Retro Television Review: Alexander The Great (dir by Phil Karlson)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  This Thursdays, I will be reviewing Alexander The Great, which was filmed in 1963 but didn’t air on CBS until 1968.  The show can be found on YouTube!

This week, we take a look at William Shatner and Adam West in Alexander The Great, a pilot that never became a series.

Episode 1.1 “Alexander The Great”

(Dir by Phil Karlson, originally aired on January 26th, 1968)

Greek leader Alexander the Great (a very blonde William Shatner) is determined to defeat the forces of King Darius and conquer all of Persia.  But, before he can fight his latest battle, he has to rescue his kidnapped best friend Cleander (Adam West), calm the nerves of his mentor Antigonus (Joseph Cotten), and deal with two insubordinate generals (John Cassavetes and Simon Oakland).  Only then will Alexander be ready to defeat the fearsome, beheading-obsessed Persian general, Memmon (Cliff Osmond, wearing a truly horrifying wig and fake beard).

This hour-long episode features a lot of talking, a lot of scheming, and one good battle scene.  Unfortunately, that good battle scenes becomes a lot less impressive once you discover that it was lifted from the 1959 film, The Giant of Marathon.  As for the scheming, it’s not really a surprise when the generals plays by Cassavetes and Oakland reveal that they’re planning on assassinating Alexander during the battle.  Both characters are so obviously villainous that their very presence amongst the ranks will lead most viewers to doubt whether Alexander is truly the tactical genius that everyone seems to think he is.

For most viewers, the main appeal of Alexander the Great will be the chance to see William Shatner and Adam West playing best friends.  This pilot was made before Shatner was cast as Captain Kirk and West as Batman.  While West gives a relatively sober performance as Cleander, Shatner shows that he had all of his famous acting tics long before he boarded the Enterprise.  Shatner delivers every line as if he’s expecting to be handed an Emmy at any moment.  The halting cadence is present.  The overly dramatic punctuation is present.  The habit of telegraphing every line and emotion by moving his head is present.  This is the type of performance that feels more like William Shatner imitating himself than actually trying to play a character.  Today, we’re all used to William Shatner poking fun at his reputation so it’s always a bit jarring to watch something like Alexander the Great and see just how seriously Shatner used to take himself.

Alexander the Great ends with Alexander achieving victory over both Memmon and his own duplicitous generals.  He buries Antigonous, who was earlier murdered by the mutineers.  And then, with a big smile on his face, Alexander hopes on his horse and rides off with Cleander and his surviving generals.  Watching Shatner riding his horse, it becomes obvious that, had this pilot become a show, it would have been a western that just happened to take place in ancient Greece and which featured togas and mini-skirts instead of chaps and hats.

This pilot was shot in 1963 but it was rejected by the network and shelved.  In 1968, when West was Batman and Shatner was Kirk, the pilot was taken out of storage and aired as an episode of an anthology show.  Needless to say, it didn’t lead to a series.  Adam West later poked fun at the pilot in his autobiography, saying that it was the greatest waste of an hour ever made.  I think West was a bit too hard on the pilot.  It’s not terrible as much as it’s just bland.  No production featuring not only Shatner and West but also Joseph Cotten, Simon Oakland, and John Cassavetes has a right to be this mild.

One does wonder how, if the pilot had become a series, it would have deal with Alexander eventually drinking himself to death.  Imagine what Shatner and West could have done with that!

Incident At Crestridge (1981, directed by Jud Taylor)


Robert (Sandy McPeak) and Sara Davis (Eileen Brennan) arrive in the town of Crestridge, Wyoming, just in time to not only witness a group of mobsters attacking the local massage parlor but also to see the local sheriff (Walt Field) refuse to do anything about it.  While Robert works at the local hospital, Sara runs for sheriff and is elected despite only having recently arrived in town.  The mayor (Pernell Roberts) is convinced Sara will be easy to manipulate but Sara is determined to expose not only his corruption but also the gangsters who secretly control the town.  What Sara doesn’t realize is that the Mayor only allowed Sara to win the election because he felt that the old sheriff was getting too sloppy in his malfeasance.  The same corrupt system that allowed Sara to become sheriff is also designed to take the position away.

Despite being made-for-TV, this isn’t a bad movie.  Eileen Brennan is believably tough as the sheriff but she never becomes a one-dimensional crusader.  Pernell Roberts is even more believable as a venal politician who has been in power for so long that he thinks he can get away with anything.  The movie’s plot has a few surprises and the ending is downbeat but believable.  I did have a hard time believing that someone could be elected sheriff within weeks of first arriving in a town but it made sense once I started to think of Incident at Crestridge as being a modern-day western.  Just as how Johnny Mack Brown, Charles Starrett, and Allan Lane used to ride into towns that needed someone honest to protect the citizens, Eileen Brennan drives into Crestridge.

No offense to the legacy of Suzanne Somers but this film is much better than She’s The Sherriff. 

