Live Tweet Alert: Join #FridayNightFlix for Kickboxer 2!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  Kickboxer 2!

If you want to join us this Friday, just hop onto twitter, find Kickboxer 2 on Prime, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

See you there!

 

 

Song of the Day: Deep Down by Ennio Morricone


Danger: Diabolik (1968)

Since today is Mario Bava’s birthday, it only seems appropriate that today’s song of the day should come from one of his films.

From Ennio Morricone’s score to Mario Bava’s 1968 film Danger: Diabolik, here is Deep Down!

 

Scenes That I Love: The Opening of Mario Bava’s Black Sunday


Since today is the birthday of the great Mario Bava, today’s scene that I love comes from one of Bava’s best films.  Here is the wonderfully atmospheric and ominous opening of 1960’s Black Sunday:

4 Shots From 4 Films: Special Mario Bava Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

112 years ago today, the most important Italian filmmaker of all time was born.  Today is Mario Bava’s birthday!  And, as we often do here at the Shattered Lens, it’s time to celebrate with…

4 Shots From 4 Mario Bava Films

Black Sunday (1960, dir by Mario Bava)

Kill, Baby, Kill (1966, dir by Mario Bava)

Lisa and the Devil (1972, dir by Mario Bava)

Shock (1977, dir by Mario Bava)

Late Night Retro Television Review: Hunter 1.14 “The Snow Queen: Part Two”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991.  The entire show is currently streaming on Tubi and several other services!

This week, the story of the snow queen comes to a close.

Episode 1.14 “The Snow Queen: Part Two”

(Dir by Richard Colla, originally aired on March 30th, 1985)

The second part of The Snow Queen saga opens with a stylish action sequence.  As Huey Lewis sings I Want A New Drug on the soundtrack, we watch as both Molinas (Dennis Franz) and Hunter approach, from opposite sides, the boat where Sally LaPone is hiding out with one of her friends.  Molinas is approaching the boat so that he can murder Sally for the mob bosses in New York.  Hunter, on the other hand, is approaching the boat to try to save Sally’s life.  The guards that surround the boat have no idea what’s going on and they end up getting into a gunfight with both Molinas and Hunter.  Molinas, being the sleaze that he is, pretends that he drew his gun to help Hunter as opposed to killing Sally.

Meanwhile, at a club, a smitten Vic Terranova (Dennis Farina) pushes McCall, who is working undercover, to take the stage.  Shots of McCall performing are mixed with shots of Molinas and Hunter shooting people and Sally once again escaping.

Molinas wants to kill Sally while McCall wants to use Sally’s testimony to take down Terranova and his drug-fueled empire.  Hunter wants to stop Molinas from killing anyone else and Sally just wants to be left alone.  The episode does a good job of switching from one character to the next, capturing the desperation of everyone involved.  One especially memorable sequence features Dennis Franz showing Sally’s pictures to a group of teenagers outside of a punk club.  Just from the reactions of Franz and the punks, one gets the feeling that the sequence wasn’t actually scripted.  There’s a gritty authenticity to the action in this episode and it makes for compelling viewing.

Of course, this is an episode of Hunter so everything does eventually lead to another shoot out.  Both Vic and Molinas go down in a hail of bullets and it’s actually kind of a shame.  Both Farina and Franz did such a good job in these two episodes that it’s unfortunate that their characters won’t be able to return in the future.  Franz, in particular, was brilliantly sleazy as the loathsome Molinas.  If only he hadn’t pulled that gun on Hunter, Molinas could have been one of those recurring villains that audiences would love to hate.

Still, all things come to an end and, since this is Hunter, they end in gunfire instead of arrests.  Sally survives but the final shot of the episode reveals that she’s been traumatized beyond belief by everything she’s seen and experienced.  McCall’s hope was that Sally would get immunity in return for testifying against Vic.  But, with Vic dead, Sally really doesn’t have any leverage that she could use to avoid jail.

Seriously, this was a dark episode!  But it was a compelling one and I’m glad that, for once, Hunter showed that not everyone just shrug off violence and move on.  Not everyone is Rick Hunter.

Retro Television Review: Alexander The Great (dir by Phil Karlson)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  This Thursdays, I will be reviewing Alexander The Great, which was filmed in 1963 but didn’t air on CBS until 1968.  The show can be found on YouTube!

This week, we take a look at William Shatner and Adam West in Alexander The Great, a pilot that never became a series.

