Jimmy Dworski (Jim Belushi) is a convicted car thief who only has a few days left in his criminal sentence but still decides to break out of prison so he can go see the Cubs play in the World Series. Spencer Barnes (Charles Grodin) is an uptight ad executive who needs to learn how to relax and have a good time. When Spencer loses his organizer, Jimmy finds it. Before you can say “The prince and the pauper,” Jimmy has access to all of Spencer’s money and the mansion that Spencer is supposed to be staying at over the weekend. While Spencer tries to survive on the streets and track down his organizer, Jimmy is living it up, spending money, impressing a Japanese businessman (Mako), romancing the boss’s daughter, and taking care of business.
Made in the uncertain period between the end of the culture of 80s materialism and the start of the 90s indie boom, Taking Care of Business is a rip-off of Trading Places that came out six years too late to be effective. Everything that needs to be known about Jimmy and Spencer is apparentl from the minute that Charles Grodin’s and Jim Belushi’s names appear in the credits. Grodin was usually the best when it came to playing uptight yuppies but he seems bored in Taking Care of Business. Belushi mugs through his role, overplaying his character’s blue collar roots. The movie builds up to a huge confrontation between Belushi and Grodin but it never really delivers, instead devolving into a predictable buddy comedy, complete with a trip to Wrigley Field and an elaborate plan to sneak Belushi back into prison before the warden (Hector Elizondo) discovers that he’s been gone for the weekend. Taking Care of Business has a few laughs but it’s never as good as the BTO song.
In this filmed version of a hit Broadway musical, four musicians who look like the Beatles from a distance play 3o Lennon/McCartney songs while newspapers headlines scroll over their heads and famous events and figures from the 60s appear on the screen behind them. The camera sometimes follows the musicians backstage as they switch from dark suits to white Magical Mystery Tour tuxedos and later into the uniforms of Sgt. Pepper’s Lonely Hearts Club Band. They also try on a variety of wigs and fake facial hair.
Harry (Judd Nelson) is a law student who has failed the bar exam three times. Daphne (Gina Gershon) is an aspiring actress who has an unfaithful boyfriend. With neither of them making much headway in their chosen careers, they end up working as living mannequins in a department store display window. If they flinch even the least little bit, they will lose their jobs. At first, it does not seem that there is much of a romantic future for Harry and Daphne. But when Daphne breaks up with her boyfriend, Harry invites her to join him in breaking into the store after hours and partying. But while Harry and Daphne are celebrating, they witness a crazed artist (Nick Mancuso) strangling one of his models.
Homicide Detective Jake “Mouth” Penucci (Ed O’Ross) is the most hated man on the police force. His partners hate him. His ex-wife hates him. His daughter will hate him once she is old enough. Penucci is obnoxious, tells terrible jokes, and is haunted by his abusive childhood. The only person that does not hate Penucci is Jill (Robey), who works in the records office. Jill and Penucci are soon an item but it turns out that Jill has some kinky tastes, which make even Penucci nervous. She wants him to beat her during sex and sometimes ask him to pretend that she’s a little girl. At the same time that Penucci is trying to figure out how to have a normal relationship with Jill, he has been assigned to catch Rapunzel, a female serial killer who only targets men who have been accused of sexually abusing their daughters. Could it all be connected?
Bloodsport is one of Jean-Claude Van Damme’s earliest films and it is Damme good!
After Tom Logan (Jack Nicholson) and his gang of rustlers (played by Randy Quaid, Frederic Forrest, and Harry Dean Stanton) rob a train, Logan uses the money to buy a small ranch. Their new neighbor is Braxton (John McLiam), a haughty land baron who considers himself to be an ambassador of culture to the west but who is not above hanging rustlers and hiring gunmen. One such gunman is the eccentric Robert E. Lee Clayton (Marlon Brando), a “regulator” who speaks in a possibly fake Irish brogue, is a master of disguise, and uses a variety of hand-made weapons. Braxton hires Clayton to kill Logan and his men, despite the fact that his daughter (Kathleen Lloyd) has fallen in love with Logan.
