscar Predictions for May!


It’s time for me to post my monthly Oscar predictions!

As always, the usual caveats apply.  It’s way too early for me to try to make any predictions.  Most of the films listed below haven’t even been released (or screened) yet and it’s totally possible that a big contender might come out of nowhere in the fall.  That seems to happen almost every year.

So, take these predictions with a grain of salt.  These are my guesses.  Some of them are based on instinct.  Some of them are just there because I think it would be a really, really neat if that movie or performer was nominated.  However, I will say this: I do think that if a comic book movie is ever nominated for best picture, it will be Black Panther.

(I actually preferred Avengers: Infinity War to Black Panther — sorry, Ryan — but, much like Get Out, Black Panther has gone beyond being a movie.  It’s become a cultural signpost, in a way that Infinity War never will.)

The Cannes Film Festival is going on right now and one potential Oscar contender — Spike Lee’s BlackkKlansman — is due to make its debut in the upcoming days.  Right now, I don’t have BlackkKlansman listed in my predictions, mostly because the Academy hasn’t exactly embraced Lee in the past.  But I will be interested to see how Cannes reacts to the film.

(Check out my predictions for January, February, March, and April!)

Best Picture

At Eternity’s Gate

Black Panther

Boy Erased

First Man

If Beale Street Could Talk

Mary, Queen of Scots

The Other Side of the Wind

A Quiet Place

Widows

Wildfire

Best Director

Damien Chazelle for First Man

Ryan Coogler for Black Panther

Barry Jenkins for If Beale Street Could Talk

Steve McQueen for Widows

Josie Rourke for Mary, Queen of Scots

Best Actor

Steve Carell in Beautiful Boy

Willem DaFoe in At Eternity’s Gate

Ryan Gosling in First Man

Lucas Hedges in Boy Erased

Robert Redford in Old Man and the Gun

Best Actress

Viola Davis in Widows

Felicity Jones in On The Basis of Sex

Melissa McCarthy in Can You Ever Forgive Me?

Saoirse Ronan in Mary. Queen of Scots

Kristen Stewart in JT LeRoy

Best Supporting Actor

Russell Crowe in Boy Erased

Sam Elliott in A Star Is Born

Oscar Isaac in At Eternity’s Gate

Michael B. Jordan in Black Panther

Forest Whitaker in Burden

Best Supporting Actress

Claire Foy in First Man

Nicole Kidman in Boy Erased

Regina King in If Beale Street Could Talk

Margot Robie in Mary, Queen of Scots

Sissy Spacek in Old Man And The Gun

 

 

4 Shots From 4 Sofia Coppola Films: Lost In Translation, Marie Antoinette, Somewhere, The Beguiled


4 Shots from 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots from 4 Films lets the visuals do the talking!

Today is Sofia Coppola’s birthday!

Sofia Coppola has long been one of my favorite directors.  Unfortunately, she’s also a director who is frequently misunderstood and underestimated.  No one captures romantic ennui with quite the skill of Sofia Coppola.  At the same time, she’s also shown a rare ability to make films that feel at home in both an art house and a commercial theater.  If the MCU ever gets around to doing that Black Widow solo movie, I demand Sofia Coppola be hired to direct it.

This edition of 4 Shots From 4 Films is dedicated to her.

4 Shots From 4 Films

Lost in Translation (2003, dir by Sofia Coppola)

Marie Antoinette (2006, dir by Sofia Coppola)

Somewhere (2010, dir by Sofia Coppola)

The Beguiled (2017, dir by Sofia Coppola)

Cleaning Out The DVR: Party Mom (dir by Michael Feifer)


(I recorded Party Mom off of the Lifetime Movie Network on March 30th.)

Party Mom tells the story of two moms who live in Los Angeles.

Jackie (Krista Allen) is a party mom!  She has a nice house in Beverly Hills, where the party never ends.  She’s always quick to point out that she looks young enough that she could pass for being Ashley’s sister instead of her mother.  For her part, Ashley (Amber Frank) kinda wishes that her mother would be a little more traditional.  Of course, Jackie’s usually too busy trying to get Ashley’s friends drunk to really worry about what her daughter wants.

Caroline (Megan Ward) is definitely not a party mom.  Instead, she’s a hard-working, no-nonsense mom who lives in the Valley with her husband, Gary (Brian Krause), and her two daughters, Brittany (Elise Luthman) and Emma (Savannah Judy).  Caroline just can’t understand today’s teenagers, with their social media and their iPhones and their lack of interest in hanging out with their boring parents.  In Caroline’s day, teens would have loved a chance to spend a night watching TV and eating popcorn with mom and dad!  Now, they just want to sneak out of the house and take selfies.