Episode 1.1 “Alexander The Great”

(Dir by Phil Karlson, originally aired on January 26th, 1968)

Greek leader Alexander the Great (a very blonde William Shatner) is determined to defeat the forces of King Darius and conquer all of Persia.  But, before he can fight his latest battle, he has to rescue his kidnapped best friend Cleander (Adam West), calm the nerves of his mentor Antigonus (Joseph Cotten), and deal with two insubordinate generals (John Cassavetes and Simon Oakland).  Only then will Alexander be ready to defeat the fearsome, beheading-obsessed Persian general, Memmon (Cliff Osmond, wearing a truly horrifying wig and fake beard).

This hour-long episode features a lot of talking, a lot of scheming, and one good battle scene.  Unfortunately, that good battle scenes becomes a lot less impressive once you discover that it was lifted from the 1959 film, The Giant of Marathon.  As for the scheming, it’s not really a surprise when the generals plays by Cassavetes and Oakland reveal that they’re planning on assassinating Alexander during the battle.  Both characters are so obviously villainous that their very presence amongst the ranks will lead most viewers to doubt whether Alexander is truly the tactical genius that everyone seems to think he is.

For most viewers, the main appeal of Alexander the Great will be the chance to see William Shatner and Adam West playing best friends.  This pilot was made before Shatner was cast as Captain Kirk and West as Batman.  While West gives a relatively sober performance as Cleander, Shatner shows that he had all of his famous acting tics long before he boarded the Enterprise.  Shatner delivers every line as if he’s expecting to be handed an Emmy at any moment.  The halting cadence is present.  The overly dramatic punctuation is present.  The habit of telegraphing every line and emotion by moving his head is present.  This is the type of performance that feels more like William Shatner imitating himself than actually trying to play a character.  Today, we’re all used to William Shatner poking fun at his reputation so it’s always a bit jarring to watch something like Alexander the Great and see just how seriously Shatner used to take himself.

Alexander the Great ends with Alexander achieving victory over both Memmon and his own duplicitous generals.  He buries Antigonous, who was earlier murdered by the mutineers.  And then, with a big smile on his face, Alexander hopes on his horse and rides off with Cleander and his surviving generals.  Watching Shatner riding his horse, it becomes obvious that, had this pilot become a show, it would have been a western that just happened to take place in ancient Greece and which featured togas and mini-skirts instead of chaps and hats.

This pilot was shot in 1963 but it was rejected by the network and shelved.  In 1968, when West was Batman and Shatner was Kirk, the pilot was taken out of storage and aired as an episode of an anthology show.  Needless to say, it didn’t lead to a series.  Adam West later poked fun at the pilot in his autobiography, saying that it was the greatest waste of an hour ever made.  I think West was a bit too hard on the pilot.  It’s not terrible as much as it’s just bland.  No production featuring not only Shatner and West but also Joseph Cotten, Simon Oakland, and John Cassavetes has a right to be this mild.

One does wonder how, if the pilot had become a series, it would have deal with Alexander eventually drinking himself to death.  Imagine what Shatner and West could have done with that!

Join #TubiThursday For Best Of The Best!


Hi, everyone!  Tonight, on Mastodon, I will be hosting the #TubiThursday watch party!  Join us for Best Of The Best, starring Eric Roberts!

You can find the movie on Tubi and you can join us on Mastodon at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  We will be using #TubiThursday hashtag!  See you then!

Scenes That I Love: Richard Linklater’s Monologue from Slacker


Today, the Shattered Lens wishes a happy birthday to the greatest director come out of Texas, Richard Linklater!

Today’s scene that I love comes from Linklater’s 1991 film, Slacker.  Filmed in Austin, this film not only established Linklater as one of the best indie film directors but it also inspired a countless number of other aspiring filmmakers.  How many other director have attempted to make a Slacker?  None have done it as well as Linklater.  Indeed, the film not only helped to define the modern independent film aesthetic but it also continues to shape the way that people view Texas’s idiosyncratic capital city.

In this opening scene, Linklater himself gets the film started, delivering a monologue as he’s driven around Austin.

4 Shots From 4 Films: Special Richard Linklater Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we wish a happy 66th birthday to Texas’s greatest filmmaker, Richard Linklater!

That means that it’s time for….

4 Shots From 4 Films

Slacker (1991, dir by Richard Linklater)

Dazed and Confused (1993, dir by Richard Linklater)

Before Sunset (2004, dir by Richard Linklater)

Boyhood (2014, dir by Richard Linklater)