SHANE (The TV Series) – Episode 4: An Echo of Anger (aired October 1st, 1966)


Kemp Spicer (Warren Oates) rides into town and runs into Marian Starett (Jill Ireland) and her father-in-law Tom Starett (Tom Tully) who are there visiting the local blacksmith. Spicer likes what he sees when he looks at Marian, and proceeds to make some creepy advances. He then asks if they know a guy named Shane. When they ask Spicer why he wants to know, he says that him and his family are going to kill him. After Marian and Tom tell Shane (David Carradine) about what they were told, Shane heads into town. He wants to know why they want to kill him, as well as keep the Spicers away from the Starett ranch. When he arrives at Sam Grafton’s saloon, Boon Spicer (Charles Kuenstie) tells him that they are there to get vengeance for Shane killing their brother Joey four years earlier in Abilene. Shane never killed anyone in Abilene so he knows that someone is mistaken, or just flat out lying. Soon other members of the Spicer family arrive in town, led by their Bible-quoting uncle Joshua Spicer (Cliff Osmond). Shane knows he’s going to have to take on these men even though he’s innocent of their family member’s death. He just wants to make sure they don’t go out to the Starett ranch and put the family in danger. 

Episode 4 of Shane has our biggest co-star yet, in Warren Oates. It’s fun seeing his Kemp Spicer creep around making threats against Shane, making advances towards Marian, and then questioning whether or not they’re even after the right guy. Cliff Osmond is memorable and interesting as Uncle Joshua Spicer who puts their family honor above everything else. This episode also sees Shane getting some help as he takes on the Spicer clan in the final shootout. This help comes from Tom Starett and Rufe Ryker (Bert Freed), the local foe of the family. I don’t expect this means Ryker has turned good, but he definitely prefers Shane over those “hillbillies” he ran out of the area years earlier. Finally, we continue to learn of Marian’s feelings for Shane in this episode. At one point, she’s willing to leave the entire ranch behind if it keeps Shane safe. Shane doesn’t hear her say this, but her father-in-law remarks that he never realized she loved Shane that much. 

I found episode 4 to be an entertaining episode. It features good performances from interesting co-stars. It also makes a good point about how an innocent lie can take on a life of its own and lead to unintended consequences. I’ll be looking forward to Episode 5!  

Late Night Retro Television Review: CHiPs 2.4 “Disaster Squad”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Freevee!

This week, Ponch attacks a reporter …. or does he?

Episode 2.4 “Disaster Squad”

(Dir by Gordon Hessler, originally aired on October 7th, 1978)

In a change-of-pace for this show, it’s Officer Jon Baker who gets a girlfriend in this week’s episode.  Ellen Roberts (Liberty Godshall) is a recently divorced woman with an annoying 4 year-old named Chris (Christian Zika).  Because Baker doesn’t want any kids around to ruin his action, he gets Ponch to hang out with Chris.  Fortunately, it turns out that Chris loves motorcycle and even owns his own mini-bike.

Impressed by how well Chris can handle his bike, Ponch enters Chris in a children’s dirt bike race.  When one of the other racers knocks Chris down in the middle of the race, an angry Chris says that he’s going to hit the other racer.  Ponch tells Chris to never hit anyone and he says that he’s ashamed to hear Chris speak like that.  Chris promises not to ever fight.

But then, the next morning, Chris turns on the TV and sees a report about Ponch punching out an obnoxious news reporter (Harvey Jason) who got in the way while Ponch and Jon were dealing with a suicidal motorist.  The anchorman (played by Regis Philbin!) then comes on TV and basically says that Ponch is the epitome of everything bad about the police.   Chris starts sobbing.  Ponch lied about not fighting!  Chris hops on his mini-bike and, still crying, drives away.

What Chris doesn’t know is that Ponch was set up.  Lee and the members of “the Disaster Squad” have been following Ponch and Baker around, filming accidents, and getting in the way.  (At one point, one of Lee’s men event tosses a road flair under a car that’s leaking oil, causing an explosion.)  Lee doctored the tape of an earlier confrontation with Ponch to make it appear the Ponch threatened and hit him.

But that doesn’t matter to Chris.  With tears flowing down his cheeks, he drives his little motorcycle into the Los Angeles river.  Fortunately, Ponch and Baker find him in time to save his life and teach him an important lesson about fake news.

This episode …. where to begin?  It opened with a good chase scene and it featured a truck flipping over so that was good.  But then bratty little Chris showed up and the whole episode went downhill.  The child playing Chris was, to be charitable, not exactly the world’s best actor and his over-the-top reaction to seeing Ponch hit someone was bit too silly to inspire anything other than a chuckle.  “Ponch said never to hit anyone!” Chris wails.  Well, kid, Ponch is a damn hypocrite.  Sorry.

It was all pretty silly.  Baker finally got to do something other than gaze at Ponch in amazement but, in the end, the story was still pretty much Ponch-centered.  One thing I noticed about this episode is that Getraer had absolutely no sympathy for Ponch, even though he believed Ponch was being set up.  Seriously, I get that Getraer has a lot to deal with but does he have to be a jerk all the time?

Next week …. Ponch and Baker continue to keep California safe!