Brittany thinks that Jackie is the best, though Caroline isn’t quite sure that she wants her daughter hanging out in a mansion where all of the adults are just as stoned and drunk as the kids.  Caroline even attempts to put her foot down and ground her daughter.  Of course, that doesn’t really work.  Instead, Brittany simply sneaks out of her bedroom window and heads for Beverly Hills!

Of course, since this is a Lifetime film, it all leads to the usual combination of underage drinking and tragedy.  When Brittany and a group of drunk friends leave the mansion, a terrible car accident leaves only one survivor.  Jackie finds herself on trial for involuntary manslaughter.  Caroline and Gary are determined to see Jackie pay for being a party mom but Jackie’s rich enough to afford a slick attorney.  In fact, Jackie doesn’t even seem to feel that bad about the car accident or almost anything that happens afterward.  As she explains it, all of the tragedy is due to people from the Valley coming into Beverly Hills, where they don’t belong.  It all leads to murder, arrests, and one final confrontation.

I liked Party Mom, largely because, in high school, my best friend’s mom was a party mom and watching this movie brought back a lot of memories.  At the time, it was always fun going over to my friend’s house and literally getting to do anything that I wanted to do.  Looking back now, of course, it’s easy to say that my friend’s mom was incredibly irresponsible and probably should have been forced to go on Dr. Phil or something.  But, at the time, I was a lot like Brittany.  I just thought it was cool that there was an adult around who refused to care what was being done in her house.

Krista Allen does a really good job in the role of Jackie, tearing through the film like an irresponsible, perpetually drunk tornado.  She especially does well towards the end of the film, when Jackie really goes off the deep end.  Like all good Lifetime film, the melodrama in Party Mom is over-the-top and we’re all the better for it.

Cleaning Out the DVR #19: Things To Watch When You Have Flumonia!


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So I’ve been laid up with the flu/early stage pneumonia/whateverthehellitis for the past few days, which seemed like a  good excuse to clean out the DVR by watching a bunch of random movies:

Bette Davis & Jimmy Cagney in “Jimmy the Gent”

JIMMY THE GENT (Warner Brothers 1934; D: Michael Curtiz ) –  Fast paced James Cagney vehicle has Jimmy as the head of a shady “missing heir” racket, with Bette Davis as his ex-girl, now working for his classy (but grabby!) rival Alan Dinehart. Allen Jenkins returns once again as Cagney’s sidekick, and Alice White is a riot as Jenkins’s ditzy dame. Some funny dialog by Bertram Milhauser in this one, coming in at the tail-end of the Pre-Code era. Cagney’s always worth watching, even in minor fare like this one. Fun Fact: Cagney’s battles with boss Jack Warner over better roles were legendary, and the actor went out…

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What Lisa Watched Last Night #180: Mommy Be Mine (dir by Sean Olson)


On Friday night, I watched the latest Lifetime premiere, Mommy Be Mine!

Why Was I Watching It?

Finally, I’m healthy again!  After spending two freaking weeks getting my ass kicked by allergy season, I finally feel as if I can start writing about and reviewing movies again.  Obviously, after being knocked out for two weeks, I’ve got a lot to get caught up on so I decided what better way to start than to watch the Friday premiere of the latest Lifetime film, Mommy Be Mine?

What Was It About?

It’s Cara’s (Sierra Pond) first day at school and she already has a friend!  In fact, Cara has decided that Summer (Ava Locklear) is her best friend, despite the fact that 1) Cara has only known her for a day and 2) Summer already has a best friend, the wonderfully sarcastic Tori (Megan McGown).

Still, Cara is determined to not only make Summer like her but to also become a surrogate daughter to Cara’s mother, Lianne (Arianne Zucker).  In fact, Cara even starts to call Lianne “mom.”  Everyone agrees that’s kind of creepy but Cara seems like such a nice girl.  I mean, it’s not like she’s actually a psychotic killer who has killed in the past and who is planning on killing again…

Or is she!?

What Worked?

Sierra Pond did a good job as the scheming psycho.  It was obvious that she was having fun playing the role and, as a result, it was fun to watch her perform.  As well, Arianne Zucker was sympathetic as the overprotective mother.  When she finally snapped and told off Cara, it was a great moment.

What Did Not Work?

Usually, I have little trouble suspending my disbelief when it comes to a Lifetime film.  Lifetime films are specifically designed to be melodramatic and just a little bit silly.  That’s what makes them so much fun.  If the characters didn’t always do the stupidest possible thing, the viewer would miss out on the fun of yelling, “Oh my God, you’re so stupid!”

That said, even by the standards of Lifetime, Cara was a bit too obviously insane.  That’s not to say that Seirra Pond didn’t do a good job playing the role.  She appeared to be having a lot of fun with the role.  But, as a character, Cara was so obviously messed up that it was hard to sympathize with anyone who would actually be stupid enough to allow her into their house.  The minute she started calling Lianne “mom” should have been the minute that both Lianne and Summer announced, “Okay, time for you to go away now!”

As good as the rest of the cast was, Ava Locklear sometimes seemed to be lost in the role of Summer.  This was her first leading role and, in some scenes, her inexperience definitely showed.

“Oh my God!  Just like me!” Moments

As always, I totally related to the sarcastic (if obviously doomed) best friend.  From the minute that she first met Cara, Tori not only knew that she was up to no good but she had no hesitation about sharing that opinion.  Unfortunately, characters in Lifetime films never seem to listen to their sarcastic best friend until it’s too late.  Sarcastic best friends always end up dying a little after the one hour mark and it’s a shame.

Lessons Learned

Seriously, if your oldest friend in the world says your newest friend is a psycho bitch, don’t question the conclusion.  Trust the voice of experience.

Pre Code Confidential #19: Marlene Dietrich in SHANGHAI EXPRESS (Paramount 1932)


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Marlene Dietrich is TCM’S Star of the Month for May, and “Shanghai Express” airs tonight at 12:00 midnight EST. 

A train ride from Peking to Shanghai is fraught with danger and romance in Josef von Sternberg’s SHANGHAI EXPRESS, a whirlwind of a movie starring that Teutonic whirlwind herself, Marlene Dietrich. This was the fourth of their seven collaborations together, and their biggest hit, nominated for three Oscars and winning for Lee Garmes’s striking black and white cinematography.

The Director and his Muse

Dietrich became a huge sensation as the sultry seductress Lola Lola in Sternberg’s 1930 German film THE BLUE ANGEL, and the pair headed to America to work for Paramount. Marlene became the autocratic director’s muse, as he molded her screen image into a glamorous object of lust and desire. Sternberg’s Expressionistic painting of light and shadows, aided by Dietrich’s innate sexuality, turned the former chorus girl and cabaret…

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Here’s The Teaser Trailer For The Predator!


Despite featuring Jacob Tremblay, this is apparently not a sequel to The Book of Henry…

To be honest, the trailer is kind of bleh.  Then again, it really doesn’t have to be anything spectacular.  Most people who see this film are going to see it because of The Predator name, as opposed to anything that may or may not be in the trailer.  Predator is a bit like Alien and The Terminator.  There’s always going to be, at the very least, a curiosity factor whenever a new chapter in the franchise comes out.

That said, the film is directed by Shane Black, who is a freaking genius, and the script was co-written by Fred “Night of the Creeps” Dekker.  So, I’ll give it a look.

Far Out, Man!: CHEECH & CHONG’S UP IN SMOKE (Paramount 1978)


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Hey Man, if you dig crude, vulgar stoner comedy… wait, what was I saying? Oh yeah, Cheech and Chong, man. These two dudes were, like, really cool dudes, and made a lot of records and stuff, and… wait, what was I saying, man? OK, so Cheech and Chong were hippie culture’s answer to Abbott & Costello , and so popular they starred in a series of doper-themed movies, the first being UP IN SMOKE, a film basically about nothing except two burnouts trying to score some weed. C&C play their familiar personas of Pedro and Man, a pair of L.A. hippies floating their way through the world in a perpetual marijuana haze. . Sure, it’s uncouth, sophomoric, and defiantly non-PC, but had me laughing out loud forty years later!

The supporting cast features Stacy Keach as Sgt. Stedenko, a super-narc trying to stamp out drug use, and he’s a straight-edge riot…

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4 Shots From 4 Films: Happy Birthday Orson Welles


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking. The cinematic genius Orson Welles was born on this date in 1915. Welles was also a noted magician, and used mirrors as a motif in many of his movies. Here are four reflective shots from The Films of Orson Welles:

Citizen Kane (RKO 194)

The Lady from Shanghai (Columbia 1947)

Touch of Evil (Universal 1958)

F For Fake (Janus Films 1975)

Drive-In Saturday Night: DR. GOLDFOOT AND THE BIKINI MACHINE (AIP 1965) & DR. GOLDFOOT AND THE GIRL BOMBS (AIP 1966)


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American-International Pictures, never ones to shy away from jumping on a trend, released a pair of secret agent spoofs starring the one and only Vincent Price as the evil supervillain Dr. Goldfoot. AIP president James H. Nicholson himself allegedly came up with the story, wanting to use the film as a showcase for wife Susan Hart, a beautiful woman of limited talent. The first was DR. GOLDFOOT AND THE BIKINI MACHINE, an endearingly goofy little movie co-starring SKI PARTY’s Frankie Avalon and Dwayne Hickman. The two even use the same character names from that previous film, Tod Armstrong and Craig Gamble – only reversed, with Frankie as Craig and Dwayne as Tod!

Mad scientist Goldfoot, an obvious cross between James Bond nemeses Dr. No and Goldfinger, is Price at his campy best, carving up large slices of ham as the malevolent meanie. His fiendish plot is creating an army of…

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